Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=115940&ordering=-airdate
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=115960&ordering=-airdate", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=115920&ordering=-airdate", "results": [ { "id": 3428219, "uri": "https://api.kexp.org/v2/plays/3428219/?format=api", "airdate": "2024-11-21T09:52:02-08:00", "show": 61907, "show_uri": "https://api.kexp.org/v2/shows/61907/?format=api", "image_uri": "https://ia801208.us.archive.org/29/items/mbid-e28e703d-bd08-3e49-b264-74595bacfbe1/mbid-e28e703d-bd08-3e49-b264-74595bacfbe1-11357592531_thumb500.jpg", "thumbnail_uri": "https://ia801208.us.archive.org/29/items/mbid-e28e703d-bd08-3e49-b264-74595bacfbe1/mbid-e28e703d-bd08-3e49-b264-74595bacfbe1-11357592531_thumb250.jpg", "song": "The National Anthem", "track_id": "c9e5b611-b979-3399-ae28-1c8617fb265e", "recording_id": "d617a46c-6d0e-4912-a56b-699eb28090c7", "artist": "Radiohead", "artist_ids": [ "a74b1b7f-71a5-4011-9441-d0b5e4122711" ], "album": "I Might Be Wrong: Live Recordings", "release_id": "781a6d53-8151-44b7-a1ee-18346d4c5b09", "release_group_id": "e404b349-7cef-398f-ac5e-ce06737341d1", "labels": [ "Parlophone" ], "label_ids": [ "df7d1c7f-ef95-425f-8eef-445b3d7bcbd9" ], "release_date": "2001-11-21", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The bass riff that plays throughout this song is based on a riff lead singer Thom Yorke came up with at age 16. Radiohead performed \"The National Anthem\" live from Oxford in 2001: https://www.youtube.com/watch?v=DcCSTs9UHhY", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3428218, "uri": "https://api.kexp.org/v2/plays/3428218/?format=api", "airdate": "2024-11-21T09:48:18-08:00", "show": 61907, "show_uri": "https://api.kexp.org/v2/shows/61907/?format=api", "image_uri": "https://coverartarchive.org/release/96c7c80c-580b-40d9-8ec9-4440f15fed4d/1495869767-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/96c7c80c-580b-40d9-8ec9-4440f15fed4d/1495869767-250.jpg", "song": "Heroes", "track_id": null, "recording_id": "b03adeea-7299-41dc-baac-9411f3b19ae9", "artist": "Peter Gabriel", "artist_ids": [], "album": "New Blood at the London O2", "release_id": null, "release_group_id": "9bb9c4ce-05fb-4e20-97d5-a040fa55d610", "labels": [ "[no label]" ], "label_ids": [ "157afde4-4bf5-4039-8ad2-5a15acc85176" ], "release_date": "2010-03-28", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Watch Peter Gabriel perform this Bowie cover live -- https://www.youtube.com/watch?v=wSX9F6ETTDQ", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3428217, "uri": "https://api.kexp.org/v2/plays/3428217/?format=api", "airdate": "2024-11-21T09:41:46-08:00", "show": 61907, "show_uri": "https://api.kexp.org/v2/shows/61907/?format=api", "image_uri": "https://ia801703.us.archive.org/30/items/mbid-8c5c2827-02f2-4654-9216-96cb7655996c/mbid-8c5c2827-02f2-4654-9216-96cb7655996c-36552336267_thumb500.jpg", "thumbnail_uri": "https://ia801703.us.archive.org/30/items/mbid-8c5c2827-02f2-4654-9216-96cb7655996c/mbid-8c5c2827-02f2-4654-9216-96cb7655996c-36552336267_thumb250.jpg", "song": "Heroes", "track_id": "b5610495-8f75-44a6-b238-787bd41472c8", "recording_id": "aa0108bb-fee5-4337-b249-835da501ccc9", "artist": "Depeche Mode", "artist_ids": [ "8538e728-ca0b-4321-b7e5-cff6565dd4c0" ], "album": "LiVE SPiRiTS SOUNDTRACK", "release_id": "5d6f4761-135d-4df8-82db-331d2e5d9976", "release_group_id": "a2039615-6931-4ba7-a1be-bedbbb71233d", "labels": [ "Sony Music" ], "label_ids": [ "9e6b4d7f-4958-4db7-8504-d89e315836af" ], "release_date": "2020-06-26", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Depeche Mode cover of David Bowie's Heroes.\n\nHeroes holds significance in the early history and formation of the band. Before adopting the name Depeche Mode, the ensemble was known as Composition Of Sound, consisting of Vince Clarke, Andrew Fletcher, and Martin Gore. It was during a rehearsal that they heard singer Dave Gahan performing 'Heroes', leaving them impressed with his rendition and leading to his invitation to join the group.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3428216, "uri": "https://api.kexp.org/v2/plays/3428216/?format=api", "airdate": "2024-11-21T09:35:43-08:00", "show": 61907, "show_uri": "https://api.kexp.org/v2/shows/61907/?format=api", "image_uri": "https://ia802809.us.archive.org/10/items/mbid-2d0fb19a-f599-4eb2-9a63-52aa3004b280/mbid-2d0fb19a-f599-4eb2-9a63-52aa3004b280-25057606696_thumb500.jpg", "thumbnail_uri": "https://ia902809.us.archive.org/10/items/mbid-2d0fb19a-f599-4eb2-9a63-52aa3004b280/mbid-2d0fb19a-f599-4eb2-9a63-52aa3004b280-25057606696_thumb250.jpg", "song": "How It Ends", "track_id": "7c299bbb-50d3-321e-aad6-cdac8054896b", "recording_id": "82cfa3fb-a4d6-49b6-9dec-2152bc01ad28", "artist": "DeVotchKa", "artist_ids": [ "a66cc38c-e6cd-4725-a8fd-7d32b998347f" ], "album": "Live with the Colorado Symphony", "release_id": "2d0fb19a-f599-4eb2-9a63-52aa3004b280", "release_group_id": "ec0034ec-4df4-4ac3-aca9-cc81141f246a", "labels": [ "Cicero Recordings" ], "label_ids": [ "072a076b-5b79-453c-a31b-3e77db5a7b01" ], "release_date": "2012-11-13", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "KEXP would like to send you and a friend to see DeVotchKa at The Showbox on February 15th, a 21+ event. Text WICKED to 206-903-KEXP (5397) for your chance to win.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3428215, "uri": "https://api.kexp.org/v2/plays/3428215/?format=api", "airdate": "2024-11-21T09:34:23-08:00", "show": 61907, "show_uri": "https://api.kexp.org/v2/shows/61907/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3428214, "uri": "https://api.kexp.org/v2/plays/3428214/?format=api", "airdate": "2024-11-21T09:30:10-08:00", "show": 61907, "show_uri": "https://api.kexp.org/v2/shows/61907/?format=api", "image_uri": "https://ia601400.us.archive.org/1/items/mbid-e185029a-3325-480f-860d-7b4459c8f080/mbid-e185029a-3325-480f-860d-7b4459c8f080-16241765430_thumb500.jpg", "thumbnail_uri": "https://ia801400.us.archive.org/1/items/mbid-e185029a-3325-480f-860d-7b4459c8f080/mbid-e185029a-3325-480f-860d-7b4459c8f080-16241765430_thumb250.jpg", "song": "Goodbye", "track_id": "9864d39e-5a36-445a-92f6-9b56084a5b02", "recording_id": "eddd48f6-ad17-4e4b-bbd2-4f0725595c8b", "artist": "My Sad Captains", "artist_ids": [ "89a26ee1-b020-4f88-9f9d-a1654e0c7c73" ], "album": "Best Of Times", "release_id": "e185029a-3325-480f-860d-7b4459c8f080", "release_group_id": "68b3b073-7662-4140-8898-49886d7b39fe", "labels": [ "Bella Union" ], "label_ids": [ "2e72153d-8eb0-49a3-8b18-3a054d2c7f33" ], "release_date": "2014-03-17", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The band's name comes from a poem by Thom Gunn. The phrase itself originates from Shakespeare's Antony and Cleopatra Act III Scene 13:\n\n\"Come,\nLet's have one other gaudy night: call to me\nAll my sad captains; fill our bowls once more;\nLet's mock the midnight bell.\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3428213, "uri": "https://api.kexp.org/v2/plays/3428213/?format=api", "airdate": "2024-11-21T09:24:39-08:00", "show": 61907, "show_uri": "https://api.kexp.org/v2/shows/61907/?format=api", "image_uri": "https://ia600207.us.archive.org/22/items/mbid-29456596-9161-443d-8702-f8bd555b8ca8/mbid-29456596-9161-443d-8702-f8bd555b8ca8-37664443654_thumb500.jpg", "thumbnail_uri": "https://ia800207.us.archive.org/22/items/mbid-29456596-9161-443d-8702-f8bd555b8ca8/mbid-29456596-9161-443d-8702-f8bd555b8ca8-37664443654_thumb250.jpg", "song": "My Sad Captains", "track_id": "15156515-a4d2-4b2c-bff7-b86e2a36fe2e", "recording_id": "992c6ed8-fb73-4968-aa35-f2c352deb7c5", "artist": "Elbow", "artist_ids": [ "3cb3928a-526c-4a3d-93c5-53315fa9bde0" ], "album": "The Take Off and Landing of Everything", "release_id": "29456596-9161-443d-8702-f8bd555b8ca8", "release_group_id": "c1c00088-2faa-4d5e-b18e-8d83a01ed9a1", "labels": [ "Concord Records" ], "label_ids": [ "c5f3bc66-5e1e-47bf-8737-46612304aca6" ], "release_date": "2014-03-11", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "According to singer Guy Harvey, the title of this sixth album from the Manchester band is said, \"to do with the fact that there have been [so many] life events. There are five members of the band—people have split up, got together, had children. It never stops, this stuff. Especially round the 40 mark... and yet I wanted to remain celebratory about that. Everybody's feeling relief, with remorse, next to joy, next to loss. But I think laughing very hard and worrying very little is a good way to keep young.\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3428212, "uri": "https://api.kexp.org/v2/plays/3428212/?format=api", "airdate": "2024-11-21T09:21:11-08:00", "show": 61907, "show_uri": "https://api.kexp.org/v2/shows/61907/?format=api", "image_uri": "https://ia801404.us.archive.org/18/items/mbid-7244f710-6090-43a2-a4e0-772623d71cf5/mbid-7244f710-6090-43a2-a4e0-772623d71cf5-2452991174_thumb500.jpg", "thumbnail_uri": "https://ia601404.us.archive.org/18/items/mbid-7244f710-6090-43a2-a4e0-772623d71cf5/mbid-7244f710-6090-43a2-a4e0-772623d71cf5-2452991174_thumb250.jpg", "song": "Daughter", "track_id": "9dfb1374-4d92-34d2-8f97-1ec5d19a7650", "recording_id": "9619181a-f141-43a8-a841-e3ea25b9fd4b", "artist": "Pearl Jam", "artist_ids": [ "83b9cbe7-9857-49e2-ab8e-b57b01038103" ], "album": "Vs.", "release_id": "7244f710-6090-43a2-a4e0-772623d71cf5", "release_group_id": "50ac60c4-fb35-37f8-a065-222996ea139c", "labels": [ "Epic" ], "label_ids": [ "8f638ddb-131a-4cc3-b3d4-7ebdac201b55" ], "release_date": "1993-10-19", "rotation_status": null, "is_local": true, "is_request": false, "is_live": false, "comment": "A classic from 1993!", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3428211, "uri": "https://api.kexp.org/v2/plays/3428211/?format=api", "airdate": "2024-11-21T09:18:03-08:00", "show": 61907, "show_uri": "https://api.kexp.org/v2/shows/61907/?format=api", "image_uri": "https://ia804608.us.archive.org/34/items/mbid-42c00c1c-6a00-46a4-8ef3-f3424ad45448/mbid-42c00c1c-6a00-46a4-8ef3-f3424ad45448-30985056070_thumb500.jpg", "thumbnail_uri": "https://ia904608.us.archive.org/34/items/mbid-42c00c1c-6a00-46a4-8ef3-f3424ad45448/mbid-42c00c1c-6a00-46a4-8ef3-f3424ad45448-30985056070_thumb250.jpg", "song": "Shut Your Eyes", "track_id": "48fda9e5-7853-47bb-a033-301ccabf7130", "recording_id": "fce2420a-a17c-4b66-99cc-677059aef05f", "artist": "Snow Patrol", "artist_ids": [ "a66999a7-ae5c-460e-ba94-1a01143ae847" ], "album": "Eyes Open", "release_id": "5df7500c-2962-4b49-b50d-655c8e988733", "release_group_id": "2d53108e-17c3-37cd-864a-319440ce6a21", "labels": [ "Polydor" ], "label_ids": [ "ce24ab18-1bd6-4293-a486-546d13d6a5e2" ], "release_date": "2006-10-31", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "By request for Dan!", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3428210, "uri": "https://api.kexp.org/v2/plays/3428210/?format=api", "airdate": "2024-11-21T09:14:09-08:00", "show": 61907, "show_uri": "https://api.kexp.org/v2/shows/61907/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3428209, "uri": "https://api.kexp.org/v2/plays/3428209/?format=api", "airdate": "2024-11-21T09:10:44-08:00", "show": 61907, "show_uri": "https://api.kexp.org/v2/shows/61907/?format=api", "image_uri": "https://ia800901.us.archive.org/13/items/mbid-2597aa31-27ad-480c-8cfe-1603cb87a91b/mbid-2597aa31-27ad-480c-8cfe-1603cb87a91b-5977036705_thumb500.jpg", "thumbnail_uri": "https://ia600901.us.archive.org/13/items/mbid-2597aa31-27ad-480c-8cfe-1603cb87a91b/mbid-2597aa31-27ad-480c-8cfe-1603cb87a91b-5977036705_thumb250.jpg", "song": "Electric Avenue", "track_id": "36a2fc06-c430-3818-8083-f979fda5c75d", "recording_id": "84e66d8b-e398-4af0-b008-821473774a04", "artist": "Eddy Grant", "artist_ids": [ "0cf0583a-fcfd-4f07-b573-95273ec4bdb5" ], "album": "Killer on the Rampage", "release_id": "2597aa31-27ad-480c-8cfe-1603cb87a91b", "release_group_id": "3d9dd38c-ff72-3eed-ba01-e15712554cd4", "labels": [ "Ice Records" ], "label_ids": [ "1f183966-45b6-469c-9e83-2f863e14e48c" ], "release_date": "1982-11-21", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Electric Avenue is a shopping area in the Brixton section of London, named because is was the first street in the area to get electric lights. Brixton was the setting for riots between police and protesters in 1981, which Grant refers to in the opening line, \"Down in the street there is violence.\" -- There weren't many instruments involved on \"Electric Avenue,\" just some basic synth, a drum kit, and a guitar. Literally every note was played by Grant. The rest of the sound was shaped through processing, including the motorcycle noise, created by looping a snare drum roll and distorting it.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3428208, "uri": "https://api.kexp.org/v2/plays/3428208/?format=api", "airdate": "2024-11-21T09:08:14-08:00", "show": 61907, "show_uri": "https://api.kexp.org/v2/shows/61907/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Police on My Back", "track_id": "a2db1711-675a-3382-985e-c7b1cdc11223", "recording_id": "198b9dcc-5d6f-4075-9222-9d93b542240c", "artist": "The Equals", "artist_ids": [ "efe5c081-3a3d-4730-9669-c3eec3018989" ], "album": "Explosion", "release_id": "bd8b1a30-4bb8-4378-8d49-ad322bdfeab0", "release_group_id": "ebe69fa6-77d7-394a-afaf-8828490e2023", "labels": [], "label_ids": [], "release_date": "1967-11-21", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "The Equals, led by Eddy Grant, were a ground-breaking, racially mixed bands in London when they started in 1965. This song was originally released on the The Equals' Baby, Come Back album in 1968. The song then enjoyed a revival when UK punk band The Clash recorded a cover of the song in 1980 for their Sandinista! album.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3428207, "uri": "https://api.kexp.org/v2/plays/3428207/?format=api", "airdate": "2024-11-21T09:05:25-08:00", "show": 61907, "show_uri": "https://api.kexp.org/v2/shows/61907/?format=api", "image_uri": "https://coverartarchive.org/release/f1f9698f-c86a-470d-86a7-a5ec0c9e3cb6/5133157906-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/f1f9698f-c86a-470d-86a7-a5ec0c9e3cb6/5133157906-250.jpg", "song": "Police on My Back", "track_id": null, "recording_id": "23a7407f-e24d-419b-8280-0b518fd4f350", "artist": "The Clash", "artist_ids": [ "8f92558c-2baa-4758-8c38-615519e9deda" ], "album": "Sandinista!", "release_id": null, "release_group_id": "ff729e76-b7c5-3877-bf7d-bbad4fde43cb", "labels": [ "Columbia" ], "label_ids": [ "011d1192-6f65-45bd-85c4-0400dd45693e" ], "release_date": "1980-12-12", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "By request, for Anne and Daryl of California! \n\nThis is The Clash's great cover of the 1968 song from The Equals. This song was cited by some critics in reviews of the Sandinista! album as the most Clash-sounding song on the album - with the irony being that it's a cover! \n--\nHere are The Equals performing Police On My Back in 1967: https://www.youtube.com/watch?v=DH0Guwo_ky0", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3428205, "uri": "https://api.kexp.org/v2/plays/3428205/?format=api", "airdate": "2024-11-21T09:04:39-08:00", "show": 61907, "show_uri": "https://api.kexp.org/v2/shows/61907/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3428204, "uri": "https://api.kexp.org/v2/plays/3428204/?format=api", "airdate": "2024-11-21T09:01:27-08:00", "show": 61907, "show_uri": "https://api.kexp.org/v2/shows/61907/?format=api", "image_uri": "https://ia902806.us.archive.org/30/items/mbid-3d08d05a-59ec-4ed2-b096-efdea0977f62/mbid-3d08d05a-59ec-4ed2-b096-efdea0977f62-1190605830_thumb500.jpg", "thumbnail_uri": "https://ia802806.us.archive.org/30/items/mbid-3d08d05a-59ec-4ed2-b096-efdea0977f62/mbid-3d08d05a-59ec-4ed2-b096-efdea0977f62-1190605830_thumb250.jpg", "song": "The New Pollution", "track_id": "4e8ee244-3e53-376a-9c99-d2aa630a1dda", "recording_id": "aa9135c4-0499-4d75-9caf-4e2025caf388", "artist": "Beck", "artist_ids": [ "309c62ba-7a22-4277-9f67-4a162526d18a" ], "album": "Odelay", "release_id": "3d08d05a-59ec-4ed2-b096-efdea0977f62", "release_group_id": "f2466d20-9a29-3baa-bfac-c245410e925f", "labels": [ "Bong Load Custom Records", "DGC Records" ], "label_ids": [ "b41ac8e4-c575-44df-a544-40ad84723ff3", "68803e28-86fe-4a95-985f-8e493795ab31" ], "release_date": "1996-06-18", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Released as the third single from Beck's fifth album, Odelay in 1996, \"The New Pollution\" samples the drumbeat from Gus Poole's \"Hallelujah, Alright, Amen,\" a funky disco soul track from 1970, and the bluesy sax riff from Joe Thomas' \"Venus\" (1976).\n\nBeck was once asked what the new pollution was. His reply, \"Human radios, sex with machines, mad eunuchs.\"\n\nhttps://www.beck.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3428203, "uri": "https://api.kexp.org/v2/plays/3428203/?format=api", "airdate": "2024-11-21T08:58:23-08:00", "show": 61907, "show_uri": "https://api.kexp.org/v2/shows/61907/?format=api", "image_uri": "https://coverartarchive.org/release/98ef93e9-e1ce-4bd3-9c6c-851ed6a5e750/16553322614-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/98ef93e9-e1ce-4bd3-9c6c-851ed6a5e750/16553322614-250.jpg", "song": "Stuck in the Middle With You", "track_id": null, "recording_id": "6d934feb-2ed3-4516-9bef-ff53eb7fe4b1", "artist": "Stealers Wheel", "artist_ids": [ "63200203-e2c6-4081-8e0d-00c9732c6b6f" ], "album": "Stuck in the Middle With You", "release_id": null, "release_group_id": "6288022a-3395-4ded-aa17-862b2afc725a", "labels": [ "A&M Records" ], "label_ids": [ "35515729-1f2c-4cc9-9390-9af2764bc56c" ], "release_date": "1972-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "In 1992 director Quentin Tarantino used \"Stuck in the Middle With You\" in the soundtrack of his debut film Reservoir Dogs, in the infamous Michael Madsen ear-cutting scene, bringing new attention to the song.\n\n-----\n\n According to rumor, the Scottish rock band Stealers Wheel wrote Stuck in the Middle as a parody of Dylan’s vocal delivery and absurd, sometimes paranoiac imagery. Much to the band’s chagrin, the song caught on (probably because everybody — including Dylan — assumed this was a new Bob Dylan tune) becoming the band’s biggest (read: only) hit. - https://bit.ly/34d36LN", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3428201, "uri": "https://api.kexp.org/v2/plays/3428201/?format=api", "airdate": "2024-11-21T08:54:44-08:00", "show": 61907, "show_uri": "https://api.kexp.org/v2/shows/61907/?format=api", "image_uri": "https://coverartarchive.org/release/3ac5f3e5-dc42-39ca-b323-a1c1d3e77605/3102672940-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/3ac5f3e5-dc42-39ca-b323-a1c1d3e77605/3102672940-250.jpg", "song": "Spill the Wine", "track_id": null, "recording_id": "4153d039-e8bc-43cc-8177-76993676f023", "artist": "Eric Burdon & War", "artist_ids": [ "3e6bbdb8-66c8-439c-a3d9-87391ce88740" ], "album": "Eric Burdon Declares \"War\"", "release_id": null, "release_group_id": "7e5f7e1b-070a-306e-b90c-48177653add6", "labels": [ "MGM Records" ], "label_ids": [ "d67971aa-0ac7-4f75-8c9b-e9424ef6648f" ], "release_date": "1970-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Happy birthday to Lonnie Jordan of War, born on this day in 1948!\n\nEric Burdon sang lead on this track. Before Burdon joined, the group was known as Nightshift and was playing backup for Deacon Jones, a former US football player who was trying to become a soul singer. The group was re-named War and played with Burdon for two albums, both credited to \"Eric Burdon and War.\": https://www.allmusic.com/artist/war-mn0000191947/biography", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3428199, "uri": "https://api.kexp.org/v2/plays/3428199/?format=api", "airdate": "2024-11-21T08:50:34-08:00", "show": 61907, "show_uri": "https://api.kexp.org/v2/shows/61907/?format=api", "image_uri": "https://ia600102.us.archive.org/3/items/mbid-adc13c96-fd03-42d0-b2f9-0b6918d19223/mbid-adc13c96-fd03-42d0-b2f9-0b6918d19223-39802900975_thumb500.jpg", "thumbnail_uri": "https://ia600102.us.archive.org/3/items/mbid-adc13c96-fd03-42d0-b2f9-0b6918d19223/mbid-adc13c96-fd03-42d0-b2f9-0b6918d19223-39802900975_thumb250.jpg", "song": "Major", "track_id": "7c0f1e40-d685-4324-8fd8-6583f60d7dda", "recording_id": "570bba4f-7f7b-4f45-bc1b-c8eab20f0da8", "artist": "Mulatu Astatke & Hoodna Orchestra", "artist_ids": [ "67f0c7ca-14e8-47a3-be0e-bd2f2ffe25bb", "c1412bee-3d53-4c4b-b3dc-cc792345d24b" ], "album": "Tension", "release_id": "adc13c96-fd03-42d0-b2f9-0b6918d19223", "release_group_id": "9cbd04a6-4fa0-4bf6-979f-9e1481e70862", "labels": [ "Batov Records" ], "label_ids": [ "72500051-6183-4b30-b03c-e3ae5b0793cf" ], "release_date": "2024-11-08", "rotation_status": "Light", "is_local": false, "is_request": false, "is_live": false, "comment": "Brand new from Mulatu Astatke! The father of Ethio-Jazz, going strong at 80. \n\nhttps://mulatuastatke.bandcamp.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3428198, "uri": "https://api.kexp.org/v2/plays/3428198/?format=api", "airdate": "2024-11-21T08:50:14-08:00", "show": 61907, "show_uri": "https://api.kexp.org/v2/shows/61907/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3428197, "uri": "https://api.kexp.org/v2/plays/3428197/?format=api", "airdate": "2024-11-21T08:47:30-08:00", "show": 61907, "show_uri": "https://api.kexp.org/v2/shows/61907/?format=api", "image_uri": "https://coverartarchive.org/release/b8811d78-11c4-4f88-8fde-409296841262/21356054355-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/b8811d78-11c4-4f88-8fde-409296841262/21356054355-250.jpg", "song": "Lady Day and John Coltrane", "track_id": null, "recording_id": "d2cfc7be-1cdd-43c8-98cb-78c6c3ff5f7d", "artist": "Gil Scott‐Heron", "artist_ids": [ "b5b89643-c488-4f39-a302-25cab31084a5" ], "album": "Pieces of a Man", "release_id": null, "release_group_id": "950f8cdc-da7b-3cd1-8d98-1c73cf5432d9", "labels": [ "RCA Victor" ], "label_ids": [ "b3f4e6a5-ece0-43be-a530-68ad0d49fee8" ], "release_date": "1971-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "By request!\n\n'Could you call on Lady Day?\nCould you call on John Coltrane?\nNow, ‘cause they'll, they'll wash your troubles\nYour troubles, your troubles, your troubles away!'\n\nFrom Gil Scott-Heron's debut studio album, pivoting from the spoken word to progressive soul and jazz-funk that Scott-Heron called \"bluesology, the science of how things feel\". This song was an homage to Billie Holiday and John Coltrane.\n\nRead more at Jazziz: https://tinyurl.com/esectsa9", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
