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HTTP 200 OK
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                    "text": "Reggae legend Horace Andy recorded a renowned reggae cover of Bill Withers' \"Ain't No Sunshine\" in 1973. Produced by Bunny \"Striker\" Lee, this version is celebrated for blending Andy's unique, trembling vocal style with a distinct Jamaican roots reggae feel, setting it apart from numerous other covers of the classic soul song."
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                    "text": "\"Spying Glass\" is a re-imagining of a track from their 1994 album Protection, featuring reggae legend Horace Andy. It was famously reworked as a \"reggae soundclash\" by Mad Professor and often serves as a highlight of their live sets, frequently played alongside \"Angel\" to showcase Andy's distinct vocals."
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                    "text": "This song features the vocals of Cocteau Twins' Elizabeth Fraser, who wrote this song's lyrics inspired by the death of her one-time close friend, singer-songwriter Jeff Buckley.\n\nMassive Attack doesn’t release new music often, but that could change in 2026. On social media, the band shared, “from next year we will release a cache of work created in the recent past,” \nhttps://tinyurl.com/yw32pa4c"
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                    "text": "Elizabeth Fraser (Cocteau Twins, Massive Attack) released \"Moses\" in celebration of Bristol-based English musician and sound recordist, Jake Drake-Brockman. Drake-Brockman is a close friend of hers and of her partner Damon Reece. Brockman was known to fans as \"the fifth Bunnyman\", associated with the Liverpool group Echo & the Bunnymen https://elizabethfraser.bandcamp.com/track/moses"
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                    "text": "The Veldt supported the Cocteau Twins on tour in the U.S. during the early 1990s during the Four Calendar Cafe era. The tour featured The Veldt providing a shoegaze-soul sound, with members of both bands sharing a mutual respect"
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                    "text": "The Veldt were in our studio December 2023 (hosted by Larry Mizell, Jr.) for a great performance that began with \"The Everlasting Gobstopper\", check it out here: https://www.youtube.com/watch?v=AEDwVb_Qcp0\n--\n\"Daniel and his identical twin brother, Danny, hail from Raleigh, North Carolina. After discovering a love of gospel, Motown, and Pink Floyd, the two began playing together in bands as teens. They woodshedded their songs and cut their chops coming up in the burgeoning Raleigh scene with bands like Archers of Loaf, Superchunk, and Squirrel Nut Zippers.\" https://medium.com/etc-magazine/shoegazing-in-sandals-1820f20e6c9e\n---\nhttps://theveldtmusic.bandcamp.com/album/illuminated-1989"
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                    "text": "The Veldt interpolate Mobb Deep's classic \"Get Away\" on this track\n---\n\nThe Guardian calls this Raleigh, North Carolina (and NYC) band \"pioneer black shoegazers who anticipated The Weeknd\": https://www.theguardian.com/music/2016/feb/05/the-veldt-chavis-brothers-apollo-heights-shoegazer-soul-music\n\n--\nhttps://theveldtmusic.bandcamp.com/album/electric-revolution-rhythm-and-drone-ep"
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                    "text": "Get Away by Mobb Deep features a prominent female vocal sample and is often regarded for its emotional depth and vulnerability—a departure from their typically raw street anthems, highlighting a desire to escape stress and chaos."
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                    "text": "Mobb Deep and Lauryn Hill are both architects of 1990s East Coast hip-hop, with Hill's work occasionally echoing the song's gritty themes and lyrical prowess. The raw, unfiltered street storytelling of \"Shook Ones\" influenced the overall landscape of New York hip-hop that Lauryn Hill and the Fugees navigated. Some discussions point to similar attitudes regarding \"fake\" street personas."
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                    "text": "\"Nappy Heads\" was the second single from Fugees 1994 debut studio album 'Blunted On Reality'  John Forte (a member of the Refugee Camp who appears on The Score) talked about how the Fugees were about to get dropped from their label (Ruffhouse/Columbia) before producer Salaam Remi produced a remix for their first album's single \"Nappy Heads\" that caught fire on radio - leading to the Fugees getting a second album, 'The Score'.\n\n\"Nappy Heads\" video!\nhttps://youtu.be/s8sNnNRhQ2g"
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                "name": "Ruffhouse Records"
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                {
                    "commentid": 1747447240,
                    "text": "From Wyclef Jean’s critically acclaimed debut album, and featuring vocals from Ms. Lauryn Hill. The their review of the album, the AV Club wrote \"In his universalist embrace of music of all forms, Wyclef Jean makes a more powerful call for peace and unity than a thousand East Coast–West Coast 'Stop the violence, y'all' intros put together.\"\n\nWatch Wyclef Jean's official music video for “We Trying To Stay Alive:” https://youtu.be/KPV1InMNUf4\n\nThis track samples \"Din Daa Daa\" by George Kranz and \"Voices Inside My Head\" by The Police."
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                    "text": "Ms. Hill blazing through the powerful MTV Unplugged No. 2.0 cut, electrifying the originally stripped down song. Stereogum wrote that “it’s a masterful performance, proving that although Hill is an elusive figure, when she gets down to it she’s one of the best to ever do it.”\n\nWatch her perform the song live at Austin City Limits: https://youtu.be/nqEgHnbBSU4\n---\nhttps://mslaurynhill.com/"
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                {
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                    "text": "Though the Fugees had been wildly successful, and Lauryn Hill had been widely recognized as a key to their popularity, few were prepared for her stunning debut.  Hill, of Haitian heritage, rhymed in a tough Caribbean patois on the opener, \"Lost Ones,\" wasting little time to excoriate her former bandmates and/or record-label executives for caving in to commercial success. --Allmusic https://tinyurl.com/yc5zeudh\n\nDon't be one of the Lost Ones. Donate to the KEXP Spring Drive!\nhttps://www.kexp.org/donate/"
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                    "text": "Ziggy Ramo covered Lauryn Hill's classic here. He collaborated with Australia's \"harmonizing matriarch,\" Christine Anu. \n--\n\"Gender's a construct, but we hold it up (Yeah, yeah)\nAre you over it? Have you had enough? (Yeah, yeah)...\"\nWhile staying largely true to the original, Ziggy Ramo worked in a few bars for a powerful pre-chorus about the construct of gender and the toxicity that brings"
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