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"text": "This track was Kevin's #1 album, song, and anthem of 2024!!! It was also featured on his episode of the Runcast podcast, \"Overtaking your Shadow,\" which you can check out here: https://tinyurl.com/yv8rvf5u\n\nThe second full-length album from Brimheim – the alias of Malmö, Sweden-based Danish-Faroese artist Helena Heinesen Rebensdorff – is a revelatory set of arty, emotional, expansive alt-pop that consistently packs a gritty, grungy punch, yet also delivers delicate, crystalline, and deceptively groovy moments.\n\nCohesively held together by her stunning, soaring vocals, RATKING is a cathartic record that she wrote \"as a way to understand the intense emotional pain of my youth,\" ultimately finding liberation in her own self-worth. https://tinyurl.com/mmwhvmcm"
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"text": "Chicago duo Gilligan Moss, friends since the age of 3, have been making music together for a decade. As their star has grown, so has their cohesion and production skills, which is apparent with \"Do It For Yourself.\"\n\nFeaturing aromatic vocals from London’s Pollena, the track has incredibly infectious drums and builds and layers to create pure house music bliss. https://tinyurl.com/4bpj6sp9"
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"text": "Dave Gahan told Gear Magazine in 1998, \"[The song] is about fucking and that's it. Hey, is it my turn or your turn? Who's driving tonight, honey?\"\n\nMartin Gore said in Bong issue no. 37, 1998, \"I still really like that track. I remember when we finished it we went to the Montreux Pop Festival in Switzerland [in May 1987] before it was released and we performed it there. I remember being really pleased with it and it was so different to anything else at the festival.\"\n\nAlan Wilder wrote in his 86-98 editorial in 1998: \"The entire concept for the single release of 'Behind The Wheel' is centred around the theme of motor travel, from the opening sample of a spinning saucepan lid designed to sound like a hub-cap.\"\n\nOn performing it in California, Wilder reveals, \"It was a good track to start the evening with, because it's a fast, new and well known song. On the night we played in Pasadena I was even more nervous than usual, partly because of the crowd of 70.000 people, but mostly because of it being filmed and recorded, and I was wondering if everything would turn out okay. On stage, I had a bad reception, I could not hear myself sing. And then it started to rain a bit. Fortunately, it did not last long and it did not compromise our gear.\" https://tinyurl.com/yzxayjr9"
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"text": "At the end of their set during weekend one of this year’s Coachella Music Festival, Belfast rap trio Kneecap used the jumbotron to project a series of messages that read, \"Israel is committing genocide against the Palestinian people. It is being enabled by the US Government who arm and fund Israel despite their war crimes. Fuck Israel, Free Palestine.\"\n\nAccording to the band, these messages were censored from the American livestream along with a portion of their set. https://tinyurl.com/2rmvkjxr\n\nThe group has been at the centre of public debates about free speech and the expression of political opinions within Ireland and the UK. Their themes focus on working class Belfast youth culture, Irish republicanism, and Irish language rights. In concert, they have made statements supporting Palestinian nationalism and condemning the Gaza genocide. Their name is derived from the extralegal punishment attacks meted out by Northern Ireland paramilitary groups.\n\nThe name Kneecap is a word play, referring to both the practice of kneecapping, a punishment of gunshots to the knees which Republican paramilitaries would inflict on what they described as \"political\" and \"normal\" criminals, including drug dealers and others, as a form of vigilante justice, and the Irish phrase \"ní cheapaim\" (which sounds like \"kneecap him\"), meaning \"I don't think so.\"\n\nMóglaí said it is intentionally ironic that a group with the name Kneecap sings \"about things that would get us kneecapped\", such as drugs.\n\nThe stage name Mo Chara in Irish means \"my friend,\" Móglaí Bap refers to the singer being noted for his bowl haircut as a kid, reminiscent of the character Mowgli in the cartoon The Jungle Book, and DJ Próvaí comes from the Provisional IRA. https://tinyurl.com/58uwjh6k"
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"text": "Playing The Rickshaw Stop in SF on Thursday, August 7th, the NYC duo Fcukers have unveiled \"Play Me,\" an irresistable electro-pop single co-written and produced by Kenneth Blume (formerly Kenny Beats), out now via Ninja Tune. \n\nShanny Wise shot the accompanying video, which you can catch here: https://tinyurl.com/448ks3c8"
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"text": "Seattle band Packaging is the duo of Daniel Lyon (Spirit Award) and Daniel \"Connor\" Birch (Flaural).\n\nOf their formation,Birch reveals, \"Packaging was something both Daniel and I had wanted to do after recording pieces of Spirit Award’s Neverending in Denver 2016. I think the hope to work on something together in the future really started then, and a surplus of free time during the pandemic gave us that initial opportunity.\n\n\"The first session, Daniel visited Denver, we worked 12-plus-hour days, and both stayed full-time at the studio writing together and often with members of Flaural. It felt fruitful right away, and so we just kept at it. That circle of collaborators grew quite quickly as we wanted to continue to work with friends and people we admire. We feel lucky for each person [who] collaborated on the record. So thanks and love to them!\" tinyurl.com \nhttps://tinyurl.com/y7k2ckcc\n\nCheck out this new video featuring Daniel running all over Seattle, and even rowing in the Puget Sound! https://tinyurl.com/a8rk7xmv"
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"text": "Originally recorded in 1978 for the band's aborted self-titled album, it was later re-recorded the following year at a faster tempo and released by record label Factory as the band's debut single.\n\nThe song was performed once by the band on television, for the BBC Something Else programme. Twenty seconds of the song is shown in the movie Control (2007), directed by Anton Corbijn, a film based on the biography of Ian's wife, Deborah Curtis's Touching from a Distance.\n\nOf this song, Peter Hook said, \"The first time I noticed anything different was when we’d written a song that weekend. And we had a gig on the Thursday, so we thought we’d play that song at the gig,\n\n\"We played the new song, which was 'Transmission' - and everyone in the whole place stopped literally what they were doing to listen and to turn round and watch us. It was an absolutely bizarre moment. It really made the hair on your arms stand up and shivers down your spine.\" https://tinyurl.com/3r9n9bjb"
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"text": "After Automatic finished touring around their last record, 2022’s Excess, each member of the LA trio pursued their own interests: Izzy Glaudini (synths, vocals) honed her skills as a producer; Halle Saxon Gaines (bass, vocals) enrolled in botany classes; and Lola Dompé (drums, vocals) got married, moved to the country, and began caring for horses.\n\nProduced by Loren Humphrey (Cameron Winter, Nice As Fuck, Arctic Monkeys), the describes the new album as \"deviant pop.\" \n\nOf the track, Glaudini reveals, \"The thing I think about the most on a day-to-day basis is: how do you have a sense of joy while the world seems to be collapsing, and you feel so powerless?\n\n\"I feel like, as American citizens, we have a responsibility to pull the levers to stop the machine. 'Is It Now?' is about trying to not feel like a victim in this environment. It’s important to still feel a sense of joy, even amongst all the horrible shit going on in the world.\" https://tinyurl.com/mr4yj6zc"
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"name": "Drone:Nodrone (JOYCUT “Anti‐Gravitational” remix)"
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"text": "JoyCut's beautiful and haunting Anti-Gravitational remix of \"Drone: No Drone,\" which comes from Mixes of a Lost World, the third remix album by The Cure.\n\nThe album features 24 remixes of songs from the band's 2024 album Songs of a Lost World. The band announced that all of its recording royalties of \"Mixes of a Lost World\" will benefit the charity War Child UK, that supports children living with the effects of war and conflict.\n\nJoyCut is an Italian electronic, dark wave, post-rock band based in Bologna. Their music includes a weaving of powerful sonic moments using a mass of electronics, orchestral breathings, cinematic saturations, tribal drumming, and industrial percussion with found objects from the urban landscape.\n\nThe band practice a green philosophy, and all of their production is 100% tied to a sustainable future. Frontman Pasco Pezzillo believes everyone’s responsibility as citizens is to speak out on issues of climate change, and that ties into their responsibility as a band to be vocal and implement real, tangible solutions towards sustainability.\n\nThe band spoke in-depth with Kevin Cole about climate change, which you can revisit here: https://tinyurl.com/bsukp7bs \n\nIn 2023, JoyCut performed a blisteringly glorious set for us in our Live Room here at KEXP; check it out here: https://tinyurl.com/27nbr2u6"
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"text": "Tom Rowlands, one half of the Chemical Brothers, is back with his first solo release since 2013. The double A-side single \"We Are Nothing\" / \"All Night\" features all the bombastic, frenetic drum programming you could want from a guy who helped to define a subgenre called big beat, though few would confuse it with his best-known ChemBros work. https://tinyurl.com/2yst5aww\n\nHeavily road-tested across the world in Chemical Brothers DJ sets, \"We Are Nothing\" is built around a sample of Canadian outsider artist and poet Bill Bissett. https://tinyurl.com/5d8k4v72"
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"text": "Of this track, Kevin Parker has announced, \"A new era begins. This is the first thing I want you guys to hear. I give you End Of Summer.\"\n\n\"As is tradition, go and find your favorite sound system. The video was shot in a place even dustier than my drum sounds. Hope you like it. Off we goooooo.\"\n\n\"End of Summer\" marks Tame Impala’s first new track since 2023, when Parker dropped songs on the soundtracks for Barbie (\"Journey to the Real World\") and Dungeons & Dragons: Honor Among Thieves (\"Wings of Time\").\n\nParker remained busy outside the outfit, however, serving as a producer on Dua Lipa’s Radical Optimism and collaborating with Justice, a pair of dance projects that now seem to foreshadow Tame Impala’s current musical direction. https://tinyurl.com/4ukc3b66\n\nYou can catch the aforementioned Julian Klincewicz-directed video here: https://tinyurl.com/ymz5kkus"
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