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"text": "Booker T. & the M.G.'s released their cover of \"Eleanor Rigby\" in 1968 on the album Soul Limbo. It is widely considered one of the most inventive instrumental re-imaginings of a Beatles track, stripping away the iconic string octet of the original and replacing it with Stax Records' signature \"Memphis Soul\" grit.\n\nIn 1970, Booker T. & the M.G.'s recorded an entire album titled McLemore Avenue (named after the location of Stax Studios), which consisted entirely of covers from the Beatles' Abbey Road. The cover art even parodied the famous street-crossing photo."
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"text": "Released in 1967, Sgt. Pepper reached new heights of creativity and is often cited as the inspiration for other major pop stars of the era, including Stevie Wonder and Marvin Gaye, to push the boundaries of their own studio work."
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"text": "Stevie Wonder’s 1970 cover of \"We Can Work It Out\" is widely considered one of the greatest Beatles covers ever recorded. It appeared on his album Signed, Sealed & Delivered and transformed the acoustic folk-rock original into a high-energy funk-soul anthem.\n\nPaul McCartney has frequently cited Stevie's version as his favorite cover of the song. He loved how Stevie \"found a groove\" that the Beatles hadn't even considered."
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"text": "\"I Feel for You\" is a rare \"triple threat\" of musical genius: written by Prince, performed by Chaka Khan, and featuring a signature harmonica solo by Stevie Wonder.\n\nProducer Arif Mardin felt the song needed a \"human\" element amidst the heavy synthesizers. He called Stevie Wonder, who recorded the chromatic harmonica solo in one take. The solo is often cited as one of the most recognizable harmonica parts in pop history."
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"text": "In one of the most famous examples of his \"secret\" songwriting, Prince gifted the track \"Manic Monday\" to The Bangles in 1984 under the pseudonym Christopher.\n\nIn early 1986, \"Manic Monday\" reached #2 on the Billboard Hot 100. It was famously kept out of the #1 spot by Prince’s own song, \"Kiss.\""
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"text": "Susanna Hoffs’ cover of \"Dreaming\" is a full-circle moment for two of the most iconic women in New Wave and Power Pop. The connection between Susanna Hoffs and Debbie Harry goes back to the mid-80s \"rivalry\" manufactured by the press between The Bangles and Blondie.\n\nHoffs has always cited Harry as a primary influence. Over the years, the two have shared stages and mutual admiration. Hoffs has described Harry as the \"ultimate cool girl\" who paved the way for women like her to lead bands rather than just being \"frontwomen.\""
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"text": "In a classic 1980s pop crossover, Alannah Currie (of the Thompson Twins) and her partner Tom Bailey wrote and produced \"I Want That Man\" for Debbie Harry’s 1989 solo album, Def, Dumb & Blonde.\n\nWhile Currie co-wrote the lyrics and concept, Tom Bailey handled the production. He brought in a polished, radio-ready sound that helped revitalize Harry’s solo career."
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"text": "Steve Stevens collaborated with the Thompson Twins during a pivotal shift in their sound, contributing his signature rock guitar style to their 1985 album Here's to Future Days.\n\nStevens played lead guitar on the Nile Rodgers-produced version of \"Roll Over\". This version was notably punchier and more rock-oriented than the band's previous synth-pop material.\n\nStevens performed with the band at Live Aid in July 1985 at JFK Stadium. Watch their star-studded performance here: https://www.youtube.com/watch?v=c_KNArtcc9k"
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"text": "Billy Idol co-wrote \"Eyes Without a Face\" with guitarist Steve Stevens. \n\n\"Eyes Without a Face\" (1984) was the creative peak of the Billy Idol and Steve Stevens partnership, marking a shift from Idol's punk-rock roots to a more sophisticated, moody New Wave sound.\n\nStevens was responsible for the song's textural depth. He used a Lexicon Prime Time digital delay to create the ethereal, shimmering guitar sounds in the verses."
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"text": "Billy Idol covers Tommy James and the Shondells' \"Mony Mony.\"\n\nBilly Idol's cover of \"Mony Mony\" is one of the rare instances where a live remake of a song became a bigger chart success than both its own studio version and the original 1960s hit.\n\nReleased in March 1968, Tommy James and the Shondells' \"Mony Mony\" was a deliberate attempt to create a \"throwback\" party anthem."
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"text": "Joan Jett covers Tommy James and the Shondells' \"Crimson and Clover.\"\n\nThe cover was a natural fit for Jett because her producer and manager, Kenny Laguna, had deep ties to the original. Laguna was a member of Tommy James and the Shondells and played on the original 1968 recording.\n\nJett notably kept the original lyrics intact, including the line \"I don't hardly know her,\" rather than changing it to \"him.\" At the time, this was seen as a bold, subversive move for a mainstream rock artist."
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"name": "Legacy"
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"text": "\"Bad Reputation\" by Joan Jett was produced by Kenny Laguna. \n\nKenny Laguna is a prolific musician and producer best known as the longtime manager and creative partner of Joan Jett. He played a pivotal role in the production of both her debut solo anthem \"Bad Reputation\" and the 1982 smash-hit cover of \"I Want Candy\" by Bow Wow Wow.\n\nAfter Jett was rejected by 23 major labels, Laguna famously co-produced and self-financed her debut solo album. They famously sold the record out of the trunk of Laguna's car before it was picked up for wider release."
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"name": "I Want Candy",
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},
"releaseevent": {
"releaseeventid": 248539587,
"year": 1993
},
"track": {
"trackid": 1090494291,
"name": "I Want Candy"
},
"label": {
"labelid": 183596615,
"name": "RCA"
},
"comments": [
{
"commentid": 1868050855,
"text": "The Bow Wow Wow cover \"I Want Candy,\" a Strangeloves' original and produced by Kenny Laguna.\n\nThe Strangeloves were a fictional band created in 1964 by the New York-based songwriting and production team of Jerry Goldstein, Bob Feldman, and Richard Gottehrer. The trio invented an elaborate story claiming they were three Australian brothers—Giles, Miles, and Niles Strange—who were raised on a remote sheep farm"
}
],
"showid": 66266
},
{
"playid": 3632998,
"playtype": {
"playtypeid": 4,
"name": "Air break"
},
"airdate": "2026-03-24T12:16:10Z",
"epoch_airdate": 1774354570000,
"epoch_airdate_v2": "/Date(1774354570000)/",
"archive_urls": {
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},
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"comments": [],
"showid": 66266
},
{
"playid": 3632997,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2026-03-24T12:12:37Z",
"epoch_airdate": 1774354357000,
"epoch_airdate_v2": "/Date(1774354357000)/",
"archive_urls": {
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"64": null,
"128": null,
"256": null
},
"artist": {
"artistid": 1734692621,
"name": "War",
"islocal": false
},
"release": {
"releaseid": 600039014,
"name": "The Best of War and More",
"largeimageuri": "https://dn710600.ca.archive.org/0/items/mbid-94f3e31b-a414-44eb-af2f-674417ca836a/mbid-94f3e31b-a414-44eb-af2f-674417ca836a-38224194509_thumb500.jpg",
"smallimageuri": "https://ia902802.us.archive.org/8/items/mbid-94f3e31b-a414-44eb-af2f-674417ca836a/mbid-94f3e31b-a414-44eb-af2f-674417ca836a-38224194509_thumb250.jpg"
},
"releaseevent": {
"releaseeventid": 1147999850,
"year": 1991
},
"track": {
"trackid": 1027512792,
"name": "Spill the Wine"
},
"label": {
"labelid": 623610879,
"name": "Avenue, Avenue Records, Rhino"
},
"comments": [
{
"commentid": 2041941626,
"text": "\"Spill the Wine\" was the breakthrough 1970 hit for Eric Burdon & War, produced by veteran industry figure Jerry Goldstein. \n\nIn 1969, Goldstein discovered the band—then called Nightshift—performing as a backing group for football player and singer Deacon Jones at the Rag Doll in North Hollywood.\n\nGoldstein, known for hits like \"I Want Candy\" and \"My Boyfriend’s Back,\" saw the band's multi-racial, genre-blending style as the perfect vehicle for Eric Burdon, who was looking for a new musical direction after leaving The Animals."
}
],
"showid": 66266
},
{
"playid": 3632996,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2026-03-24T12:08:26Z",
"epoch_airdate": 1774354106000,
"epoch_airdate_v2": "/Date(1774354106000)/",
"archive_urls": {
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"64": null,
"128": null,
"256": null
},
"artist": {
"artistid": 55185563,
"name": "The Funkees",
"islocal": false
},
"release": {
"releaseid": 1365701502,
"name": "Dancing Time: The Best of Eastern Nigeria’s Afro Rock Exponents 1973-77",
"largeimageuri": "https://dn711001.ca.archive.org/0/items/mbid-ebbbe98a-4c29-4b5b-9930-44ed5434255f/mbid-ebbbe98a-4c29-4b5b-9930-44ed5434255f-7126484590_thumb500.jpg",
"smallimageuri": "https://dn711001.ca.archive.org/0/items/mbid-ebbbe98a-4c29-4b5b-9930-44ed5434255f/mbid-ebbbe98a-4c29-4b5b-9930-44ed5434255f-7126484590_thumb250.jpg"
},
"releaseevent": {
"releaseeventid": 1968996801,
"year": 2012
},
"track": {
"trackid": 1254000801,
"name": "Slipping Into Darkness"
},
"label": {
"labelid": 1026957216,
"name": "Soundway"
},
"comments": [
{
"commentid": 2024977714,
"text": "The Funkees' cover of War's \"Slipping Into Darkness\" is one of the most celebrated examples of 1970s Nigerian Afro-rock. Released in 1973 on the EMI label, it served as the A-side to their iconic single \"Breakthrough\""
}
],
"showid": 66266
},
{
"playid": 3632995,
"playtype": {
"playtypeid": 1,
"name": "Media play"
},
"airdate": "2026-03-24T12:05:10Z",
"epoch_airdate": 1774353910000,
"epoch_airdate_v2": "/Date(1774353910000)/",
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},
"artist": {
"artistid": 55185563,
"name": "The Funkees",
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},
"release": {
"releaseid": 1365701502,
"name": "Dancing Time: The Best of Eastern Nigeria’s Afro Rock Exponents 1973-77",
"largeimageuri": "https://ia601004.us.archive.org/4/items/mbid-ebbbe98a-4c29-4b5b-9930-44ed5434255f/mbid-ebbbe98a-4c29-4b5b-9930-44ed5434255f-7126484590_thumb500.jpg",
"smallimageuri": "https://dn711001.ca.archive.org/0/items/mbid-ebbbe98a-4c29-4b5b-9930-44ed5434255f/mbid-ebbbe98a-4c29-4b5b-9930-44ed5434255f-7126484590_thumb250.jpg"
},
"releaseevent": {
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"year": 2012
},
"track": {
"trackid": 609527742,
"name": "Break Through New Dub"
},
"label": {
"labelid": 1026957216,
"name": "Soundway"
},
"comments": [
{
"commentid": 1931950352,
"text": "Welcome to Six Degrees Week on EARLY! \n\nWe're starting our journey with The Funkees, a 1970s Afro Rock and funk band from Nigeria. We'll make our way to Simple Minds' \"Don't You Forget About Me.\"\n\n\"Breakthrough\" is a standout track by The Funkees, a pioneering Nigerian Afro-rock band that rose to prominence in the post-civil war era of the early 1970s. The Song reflects the band’s unique blend of Western psychedelic rock (influenced by artists like Jimi Hendrix and Santana) with traditional African rhythms and highlife."
}
],
"showid": 66266
}
]
}
