{"id":354774,"uri":"https://api.kexp.org/v2/plays/354774/?format=json","airdate":"2019-07-15T18:36:48-07:00","show":5915,"show_uri":"https://api.kexp.org/v2/shows/5915/?format=json","image_uri":"","thumbnail_uri":"","song":"Vasos Vacíos (con Celia Cruz)","track_id":null,"recording_id":null,"artist":"Los Fabulosos Cadillacs","artist_ids":["cfe85625-10af-46c1-99fb-765ed3a4f1ad"],"album":"Vasos Vacíos","release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":"1950-01-01","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"At the end of the '80s, Celia Cruz was recognized in several countries, but her interest was to enter the Argentine market. So she got in touch with Los Fabulosos Cadillacs and in September 1988, the popular band entered the Panda studios to give life to their third album called \"El ritmo mundial\". The presence of Celia Cruz was very important, leaving her marked style in two songs: \"Vasos Vacios\" and “Más solo que la noche anterior”.<br>\n<br>\nA finales de los años 80, Celia Cruz era reconocida en varios países, pero su interés era ingresar al mercado argentino. Así que se puso en contacto con Los Fabulosos Cadillacs y en septiembre de 1988, la popular banda ingresó a los estudios Panda para dar vida a su tercer álbum llamado \"El ritmo mundial\". La presencia de Celia Cruz fue muy importante, dejando su marcado estilo en dos canciones: \"Vasos Vacíos\" y \"Más solo que la noche anterior\".<br>","location":1,"location_name":"Default","play_type":"trackplay"}