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"text": "\"Rage\" quotes The Serenity Prayer as part of its lyrics.\n\nSpeaking about the track, singer and guitarist Karla Chubb explains, \"I think in the world today, it’s a lot easier to be angry than it is to help facilitate change. \n\n\"People are fatigued, disillusioned – it’s understandable, but we shouldn’t be pointing the finger at those already marginalised and making them shoulder the blame. The world is full of false prophets and false promises; it’s time we call them out. Don’t let the rage bait fuel the fire and burn us all in the process.\""
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"text": "This one is for listener Christie!\n\nLead singer Grian Chatten suffered a panic attack in a London tube station, and decided to chronicle that feeling on this funky, disco-rock track.\n\nAfter refrains of \"It may feel bad,\" he unleashes an onslaught of stream-of-consciousness worries, including \"I wanna bite the phone, I wanna bleed the tone/I wanna see you alone, alone, alone.\"\n\nCatch the anxiety-provoking video here: https://tinyurl.com/afkevszb"
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"text": "Live at Wembley Stadium, London, London, August 2, 2025\n\nLiam Gallagher was originally meant to record lead vocals for \"Little by Little,\" but according to Noel, he could not manage it.\n\n\"It's a shame 'cos that would have made it extra, extra special. When it came to him (recording the vocals) you could see he was going, 'I'm not going to fucking get it.' And we were all willing him to get it. I went in and did a version and you could see he was sat at the desk going, 'Fucking bastard. He's got it.' But he doesn't want to do anything that's shit.\" https://tinyurl.com/5fzfy43t"
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"text": "Written by frontman Richard Ashcroft in 1995 and released in September 1997, the track itself has been known to reduce The Verve fans to tears.\n\nSpeaking about the song, Ashcroft shares, \"There's a new track I've just written [...] It goes 'the drugs don't work, they just make me worse, and I know I'll see your face again.' That's how I'm feeling at the moment. They make me worse, man. But I still take 'em. Out of boredom and frustration you turn to something else to escape.\" https://tinyurl.com/ye2b67kz"
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"text": "Jacob Alon is a Scottish singer-songwriter born and raised by a young single mother in the quiet suburbs of Fife. Alon began writing songs in school as a way of making friends laugh, but never considered a career in music possible until much later.\n\nWhile studying medicine at university, Jacob found themself deeply confused and unhappy, only finding joy when making music. To the disapproval of their family, they decided to drop out and pursue their true dream full-time.\n\nNow based in Edinburgh, Jacob’s story is one of estrangement, homelessness, but ultimately, perseverance. Alon crashed with super producer Dan Carey while working on new music, of which an overarching theme will be limerence: the state of intense romantic longing for someone who often does not reciprocate. Those who have experienced limerence will know it can lead to obsessive thoughts – an infatuation that overlooks any flaws or, indeed, turns those flaws into an attractive trait. https://tinyurl.com/yrstpr4n"
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"text": "Constant Follower is the band formed around Scottish songwriter Stephen McAll. His brand new album came out in February of this year, following on from the critically acclaimed 2021 Neither Is, Nor Ever Was.\n\nNow based in Stirling, Scotland, Glasgow-born and -raised McAll was randomly attacked on his way home from his girlfriend’s house one evening near his 17th birthday. The catastrophic head injuries left him partially paralysed, unable to write or play guitar, and with all of his childhood memories up until that point gone. He spent the next decade on Scotland’s windswept West Coast, recovering, and gradually re-learning how to play guitar. https://tinyurl.com/4cruekem\n\nMcAll reveals, \"Music is all about feelings for me. So, when I’m creating, I’m only thinking about feelings, about conveying a feeling. The words are a mechanism for delivering feeling so I’m not overly concerned about making sense if it conveys what I’m trying to. If I’m thinking too much about words or performance or accuracy, then I’m losing what’s most important to me. \"I know I’ve hit the mark if I’m listening to my song and I’m feeling it in my belly.\""
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"text": "Samia performed live in the KEXP studio in February 2023 and chatted with Kevin Cole. Check out the full session here: https://youtu.be/6ui4vtI-zLc"
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"name": "I Feel It All"
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"text": "Leslie Feist is a Canadian indie pop singer-songwriter and guitarist, performing both as a solo artist and as a member of the indie rock group Broken Social Scene. The video for this track was made in one continuous shot: https://youtu.be/l-iAS18rv68"
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"text": "Born and raised on the Isle of Lewis in the Outer Hebrides but now based in Edinburgh, Rosie Sullivan crafts deeply personal and emotive indie folk, tackling personal growth and the existential transition of moving from an island to the mainland/city.\n\nOf this track, Sullivan reveals, \"I’d been feeling low for a while, and then I landed in Copenhagen, a city I’d fallen in love with as a teenager. That next morning, walking to the studio, coffee and pastry in hand, I realised how far I’d come. It was like the sadness just lifted. I felt alive again and was itching to express that.\"\n\nPlayfulness weaves through the track as well, most memorably in the, brass section, which is actually Rosie and Bastian’s own voices processed into trumpet and saxophone tones. “We just started making trumpet and saxophone sounds with our mouths – messing around, really. After a few plug-ins, they ended up staying in the song. It’s fun and weird and feels like a secret joke embedded in the track,” she says. https://tinyurl.com/m3f6rtuw"
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"text": "This one goes to Rain, who writes, \"Hey Kevin! My fiancé Aisha, two cats (Ozzy and Ravenclaw) are the kitties, and I are a couple hours into our drive to Minnesota from Tacoma. Going to be starting a new pipe organ building job out there. Could you play a song to get our journey started right? DJ's choice. Thanks!\" \n\nHaving originally started as a solo project of singer-guitarist-lyricist Scott Hutchison in 2003, the band went on to release Sing the Greys—effectively an album of demos—in 2006 with a run of 1,000 copies.\n\nTo record The Midnight Organ Fight, the band worked with producer Peter Katis (The National, Interpol) for a month at his home studio in Connecticut. Hutchison described the sessions as \"hard work,\" having \"spent really long days recording it.\"\n\nSpeaking of his writing for the album, Hutchison explained that, \"it’s usually the music first, and I hum and sing syllables to feel out the rhythm and melody, then I finally write the words. Most songs just arrive the way they do by accident, and its certainly not particularly contrived. It’s very important to move the listener and I feel that is music's main goal: to make another human feel something.\" When asked about his guitar work on the record, the frontman said that, \"I really love the challenge of 22 frets, 6 strings and seeing what I could do with that. As opposed to stepping on a pedal to change the music, you know, there's such a wide range of sounds that you can get from a guitar and it's fun to get different ones every time you pick it up.\" https://bit.ly/3Gpf0SW"
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"name": "I Will Kill Again"
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"text": "Scottish band Meursault have always displayed a charm and panache that set them apart from their peers. Raw emotion and personal tumult have been fertile ground for Neil Pennycook & co. but it's not all sad strumming and \"woe is me\" laments; their songs bite and swoon and soar, sometimes softly, sometimes majestically.\n\nNew album I Will Kill Again is yet another deft collection of songs, full of gorgeous melodies and gentle, lilting harmonies.\n\nOf this track, Neil Pennycook reveals, \"I find it disturbing that so many contemporary songwriters seem unwilling to portray themselves as antagonists within their songs. This is my attempt to redress the balance by confessing all of the terrible things that I'm likely to do but haven’t gotten around to yet. We’re all capable of unspeakable things...the trick is to avoid repetition. The awesome Liam Chapman (C Duncan's band) is guesting on drums here.\" https://tinyurl.com/yjvxupt7"
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"text": "First single from their upcoming album Getting Killed, out September 26th! \n\nGeese are on tour this fall and will play Seattle at Neumos on October 24th and San Francisco at The Fillmore on October 28th.\n\nThe band previously released their debut LP Projector in 2021 and breakout follow-up 3D Country in 2023 which drummer Max Bassin said \"Feels like going to the circus and instead of having a good time, everyone is trying to kill you.\"\n\nFrontman Cameron Winter is also fresh off his widely acclaimed solo debut, Heavy Metal, released late last year. https://tinyurl.com/4vvnhb7m Watch their performance at the 2023 THING Festival here: https://tinyurl.com/46d2p6jr"
}
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"text": "Vulture Feather is a post/pre/future punk band from the mountains of northern California. Featuring members of the Baltimore band, Wilderness, and early-mid 90's post-hardcore group, Don Martin Three. https://tinyurl.com/33y97nnz"
}
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"text": "Listener Adam in Tacoma writes, \"Hi Kevin and crew. Wanted to throw a request into consideration, you played a song a while back that immediately caught my attention, and I haven't heard anybody else on the station play it.\n\n\"One of the most magical moments in live music is when a smaller band has a song that catches on, and the look of shock and amazement and appreciation on their faces when an audience starts singing their song back at them always gives me chills.\n\n\"I've been lucky enough to be present for that a handful of times, and I was recently watching some footage of Anna Erhard play Botanical Garden, a tune that hasn't left my head since I heard you play it weeks ago, and watching those 3 almost in disbelief when the audience starts singing along was so rad. Thanks for introducing me to this band!\""
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"track": {
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"name": "Here She Comes"
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"label": {
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"name": "Infinite Spin Records"
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"text": "Since the second decade of the 00s, the Minneapolis, Minnesota-based collective Chatham Rise meticulously crafts ecstatic and atmospheric sublime sound textures, toeing the line between late 80s/90s Shoegaze, Psychedelia and Space Rock with strains of British Post-punk/New Wave and Madchester Sound, in an all-pervading concoction of transfixing shimmery swirling distortion, dazzling heavenward escapism, and bittersweet, ethereal harmonies. https://tinyurl.com/253374rv"
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"text": "\"Carolyn’s Fingers\" may be peak Cocteau Twins, with Liz Fraser‘s voice hitting operatic registers amid a sea of layered guitars.\n\nThe track was included on the band’s 1988 LP, Blue Bell Knoll, which was the band’s first LP to receive wide distribution in America. As a result, for any Americans, it was their first exposure to Cocteau Twins in all of their otherworldly, shimmering glory. https://tinyurl.com/4aex84py\n\nIn many ways, the song is the perfect encapsulation of the band’s \"sonic cathedral\" sound, with every note mirrored and hitting strangely cascading ripples."
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