{"id":3621402,"uri":"https://api.kexp.org/v2/plays/3621402/?format=json","airdate":"2026-02-23T20:00:58-08:00","show":66014,"show_uri":"https://api.kexp.org/v2/shows/66014/?format=json","image_uri":"https://coverartarchive.org/release/4269cab6-2952-43cf-8813-3eb7059ec6c3/6693131507-500.jpg","thumbnail_uri":"https://coverartarchive.org/release/4269cab6-2952-43cf-8813-3eb7059ec6c3/6693131507-250.jpg","song":"Margie","track_id":null,"recording_id":null,"artist":"Ray Barretto","artist_ids":["169153fd-ba80-401a-8ccd-2825efaf9155"],"album":"Acid","release_id":null,"release_group_id":"82210a1f-badf-3477-a6b1-bc8efcddd610","labels":["Fania"],"label_ids":["a00f1d54-2e47-492b-b24b-3b994b2ba0c4"],"release_date":"1968-01-01","rotation_status":null,"is_local":false,"is_request":false,"is_live":false,"comment":"“Margie,” from Ray Barretto’s 1968 album Acid, reflects the Latin boogaloo and early salsa crossover moment in New York. Barretto, one of Fania’s most influential bandleaders, bridged jazz, soul, and Afro-Cuban rhythms, helping define the label’s late-60s sound.\n***\n“Margie”, del álbum Acid (1968), representa el cruce entre boogaloo y la salsa emergente en Nueva York. Ray Barretto fue uno de los directores más influyentes de Fania, integrando jazz, soul y ritmos afrocubanos en el sonido del sello a fines de los años 60.","location":1,"location_name":"Default","play_type":"trackplay"}