{"id":3615425,"uri":"https://api.kexp.org/v2/plays/3615425/?format=json","airdate":"2026-02-09T19:07:13-08:00","show":65891,"show_uri":"https://api.kexp.org/v2/shows/65891/?format=json","image_uri":"https://coverartarchive.org/release/27d96088-6cb9-4d78-aaa5-6eff8bce5fdf/2539991841-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/27d96088-6cb9-4d78-aaa5-6eff8bce5fdf/2539991841-250.jpg","song":"Acabar mal","track_id":null,"recording_id":"d4b4b0f8-ab71-4a95-a715-0b6d38c787f9","artist":"Sergent Garcia","artist_ids":["84f6391b-32be-4e06-bfa4-ad9d9cb9ce29"],"album":"Un poquito quema'o","release_id":null,"release_group_id":"04ce3fc8-02ea-382b-87d4-f8491e61b148","labels":[],"label_ids":[],"release_date":"1999-02-19","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"Sergent Garcia is built around Bruno Garcia’s long-running “salsamuffin” vision: the meeting point between reggae’s rhythmic talk and the swing, brass, and heat of Afro-Caribbean and Latin music. “Acabar mal” carries that hybrid spirit with a charged, street-level urgency—music that can make a room dance while still sounding like it has something to say. The hook lands like a warning sign, and the track’s propulsion is the point: percussion and bass lock into a rolling gait, horns and accents pop in with celebratory bite, and the vocal delivery leans into the theatrical tension of a song that feels like a countdown. This is protest music that refuses to be stiff, and party music that refuses to be empty—built for movement, but with an undercurrent of frustration and determination. It’s the sound of pressure turning into rhythm, the kind of cut that can ignite a crowd while keeping its eyes open.\u2028Listen: https://open.spotify.com/track/3YTVbAGeJFVVZG6FIVSiCo","location":1,"location_name":"Default","play_type":"trackplay"}