{"id":3606519,"uri":"https://api.kexp.org/v2/plays/3606519/?format=json","airdate":"2026-01-19T21:33:47-08:00","show":65702,"show_uri":"https://api.kexp.org/v2/shows/65702/?format=json","image_uri":"","thumbnail_uri":"","song":"Excusa Para El Pogo","track_id":null,"recording_id":null,"artist":"Fama y Guita","artist_ids":["68806a98-3af3-4c02-ac9e-767c51438331"],"album":"Excusa Para El Pogo","release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":null,"rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"“Excusa Para El Pogo” is a 2025 single by Fama y Guita, released as a one-track drop and credited with a collaborator (La Piba Berreta) on major platforms. At roughly a minute and a half, it’s engineered as a burst—more a spark than a long statement. The title translates to “an excuse for the mosh pit,” which is exactly how the song behaves: it doesn’t need to justify itself with narrative complexity; it exists to trigger movement. Short tracks like this usually live or die on immediacy: a hook that hits fast, a rhythm that reads instantly, and a structure that exits before repetition dulls the edge. That’s the strength here. For radio use, it’s a pacing tool. It can reset attention between longer tracks, or it can kick off a punk-adjacent block with a quick surge. Thematically, there’s also an implied satire: calling it an “excuse” suggests the mosh is the point, and everything else is pretext. That self-awareness can play well on air—especially if you frame it as a wink at rock scene rituals while still honoring the physical joy of noise and release. Keep it loud, keep it quick, and let it do its job.\n \n\u2028Listen: https://open.spotify.com/album/29q4dkyaMkys7t4r87bYlO","location":1,"location_name":"Default","play_type":"trackplay"}