{"id":3616608,"uri":"https://api.kexp.org/v2/plays/3616608/?format=json","airdate":"2026-02-12T14:56:50-08:00","show":65914,"show_uri":"https://api.kexp.org/v2/shows/65914/?format=json","image_uri":"https://coverartarchive.org/release/df1c3d1f-7180-39b1-a367-8a0a7acb296a/2981127856-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/df1c3d1f-7180-39b1-a367-8a0a7acb296a/2981127856-250.jpg","song":"Pusherman","track_id":null,"recording_id":"1c20d04d-9dcc-45d2-9df1-4413cfae536d","artist":"Curtis Mayfield","artist_ids":["4dca4bb2-23ba-4103-97e6-5810311db33a"],"album":"Superfly","release_id":null,"release_group_id":"3f68cf91-b4f0-39ef-8318-93dc064a53ba","labels":[],"label_ids":[],"release_date":"1972-07-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"This song is a clear example of blue thirds, pitches in between the standard equal-tempered major and minor thirds. \n\nCurtis was famously a self-taught guitarist. He didn’t know how he was supposed to tune it, so he decided to tune to the black keys on the piano: F-sharp, A-sharp, C-sharp, F-sharp, A-sharp, F-sharp. He used this open F-sharp tuning throughout his career. \nLearn about the composition of this song: https://www.ethanhein.com/wp/2023/pusherman/","location":1,"location_name":"Default","play_type":"trackplay"}