{"id":369574,"uri":"https://api.kexp.org/v2/plays/369574/?format=json","airdate":"2019-08-19T19:32:00-07:00","show":6162,"show_uri":"https://api.kexp.org/v2/shows/6162/?format=json","image_uri":"","thumbnail_uri":"","song":"Mujeres","track_id":null,"recording_id":null,"artist":"Y La Bamba","artist_ids":["f6157276-5fab-43d5-843c-3e77cd1a12d3"],"album":"Mujeres","release_id":null,"release_group_id":null,"labels":[],"label_ids":[],"release_date":"1950-01-01","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Portland: Y La Bamba has been many things, but at the heart of it is singer-songwriter Luz Elena Mendoza’s inquisitive sense of self. Their fifth record, Mujeres, carries on the Portland-based band’s affinity for spiritual contemplation, but goes a step further in telling a story with a full emotional spectrum. Coming off Ojos Del Sol, one of NPR’s Top 50 Albums of 2016, Mujeres exhibits the scope of Mendoza’s artistic voice like never before. “Soy como soy,” Mendoza says, and that declaration is the bold— even political— statement that positions Mujeres to be Y La Bamba’s most unbridled offering yet.<br>\n<br>\nCheck out her live session on KEXP: https://www.youtube.com/watch?v=YRThQTmd5E8 \n<br>\nPortland: Y La Bamba ha sido muchas cosas, pero en el fondo está el inquisitivo sentido de sí mismo de la cantante y compositora Luz Elena Mendoza. Su quinto disco, Mujeres, continúa con la afinidad de la banda con sede en Portland por la contemplación espiritual, pero va un paso más allá al contar una historia con un espectro emocional completo. Al salir de Ojos Del Sol, uno de los 50 mejores álbumes de NPR de 2016, Mujeres exhibe el alcance de la voz artística de Mendoza como nunca antes. “Soy como soy”, dice Mendoza, y esa declaración es una declaración audaz, incluso política, que posiciona a Mujeres como la oferta más desenfrenada de Y La Bamba hasta el momento.<br>","location":1,"location_name":"Default","play_type":"trackplay"}