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"text": "On Volume II, the sonic map expands as Adrian Quesada invites the outstanding Swiss-Ecuadorian duo Hermanos Gutiérrez, whose instrumental piece “Primos” adds a cinematic desert-psych dimension to the project.\n***\nEn el volumen II, el panorama sonoro se amplía gracias a la colaboración de Adrian Quesada con el destacado dúo suizo-ecuatoriano Hermanos Gutiérrez, cuya pieza instrumental «Primos» aporta al proyecto una dimensión cinematográfica de psicodelia desértica."
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"text": "We close the set with Adrian Quesada, whose Boleros Psicodélicos project explores lush, cinematic arrangements and features some of the most compelling voices across Latin America. Gaby Moreno was part of it and you can watch her also on Adrian Quesada Live on KEXP\nhttps://www.youtube.com/watch?v=Izoj76PrIVY \nOn “Ojos Secos,” joined by Cuco, we hear yet another reinterpretation of psychedelic romanticism, this time through the Amantes del Futuro remix, offering a fresh and unexpected take that connects back to the evolving modern psych sound we’ve been tracing throughout the hour.\n***\nCerramos el programa con Adrián Quesada, cuyo proyecto «Boleros Psicodélicos» explora arreglos exuberantes y cinematográficos y cuenta con algunas de las voces más cautivadoras de toda América Latina. Gaby Moreno formó parte de él y también puedes verla en «Adrián Quesada Live» en KEXP\nhttps://www.youtube.com/watch?v=Izoj76PrIVY\nEn «Ojos Secos», con la colaboración de Cuco, escuchamos otra reinterpretación más del romanticismo psicodélico, esta vez a través del remix de Amantes del Futuro, que ofrece una visión fresca e inesperada que conecta con el sonido psicodélico moderno en constante evolución que hemos estado siguiendo a lo largo de la hora."
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"text": "We stay with Gaby Moreno for her beautiful interpretation of the classic “Quizás, Quizás, Quizás,” featured on her 2012 album Postales, further deepening this emotional and stylistic thread.\n***\nSeguimos con Gaby Moreno y su preciosa interpretación del clásico «Quizás, Quizás, Quizás», incluido en su álbum de 2012 Postales, que profundiza aún más en esta línea emocional y estilística."
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"text": "That atmosphere leads us naturally to one of the most extraordinary voices currently based in Los Angeles: Gaby Moreno, originally from Guatemala. Together with La Lom, she released “Alma Florecida” in 2024 — a song that feels both nostalgic and timeless, rooted in bolero traditions while still connected to modern psychedelic currents.\n***\nEse ambiente nos lleva de forma natural a una de las voces más extraordinarias que residen actualmente en Los Ángeles: Gaby Moreno, originaria de Guatemala. Junto con La Lom, lanzó «Alma Florecida» en 2024, una canción que transmite nostalgia y atemporalidad, arraigada en las tradiciones del bolero pero conectada al mismo tiempo con las corrientes psicodélicas modernas."
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"name": "Angeles Point"
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{
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"text": "We continue connecting the dots here on Six Degrees at KEXP. After listening to Los Destellos, one of the pioneering groups of Peruvian rock and psychedelic-leaning tropical sounds, we move toward a newer generation that has drawn deep inspiration from that sonic legacy.\n\nFrom Los Angeles, La Lom — The Los Angeles League of Musicians channels those echoes of Peruvian psychedelia while blending them with a warm, acoustic-driven guitar sound. Their track “Ángeles Point” captures that balance between vintage tropical psych textures and a contemporary indie sensibility.\n***\n\"\"We continue connecting the dots here on Six Degrees at KEXP. After listening to Los Destellos, one of the pioneering groups of Peruvian rock and psychedelic-leaning tropical sounds, we move toward a newer generation that has drawn deep inspiration from that sonic legacy.\n\nFrom Los Angeles, La Lom — The Los Angeles League of Musicians channels those echoes of Peruvian psychedelia while blending them with a warm, acoustic-driven guitar sound. Their track “Ángeles Point” captures that balance between vintage tropical psych textures and a contemporary indie sensibility."
}
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"name": "Air break"
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"name": "Media play"
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"name": "Los Destellos",
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"name": "Ellos son... Los Destellos",
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"name": "Elsa"
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"label": {
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"name": "LM Odeon"
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"comments": [
{
"commentid": 1470119388,
"text": "Peru is globally known for its psychedelic sound in styles like Amazonian cumbia or chicha, but the country has also been a pioneer in rock, garage rock, and punk. Los Destellos were a Peruvian musical group that blended cumbia and instrumental rock in their early years. They were formed in 1966 in the Rímac district of Lima, Peru.\n***\nPerú es conocido mundialmente por su sonido psicodélico en estilos como la cumbia amazónica o la chicha, pero el país también ha sido pionero en el rock, el rock de garaje y el punk. Los Destellos fueron un grupo musical peruano que fusionó la cumbia y el rock instrumental en sus primeros años. Se formaron en 1966 en el distrito de Rímac, en Lima, Perú."
}
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{
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"playtype": {
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"name": "Media play"
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"airdate": "2026-03-24T02:43:00Z",
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"name": "Los Wembler's de Iquitos",
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"name": "La Danza del Petrolero",
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"track": {
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"name": "Bola bola en el tres"
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"name": "Distrolux"
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{
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"text": "While Los Mirlos were pioneers of Amazonian psychedelic cumbia, we can travel further upriver to Iquitos to find another true gem of jungle music: Los Wembler’s de Iquitos.\n\nWith “La Danza del Petrolero,” we step into that hypnotic pulse of electric guitars and tropical rhythms that shaped an entire generation in the Peruvian Amazon. That same expansive energy allows us to make an unexpected jump to “Bola Bola en el Tres” by Distrolux, a 1975 piece that continues to explore repetition, trance, and the experimental spirit of that era.\n***\nSi bien Los Mirlos fueron pioneros de la cumbia psicodélica amazónica, podemos remontarnos río arriba hasta Iquitos para descubrir otra auténtica joya de la música de la selva: Los Wembler’s de Iquitos.\n\nCon «La Danza del Petrolero», nos adentramos en ese pulso hipnótico de guitarras eléctricas y ritmos tropicales que marcó a toda una generación en la Amazonía peruana. Esa misma energía expansiva nos permite dar un salto inesperado a «Bola Bola en el Tres» de Distrolux, una pieza de 1975 que sigue explorando la repetición, el trance y el espíritu experimental de aquella época."
}
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]
}
