GET /v1/play/?format=api&offset=19440
HTTP 200 OK
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Content-Type: application/json
Vary: Accept

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                "name": "Air break"
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        {
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                "name": "Media play"
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                "name": "Horizon",
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                "name": "7\" 45 RPM",
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                "smallimageuri": null
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                "releaseeventid": 1506133058,
                "year": 1980
            },
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                "name": "Give It Up"
            },
            "label": {
                "labelid": 623933051,
                "name": "Shine Records"
            },
            "comments": [
                {
                    "commentid": 966171908,
                    "text": "San Antonio group Horizon released \"Give It Up\" as a b-side to \"You Went Away\" on Shine Records in 1980\n\nBoogie funk modern soul band Horizon competed and won in 1981 during the battle of bands, \"South Texas August Jam '81\". They gained recognition by the audience and the media. Around September 1981 their release \"Try My Love Again\" was introduced, and towards 1982 they performed with The Commodores, Tierra and Carl Carlton."
                }
            ],
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        },
        {
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                "name": "Media play"
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                "name": "Fast Freddie the Roller Disco King",
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                "name": "Fast Freddie the Roller Disco King"
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                "labelid": 1840491422,
                "name": "T.K. Disco"
            },
            "comments": [
                {
                    "commentid": 1683515995,
                    "text": "The Imperials released \"Fast Freddie the Roller Disco King\" and b-side \"I Just Wanna Be Your Lovin' Man\" in 1979. \n\nFast Freddie the Roller Disco King was a 12-inch single by Little Anthony and the Imperials (as The Imperials), featuring Prince on guitar, synthesizer and keyboards. The basis of the song was recorded by Prince, Pepé Willie and André Cymone at Sound Palace Studios, New York, NY, USA. Vocal and instrumental overdubs were added later by Little Anthony and the Imperials. The b-side of that single is an early version of the track 10:15, called I Just Wanna Be Your Lovin’ Man. It is unclear if Prince appears on that version too as a guitarist, like on Fast Freddie the Roller Disco King."
                }
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        },
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            "playtype": {
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                "name": "Media play"
            },
            "airdate": "2025-07-21T01:16:44Z",
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                "name": "Raja Zahr",
                "islocal": false
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                "name": "Journey Into Ryhthm",
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                "year": 1982
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                "name": "Drum’n On"
            },
            "label": {
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                "name": "[no label]"
            },
            "comments": [
                {
                    "commentid": 1089276837,
                    "text": "Raja Zahr released \"Drum'n On\" in 1982 on the album Journey Into Ryhthm.\nRaja Zahr is a USA-based Lebanese drummer and producer who also produced the Arab world’s first music video."
                }
            ],
            "showid": 64068
        },
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            "playtype": {
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                "name": "Air break"
            },
            "airdate": "2025-07-21T01:14:38Z",
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            "playtype": {
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                "name": "Media play"
            },
            "airdate": "2025-07-21T01:10:37Z",
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            "epoch_airdate_v2": "/Date(1753060237000)/",
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                "name": "Sister Sledge",
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                "name": "Love Somebody Today",
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                "year": 1980
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                "name": "You Fooled Around"
            },
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                "name": "Cotillion"
            },
            "comments": [
                {
                    "commentid": 216038556,
                    "text": "Sister Sledge released \"You Fooled Around\" on Love Somebody Today, the group's fourth studio album, on March 16, 1980, by Cotillion Records.\n\nSister Sledge was an musical vocal group from Philadelphia, Pennsylvania. Formed in 1971, the group consists of sisters Joni, Kim, Debbie, and Kathy Sledge. The siblings achieved international success at the height of the disco era.\n\nIn 1979, they released their breakthrough album We Are Family, which peaked at number three on the Billboard 200 and included the 1979 US top-10 singles \"He's the Greatest Dancer\" and \"We Are Family.\" \"We Are Family\" earned a Grammy Award nomination for Best R&B Performance by a Duo or Group with Vocal."
                }
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                "name": "Media play"
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            "epoch_airdate_v2": "/Date(1753059973000)/",
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                "name": "Ernest Ranglin",
                "islocal": false
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                "name": "Be What You Want Be",
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                "year": 2019
            },
            "track": {
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                "name": "Be What You Want to Be"
            },
            "label": {
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                "name": "Emotional Rescue"
            },
            "comments": [
                {
                    "commentid": 725220936,
                    "text": "Ernest Ranglin originally released \"Be What You Want to Be\" in 1983 on the album From Kingston JA To Miami USA with the Vista Sounds label. Emotional Rescue reissued it in 2019.\n\nErnest Ranglin was a Jamaican guitarist. He helped give birth to the ska phenomenon in the 1950s and recorded lots of records with lots of musicians from Jamaica and the Bahamas. In 1964 he became resident jazz guitarist at Ronnie Scott's jazz club in London (UK) for 9 months, thus beginning his international career.\n\nhttps://emotional-rescue.bandcamp.com/album/be-what-you-want-to-be"
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                "name": "Media play"
            },
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            "epoch_airdate_v2": "/Date(1753059760000)/",
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                "name": "Hank Crawford",
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                "name": "I Hear a Symphony",
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                "year": 1975
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            "track": {
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                "name": "Madison - Spirit, the Power"
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            "label": {
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                "name": "Kudu"
            },
            "comments": [
                {
                    "commentid": 2067779556,
                    "text": "Hank Crawford released \"Madison - Spirit, the Power\" on I Hear a Symphony, Crawford's sixteenth album overall, and his fifth released on the Kudu label in 1975.\n\nBennie Ross \"Hank\" Crawford, Jr. was an alto saxophonist, pianist, arranger and songwriter whose genres ranged from R&B, hard bop, jazz-funk, and soul jazz. Crawford was musical director for Ray Charles before embarking on a solo career releasing many well-regarded albums for labels such as Atlantic, CTI and Milestone."
                }
            ],
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        {
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                "name": "Media play"
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            "airdate": "2025-07-21T00:57:28Z",
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            "epoch_airdate_v2": "/Date(1753059448000)/",
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                "name": "freekind.",
                "islocal": false
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                "name": "Since Always and Forever",
                "largeimageuri": "https://dn721905.ca.archive.org/0/items/mbid-2f3d4fbd-f655-44b0-8f70-28ed26fe865b/mbid-2f3d4fbd-f655-44b0-8f70-28ed26fe865b-37247186919_thumb500.jpg",
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                "year": 2023
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                "name": "Visualize"
            },
            "label": {
                "labelid": 1583615327,
                "name": "Butter92"
            },
            "comments": [
                {
                    "commentid": 852399582,
                    "text": "Rooted in a shared love for jazz, soul, and hip-hop, their path began with casual jams and slowly unfolded into a project grounded in meaning and mindfulness. \n\nThis soulful duo is composed of Croatian pianist/vocalist Sara Ester Gredelj and Slovenian drummer Nina Korosak-Sercic. The two budding musicians met while studying at the famous Austrian University of Music and Performing Arts Graz [Kunst-Universitat Graz (KUG)].\n\nSince their debut EP Not Good Enough (2019), they’ve released the album Since Always and Forever (2023) and the EP Good News (2024). These projects explore themes of self-acceptance, love, vulnerability, and optimism, with a sound that shifts between soothing melodies and vibrant grooves.\n\nfreekind. is devoted to creating music that reflects their own evolution and pursuit of inner harmony, while inspiring others to embrace their own journeys of healing and connection. They are currently directing their spirit into their next project. https://tinyurl.com/4u6wrfnd"
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        {
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                "name": "Media play"
            },
            "airdate": "2025-07-21T00:55:13Z",
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                "name": "Saba & No ID feat. Madison McFerrin, Ogi & Jordan Ward",
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                "name": "From the Private Collection of Saba and No ID",
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                "year": 2025
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                "name": "head.rap"
            },
            "label": {
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                "name": "[no label]"
            },
            "comments": [
                {
                    "commentid": 1142118735,
                    "text": "Saba will perform at Seattle's Bumbershoot Music and Arts Festival on Sunday, August 31st.\n\nOn the sweet and contemplative \"head.rap,\" Chicago rapper Saba talks about Black hair and about his decision to grow out his dreadlocks.\n\nSingers Madison McFerrin, Ogi, and Jordan Ward all appear on the track.\n\nIn the music video, directed by Ian Lipton and Saba, multiple textures and styles of Black hair are on display. https://tinyurl.com/bdcttmdv"
                }
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        },
        {
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                "name": "Media play"
            },
            "airdate": "2025-07-21T00:52:40Z",
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                "name": "Little Simz feat. Obongjayar",
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                "name": "Lotus",
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                "name": "Lion"
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                "name": "AWAL Recordings, AWAL Recordings Ltd"
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            "comments": [
                {
                    "commentid": 778194014,
                    "text": "Lotus is the sixth studio album by English rapper Little Simz, and features guest appearances from Obongjayar, Moonchild Sanelly, Lydia Kitto, Moses Sumney, Miraa May, Yukimi Nagano, Wretch 32, Cashh, Michael Kiwanuka, Yussef Dayes, and Sampha.\n\nLotus marks the rapper’s departure from longtime collaborator Inflo who produced and co-wrote her last three albums, as well as his wife, singer Cleo Sol who did vocals on these albums.\n\nWhile Little Simz and Inflo had already started the process of recording a new album, they got into a financial conflict, in which she sued him for a total of £1.7 million of loans he allegedly owed her.\n\nShe scrapped the new albums she had been working on with Inflo and started collaborating with Miles Clinton James (known for producing Kokoroko) on Lotus.\n\nAlthough Inflo is never explicitly mentioned on the album, his conflict with the rapper appears to have had a great influence on the album’s lyrics and atmosphere.\n\nAs Guardian journalist Lanre Bakare puts it, \"Lotus feels like a breakup record of a sort, not romantic but still deeply personal, as the Simz/Inflo partnership is pulled apart and dissected.\" https://tinyurl.com/4kkb776v"
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                "name": "Air break"
            },
            "airdate": "2025-07-21T00:50:25Z",
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                "name": "Media play"
            },
            "airdate": "2025-07-21T00:46:39Z",
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                "name": "Purity Ring",
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                "name": "purity ring",
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            },
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                "year": 2025
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            "track": {
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                "name": "place of my own"
            },
            "label": {
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                "name": "The Fellowship"
            },
            "comments": [
                {
                    "commentid": 1546364324,
                    "text": "Playing The Warfield in SF on Tuesday, October 14th and The Showbox in Seattle on Thursday, October 16th\n\nThe electro-pop Edmonton, Alberta-based duo consists of members Corin Roddick and Megan James.\n\nOf this track, the duo share, \"This is one of those songs that came into being with ease and immediacy. We were in a hazy forest in the mountains, and the beat felt just like the cloud we were in. It was succinct and ready for the type of lyrics that imbued places we dream of, places we wish we could exist in, places we see everyday but are just out of reach.\n\n\"In the end, this song is meant as a sort of spell in the way that maybe we can reach these places if we watch our steps carefully, if we take the time to build them for ourselves.\""
                }
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                "name": "Media play"
            },
            "airdate": "2025-07-21T00:43:21Z",
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            "epoch_airdate_v2": "/Date(1753058601000)/",
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            "artist": {
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                "name": "Coral Grief",
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            "release": {
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                "name": "Air Between Us",
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            },
            "releaseevent": {
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                "year": 2025
            },
            "track": {
                "trackid": 1388081140,
                "name": "Avenue You"
            },
            "label": {
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                "name": "Suicide Squeeze Records"
            },
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                {
                    "commentid": 1681121906,
                    "text": "Coral Grief’s new full-length, Air Between Us, is a motorik dream pop opus from the emerging staple of the Seattle scene.\n\nSinger and bassist Lena Farr-Morrissey, who grew up in South Seattle, knows that being impacted by a changing hometown isn’t unique, but doesn’t shy away from getting sentimental.\n\nFarr-Morrissey confides, \"My good old city is someone’s nasty new one, and people will always lament what it used to be. Every time you leave and return home, it’s like a funhouse mirror. It’s not better or worse, it’s just different.\"\n\nIn these songs, she fixates on bygone places—the Baskin-Robbins of her childhood, the DIY show spaces she frequented in high school, the fish market (delightfully called Mutual Fish)—unceremoniously disappeared, inevitably replaced by box houses and brick facades. \n\n\"It’s all changed but the name,\" she sighs. https://tinyurl.com/awrzyctd"
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        {
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            "epoch_airdate_v2": "/Date(1753058378000)/",
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            "artist": {
                "artistid": 1422147876,
                "name": "Mary Lambert",
                "islocal": false
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                "releaseid": 222395848,
                "name": "The Tempest",
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            },
            "track": {
                "trackid": 2092654170,
                "name": "The Tempest"
            },
            "label": {
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                "name": "[no label]"
            },
            "comments": [
                {
                    "commentid": 134203164,
                    "text": "This is Mary Lambert's first new single in almost a decade. It was entirely produced by Lambert, who taught herself audio engineering and production during the Covid-19 pandemic.\n\nLambert shares, \"I took a virtual course on Shakespeare a few years ago, and I was reminded of the genius of so many plays. I wondered what it would be like to reinterpret some of my favorites with current issues in song.\n\n\"I read The Tempest and saw so many parallels of white cis men in positions of power parading their greed and thirst for power as somehow benevolent.\n\n\"My dear friend, Jake Woodruff from Defeater plays guitar on this one, and Kyla Moscovich, the Grammy-winning horn player, performed a killer trumpet solo in the bridge.\" https://tinyurl.com/ypvfs3nm"
                }
            ],
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        },
        {
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            "airdate": "2025-07-21T00:32:40Z",
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                "name": "James And The Cold Gun",
                "islocal": false
            },
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                "releaseid": 1943520575,
                "name": "Face in the Mirror",
                "largeimageuri": null,
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            "releaseevent": {
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            },
            "track": {
                "trackid": 229354115,
                "name": "Riding the Tiger"
            },
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            "comments": [
                {
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                    "text": "Happy Birthday to Stone Gossard!!!\n\nCardiff-based rock outfit James and the Cold Gun—dubbed \"South Wales' loudest group\"—have just dropped their new album via Loosegroove Records.\n\nFounded by Stone Gossard (Pearl Jam) and Regan Hagar (Malfunkshun, Brad, Satchel), Loosegroove has been a key platform for the band’s unique brand of high-octane garage-punk. Produced by the band and mixed by legendary producer Brendan O'Brien (Soundgarden, AC/DC, Pearl Jam, Red Hot Chili Peppers, Stone Temple Pilots, Incubus), Face in the Mirror was recorded at Seattle’s iconic Studio Litho and The Garage.\n\n\"James and the Cold Gun are a shot of pure adrenaline,\" says Gossard, who immediately signed the band after hearing them on KEXP and recognizing their undeniable potential. Lead vocalist James Joseph shares, \"It was written near the end of the album process and felt like an outlier—more melodic and atmospheric. Stone really connected with it, and we ended up layering more guitars and adding new bassist Gaby Elise on backing vocals to give it even more punch.\" https://tinyurl.com/mwzbk24\n\nThis track is featured on KEXP's newest Runcast, guest-hosted by your very own DJ Kevin Cole.  Check it out here, and run for your life!  https://tinyurl.com/27pmcmzv"
                }
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        {
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            "airdate": "2025-07-21T00:28:45Z",
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                "name": "Pearl Jam",
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            "release": {
                "releaseid": 2121243341,
                "name": "Yield",
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            },
            "releaseevent": {
                "releaseeventid": 1569568073,
                "year": 1998
            },
            "track": {
                "trackid": 1394655287,
                "name": "Do the Evolution"
            },
            "label": {
                "labelid": 2097627989,
                "name": "Epic"
            },
            "comments": [
                {
                    "commentid": 2071648624,
                    "text": "Happy Birthday to Stone Gossard!!!\n\nOf this track, Eddie Vedder states, \"That song is all about someone who's drunk with technology, who thinks they're the controlling living being on this planet. It's another one I'm not singing as myself.\" \n\nThe novel Ishmael influenced the writing of Yield. Vedder reveals, \"This Daniel Quinn book, Ishmael... I've never recommended a book before, but I would actually recommend it to everyone.\n\n\"This book is a conversation with a man and an ape. And the ape really has it all together. He kinda knows the differences between him and the man, and points out how slight they are, and it creates an easy analogy for what man has done, thinking that they were the end-all. That man is the end-all thing on this earth. That the earth was around even so much longer before the 3 million years. Fifty million years of sharks and all these living things.\n\n\"Then man comes out of the muck, and 3 million years later he's standing, and now he's controlling everything and killing it. Just in the last hundred! Which is just a speck on this line. So what are we doin' here? This is just a good reminder... And I'm anxious to see what happens. You know, I've got a good seat for whatever happens next. It'll be interesting.\" https://tinyurl.com/39af9s3w"
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        {
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                "name": "Air break"
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            "airdate": "2025-07-21T00:26:56Z",
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            "showid": 64067
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        {
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            "playtype": {
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                "name": "Media play"
            },
            "airdate": "2025-07-21T00:21:52Z",
            "epoch_airdate": 1753057312000,
            "epoch_airdate_v2": "/Date(1753057312000)/",
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            "artist": {
                "artistid": 627110436,
                "name": "Soundgarden",
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            "release": {
                "releaseid": 916284056,
                "name": "King Animal",
                "largeimageuri": "https://dn721908.ca.archive.org/0/items/mbid-d6bfbf6f-f046-469b-8c95-d73e7e6856ad/mbid-d6bfbf6f-f046-469b-8c95-d73e7e6856ad-3851340998_thumb500.jpg",
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            },
            "releaseevent": {
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                "year": 2012
            },
            "track": {
                "trackid": 662412423,
                "name": "Been Away Too Long"
            },
            "label": {
                "labelid": 1945095607,
                "name": "Universal Republic Records"
            },
            "comments": [
                {
                    "commentid": 2140424859,
                    "text": "Thinking of Chris Cornell, who was born on this day in 1964.\n\nChris Cornell stated that the title \"Been Away Too Long\" came to him in as he listened to the radio trying to sleep, as Soundgarden started preparing King Animal.\n\nHe forgot about it until another insomniac night by the end of production, where he decided to apply it to a song the band had been working on but still had no lyrics. As soon as Cornell started to write them, \"it became more autobiographical and it became real.\"\n\nHe compared \"Been Away Too Long\" to Eminem's \"'Without Me,' which is essentially telling the story of the making of the album and where he feels he exists in pop culture and that kind of thing.\"\n\nCornell revealed the track was \"more autobiographical and more of a look back at history in sort of a strange atmospheric way, the way that I write. But the initial spark of the idea did feel like it would be right in the narrative of, yes, we've been out, and we've been gone for 15 years, and now we're back. It's about time, and we still have something to say about rock music that no one else is saying and I feel confident about saying that.\" https://tinyurl.com/2hvdmfnc"
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        },
        {
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            "airdate": "2025-07-21T00:15:39Z",
            "epoch_airdate": 1753056939000,
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                "name": "Temple of the Dog",
                "islocal": true
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                "releaseid": 949584972,
                "name": "Temple of the Dog",
                "largeimageuri": "https://ia903202.us.archive.org/22/items/mbid-b0ce1c97-728d-379e-b3e1-2a4a1f6417b1/mbid-b0ce1c97-728d-379e-b3e1-2a4a1f6417b1-15135704076_thumb500.jpg",
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            },
            "releaseevent": {
                "releaseeventid": 2056365002,
                "year": 1991
            },
            "track": {
                "trackid": 836012050,
                "name": "Say Hello 2 Heaven"
            },
            "label": {
                "labelid": 1869765590,
                "name": "A&M Records"
            },
            "comments": [
                {
                    "commentid": 1129585342,
                    "text": "Thinking of Chris Cornell, who was born on this day in 1964.\n\nChris Cornell wrote \"Say Hello 2 Heaven\" as a tribute to his roommate and friend, Mother Love Bone vocalist, Andrew Wood. Temple of the Dog formed in 1990 in Seattle, conceived by Chris Cornell of Soundgarden as a tribute to his late friend, Andrew Wood.\n\nThe lineup featured members from both Mother Love Bone and Soundgarden, including Stone Gossard, Jeff Ament, Mike McCready, and Matt Cameron. Eddie Vedder, later the lead vocalist of Pearl Jam, also contributed vocals as a guest. https://tinyurl.com/4f2f69cb"
                }
            ],
            "showid": 64067
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}