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                "name": "Regal Zonophone"
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                {
                    "commentid": 475217136,
                    "text": "On August 30 in 1971, Fela Kuti and Africa '70 released \"Live!\" featuring former Cream drummer Ginger Baker on two songs including \"Let's Start.\""
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                    "text": "The song is a tribute to the artist Jean-Michel Basquiat. \n\nJamila Woods says of this song, \"It’s about how anger is supposed to look, or is expected to look. There’s definitely a usefulness and a beauty and a power to anger that I think doesn’t get talked about enough—especially with black women. It’s like the stereotype of angry black women causing trouble again and disrupting our comfort.\"\n\nhttps://jamilawoodsmusic.bandcamp.com/"
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                "name": "Air break"
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                "name": "Atlantic, Nice Life"
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                    "commentid": 1886060820,
                    "text": "Happy Pride Month!! \"A dance pop crooner with unmistakable Michael Jackson vibes, the song is a love letter to gyrating in a queer bar surrounded by LGBTQuties of every gender.\": https://www.them.us/story/lizzo-declares-everybodys-gay-on-new-song --"
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                    "text": "An Olympian collab! Last year, legendary producer Cerrone and Christine And The Queens both participated in the Parisian festivities, with \"Supernature\" playing during the Olympic Opening Ceremony and Christine performing at the Paralympic Opening Ceremony, which has since led to a collaboration between the two artists. https://tinyurl.com/eb833kx2\n\nMarc Cerrone is actually French, not Italian, though his parents were Italian immigrants. In the late ’70s, however, Cerrone emerged as a master of the icy, pulsing, synthetic dance sound known as Italo-disco. Cerrone’s 1977 epic \"Supernature\" is an absolute dancefloor classic that continues to show up in movie soundtracks all the time, most memorably in the wild dance-performance intro of Gaspar Noé’s Climax. https://tinyurl.com/eb833kx2"
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                    "text": "According to reports, The Beatles have quite a bit to do with this song's epic sound, with Alan \"Reni\" Wren revealing the track came about as a result of a \"joke\" when Gary \"Mani\" Mounfield played Paul McCartney’s Taxman riff backwards.\n\nAs Clash Music reports, the drummer said: “Mani would play the riff backwards during sound-checks and we played along over the top for a laugh. Finally we said, Let’s do this joke-song properly and see what happens.'”\n-\nRead about the inspirations behind this song: https://www.radiox.co.uk/artists/stone-roses/the-stone-roses-i-am-the-resurrection-meaning/"
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