{"id":3596508,"uri":"https://api.kexp.org/v2/plays/3596508/?format=json","airdate":"2025-12-27T00:06:45-08:00","show":65482,"show_uri":"https://api.kexp.org/v2/shows/65482/?format=json","image_uri":"","thumbnail_uri":"","song":"Dorothy Dandridge Eyes","track_id":null,"recording_id":"960100c0-39dc-45e5-a91d-6179a225325d","artist":"Janelle Monáe feat. Esperanza Spalding","artist_ids":["ee190f6b-7d98-43ec-b924-da5f8018eca0","5c12b265-5e59-44e0-b657-5cf4169f7316"],"album":"The Electric Lady","release_id":null,"release_group_id":"c7400a4b-26cc-4720-aadc-e061b86d693a","labels":["Wondaland"],"label_ids":["1f9af67b-0ca8-47c1-afcd-1b57ee0696c7"],"release_date":"2013-09-09","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Second studio album by Janelle Monae. \n\nThematically, The Electric Lady continues the dystopic cyborg concepts of its predecessors, while presenting itself in more plainspoken, personal territory in addition to experimenting with genres beyond conventional funk and soul music genres such as jazz, pop punk and gospel.","location":1,"location_name":"Default","play_type":"trackplay"}