{"id":352151,"uri":"https://api.kexp.org/v2/plays/352151/?format=json","airdate":"2019-07-09T15:22:04-07:00","show":5869,"show_uri":"https://api.kexp.org/v2/shows/5869/?format=json","image_uri":"","thumbnail_uri":"","song":"I Don't Mind","track_id":"edc8c584-2dd8-4535-9a1a-d7c41c3c6117","recording_id":null,"artist":"Bob Mould","artist_ids":["d7f5305a-15fc-4af4-a61b-f6f45510cc8f"],"album":"I Don't Mind","release_id":"43b7d2a7-1e99-4b4d-8560-f70d03c4634f","release_group_id":null,"labels":["Merge Records"],"label_ids":["5a4f8d65-681e-4a1f-85a8-a874c9513888"],"release_date":"2019-06-11","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"“Early in my sophomore year, two concerts had a major impact on me. The first was at the Longhorn, with Gang Of Four opening for the Buzzcocks,” Mould explains. “I was a huge fan of the Buzzcocks’ approach to pop songwriting and also appreciated the slashing guitar of Gang Of Four. I was front and center for the entire Buzzcocks set, studying singer-guitarist Pete Shelley, watching his every motion. Legend has it that the entire band was tripping on LSD that evening — I don’t know, but many times during the set, Pete did lean down, off-mic, and shout the chord changes at me. It left a deep impression, and I became an even more intent student of their work.”","location":1,"location_name":"Default","play_type":"trackplay"}