{"id":3592015,"uri":"https://api.kexp.org/v2/plays/3592015/?format=json","airdate":"2025-12-16T20:59:22-08:00","show":65397,"show_uri":"https://api.kexp.org/v2/shows/65397/?format=json","image_uri":"","thumbnail_uri":"","song":"La Rumba Del Perdón","track_id":null,"recording_id":null,"artist":"Sílvia Pérez Cruz, Estrella Morente, ROSALÍA","artist_ids":["c532c746-29b7-46a1-b37e-705a62827bab","14a4d006-ff38-4dce-9ce4-73173e40fd57","25f3abd9-63b5-471a-bd25-feb9672dfa11"],"album":"LUX","release_id":null,"release_group_id":null,"labels":["Columbia"],"label_ids":[],"release_date":"2025-11-07","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"The whole album then is a hymnal to the contradictions of female spirituality in the material world. From the opening lines (‘Who could live between the two / first to love the world and then to love God’), it is riven with the sense of being torn between this world and a higher one, this consciousness and a deeper one. \n\nLux is hagiographical in the sense that its core texts are the lives of the saints, but Rosalía’s icons do not carry the undue reverence or unattainable perfection usually associated with hagiography.","location":1,"location_name":"Default","play_type":"trackplay"}