{"id":380475,"uri":"https://api.kexp.org/v2/plays/380475/?format=json","airdate":"2019-09-13T17:26:44-07:00","show":6331,"show_uri":"https://api.kexp.org/v2/shows/6331/?format=json","image_uri":"http://coverartarchive.org/release/1f3d7165-bdb8-4a04-aec4-2dadc82f6856/23833837747-250.jpg","thumbnail_uri":"","song":"Nothing Is Safe","track_id":"40c28b3e-d06d-4ac2-a202-88e16c8b339f","recording_id":null,"artist":"clipping. feat.","artist_ids":["84ca8fa4-7cca-4948-a90a-cb44db29853d"],"album":"There Existed an Addiction to Blood","release_id":"1f3d7165-bdb8-4a04-aec4-2dadc82f6856","release_group_id":null,"labels":["Sub Pop Records"],"label_ids":["38dc88de-7720-4100-9d5b-3cdc41b0c474"],"release_date":"2019-10-18","rotation_status":"Medium","is_local":false,"is_request":false,"is_live":false,"comment":"Their third album for Sub Pop, There Existed an Addiction to Blood, finds them interpreting another rap splinter sect through their singular lens. This is clipping’s transmutation of horrorcore, a purposefully absurdist and creatively significant sub-genre that flourished in the mid-90s. If some of its most notable pioneers included Brotha Lynch Hung and Gravediggaz, it also encompasses seminal works from the Geto Boys, Bone Thugs-N-Harmony, and the near-entirety of classic Memphis cassette tape rap. \n\n  https://bit.ly/2lUOASF","location":1,"location_name":"Default","play_type":"trackplay"}