{"id":380462,"uri":"https://api.kexp.org/v2/plays/380462/?format=json","airdate":"2019-09-13T16:38:45-07:00","show":6331,"show_uri":"https://api.kexp.org/v2/shows/6331/?format=json","image_uri":"http://coverartarchive.org/release/c88af303-c42f-410e-bab6-974bb97e761f/21992075735-250.jpg","thumbnail_uri":"","song":"Modafinil Blues","track_id":"bbc6a4cf-3d0c-476a-8311-90e5ddec85bc","recording_id":null,"artist":"Matthew Dear","artist_ids":["3d191c12-be64-4f90-94d8-ac324b2b3544"],"album":"Bunny","release_id":"c88af303-c42f-410e-bab6-974bb97e761f","release_group_id":null,"labels":["Ghostly International"],"label_ids":["c981d5d0-1109-47ff-addf-18eeb81b3717"],"release_date":"2018-10-12","rotation_status":"Library","is_local":false,"is_request":false,"is_live":false,"comment":"Matthew Dear doesn’t call himself King Chameleon lightly. The Texan-born producer, DJ, sometime University of Michigan lecturer and leftfield electronic artist has spent almost 20 years operating under a range of pseudonyms – Audion, Jabberjaw and False – and rifling through genres like a sock drawer.  The fifth album under his own name is no different, but mostly he channels an eclectic range of loosely post-punk-era styles into heavy electronics. It’s an engaging listen, as a variety of grooves frame Dear’s slightly treated, almost narrated, sometimes agitated vocals.   https://bit.ly/2kLBLtI","location":1,"location_name":"Default","play_type":"trackplay"}