{"id":3619515,"uri":"https://api.kexp.org/v2/plays/3619515/?format=json","airdate":"2026-02-19T13:08:20-08:00","show":65975,"show_uri":"https://api.kexp.org/v2/shows/65975/?format=json","image_uri":"","thumbnail_uri":"","comment":"When preparing to put together \"Dwight Spitz,\" his third full-length album, Count purchased an AKAI S-300 and an MPC-2000 sampler. The Ohio-native/then Tennessee-resident worked extensively with MF DOOM, who he’d known since the early ’90s, to hone his production skills. Eventually, the self-described “Fender Rhodes Scholar” gained some level of mastery over the equipment and created music that had a creative mix of sample-based material and live instrumentation.","location":1,"location_name":"Default","play_type":"airbreak"}