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HTTP 200 OK
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                    "text": "R.I.P., Christine McVie, who died in 2022: https://www.theguardian.com/music/2022/dec/01/christine-mcvie-obituary\n--\nThis song, sampled many times, is actually a cover of a 1966 song by Chuck Jackson."
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                    "text": "This song, written by Charles Singleton and Eddie Snyder, tells of a woman unable to stop herself from falling in love again with a former flame. Yasiin Bey used it to tell his own story about being stuck on a former flame in \"Ms, Fat Booty.\""
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                    "text": "Yasiin Bey interpolated the vocals/lyrics of this song for his song \"Ms. Fat Booty.\"\n--\nGregory Isaacs was one of reggae music's most popular singers. Known as the Cool Ruler for his exceptionally suave and emotive voice, Isaacs scored many hits during the 1970s and 80s and remained active as a recording artist, live performer and producer in the decades that followed.  He died of cancer in 2010 at age 59: https://www.theguardian.com/music/2010/oct/25/gregory-isaacs-obituary"
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                    "text": "\"Love,\" produced by 88-Keys, contains samples of \"Porgy (I Loves You, Porgy)\" by Bill Evans Trio, \"I Know You Got Soul\" by Eric B. & Rakim and \"South Bronx\" by Boogie Down Productions.\n--\nHere's a red-tinted live performance of \"Love\" in Milan in 2013: https://www.youtube.com/watch?v=BADfrxgTy7c"
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                    "text": "Sampled by Yasiin Bey for \"Hip Hop,\" this track itself samples the drum loop from Les DeMerle’s “A Day in the Life” and takes its hook from “Hey Young World” by Slick Rick."
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                    "text": "This 2017 article discusses how composer David Axelrod owed his reputation to both his brillance and to providing a rich seam for sampling: https://www.theguardian.com/music/musicblog/2017/feb/06/david-axelrod-hip-hop-music\n--\nYasiin Bey sampled multiple elements of this song from \"Hip Hop.\""
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                    "text": "Stanley Clarke's \"Slow Dance\" has been sampled multiple times, including by Yasiin Bey for \"Hip Hop.\""
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                    "commentid": 975268339,
                    "text": "Here's an interview with Diamond D, who co-produced this song with Yasiin Bey.: https://www.okayplayer.com/behind-the-beat-how-mos-def-diamond-d-created-hip-hop-the-epicenter-of-black-on-both-sides/484452\n--\nThere are lots of samples in this song. \n\"Hip Hop\" contains samples of \"The Warnings (Part II)\" by David Axelrod, \"Slow Dance\" by Stanley Clarke, \"Time's Up\" by O.C., \"Paid in Full\" by Eric B. & Rakim, \"Spoonin Rap (A Drive Down the Street I Was Spanking and Freaking)\" by Spoonie Gee, \"Fear Not for Man\" by Fela Kuti, \"C.R.E.A.M.\" by Wu-Tang Clan, \"The New Style\" by Beastie Boys, \"One Two Sh**\" by A Tribe Called Quest feat. Busta Rhymes,\"The Bridge\" by MC Shan, and others."
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                    "text": "This song was written and produced by Yasiin Bey.  He also plays congas, bass, and provides percussion. (Keyboards are by Weldon Irvine.)\n--\n\"So if hip-hop is about the people\nAnd the hip-hop won't get better until the people get better\nThen how do people get better? (Hmm)\nWell, from my understanding people get better\nWhen they start to understand that they are valuable\nAnd they not valuable because they got a whole lot of money\nOr 'cause somebody, think they sexy\nBut they valuable 'cause they been created by God\nAnd God makes you valuable..\"\nHere's what he's saying: https://genius.com/Yasiin-bey-fear-not-of-man-lyrics"
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                    "text": "Multiple elements of this song were sampled in Yasiin Bey's \"Fear Not of Man\" from his 1999 debut album, \"Black on Both Sides.\"\n--\nThe great Fela Kuti was a Nigerian musician and activist who launched a modern style of music called Afro-beat, which fused American blues, jazz, and funk with traditional Yoruba music. Learn more about him from this Britannica article: https://www.britannica.com/biography/Fela-Kuti"
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                    "text": "Happy Thursday and welcome to The Afternoon Show with the learned Larry Mizell, Jr. and staunch producer Sharlese.  On OG Thursday today, we are celebrating the debut album, \"Black on Both Sides,\" from Yasiin Bey (Mos Def) on his birthday (He was born Dante Terrell Smith on December 11th, 1973)!  Thanks so much for being here with us today!\n---\nMos Def sampled the sound effects from this song for his \"Fear Not of Man.\""
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                    "text": "Nightmares On Wax's newest album was just released on November 14th. KEXP's Music Director Chris Sanley reviews: \n\n\"Over three decades into his career as Nightmares on Wax, Leeds-based DJ and producer George Evelyn returns with his tenth studio album and a star-studded guest list including Yasiin Bey, Greentea Peng, Sadie Walker, Liam Bailey, and more. This new collection plays like a biopic, melding the past with the present while showcasing Evelyn’s captivating fusion of hip-hop, electronic, dub, and soul. The result is a sound that feels both fluid and structured, always anchored by a bona fide groove. Sit back and get lost, and found, in Echo45 Sound System.\"\n\nhttps://www.kexp.org/read/2025/11/17/new-music-reviews-1117/"
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                    "text": "\"Hot sticky scenes you know what I mean, like a desert sun that burns my skin. I've been waiting for her so long, open the sky and let her come down.\"\nLead singer Ian Astbury has said that this song is purely about sex.\n--\nReleased as the first single from the 1985 album \"Love,\"  it became a monster of a tune, with guitarist Billy Duffy's infamous D drone melody plowing it straight into the UK charts."
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                    "text": "New music out of San Francisco!\n\nMagic Fig is a San Francisco-based band that was formed in 2023. The lineup includes keyboardist Jon Chaney, bassist Matthew Ferrara, drummer Taylor Giffin, guitarist Muzzy Moskowitz, and singer Inna Showalter.\n\nMagic Fig's sounds as though it were released in the late 1960s, straight out of Canterbury's collective consciousness. The group discards their ambitions for an indie sound from their previous bands and focuses on progressive and psychedelic music, while nevertheless maintaining a pop sensibility when the Canterbury sound demands it. Singer Inna Showalter inhabits this particular Canterbury dream just as readily as she captured the heart of gazing and glazed indie pop in her former bands Whitney’s Playland and Blades of Joy.\n\nhttps://magicfig.bandcamp.com/album/valerian-tea\n\nhttps://www.instagram.com/magic_fig/"
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