{"id":3571865,"uri":"https://api.kexp.org/v2/plays/3571865/?format=json","airdate":"2025-10-30T15:13:42-07:00","show":64976,"show_uri":"https://api.kexp.org/v2/shows/64976/?format=json","image_uri":"","thumbnail_uri":"","song":"Shack Up","track_id":null,"recording_id":"f106cb62-1bba-4bdc-807e-a61f940af942","artist":"Banbarra","artist_ids":["043f7a48-a53e-4394-af4e-e2de2b21356d"],"album":"Blue Break Beats, Volume 4","release_id":null,"release_group_id":"928186ce-df8c-3eea-9a8c-d20937731689","labels":["Blue Note"],"label_ids":["713c4a95-6616-442b-9cf6-14e1ddfd5946"],"release_date":"1999-02-09","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Based in Washington D.C., Banbarra was essentially two men – co-writers Moe Daniels and Joe “Bunny” Carter – and some uncredited session musicians.\n--\nCo-writers Moe Daniels and Joe “Bunny” Carter, the only credited artists on the 7-inch label, built “Shack Up” from Carter’s lyrics and a Daniels instrumental then titled “Boogie on the Other Side of Town.” And the pieces that made the song a DJ favorite – John Cannon’s extended, slippery-on-the-one drum break and Steve Moody’s grease-gun bassline – were largely assembled and put to tape in one day.","location":1,"location_name":"Default","play_type":"trackplay"}