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HTTP 200 OK
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Content-Type: application/json
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                "name": "Rebel Yell",
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                "name": "Eyes Without a Face"
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            "label": {
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                "name": "Chrysalis"
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                    "text": "Billy Idol co-wrote \"Eyes Without a Face\" with guitarist Steve Stevens. \n\n\"Eyes Without a Face\" (1984) was the creative peak of the Billy Idol and Steve Stevens partnership, marking a shift from Idol's punk-rock roots to a more sophisticated, moody New Wave sound.\n\nStevens was responsible for the song's textural depth. He used a Lexicon Prime Time digital delay to create the ethereal, shimmering guitar sounds in the verses."
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        },
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                "name": "Media play"
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                "name": "The Very Best of Billy Idol: Idolize Yourself",
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                "name": "Mony, Mony (live)"
            },
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                "name": "Capitol Records"
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                    "text": "Billy Idol covers Tommy James and the Shondells' \"Mony Mony.\"\n\nBilly Idol's cover of \"Mony Mony\" is one of the rare instances where a live remake of a song became a bigger chart success than both its own studio version and the original 1960s hit.\n\nReleased in March 1968, Tommy James and the Shondells' \"Mony Mony\" was a deliberate attempt to create a \"throwback\" party anthem."
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                "name": "Air break"
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                "name": "I Love Rock 'n' Roll",
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                "name": "Boardwalk Records"
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                    "text": "Joan Jett covers Tommy James and the Shondells' \"Crimson and Clover.\"\n\nThe cover was a natural fit for Jett because her producer and manager, Kenny Laguna, had deep ties to the original. Laguna was a member of Tommy James and the Shondells and played on the original 1968 recording.\n\nJett notably kept the original lyrics intact, including the line \"I don't hardly know her,\" rather than changing it to \"him.\" At the time, this was seen as a bold, subversive move for a mainstream rock artist."
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                "year": 2018
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                "name": "Legacy"
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                    "text": "\"Bad Reputation\" by Joan Jett was produced by Kenny Laguna. \n\nKenny Laguna is a prolific musician and producer best known as the longtime manager and creative partner of Joan Jett. He played a pivotal role in the production of both her debut solo anthem \"Bad Reputation\" and the 1982 smash-hit cover of \"I Want Candy\" by Bow Wow Wow.\n\nAfter Jett was rejected by 23 major labels, Laguna famously co-produced and self-financed her debut solo album. They famously sold the record out of the trunk of Laguna's car before it was picked up for wider release."
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                "name": "RCA"
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            "comments": [
                {
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                    "text": "The Bow Wow Wow cover \"I Want Candy,\" a Strangeloves' original and produced by Kenny Laguna.\n\nThe Strangeloves were a fictional band created in 1964 by the New York-based songwriting and production team of Jerry Goldstein, Bob Feldman, and Richard Gottehrer. The trio invented an elaborate story claiming they were three Australian brothers—Giles, Miles, and Niles Strange—who were raised on a remote sheep farm"
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                "name": "Spill the Wine"
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                "name": "Avenue, Avenue Records, Rhino"
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                    "text": "\"Spill the Wine\" was the breakthrough 1970 hit for Eric Burdon & War, produced by veteran industry figure Jerry Goldstein. \n\nIn 1969, Goldstein discovered the band—then called Nightshift—performing as a backing group for football player and singer Deacon Jones at the Rag Doll in North Hollywood.\n\nGoldstein, known for hits like \"I Want Candy\" and \"My Boyfriend’s Back,\" saw the band's multi-racial, genre-blending style as the perfect vehicle for Eric Burdon, who was looking for a new musical direction after leaving The Animals."
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                    "text": "The Funkees' cover of War's \"Slipping Into Darkness\" is one of the most celebrated examples of 1970s Nigerian Afro-rock. Released in 1973 on the EMI label, it served as the A-side to their iconic single \"Breakthrough\""
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                "name": "Dancing Time: The Best of Eastern Nigeria’s Afro Rock Exponents 1973-77",
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                    "commentid": 1931950352,
                    "text": "Welcome to Six Degrees Week on EARLY! \n\nWe're starting our journey with The Funkees, a 1970s Afro Rock and funk band from Nigeria. We'll make our way to Simple Minds' \"Don't You Forget About Me.\"\n\n\"Breakthrough\" is a standout track by The Funkees, a pioneering Nigerian Afro-rock band that rose to prominence in the post-civil war era of the early 1970s.  The Song reflects the band’s unique blend of Western psychedelic rock (influenced by artists like Jimi Hendrix and Santana) with traditional African rhythms and highlife."
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                "name": "Brothers and Sisters"
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            "comments": [
                {
                    "commentid": 367325106,
                    "text": "Samples The Funkees - \"Break Through\"\n\nOriginally found on this beat tape -- https://madlib.bandcamp.com/album/madlib-medicine-show-3-beat-konducta-in-africa"
                }
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                "name": "Air break"
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            "airdate": "2026-03-24T11:57:12Z",
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                "name": "Hopprock"
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                "name": "Madlib Invazion"
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            "comments": [
                {
                    "commentid": 1538936710,
                    "text": "This 2021 Madlib album was a collboration with Four Tet - this track featuring the voice of Young Marble Giants' Alison Statton.\n\nhttps://madlib.bandcamp.com/album/sound-ancestors"
                }
            ],
            "showid": 66265
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            "airdate": "2026-03-24T11:49:24Z",
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                "name": "Never Come Back (Four Tet remix)"
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                "name": "City Slang"
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                    "commentid": 742107229,
                    "text": "Another track from this remix album :)"
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