Information about plays

list: List of plays
retrieve: Information about a specific play by ID

GET /v2/plays/?format=api&offset=118120&ordering=-airdate
HTTP 200 OK
Allow: GET, HEAD, OPTIONS
Content-Type: application/json
Vary: Accept

{
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    "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=118100&ordering=-airdate",
    "results": [
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            "id": 3411738,
            "uri": "https://api.kexp.org/v2/plays/3411738/?format=api",
            "airdate": "2024-10-12T15:12:40-07:00",
            "show": 61559,
            "show_uri": "https://api.kexp.org/v2/shows/61559/?format=api",
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            "song": "The Fences of Stonehenge",
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            "recording_id": "2a7e1646-2cc4-4449-9fe7-0cfd38be199f",
            "artist": "Wild Pink",
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            "album": "Dulling The Horns",
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            "release_group_id": "e93a6024-3905-4490-a53f-6abc76f4a60f",
            "labels": [
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            "release_date": "2024-10-04",
            "rotation_status": "Medium",
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            "comment": "The fifth studio album from NYC-based Wild Pink is an expansive set of Americana-tinged indie rock. With lush, vibrant soundscapes created by thrilling electric guitars, pedal steel, horns, keys and bit of fiddle for good measure, ‘Dulling The Horns’ is anything but dull, sweeping listeners up in its big hooks, driving rhythms and emotive lyricism, offering an immersive aural fever dream.\nhttps://www.wildpinkmusic.com/",
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        {
            "id": 3411739,
            "uri": "https://api.kexp.org/v2/plays/3411739/?format=api",
            "airdate": "2024-10-12T15:10:33-07:00",
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        {
            "id": 3411737,
            "uri": "https://api.kexp.org/v2/plays/3411737/?format=api",
            "airdate": "2024-10-12T15:07:01-07:00",
            "show": 61559,
            "show_uri": "https://api.kexp.org/v2/shows/61559/?format=api",
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            "song": "Regret",
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            "artist": "New Order",
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            "album": "Republic",
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            "labels": [
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            "comment": "Bernard Sumner played Johnny Marr’s ‘59 Les Paul guitar on this track. \n\nJohnny Marr said, \"You can hear the Pro really well on New Order’s ‘Regret’. Bernard (Sumner) borrowed my Les Paul and Pro for that, so he owes me some money as well.\"",
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        {
            "id": 3411735,
            "uri": "https://api.kexp.org/v2/plays/3411735/?format=api",
            "airdate": "2024-10-12T15:03:27-07:00",
            "show": 61559,
            "show_uri": "https://api.kexp.org/v2/shows/61559/?format=api",
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            "song": "Realize",
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            "recording_id": "bb072c54-c2be-46d0-b134-18e6f260107c",
            "artist": "Vitesse X",
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            "album": "This Infinite",
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            "release_group_id": "03a71a11-15ae-4ac4-88b2-3c0951d4bc76",
            "labels": [
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            "release_date": "2024-10-04",
            "rotation_status": "Medium",
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            "comment": "The second album from this solo project of Brooklyn-based electronic producer and vocalist Jordan Stern (aka Vitesse X) is a fantastic set of glistening synth-pop that finds her adding an addictive dream-pop filter to her sophisticated high-energy club rhythms, sparkling synths, and ethereal vocals. With plenty of euphoric highs, ‘This Infinite’ is a consistently thrilling adrenaline rush from an evolving artist learning to trust her intuition.\n",
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        {
            "id": 3411734,
            "uri": "https://api.kexp.org/v2/plays/3411734/?format=api",
            "airdate": "2024-10-12T14:59:57-07:00",
            "show": 61559,
            "show_uri": "https://api.kexp.org/v2/shows/61559/?format=api",
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            "song": "Interstellar Love",
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            "recording_id": "589dfb9b-82a8-462c-95a2-3ce7d3fec226",
            "artist": "The Avalanches feat. Leon Bridges",
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            "album": "Interstellar Love",
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            "labels": [
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            "release_date": "2020-10-29",
            "rotation_status": "Library",
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            "comment": "This song was inspired by the love affair between writer Ann Druyan and her late husband, the cosmologist Carl Sagan.\n\nSagan was chosen to chair a committee that selected a collection of songs, sounds and images representing planet Earth that were put on a pair of golden discs sent into interstellar space on board the two Voyager spacecraft launched in 1977.\n\nAnn Druyan was on the committee as creative director, and she and Sagan fell in love when they were compiling the records. Druyan had arranged to record her own heartbeat and put it on the Golden Record. The day before she planned to do this, Sagan asked her to marry him, resulting in a recording of a young woman madly in love now floating out there in the cosmos. The Avalanches' Robbie Chater said: \"We just thought that was the most beautiful idea.\"",
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        {
            "id": 3411733,
            "uri": "https://api.kexp.org/v2/plays/3411733/?format=api",
            "airdate": "2024-10-12T14:56:15-07:00",
            "show": 61559,
            "show_uri": "https://api.kexp.org/v2/shows/61559/?format=api",
            "image_uri": "",
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            "song": "Love My Way",
            "track_id": "1a661d71-1b0d-3262-9369-015828c21bd8",
            "recording_id": "43ac69b9-2aa4-4ff1-8607-babed2ab585b",
            "artist": "The Psychedelic Furs",
            "artist_ids": [
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            "album": "Just Can’t Get Enough: New Wave Hits of the ’80s, Volume 9",
            "release_id": "ca47729b-bf2a-4fee-8bf2-1823926d2d5f",
            "release_group_id": "72cee1f0-1f5f-3fef-a939-1a9933c105e8",
            "labels": [
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            ],
            "release_date": "1994-10-18",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Performing with the Jesus and Mary Chain \nat the Paramount Theatre in Seattle on 10/29, and at The Masonic in San Francisco on 11/2.\n---\nReleased in July 1982 as the first single from The Psychedelic Furs' third studio album Forever Now, produced by Todd Rundgren.",
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        },
        {
            "id": 3411732,
            "uri": "https://api.kexp.org/v2/plays/3411732/?format=api",
            "airdate": "2024-10-12T14:52:44-07:00",
            "show": 61559,
            "show_uri": "https://api.kexp.org/v2/shows/61559/?format=api",
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            "song": "Pop Seeds",
            "track_id": "d81d7c2f-c867-47e1-b194-74a462eb987f",
            "recording_id": "6928619a-fa6b-4665-a317-57100e55f562",
            "artist": "The Jesus and Mary Chain",
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            "album": "Pop Seeds",
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            "labels": [
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            "release_date": "2024-09-04",
            "rotation_status": "Light",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "New single from The Jesus and Mary Chain! \n\nThey'll be live at Paramount Theatre in Seattle on 10/29, and at The Masonic in San Francisco on 11/2.\n\n\"Named in reference to the original band name they briefly shared over forty years ago, ‘Pop Seeds’ is a nostalgic evocation of the shared psychic landscape which led to the formation of The Jesus and Mary Chain, and which Jim and William depict in their new memoir ‘Never Understood’. Capturing a very different ambience to the darker, often electronica-tinged vibe of the ‘Glasgow Eyes’ set, the breezy psychedelia of ‘Pop Seeds’ captures the optimism of two young men on the cusp of a future full of possibilities.\"\n\nhttps://thejesusandmarychain.bandcamp.com/track/pop-seeds",
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        {
            "id": 3411731,
            "uri": "https://api.kexp.org/v2/plays/3411731/?format=api",
            "airdate": "2024-10-12T14:48:36-07:00",
            "show": 61558,
            "show_uri": "https://api.kexp.org/v2/shows/61558/?format=api",
            "image_uri": "",
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            "comment": "",
            "location": 1,
            "location_name": "Default",
            "play_type": "airbreak"
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        {
            "id": 3411730,
            "uri": "https://api.kexp.org/v2/plays/3411730/?format=api",
            "airdate": "2024-10-12T14:42:36-07:00",
            "show": 61558,
            "show_uri": "https://api.kexp.org/v2/shows/61558/?format=api",
            "image_uri": "https://www.kexp.org/filer/canonical/1588181844/22496/",
            "thumbnail_uri": "https://www.kexp.org/filer/canonical/1588181847/22497/",
            "song": "Dry the Rain",
            "track_id": null,
            "recording_id": "4b5d43c6-6c88-46b3-807c-6b8238df669f",
            "artist": "Steve Mason",
            "artist_ids": [],
            "album": "Live on KEXP",
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            "labels": [
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            ],
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            "release_date": "2024-05-04",
            "rotation_status": "R/N",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Steve Mason performed live in the KEXP Studio May 2024. \n\nWatch the Full Performance here: https://www.youtube.com/watch?v=AlUhJbiTZls",
            "location": 1,
            "location_name": "Default",
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        {
            "id": 3411729,
            "uri": "https://api.kexp.org/v2/plays/3411729/?format=api",
            "airdate": "2024-10-12T14:39:14-07:00",
            "show": 61558,
            "show_uri": "https://api.kexp.org/v2/shows/61558/?format=api",
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            "song": "The Greatest",
            "track_id": "7211bcf8-1832-4116-9a8f-01019dd54011",
            "recording_id": "d8d874b3-f825-425f-9789-bf424db16e10",
            "artist": "Friedberg",
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            "album": "The Greatest",
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            "release_group_id": "6741fcc3-e2b7-4420-83eb-b9fb2170e4b7",
            "labels": [
                "Clouds Hill"
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            "release_date": "2024-06-14",
            "rotation_status": "Heavy",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Friedberg is an all-female-four-piece based in London, centered around singer, guitarist and master of cowbells Anna Friedberg. They released \"The Greatest\" as a single in June, and their debut full-length album, \"Hardcore Workout Queen\", is due out in November. https://friedberg.bandcamp.com\n--\nHere's the official music video for The Greatest\": https://www.youtube.com/watch?v=zuDVxE_wgLI",
            "location": 1,
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        {
            "id": 3411728,
            "uri": "https://api.kexp.org/v2/plays/3411728/?format=api",
            "airdate": "2024-10-12T14:34:46-07:00",
            "show": 61558,
            "show_uri": "https://api.kexp.org/v2/shows/61558/?format=api",
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            "song": "The Slip",
            "track_id": "8cdff0b5-9dab-4d85-918b-b41d65e596a9",
            "recording_id": "affd1bbf-248d-4d57-9709-b491fb186f8a",
            "artist": "The Smile",
            "artist_ids": [
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            "album": "Cutouts",
            "release_id": "09687b91-4443-418d-88aa-85d100b05056",
            "release_group_id": "0f02313d-f0d7-4bdc-a1b4-235103c477b9",
            "labels": [
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            "release_date": "2024-10-04",
            "rotation_status": "Medium",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "\"The trio - Thom Yorke, Jonny Greenwood and Tom Skinner - debuted several songs from Cutouts during The Smile’s UK tour in March. Cutouts features 10 new-tracks and is produced by Sam Petts-Davies. It’s the band’s third studio album following Wall of Eyes, released in January, and the trio’s 2022 debut album A Light For Attracting Attention. Cutouts was recorded in Oxford and at Abbey Road Studios during the same period of time as Wall Of Eyes. The album features string arrangements by the London Contemporary Orchestra and the album art was painted during the recording process by Stanley Donwood and Thom Yorke. This is the second studio album release from The Smile in under a year.\" -https://shop.xlrecordings.com/release/469975-the-smile-cutouts?lang=en_GB\n---\nhttps://thesmile.bandcamp.com/merch/the-smile-cutouts-standard-lp-us-canada-orders",
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        {
            "id": 3411727,
            "uri": "https://api.kexp.org/v2/plays/3411727/?format=api",
            "airdate": "2024-10-12T14:32:20-07:00",
            "show": 61558,
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        {
            "id": 3411726,
            "uri": "https://api.kexp.org/v2/plays/3411726/?format=api",
            "airdate": "2024-10-12T14:28:47-07:00",
            "show": 61558,
            "show_uri": "https://api.kexp.org/v2/shows/61558/?format=api",
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            "song": "Let's Work",
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            "recording_id": "935fcc6c-338a-4e23-8004-3c476f9ffee8",
            "artist": "Prince",
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            "album": "Controversy",
            "release_id": "e9c281ee-4685-349c-bda7-d6f13f3717fa",
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            "release_date": "1981-10-12",
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            "comment": "1981's \"Controversy\" was Prince's fourth studio album.\n--\n\"Let’s Rock\" was named after a dance called \"The Rock\" Prince had seen in clubs during the summer of 1979 (The dance itself influenced or was influenced by Edwin Starr’s single \"It’s Called The Rock\" from his album \"Happy Radio\" released that year). \n--\nMr. Prince, of course, contributed all vocals and played all the instruments on this song.",
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        {
            "id": 3411725,
            "uri": "https://api.kexp.org/v2/plays/3411725/?format=api",
            "airdate": "2024-10-12T14:24:52-07:00",
            "show": 61558,
            "show_uri": "https://api.kexp.org/v2/shows/61558/?format=api",
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            "song": "Future Enemies",
            "track_id": "5f521ab6-1891-4d01-815d-4b574d90bb74",
            "recording_id": "05cc93ac-3a23-46ae-8ec6-2dae37c2e308",
            "artist": "Yola",
            "artist_ids": [
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            "album": "Future Enemies",
            "release_id": "35c83af6-2394-45f5-b5dd-9e04f4e0e0e7",
            "release_group_id": "d7daf429-6a58-4476-afab-3df5bd8a3095",
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            "release_date": "2024-09-19",
            "rotation_status": "Medium",
            "is_local": false,
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            "is_live": false,
            "comment": "\"Yola is back. The English R&B singer returns today with “Future Enemies,” her first new music in three years, which also serves as the lead single to her November-bound EP My Way. Backed with some hard-hitting synths,”Future Enemies” is billed as an “anthem for acquaintances” about navigating the early stages of getting to know someone. Yola says in a press release: \n\nThere is a moment when you realize you’re not going to get on with someone. They haven’t noticed yet, so you have a unique opportunity to disappear from their lives before they ever realise you were destined to be enemies. It’s a luxury to not have an endless supply of negative memories about someone cause you never made them. “Why don’t we just not!” I choose to save my time for situations, spaces and people that have no ticking timer of inevitable doom, because they don’t see me or centre a reality that does not serve me or my wellbeing. Of course when you’re a woman, culturally black (as well as physically black), dark skinned (and feminine in energy), plus size (and willfully main character in energy), from a whole different continent and living in the west- let’s say you’re going to have to be both vigilant and choosy in life, in love in work. Oh and if you also want to be real, girl!!\"\"\n\nhttps://www.stereogum.com/2281027/yola-future-enemies/music/\n\nhttps://www.iamyola.com/\n\nCheck out the official video here:\nhttps://www.youtube.com/watch?v=mmReOng0iFo",
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        },
        {
            "id": 3411724,
            "uri": "https://api.kexp.org/v2/plays/3411724/?format=api",
            "airdate": "2024-10-12T14:21:01-07:00",
            "show": 61558,
            "show_uri": "https://api.kexp.org/v2/shows/61558/?format=api",
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            "song": "K2",
            "track_id": "bcfebc09-0968-4d75-9447-13dd583b89af",
            "recording_id": "5e6b5550-5972-4efb-9dd7-8379ebcf09f4",
            "artist": "Melenas",
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            "album": "Ahora",
            "release_id": "724a2cf8-9ffe-4e4d-9f5d-1725f763cb88",
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