{"next":"https://api.kexp.org/v1/play/?format=json&limit=20&offset=13440","previous":"https://api.kexp.org/v1/play/?format=json&limit=20&offset=13400","results":[{"playid":3637869,"playtype":{"playtypeid":4,"name":"Air break"},"airdate":"2026-04-05T02:48:33Z","epoch_airdate":1775357313000,"epoch_airdate_v2":"/Date(1775357313000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":null,"release":null,"releaseevent":null,"track":null,"label":null,"comments":[],"showid":66368},{"playid":3637870,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-04-05T02:48:28Z","epoch_airdate":1775357308000,"epoch_airdate_v2":"/Date(1775357308000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":81662727,"name":"Thank You Come Again","islocal":false},"release":{"releaseid":1663102135,"name":"Thank You Come Again EP","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":1884712862,"year":2019},"track":{"trackid":1634730328,"name":"Bite the Hand"},"label":null,"comments":[{"commentid":579045688,"text":"“Bite the Hand” carries the kind of title that immediately suggests conflict, self-sabotage, or the refusal to stay grateful on someone else’s terms. That tension suits Thank You Come Again well. The San Francisco band recorded their debut EP at Tiny Telephone with Maryam Qudus, and their broader catalog sits in a garage-leaning punk and hard rock lane where emotional directness matters as much as volume. “Bite the Hand,” released in late 2022, feels like a natural extension of that approach. Even without overstating what is not explicitly documented, the title alone points toward a familiar but potent punk theme: the moment loyalty curdles into resistance. What makes a song like this work is not just aggression, but clarity of feeling, and Thank You Come Again have the kind of lineup and recording pedigree that suggest a band comfortable turning raw material into something sharp and memorable. There is also something classic in the phrase itself. To bite the hand that feeds you is to reject dependence, expectation, and the scripts imposed by others. In punk hands, that old saying becomes a live wire.\nListen: https://thankyoucomeagain.bandcamp.com/track/bite-the-hand"}],"showid":66367},{"playid":3637868,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-04-05T02:47:37Z","epoch_airdate":1775357257000,"epoch_airdate_v2":"/Date(1775357257000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":767694112,"name":"Fake Fruit","islocal":false},"release":{"releaseid":767694112,"name":"Fake Fruit","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":1443155046,"year":2021},"track":{"trackid":1706959258,"name":"Old Skin"},"label":null,"comments":[{"commentid":984478607,"text":"Fake Fruit’s “Old Skin” comes from the Bay Area band’s 2021 self-titled debut, a record widely praised for its wiry, hard-edged post-punk and guitar rock. The song title is especially evocative in the context of Fake Fruit’s larger sensibility. “Old Skin” suggests shedding, memory, and the uncomfortable persistence of former selves, which fits a band so good at making social observation feel bodily and immediate. Coverage of the album highlights the group’s biting critique, nervy delivery, and layered guitar work, and “Old Skin” sits comfortably inside that world. Fake Fruit have always been strong at balancing intelligence and abrasion without losing momentum, and a title like this hints at exactly that kind of emotional complexity. Skin is identity, surface, protection, and vulnerability all at once. To call it old is to imply growth, damage, and something half-escaped but still attached. That makes “Old Skin” a perfect phrase for a post-punk band interested in human absurdity, social friction, and the strange labor of becoming someone else while still dragging your past behind you. It is a sharply chosen title from a band that knows how to make discomfort feel vivid and alive.\nListen: https://open.spotify.com/track/0M9KpQ7R3z2mV2i8Kq6v4Y"}],"showid":66367},{"playid":3637867,"playtype":{"playtypeid":4,"name":"Air break"},"airdate":"2026-04-05T02:45:30Z","epoch_airdate":1775357130000,"epoch_airdate_v2":"/Date(1775357130000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":null,"release":null,"releaseevent":null,"track":null,"label":null,"comments":[],"showid":66367},{"playid":3637866,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-04-05T02:42:10Z","epoch_airdate":1775356930000,"epoch_airdate_v2":"/Date(1775356930000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":964878284,"name":"Kelley Stoltz","islocal":false},"release":{"releaseid":1061031583,"name":"Not Gone","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":1958442349,"year":2026},"track":{"trackid":2031682568,"name":"Not Gone"},"label":null,"comments":[{"commentid":2043354930,"text":"Kelley Stoltz has long been one of San Francisco’s great songwriters, a musician whose catalog moves freely through psych-pop, garage rock, power pop, and home-recorded experiment without ever losing its human scale. “Not Gone,” from If You Don’t Know Me, Buy Now!, arrives from an artist with decades of craft behind him, and that experience shows in how effortlessly the song seems to carry feeling. Stoltz has always understood melody as both hook and emotional architecture, and here that gift is front and center. The track feels concise but resonant, with the sort of songwriting economy that only comes from someone who knows exactly how much a line, a chord change, or a slight shift in arrangement can do. There is melancholy in the title, but also resilience. “Not Gone” suggests persistence through absence, the way people, places, and versions of ourselves remain present long after they have supposedly passed. Stoltz’s music often works this way: bright on the surface, quietly devastating underneath. He never forces sentiment, which is why it lands so hard. “Not Gone” feels like a late-career reminder that great pop songwriting does not age out; it simply deepens, gathering more shadow, more warmth, and more truth as it goes.\nListen: https://soundcloud.com/kelley-stoltz/not-gone"}],"showid":66367},{"playid":3637865,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-04-05T02:37:54Z","epoch_airdate":1775356674000,"epoch_airdate_v2":"/Date(1775356674000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":2086519168,"name":"Black Mountain","islocal":true},"release":{"releaseid":1084709786,"name":"IV","largeimageuri":"https://dn710807.ca.archive.org/0/items/mbid-6216c379-47f0-4ddf-a9f3-9c462577e2f1/mbid-6216c379-47f0-4ddf-a9f3-9c462577e2f1-26401085200_thumb500.jpg","smallimageuri":"https://dn710807.ca.archive.org/0/items/mbid-6216c379-47f0-4ddf-a9f3-9c462577e2f1/mbid-6216c379-47f0-4ddf-a9f3-9c462577e2f1-26401085200_thumb250.jpg"},"releaseevent":{"releaseeventid":923727626,"year":2016},"track":{"trackid":261110809,"name":"Space to Bakersfield"},"label":{"labelid":931739249,"name":"Jagjaguwar"},"comments":[{"commentid":299862595,"text":"Watch Black Mountain play \"Space to Bakersfield\" LIVE on KEXP back in 2016:\n\nhttps://www.youtube.com/watch?v=pVEq9bZ-SY0"}],"showid":66368},{"playid":3637864,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-04-05T02:37:41Z","epoch_airdate":1775356661000,"epoch_airdate_v2":"/Date(1775356661000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1706600610,"name":"Aluminum","islocal":false},"release":{"releaseid":308638053,"name":"Fully Beat","largeimageuri":"https://coverartarchive.org/release/d313b134-8589-4180-b834-d85af5f2fb36/42772408127-500.jpg","smallimageuri":"https://coverartarchive.org/release/d313b134-8589-4180-b834-d85af5f2fb36/42772408127-250.jpg"},"releaseevent":{"releaseeventid":843996103,"year":2024},"track":{"trackid":1430661263,"name":"Always Here, Never There"},"label":null,"comments":[{"commentid":525083615,"text":"Aluminum make music that feels sleek without becoming cold. On “Beat,” from the album Fully Beat, the Los Angeles group fuse dream-pop shimmer, indie-pop precision, and a rhythmic sensibility that gives their haze real snap. The song is a strong entry point into their world: glossy but not sterile, melodic but never soft-edged, driven by a pulse that keeps its cool even as the arrangement blooms around it. There is something distinctly modern in how Aluminum build atmosphere. Rather than burying everything in fog, they let the details gleam, synth color, guitar texture, bass movement, vocal phrasing, so the song feels aerodynamic and tactile at the same time. “Beat” carries a subtle tension between emotional distance and physical momentum, as though it were designed for dancing through private thoughts. That contrast gives the track much of its power. It has the lift of pop, the blur of shoegaze, and the clean-lined melancholy of late-night city music. The result is both immediate and elusive. “Beat” does not overwhelm; it seduces, circling its own center with confidence and style. It is a song that understands repetition not as excess, but as spellcraft.\nListen: https://aluminum.bandcamp.com/track/beat"}],"showid":66367},{"playid":3637863,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-04-05T02:33:46Z","epoch_airdate":1775356426000,"epoch_airdate_v2":"/Date(1775356426000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":2021187962,"name":"Baywitch","islocal":true},"release":{"releaseid":1520352509,"name":"Apocatropica","largeimageuri":null,"smallimageuri":"https://dn721900.ca.archive.org/0/items/mbid-9e2a1ec8-f64a-47c1-810c-6aa8e9409ef2/mbid-9e2a1ec8-f64a-47c1-810c-6aa8e9409ef2-34403120846_thumb250.jpg"},"releaseevent":{"releaseeventid":1735253499,"year":2022},"track":{"trackid":2028388383,"name":"Economicon"},"label":{"labelid":1533023706,"name":"Halfshell Records"},"comments":[{"commentid":1988766612,"text":"Baywitch’s 3rd album, ‘Apocatropica’ welcomes you into a realm adjacent to our own marred by mists, myths and monsters; a campy parable for very real-life wildfires, colonialism, bias, capitalism and the never-ending ever pending doom-news whirlpool. Baywitch is faster and fiercer, with a psychier surf sound to echo a dizzying time. Apocatropica was written and performed in Winter 2019.\n\nhttps://lightintheattic.net/products/apocatropica"}],"showid":66368},{"playid":3637858,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-04-05T02:32:00Z","epoch_airdate":1775356320000,"epoch_airdate_v2":"/Date(1775356320000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":2029645235,"name":"Pink Breath of Heaven","islocal":false},"release":{"releaseid":921956286,"name":"Colors Make a Sound","largeimageuri":"https://coverartarchive.org/release/b1e9bf83-4cf5-4709-8f71-fbff283b37c8/41749917362-500.jpg","smallimageuri":"https://coverartarchive.org/release/b1e9bf83-4cf5-4709-8f71-fbff283b37c8/41749917362-250.jpg"},"releaseevent":{"releaseeventid":641200371,"year":2025},"track":{"trackid":1986574248,"name":"Start Again"},"label":null,"comments":[{"commentid":2113034072,"text":"Pink Breath of Heaven shape songs like weather systems: slow-moving, luminous, and emotionally immersive. The San Francisco project of Liv Field and Rex John Shelverton leans into shimmering guitars, spectral melody, and a patient sense of space, making music that feels intimate without losing scale. “Start Again,” from Colors Make a Sound, carries that aesthetic beautifully. The song drifts in on soft-focus textures and blooming guitar tones, but beneath the dreamlike surface there is a clear emotional engine. Its title suggests renewal, and the track moves with that feeling, as if gathering itself after disorientation and stepping back into the light one careful breath at a time. Rather than relying on blunt catharsis, Pink Breath of Heaven let atmosphere do the talking. Their arrangements feel suspended, but never static; each layer deepens the mood, and the voice sits inside the song like another instrument, guiding rather than commanding. “Start Again” captures the group’s gift for making shoegaze feel personal and devotional at once. It is music for thresholds, for fragile recoveries, for the moment when repetition stops feeling like defeat and starts becoming survival.\nListen: https://pinkbreathofheaven.bandcamp.com/album/colors-make-a-sound"}],"showid":66367},{"playid":3637862,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-04-05T02:31:35Z","epoch_airdate":1775356295000,"epoch_airdate_v2":"/Date(1775356295000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1451871463,"name":"38 Coffin","islocal":true},"release":{"releaseid":1999919059,"name":"Little Devil","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":498567787,"year":null},"track":{"trackid":612543066,"name":"Little Devil"},"label":null,"comments":[{"commentid":386276110,"text":"\"38 Coffin is a Seattle-based surf-garage punk band founded in 2020 by vocalist/guitarist Lauren Goffin. The band features Ana Baez on bass, Andre McGuire on lead guitar, and Todd C. on drums. Know for high entry performances, retro horror aesthetics, and surf-punk sound w/ dark lyrical themes. They have released 2 LPs an EP and single. They are a recognized part of the Seattle underground scene.\"\n\nhttps://38coffin.bandcamp.com/track/little-devil"}],"showid":66368},{"playid":3637861,"playtype":{"playtypeid":4,"name":"Air break"},"airdate":"2026-04-05T02:30:44Z","epoch_airdate":1775356244000,"epoch_airdate_v2":"/Date(1775356244000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":null,"release":null,"releaseevent":null,"track":null,"label":null,"comments":[],"showid":66367},{"playid":3637860,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-04-05T02:29:20Z","epoch_airdate":1775356160000,"epoch_airdate_v2":"/Date(1775356160000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1257753885,"name":"The Spits","islocal":true},"release":{"releaseid":1257753885,"name":"The Spits","largeimageuri":"https://dn721607.ca.archive.org/0/items/mbid-3f96afce-bb9f-49b2-a084-d115412034d1/mbid-3f96afce-bb9f-49b2-a084-d115412034d1-27385935236_thumb500.jpg","smallimageuri":"https://dn721607.ca.archive.org/0/items/mbid-3f96afce-bb9f-49b2-a084-d115412034d1/mbid-3f96afce-bb9f-49b2-a084-d115412034d1-27385935236_thumb250.jpg"},"releaseevent":{"releaseeventid":1358823301,"year":2002},"track":{"trackid":287800588,"name":"Bring"},"label":{"labelid":1670748616,"name":"Slovenly Recordings"},"comments":[{"commentid":1365415080,"text":"The spits were originally from Kalamazoo! And then they moved to Seattle!\n\nhttps://www.slovenly.com/artist/the-spits/"}],"showid":66368},{"playid":3637859,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-04-05T02:28:38Z","epoch_airdate":1775356118000,"epoch_airdate_v2":"/Date(1775356118000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":572433405,"name":"The Fartz","islocal":true},"release":{"releaseid":2108936897,"name":"Because This Fuckin' World Still Stinks...","largeimageuri":"https://coverartarchive.org/release/29a7fcee-d50d-42c1-b42a-47987f0df3c0/44376824158-500.jpg","smallimageuri":"https://coverartarchive.org/release/29a7fcee-d50d-42c1-b42a-47987f0df3c0/44376824158-250.jpg"},"releaseevent":{"releaseeventid":248886088,"year":1998},"track":{"trackid":1073935982,"name":"You Got a Brain (Use It)"},"label":{"labelid":1317530772,"name":"Alternative Tentacles"},"comments":[{"commentid":1501985712,"text":"Old School Hardcore band formed in Seattle, Washington in 1981.\n\n\"You Got A Brain\" is the first from the self released 1981 9 song 7\" E.P. \"Because This Fing World Stinks\", it was later Re-issued in 1982 on Alternative Tentacles Records # Virus 21, the band had many line-up changes over the years, including Duff McKagan of Gun's 'N' Roses who played drums on 3 tracks from the \"You, We See You Crawling\" Compilation L.P. mostly recorded in 1982 and and released on Empty Records in 1990. \n\nThe lead singer of the band, Blane Cook, later formed The Accüsed."}],"showid":66368},{"playid":3637857,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-04-05T02:26:30Z","epoch_airdate":1775355990000,"epoch_airdate_v2":"/Date(1775355990000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1144185434,"name":"Film School","islocal":false},"release":{"releaseid":1502116635,"name":"Bright to Death","largeimageuri":"https://coverartarchive.org/release/5a587deb-f753-4c34-b19b-b5eac2a18283/22167157978-500.jpg","smallimageuri":"https://coverartarchive.org/release/5a587deb-f753-4c34-b19b-b5eac2a18283/22167157978-250.jpg"},"releaseevent":{"releaseeventid":1776399147,"year":2018},"track":{"trackid":97205455,"name":"Crushin"},"label":null,"comments":[{"commentid":1927046127,"text":"Film School have spent years refining a kind of shoegaze that never loses sight of melody. Formed in Los Angeles and long associated with the West Coast underground, the band balance haze and propulsion with unusual discipline, building songs that feel suspended in light while still moving with real physical force. “Crushin” comes from Bright to Death, a record that sharpened their blend of dream-pop shimmer, post-punk tension, and feedback-rich atmosphere. The track is a strong example of what Film School do so well: guitars blur into a glowing wash, the rhythm section keeps everything steady and forward, and the emotional tone lands somewhere between longing and release. There is a bittersweet pull to the song, but it never collapses into fragility. Instead, it feels like motion through memory, a half-lit drive with the windows down and the past just close enough to touch. “Crushin” shows how Film School can make density feel airy and introspection feel immediate, turning texture into something almost tactile. It is shoegaze with bones, pulse, and a quiet confidence earned over decades.\nListen: https://filmschoolmusic.bandcamp.com/track/crushin-2"}],"showid":66367},{"playid":3637854,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-04-05T02:21:00Z","epoch_airdate":1775355660000,"epoch_airdate_v2":"/Date(1775355660000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1958287950,"name":"The Brian Jonestown Massacre","islocal":false},"release":{"releaseid":1223274383,"name":"Their Satanic Majesties' Second Request","largeimageuri":"https://coverartarchive.org/release/6e62175b-6b79-4954-b506-18027249bc62/18753438952-500.jpg","smallimageuri":"https://coverartarchive.org/release/6e62175b-6b79-4954-b506-18027249bc62/18753438952-250.jpg"},"releaseevent":{"releaseeventid":1353037336,"year":1996},"track":{"trackid":1613820162,"name":"Anemone"},"label":null,"comments":[{"commentid":643139184,"text":"Few bands have done more to keep psychedelic rock alive, unstable, and gloriously unruly than The Brian Jonestown Massacre. Led by Anton Newcombe, the group built a vast catalog out of drones, folk-rock shimmer, narcotic grooves, and a deep conversation with the 1960s that never felt merely archival. “Anenome,” from Their Satanic Majesties’ Second Request, is one of the band’s defining songs, a track whose reputation has only grown with time. It is easy to hear why. The arrangement is hypnotic from the first moments, unspooling with a languid grace that feels both intimate and hallucinatory. Tambourine shake, drifting melody, and repeating figures create a trance-state that never breaks, while the song’s emotional atmosphere hovers somewhere between seduction, melancholy, and surrender. “Anenome” is not flashy; it works by deepening its spell with every passing minute. That patience is central to its power. It embodies the Brian Jonestown Massacre at their most magnetic, when reverence for psych history turns into something loose, sensuous, and fully inhabited. Decades after its original release, the song still sounds impossibly alive, like incense smoke curling through a half-open window at dawn.\nListen: https://open.spotify.com/track/70WSr32oW4jC1na5I0j0D6"}],"showid":66367},{"playid":3637856,"playtype":{"playtypeid":4,"name":"Air break"},"airdate":"2026-04-05T02:20:45Z","epoch_airdate":1775355645000,"epoch_airdate_v2":"/Date(1775355645000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":null,"release":null,"releaseevent":null,"track":null,"label":null,"comments":[],"showid":66368},{"playid":3637855,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-04-05T02:18:45Z","epoch_airdate":1775355525000,"epoch_airdate_v2":"/Date(1775355525000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1837395780,"name":"SUX","islocal":true},"release":{"releaseid":1508827433,"name":"SUX SELLS","largeimageuri":"https://dn720806.ca.archive.org/0/items/mbid-6310b730-7b94-4b5f-9f9d-c189f0c6e1ea/mbid-6310b730-7b94-4b5f-9f9d-c189f0c6e1ea-44505921981_thumb500.jpg","smallimageuri":"https://dn720806.ca.archive.org/0/items/mbid-6310b730-7b94-4b5f-9f9d-c189f0c6e1ea/mbid-6310b730-7b94-4b5f-9f9d-c189f0c6e1ea-44505921981_thumb250.jpg"},"releaseevent":{"releaseeventid":1560332423,"year":2026},"track":{"trackid":1663918927,"name":"NO THX"},"label":{"labelid":1724760966,"name":"Youth Riot"},"comments":[{"commentid":1226915395,"text":"Sux are playing a show tomorrow in Tacoma along with  The Coolers, Amy Beth and Thee Creeps, Stetson Heat Seeker, and more!\n\nhttps://www.songkick.com/concerts/43087178-sux-at-vfw-post-969?utm_source=1471&utm_medium=partner"}],"showid":66368},{"playid":3637853,"playtype":{"playtypeid":4,"name":"Air break"},"airdate":"2026-04-05T02:18:40Z","epoch_airdate":1775355520000,"epoch_airdate_v2":"/Date(1775355520000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":null,"release":null,"releaseevent":null,"track":null,"label":null,"comments":[],"showid":66367},{"playid":3637852,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-04-05T02:15:38Z","epoch_airdate":1775355338000,"epoch_airdate_v2":"/Date(1775355338000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1837395780,"name":"SUX","islocal":true},"release":{"releaseid":1508827433,"name":"SUX SELLS","largeimageuri":"https://dn720806.ca.archive.org/0/items/mbid-6310b730-7b94-4b5f-9f9d-c189f0c6e1ea/mbid-6310b730-7b94-4b5f-9f9d-c189f0c6e1ea-44505921981_thumb500.jpg","smallimageuri":"https://dn720806.ca.archive.org/0/items/mbid-6310b730-7b94-4b5f-9f9d-c189f0c6e1ea/mbid-6310b730-7b94-4b5f-9f9d-c189f0c6e1ea-44505921981_thumb250.jpg"},"releaseevent":{"releaseeventid":1560332423,"year":2026},"track":{"trackid":134525211,"name":"SRY"},"label":{"labelid":1724760966,"name":"Youth Riot"},"comments":[{"commentid":1226915395,"text":"Sux are playing a show tomorrow in Tacoma along with  The Coolers, Amy Beth and Thee Creeps, Stetson Heat Seeker, and more!\n\nhttps://www.songkick.com/concerts/43087178-sux-at-vfw-post-969?utm_source=1471&utm_medium=partner"}],"showid":66368},{"playid":3637851,"playtype":{"playtypeid":1,"name":"Media play"},"airdate":"2026-04-05T02:15:10Z","epoch_airdate":1775355310000,"epoch_airdate_v2":"/Date(1775355310000)/","archive_urls":{"32":null,"64":null,"128":null,"256":null},"artist":{"artistid":1558474484,"name":"La Doña","islocal":false},"release":{"releaseid":295253257,"name":"Buscando un Novio","largeimageuri":null,"smallimageuri":null},"releaseevent":{"releaseeventid":498567787,"year":null},"track":{"trackid":438180595,"name":"Buscando un Novio"},"label":null,"comments":[{"commentid":2088569479,"text":"La Doña has become one of the Bay Area’s most compelling voices by treating tradition not as a museum piece, but as living force. Her work draws from cumbia, reggaeton, bolero, corrido, and Bay Area street soul, always shaped by a powerful sense of identity and place. “Buscando un Novio,” released in 2026 and presented in its official video with Son Rompe Pera, carries that sensibility beautifully. The title suggests flirtation, pursuit, and play, but La Doña rarely works on only one level. Even when the mood is buoyant, there is usually a deeper confidence in the way she inhabits the song, as though romance were also performance, cultural memory, and self-definition all at once. Her phrasing has command, and the production lets rhythm do more than decorate the track; it becomes the song’s bloodstream. What makes “Buscando un Novio” especially engaging is how naturally it moves between old and new. The cumbia pulse is unmistakable, but the attitude is contemporary, sharp, and entirely her own. La Doña has a gift for making heritage sound immediate, not reverent, and this track continues that work. It is playful, stylish, and deeply rooted, the kind of song that turns dance into declaration.\nListen: https://open.spotify.com/track/4JQj3j8kKxW7vL0gX0n1Qa"}],"showid":66367}]}