{"id":370786,"uri":"https://api.kexp.org/v2/plays/370786/?format=json","airdate":"2019-08-22T09:51:25-07:00","show":6177,"show_uri":"https://api.kexp.org/v2/shows/6177/?format=json","image_uri":"http://coverartarchive.org/release/7b952493-a2a9-4470-92b0-642fd46d191c/9837414845-250.jpg","thumbnail_uri":"","song":"Fight the Power","track_id":"cada5b4a-a3e8-3c92-97bf-e3072ae604fe","recording_id":null,"artist":"Public Enemy","artist_ids":["bf2e15d0-4b77-469e-bfb4-f8414415baca"],"album":"Fear of a Black Planet","release_id":"7b952493-a2a9-4470-92b0-642fd46d191c","release_group_id":null,"labels":["Def Jam Recordings"],"label_ids":["a92d1684-4edb-48aa-b913-30e9da213004"],"release_date":"1990-01-01","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Portishead's Geoff Barrow to us on the importance of hip-hop to <i>Dummy</i>: \"I mean, we were into this thing that we called “hip hop tuning” which was when people like New York hip hop producers really inspired us. They would take a sample from Shostakovich and have a big orchestral thing, and then they would take a beat from James Brown. Then, they would take a horn riff from Fred Wesley or Miles Davis. But they had drums already in it, and they had bottom end in it. So, they would try and craft these scenes together. Then, there would be notes that wouldn't actually fit, but it kinda works if you listen to the far side.\" | https://bit.ly/2ZkvO9y","location":1,"location_name":"Default","play_type":"trackplay"}