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                    "text": "#10 on KEXP Listeners' Top Voted Albums of 2025!\n\nBehold, JoyCut's beautiful and haunting Anti-Gravitational remix of \"Drone: No Drone,\" which comes from Mixes of a Lost World, the third remix album by The Cure. The album features 24 remixes of songs from the band's 2024 album Songs of a Lost World.\n--\nJoyCut is touring!\n-May 5th @ Seattle's Neumos\n-May 7th @ Portland's Hawthorne Theater Lounge\n-May 10th @ SF's The Independent\n--\nJoyCut spoke in-depth with Kevin Cole about climate change, which you can revisit here: https://tinyurl.com/bsukp7bs \n\nIn 2023, JoyCut performed a blisteringly glorious set for us in our Live Room here at KEXP; check it out here: https://tinyurl.com/27nbr2u6"
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                    "text": "MWSOG is an ever flowing collective based in South Wales, whose unique blend of ancient Welsh folklore, mysticism, and modern psychedelic textures has captivated audiences and critics alike. \n\nSince debuting at All Roads Festival, headlining a sold-out show at The Globe in Cardiff, and curating an exhilarating evening of audio visual ritual & performance at CULTVR, their live performances have quickly earned a reputation for being utterly electrifying and totally unmissable."
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                    "text": "Hailing from Cardiff, Wales, UK. Formed by James Joseph (formerly of Holding Absence) and James Biss (formerly of Frown Upon). With their roots in the vibrant music scene of Cardiff, James And The Cold Gun have quickly gained recognition for their energetic live performances and powerful songwriting.\n--\nTouring!\n-April 28th @ Portland's Theater of the Clouds, Moda Center\n-April 29th @ Seattle's WAMU Theater\nMore dates & locales here: https://jamesandthecoldgun.com/live"
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                    "text": "The band says, “When we started writing ‘Straight Men’, it all started as a bit of a laugh in all honesty,” continues Hall. “I have a group of gay men outside a nightclub to thank for the hook ‘I’m really f****** scared of straight men’.  \n\nIt stuck with me for a while as I couldn’t quite shake it off. I think about the term ‘straight men’ and the feelings that arise, and how we really need to do better to achieve a shift in culture and change the universal experience that too many people face each day. If you sit by while your friend is being intimidating and outright inappropriate, you’re complicit in their behaviour. Call it out.”\nhttps://alcopop.bandcamp.com/album/straight-men\n\nMusic video (warning: flashing lights): https://www.youtube.com/watch?v=afwpGbPxDGA"
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                    "text": "On this day in 1990, The House of Love release 'The House of Love' featuring \"Shine On,\" \"Beatles and the Stones\" and \"I Don't Know Why I Love You.\" \n--\nWhen this song, written and sung by Guy Chadwick, was released, one critic described it as \"\"pleading, bleeding pop genius.\" \n--\nSee The House of Love perform the song live in Boston in 2022: https://www.youtube.com/watch?v=RaUewqPBVWw"
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                    "text": "The Vermont-based singer/songwriter Liz Cooper made her third album during a period of intense self-discovery and reinvention. She moved to New York for the first time, weathered a pandemic, came out to herself after falling in love with a friend, and experienced her first queer relationship and breakup, all in the course of a few years. \n\nNew Day marks both a personal and a musical revolution for Cooper – a plunge into psychedelic pop depths and a fullhearted reflection of a whirlwind chapter in her life. These songs scintillate with the kind of self-confidence that only beams through after you’ve aimed a sharp gaze inward and realized that whatever you see will always keep darting ahead of you.\nhttps://grandstandhq.com/artists/liz-cooper/\n--\nTouring!\n-March 22nd @ Berkeley's Cornerstone\n-March 25th @ Seattle's Sunset Tavern\n-March 26th @ Portland's Mississippi Studios\n-March 27th @ Boise's Treefort Music Fest\n\nMore dates & locales here: https://lizcoopermusic.com/tour"
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                    "text": "New music from Ratboys!\n\n\"Despite its title, Ratboys’ new album Singin’ to an Empty Chair is not defined by what’s missing. Rather, it’s the beginning of an important dialogue with a close loved one vocalist Julia Steiner finds herself estranged from. The music on the band’s sixth studio album – its first for New West Records – fills the space that person left behind with 11 songs showcasing Ratboys at the peak of their powers — twangy, effervescent, as confident as they’ve ever been, and perhaps more emotionally interrogative than ever before.\"\n\nhttps://ratboys.bandcamp.com/album/singin-to-an-empty-chair"
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                    "text": "On this day in 2001, Life Without Buildings release their first and only studio album Any Other City! \n\nNamed after a track by the influential English band Japan, this Glaswegian band featured visual artist Sue Tompkins on vocals. The band broke up after one album.\n\nTheir music valued invention, risk, wonder, imagination, and—perhaps above all other virtues—fun. And like very few bands, they were smart enough to walk away as soon as the fun stopped.\n\n\"When the band began, of course none of us really thought anyone would be interested, so there wasn't anything at stake,\" guitarist Robert Johnston recalled about a decade after their amicable break-up. \"For Sue, I think it turned from a laugh into being a commitment she'd never signed up for.\"\n\n \"I remember one [review] that said only mad people could like us,\" drummer Will Bradley said years later. \"I was happy with that. Not long afterwards, we seemed to get a lot of guys coming to our gigs with fresh head wounds, like unstitched lobotomy scars.\" https://tinyurl.com/wfv82fv7"
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                    "text": "The Oslo-based producer reveals, “I didn’t really sing until I started making beats. That was the first time I heard my own voice, so I was kind of scared of it.\n\n\"But I was so free at the time. I didn’t have any expectations on who was going to listen to it. It was just ‘la la la’ and then upload, the process was not complicated. I could use a bit of that mindset now, for sure.\"\n\nOf the reality of releasing music today, she advises, \"You have to try to break through the noise. It’s impossible to be free from that pressure if your ambition is to make a living from music, which is such a cursed blessing to be able to do.\n\n\"I’ve been lucky not to have thought too much about that while I’m creating, but it is definitely distorting the relationship I have with my craft. I think many artists can relate to that.\" https://tinyurl.com/532zmf3e\n--\nWatch the official video here: https://youtu.be/CTvVCzrqGIM?si=M_CpvkMgblnEkq9t"
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                    "text": "Electronic is the debut studio album by the British group Electronic, consisting of Bernard Sumner, the former guitarist and keyboardist of Joy Division and the lead singer and guitarist of New Order, and Johnny Marr, the former guitarist of the Smiths. It was first released in May 1991 on the Factory label.\n\nThe bulk of Electronic was written in 1990, with sessions beginning that January at Johnny Marr's home studio in Manchester. \"Gangster\" dated from an aborted solo album that Bernard Sumner had begun working on in the mid-eighties, while \"Reality\" was written around 1988 when he and Marr first began working together.\n\n\"The Patience of a Saint\" also predated the album, having been written with Pet Shop Boys soon after their collaboration with singer Neil Tennant on \"Getting Away with It\" in 1989. \nhttps://tinyurl.com/5n6cfzva"
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