{"id":3591564,"uri":"https://api.kexp.org/v2/plays/3591564/?format=json","airdate":"2025-12-15T19:44:55-08:00","show":65389,"show_uri":"https://api.kexp.org/v2/shows/65389/?format=json","image_uri":"","thumbnail_uri":"","song":"O de los efectos secundarios del agua de las flores","track_id":null,"recording_id":null,"artist":"Rumores","artist_ids":[],"album":"Ven conmigo a buscar una anecdota epica","release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":"2025-12-03","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"O de los efectos secundarios del agua de las flores is a title that reads like a footnote to a romance: the “side effects” of flower water suggests beauty with consequences, tenderness that leaves residue. The “O de…” construction also feels literary—like an alternate title, an aside, a second thought that might be the real thought. That framing makes the listening experience feel intimate and slightly analytical at the same time. The track works best when you approach it as mood with subtext: not just feeling, but reflection about feeling. Songs with titles like this often invite you to listen for details—small melodic turns, minor shifts in tone, the way a phrase repeats differently the second time. In a playlist, it functions as an intriguing curveball: it slows the room down without killing attention because the title alone creates narrative curiosity. It’s the kind of track you play when you want the sequence to feel like a diary page—specific, human, and a little self-aware about its own drama.\u2028Listen: https://open.spotify.com/search/Rumores%20O%20de%20los%20efectos%20secundarios%20del%20agua%20de%20las%20flores","location":1,"location_name":"Default","play_type":"trackplay"}