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"text": "This was the band's first experiment in using the 5/4 time signature. \n--\nThe inspiration for the song came to Stu McKenzie almost subliminally. He said during an interview for Songwriters on Process, “I pulled up in my car to the barn and I left my lights on in my car. And my car used to make this — this old Ford that I had at the time — used to make this, like, alarm type sound when you left the lights on. It was like ‘hey, come turn your lights off.’ But it was in 5/4. The alarm itself was in 5/4… It was on for like, hours or something and I think it crept into my brain and it wasn’t until a few days later that I realized that the song I wrote has the exact same rhythm as the car alarm. And it was the first song we wrote that was in not 4/4 or whatever and it f**king blew my mind when I made this, like, connection. I think it was the next time that I accidentally left my lights on and the alarm was going off and I just thought ‘holy s**t, that’s that song that we wrote, like, a few days ago.’”: https://kglw.songfishapp.com/song/float-along-fill-your-lungs-2/about?artist_id=1"
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"text": "‘Within You Without You’ came about after I had spent a bit of time in India and fallen under the spell of the country and its music. I had brought back a lot of instruments. It was written at Klaus Voormann’s house in Hampstead after dinner one night. The song came to me when I was playing a pedal harmonium.\nI’d also spent a lot of time with Ravi Shankar, trying to figure out how to sit and hold the sitar, and how to play it. ‘Within You Without You’ was a song that I wrote based upon a piece of music of Ravi’s that he’d recorded for All-India Radio. It was a very long piece – maybe 30 or 40 minutes – and was written in different parts, with a progression in each. I wrote a mini version of it, using sounds similar to those I’d discovered in his piece. I recorded in three segments and spliced them together later.\n\nGeorge Harrison"
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"text": "\"Shankar...became widely known for his collaborations with The Beatles, among other western musicians, and brought the intricacy and beauty of classical Indian music to the masses in doing so. While Shankar’s own efforts cannot be underestimated, Harrison’s connection with the sitar player undoubtedly opened doors for him.\" Read more here: https://faroutmagazine.co.uk/george-harrison-beatles-ravi-shankar-sitar-lesson/"
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"text": "Clear sounds of inspiration from India embedded into the track 'Streets of Calcutta'. Forest of Lost Children album is available via Guruguru Brain records here: https://gurugurubrain.space/products/forest-of-lost-children"
}
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"text": "\"Sunshine Superman is the third album from Donovan. It was released in the US in September 1966. Whilst still incorporating folk music, these recordings mark a distinct change in Donovan’s music, representing some of the first psychedelia released. A full rock band backs up Donovan on many of the songs, and the instrumentation had been expanded, being one of the first pop albums to extensively use the sitar and other unique musical instruments.\" https://donovan.ie/product/sunshine-superman-colored-vinyl-signed/"
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