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"text": "Hazy Portraits’ “Glue” is a recent track, released in 2025 and then resurfacing in a 2026 version credited with Luis Buenrostro, and even from that small public trail the song gives off a clear emotional logic. “Glue” is one of those titles that does a lot of work. It suggests attachment, residue, repair, and dependence all at once. That makes it especially strong for a song operating in an intimate indie lane, because glue is not a romantic metaphor in a grand, abstract sense. It is practical, sticky, imperfect. It holds things together, but it also leaves traces. The available artist pages suggest a very small emerging project rather than a heavily documented act, which gives the song a certain freshness. It feels less like a catalog entry from an established machine and more like the beginning of a voice building itself in public. In that context, “Glue” reads as a song about whatever keeps people, memories, or versions of the self from fully coming apart. The title’s plainness is part of its power. It sounds domestic and emotional at the same time, which often makes for the most quietly affecting songs.\nListen: https://open.spotify.com/track/0EK1Jhg6H1rmUS0pINUDyT"
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"text": "New from Seattle duo Caitlin and Brent!\n\n\"The rich sonics, the exquisitely artful war of romantic vocal interplay between composer / songwriter Caitlin Sherman and Brent Amaker, the baritone frontman for the country & western indie rock group Brent Amaker and the Rodeo, is joyfully dreamy.\" --American Pancake (https://tinyurl.com/33e4tjcj)\n\nWatch the official video here: https://www.youtube.com/watch?v=1T7lXIKSf7o\n\nCaitlin and Brent are playing live in KEXP's studio this Friday April 10 at 11AM! It's open to the public, come catch it!"
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"text": "Wisp’s “Your Face,” released on April 4, 2023, was one of the earliest songs to establish the San Francisco artist as a striking new voice in contemporary shoegaze. The Bandcamp page tags it as “grungegaze” and “shoegaze,” and that hybrid label makes sense. The song has the blur, drift, and emotional suspension associated with classic shoegaze, but it also carries a heavier undertow, something bruised and bodily beneath the shimmer. The title is deceptively simple, which is part of its power. In a genre often drawn toward abstraction, “Your Face” centers memory in the most direct way possible: not a concept, not a fantasy, but a presence. That specificity gives the surrounding haze more emotional leverage. Wisp’s best work makes texture feel personal rather than ornamental, and this track is an especially clear example. The guitars bloom outward, the mood deepens, and yet the song never disappears into its own atmosphere. It keeps returning to the trace of another person, to the way intimacy can persist as image long after it has become unreachable. That is what gives “Your Face” its haunting pull.\nListen: https://wispmusic.bandcamp.com/track/your-face"
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"text": "Ringlet are an Oakland band made up of Jordan, Seth, Derek, Jacob, and Brad, and “Relax” feels immediately shaped by that full-band physicality. Even before hearing much beyond the title and the Bandcamp presentation, the song gives off the kind of tension that makes the word “relax” sound less like reassurance than command, plea, or irony. That kind of title often works best when the music refuses to fully settle, and Ringlet seem well suited to that push-pull. Their local grounding and group identity suggest a project built on live interplay rather than solitary abstraction, which gives “Relax” extra bite as a phrase. It implies friction, maybe nervous energy held inside a groove, maybe an attempt to calm down that only draws more attention to the pressure underneath. In that sense, the title becomes the song’s emotional center. “Relax” reads like a track interested in instability, in the mismatch between what the body is told and what it is actually feeling. That makes it instantly compelling.\nListen: https://ringlet.bandcamp.com/track/relax"
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"text": "From Portland, Oregon!\n\nGraham Jonson’s new album 'quickly, quickly' sounds like the basement in which it was made. A tiny ground-level window looks out onto the rainy N Portland streetscape outside, while a set of \"dumb gamer lights\" left over from the producer's teenage years provide one of the few sources of illumination in a room whose blood-red carpet makes it look like a place you’d expect to see the evil spirits from Twin Peaks congregate.\n\nAccording to Jonson, there is a ghost down there, but he’s harmless.\n\n\"He’s a chill guy,\" says the 25-year-old musician, \"but he doesn’t really come into the room. It’s mostly a joke, but sometimes I’ll see him out of the corner of my eye. He usually just runs past the doorway.\" \n\nOf \"Enything,\" Johnson shares: \"I wrote this song from a fictional place of dumb love. There is a place you can find yourself in where you are so infatuated with a person you would do anything to impress them, even to a fault, drastically changing yourself to match the idea of someone you barely know. That is what I tried to embody on this one.\" \n\nhttps://tinyurl.com/4enss2py"
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"text": "BADVRIL’s “Hell” comes from In Heaven, a March 14, 2025 release that places the song inside a record already framed by stark emotional contrasts: heaven and hell, warmth and estrangement, closeness and psychic distance. The band’s Bandcamp catalog suggests a project rooted in shoegaze and alternative rock, but “Hell” stands out because it does not treat distortion as decoration. Instead, the weight of the guitars and the density of the mix feel like part of the song’s emotional argument. Even the album title hints at BADVRIL’s strength: the ability to make opposites bleed into one another until comfort and damage occupy the same space. “Hell” reads as the darker pole of that tension. It sounds bruised and inward, but not inert. There is motion in it, the sense of somebody trying to push through numbness while still trapped inside it. That gives the track a strong pull. It is heavy without becoming blunt, melodic without becoming soft, and emotionally legible without overexplaining itself.\nListen: https://badvril.bandcamp.com/track/hell"
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"text": "Seattle's Chinese American Bear with a song from their upcoming album 'Dim Sum & Then Some' due out May 8th.\n\nPlaying The Independent in SF on Sunday, July 19th, and Neumos in Seattle on Saturday, July 25th.\n--\nThe husband-and-wife duo of duo of Anne Tong and Bryce Barsten will release their debut album on May 8th.: https://chineseamericanbear.bandcamp.com/album/dim-sum-then-some"
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"text": "ulyssescfm’s “Wake” arrived in October 2022 and sits within a small but evocative Bandcamp discography that includes tracks like “Tomorrow,” “Friends,” and “Wolves.” That surrounding catalog matters because it suggests an artist working in a dream-pop and shoegaze-adjacent emotional language, where songs feel less like blunt statements than states of mind. “Wake” is a perfect title for that kind of music. It can imply emergence, grief, aftershock, or the suspended moment between sleep and clarity. The track feels shaped by that ambiguity. Rather than using atmosphere to blur meaning entirely, ulyssescfm seems to use softness and drift as ways of deepening feeling. The result is intimate without becoming fragile. The song carries the inward pull of bedroom recording and the expansive emotional glow associated with gaze-heavy indie music, making it feel personal but not small. “Wake” works because it stays unresolved in the right ways. It hovers between recovery and disorientation, turning the act of waking up into something both tender and faintly destabilizing.\nListen: https://ulyssescfm.bandcamp.com/track/wake"
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"text": "Spiritual Cramp have built their identity around urgency: punk velocity, post-punk sharpness, new wave hooks, and a distinctly San Francisco sense of style and defiance. “Young Offenders,” released ahead of their second album RUDE, carries all of that momentum while also reading as a love letter to the city that shaped them. The band themselves described the song as dedicated to “all the day ones,” and that spirit runs through the track. It is fast, wiry, and charismatic, but it also feels affectionate toward the communities, scenes, and friendships that give punk its continuity. Spiritual Cramp have always understood that rebellion is not only destruction; it is also belonging, memory, and coded recognition. “Young Offenders” turns that insight into something taut and infectious. The guitars slash, the rhythm section drives hard, and the vocal delivery has the clipped swagger that makes the band so effective, but beneath all of that is a song about origin and allegiance. It does not romanticize youth so much as document the stubborn energy that survives it. The result is one of those songs that feels street-level and expansive at the same time, a local anthem with enough electricity to travel far beyond its home turf.\nListen: https://open.spotify.com/track/3jV5X4Baco8HH9JLtmu43K"
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"text": "A cut from the only album from British Columbia artist Nell Smith, released posthumously after her death in 2024.\n\nWatch the music video:\n\nhttps://www.youtube.com/watch?v=kDWpRdgin1s"
}
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"text": "Los Vampis are a Sacramento band working in the rich tradition of rock en español, but “Lo Siento” shows they are not simply recreating familiar forms. The group’s recent rollout places the song alongside a newer phase of their catalog, and the track’s title immediately points toward apology, regret, and unresolved feeling. Those themes sit naturally inside the broader language of Latin alternative rock, where emotional directness and melodic drama often travel together. What makes “Lo Siento” appealing is the sense that the band understand that lineage while still sounding like a contemporary group shaped by friendship, community, and the digital underground. Their own self-description emphasizes that they began as friends united by a love of rock en español, and you can hear that devotion in how the song balances intimacy and sweep. It feels handmade rather than over-engineered. The emotional center is clear, but the band do not overplay it; they let arrangement, tone, and pacing carry much of the ache. “Lo Siento” has the pull of a confession and the energy of a band still expanding its reach, which gives it a freshness beyond its familiar themes. It is heartfelt, tuneful, and full of promise.\nListen: https://www.youtube.com/watch?v=8f1Q1nQd8GQ"
}
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"name": "Au Go Go"
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"comments": [
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"text": "Vancouver!\n\nhttps://cubtheband.bandcamp.com/track/new-york-city\n\nCheck out the music video for New York City here: https://www.youtube.com/watch?v=6I_rRJJtEvk"
}
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