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"text": "George Clinton wrote \"Mothership Connection\" with bass player Bootsy Collins and keyboard player Bernie Worrell. \n--\nThe song came out of George Clinton and Bootsy Collins seeing a UFO one night. \"We were in the Bermuda triangle, Collins recalled to Uncut magazine. \"We were fishing and getting high and the mothership concept came.\"\n--\nThis has been sampled many times, mostly by West Coast rappers in the '90s. The most famous song to borrow it is \"Let Me Ride\" from Dr. Dre's highly influential 1992 album The Chronic. "
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"text": "This is Fatboy Slim's cover of \"The Joker\" by The Steve Miller Band. It features bassist and singer Bootsy Collins on vocals. \n--\nIn this video, Steve Miller talks with Dan Rather about the meaning of \"The Joker\" and getting writing advice from Paul McCartney: https://www.facebook.com/AXSTV/videos/steve-miller-talks-the-meaning-of-the-joker-lyrics/4679831762139469/"
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"text": "This remix features a sample of \"Fido\" by The Byrds."
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"text": "This song sampled the Beastie Boys' \"So Whacha Want.\"\n--\nDid you know that Beck wrote \"E-Pro\" in segments of 20 seconds—the intro lasts 20 seconds, verse one lasts 20 seconds, the chorus lasts 20 seconds, and so on."
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"text": "Nick Drake was long cited as one of the more obvious influences on Beck, especially on \"Sea Change. \"Then in December of 2005, Beck put up three different Nick Drake covers from his album Pink Moon on his website.\n--\nOne profile explained that Beck was \"keen to understand how some of his favorite Drake songs were made,\" so he went to work recreating them, learning how they work. Since he didn't know what to do with the final results, he put them on beck.com."
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"text": "That's the very talented John Cale playing celeste, piano, and Hammond organ on this gorgeous Nick Drake track. \n---\n\"I never felt magic crazy as this\nI never saw moons, knew the meaning of the sea\nI never held emotion in the palm of my hand\nOr felt sweet breezes in the top of a tree…\"\n\n\"Northern Sky\" was written when Drake was living with John Martyn and his wife Beverley in Hastings. Beverley later said, \"He wrote that one with us. We had a tree across the pavement. Hence the line, 'Smelt the sweet breezes at the top of a tree.'\""
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"text": "\"I got the...RADIO ON!\"\n\nJonathan Richman wrote this two-chord garage anthem in his father's car in 1972. During the summer of 1977 when Punk and New Wave music were finding a wider audience in Britain, this song became a hit.\n---\n Richman was obsessed with the Velvet Underground. When he started his own band, he rewrote the Velvets' \"Sister Ray\" into this song. AND, the producer for \"Roadrunner\" was Velvet Underground member John Cale.\n\nAmong the Modern Lovers playing on this song were keyboard player Jerry Harrison who later joined Talking Heads and drummer David Robinson, who later joined The Cars."
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"text": "Ron Asheton of The Stooges heavily sampled the guitar riff from The Byrds' \"Tribal Gathering.\" \n---\nJohn Cale produced this song. We absolutely loved it when John Cale graced our studio for a live performance in 2012: https://www.youtube.com/watch?v=1tEgJk5VfSc"
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"text": "\"Tribal Gathering\" is a space-rock piece composed by David Crosby & Chris Hillman and recorded August 16, 1967 for inclusion on the Byrds' 1968 album, \"The Notorious Byrd Brothers.\" \n\nThis song alludes heavily to the Human Be-in, a festival celebrating this psychedelic culture held in Golden Gate Park on January 17, 1967, a year before this song’s release."
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"text": "Mary Hopkin, credited on some recordings as Mary Visconti from her marriage to Tony Visconti, is a Welsh singer. Here's a biography: https://www.maryhopkin.com/biography.html\n--\nPaul McCartney produced this wonderful version of the 1959 Pete Seeger original, made famous by The Byrds in 1965."
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"text": "Hear anything familiar? The drums in this Paul McCartney tune were sampled in The Roots' \"The Fire.\" \n--\n\"An instrumental recorded completely at home. Made up as I went along – first a sequence of chords, then a melody on top. Piano, drums, acoustic guitar, electric guitar. Originally it was two pieces but they ran into each other by accident and became one.\" --Paul McCartney"
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"text": "Roots drummer and co-producer Questlove told MTV News about this song, which is a rare upbeat tune on How I Got Over: \"As far as 'The Fire' is concerned, we wanted to balance the record out also, with a sign of hope, a ray of hope. 'The Fire' is almost an anthem, if you will. It's like a hang-on-in-there, if you will, for us.\"\n--\nThis upbeat track features soul singer John Legend, who told MTV News he's been a fan of the Philly collective since his college days, when he was a student at the University of Pennsylvania. \"This is a group I've been following since I was a kid at UPenn. I would go to open mics and watch them host the open mics, wishing I could be onstage with them, and now I'm in the studio with them,\" he gushed."
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"comments": [
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"text": "This song interpolated the bass from The Blackbyrd's \"Wilford's Gone.\"\n--\nHere's the official music video for the original \"Silent Treatment\": https://www.youtube.com/watch?v=pKveOqw5ukY"
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}
],
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},
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"playtype": {
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