{"id":3576544,"uri":"https://api.kexp.org/v2/plays/3576544/?format=json","airdate":"2025-11-10T20:17:03-08:00","show":65076,"show_uri":"https://api.kexp.org/v2/shows/65076/?format=json","image_uri":"https://coverartarchive.org/release/f12facb1-633a-4483-a714-0838a5b62388/3828147890-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/f12facb1-633a-4483-a714-0838a5b62388/3828147890-250.jpg","song":"Maligno","track_id":null,"recording_id":"699114fe-c12a-4e7d-ab91-9915a7ea77a7","artist":"Aterciopelados","artist_ids":["0ba1966a-e471-4f98-85d7-8ac0c1f836f0"],"album":"Caribe atómico","release_id":null,"release_group_id":"6421f94d-b5a1-3339-aa2a-c4054d533d33","labels":[],"label_ids":[],"release_date":"1998-07-28","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"A molten trip-hop/cumbia hybrid where bass slinks, timbales chatter, and Andrea Echeverri turns a toxic romance into a spell-break. The arrangement plays chiaroscuro: dusty vinyl crackle, tremolo guitar, and dubby delays circling a heartbeat kick. Lyrically it names the harm, then exorcises it—maligno as both lover and habit—so the chorus lands like a protective incantation. Strings and organ bloom without crowding the pocket, and a restrained bridge lets the lyric breathe before the final lift. It’s one of Aterciopelados’ sharpest fusions of folklore, pop instinct, and studio psychedelia—seductive on the surface, resolute underneath.\u2028Listen: open.spotify.com/track/3nGq4m6i2M7qkR3qfMalig","location":1,"location_name":"Default","play_type":"trackplay"}