Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=119860&ordering=-airdate
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=119880&ordering=-airdate", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=119840&ordering=-airdate", "results": [ { "id": 3420877, "uri": "https://api.kexp.org/v2/plays/3420877/?format=api", "airdate": "2024-11-03T11:09:13-08:00", "show": 61752, "show_uri": "https://api.kexp.org/v2/shows/61752/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3420876, "uri": "https://api.kexp.org/v2/plays/3420876/?format=api", "airdate": "2024-11-03T11:04:50-08:00", "show": 61752, "show_uri": "https://api.kexp.org/v2/shows/61752/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Talkin' Leviticus Blues", "track_id": null, "recording_id": "0d52c677-a4b7-4bc5-90ac-308e360d1731", "artist": "John Craigie", "artist_ids": [ "89b381cf-89f4-43d7-b85b-f53efb2bd1a8" ], "album": "Live: Opening for Steinbeck", "release_id": null, "release_group_id": "a24e11ef-6af9-4905-8dd4-5c42d7baf296", "labels": [ "Zabriskie Point" ], "label_ids": [ "6df25f6a-1e46-459e-9408-552063dcff01" ], "release_date": "2018-03-16", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Recorded at two different shows in Craigie’s hometown of Portland, OR.\nWatch him live on KEXP in 2019:\nhttps://www.youtube.com/watch?v=b6XWhuFqRSw&t=1s", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3420875, "uri": "https://api.kexp.org/v2/plays/3420875/?format=api", "airdate": "2024-11-03T11:02:53-08:00", "show": 61752, "show_uri": "https://api.kexp.org/v2/shows/61752/?format=api", "image_uri": "https://coverartarchive.org/release/22215ab2-cd28-415e-ae2f-b2dbf28787dc/22705222894-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/22215ab2-cd28-415e-ae2f-b2dbf28787dc/22705222894-250.jpg", "song": "Talking Reality Television Blues", "track_id": null, "recording_id": "b2133267-1689-48e2-ab7f-180f76af8f22", "artist": "Todd Snider", "artist_ids": [ "25c13ec7-fad4-4da4-8d98-9607ff615d68" ], "album": "Cash Cabin Sessions, Vol. 3", "release_id": null, "release_group_id": "465a2cce-93fe-46df-992d-05074afbfe86", "labels": [ "Aimless Records" ], "label_ids": [ "a590ee43-edf9-460e-a148-da7040a1311b" ], "release_date": "2019-03-15", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Official video for this song that's an homage to Dylan and also a razor-sharp commentary on our world (and it's animated!): https://youtu.be/BBydsvJX8vM", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3420874, "uri": "https://api.kexp.org/v2/plays/3420874/?format=api", "airdate": "2024-11-03T10:57:51-08:00", "show": 61752, "show_uri": "https://api.kexp.org/v2/shows/61752/?format=api", "image_uri": "https://coverartarchive.org/release/ac0199bb-241b-35d2-bd4c-9c36e648fb27/8942561805-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/ac0199bb-241b-35d2-bd4c-9c36e648fb27/8942561805-250.jpg", "song": "Talkin’ John Birch Paranoid Blues", "track_id": null, "recording_id": "e28c10d2-5d68-463b-ad37-a57a53f21426", "artist": "Bob Dylan", "artist_ids": [ "72c536dc-7137-4477-a521-567eeb840fa8" ], "album": "The Bootleg Series, Vol. 9: The Witmark Demos: 1962–1964", "release_id": null, "release_group_id": "adf892c6-c60b-42f5-918a-bfb8ad21f857", "labels": [ "Columbia" ], "label_ids": [ "011d1192-6f65-45bd-85c4-0400dd45693e" ], "release_date": "1999-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "A song about communism and hypocrisy, Dylan was set to perform the song on the Ed Sullivan show but CBS forbade him, leading him to walk off set and the song to achieve notoriety.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3420873, "uri": "https://api.kexp.org/v2/plays/3420873/?format=api", "airdate": "2024-11-03T10:54:41-08:00", "show": 61752, "show_uri": "https://api.kexp.org/v2/shows/61752/?format=api", "image_uri": "https://coverartarchive.org/release/357fce4e-d990-4e2a-8b8a-4db51bffdf38/34039202347-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/357fce4e-d990-4e2a-8b8a-4db51bffdf38/34039202347-250.jpg", "song": "Old Man Atom (Talking Atomic Blues)", "track_id": null, "recording_id": "968f7f1c-525f-4eca-a90a-faa89f9eac7a", "artist": "Sam Hinton", "artist_ids": [ "d845a040-d8a4-4fc9-b6f0-50de451eeacc" ], "album": "Troubadours: Folk and the Roots of American Music, Part 1", "release_id": null, "release_group_id": "e0a2c127-977b-4b9c-a4bb-0a86da759535", "labels": [ "Bear Family Records" ], "label_ids": [ "bf19ea5d-45a8-4980-b050-1dd4f7194952" ], "release_date": "2013-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "When it was released on Columbia in 1950 and played on NYC radio listener response was overwhelmingly supportive, but soon there was a right-wing backlash, accusing the song of communism, and it was pulled from distribution.\nhttp://samhinton.org/atom.html", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3420872, "uri": "https://api.kexp.org/v2/plays/3420872/?format=api", "airdate": "2024-11-03T10:52:21-08:00", "show": 61752, "show_uri": "https://api.kexp.org/v2/shows/61752/?format=api", "image_uri": "https://coverartarchive.org/release/15292168-5be4-4791-8919-03b8017e9b8b/20594367870-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/15292168-5be4-4791-8919-03b8017e9b8b/20594367870-250.jpg", "song": "Political Science", "track_id": null, "recording_id": "b86ad532-49e2-4636-ab37-5a3323596da3", "artist": "Randy Newman", "artist_ids": [ "da7bb7d8-557d-4635-9ca1-e6e985525bd5" ], "album": "Sail Away", "release_id": null, "release_group_id": "d1c0b3db-6b93-3b9d-9479-0d60486120cb", "labels": [ "Reprise Records" ], "label_ids": [ "af6d6f49-2b4d-40fe-86d4-241906772b59" ], "release_date": "1972-05-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "This song live in 1972 on the Old Grey Whistle Test: https://www.youtube.com/watch?v=xJfc8j29TmE ; later this month an expanded edition of the 2005 benefit album “Our New Orleans” will be released, and it has tracks by Mr. Newman plus Allen Toussaint, Dr. John, Irma Thomas, Wild Magnolias, many others: https://smarturl.it/OurNewOrleans ; https://www.facebook.com/RandyNewman ; http://randynewman.com", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3420871, "uri": "https://api.kexp.org/v2/plays/3420871/?format=api", "airdate": "2024-11-03T10:46:43-08:00", "show": 61752, "show_uri": "https://api.kexp.org/v2/shows/61752/?format=api", "image_uri": "https://coverartarchive.org/release/8662a15b-ca9c-4a51-85ee-11f30c5a2c33/1492472116-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/8662a15b-ca9c-4a51-85ee-11f30c5a2c33/1492472116-250.jpg", "song": "Waist Deep in the Big Muddy", "track_id": null, "recording_id": "03e35583-87d5-4027-9cdc-a1e9e3563819", "artist": "Pete Seeger", "artist_ids": [ "af18a9bc-e4ab-4068-9489-b64e8186fcf1" ], "album": "Waist Deep in the Big Muddy & Other Love Songs", "release_id": null, "release_group_id": "3edc54fd-8d08-3bba-854c-2e4edad5ded6", "labels": [ "Columbia" ], "label_ids": [ "011d1192-6f65-45bd-85c4-0400dd45693e" ], "release_date": "1967-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Telling the story of a platoon led into a dangerous river by a captain ignoring his sergeant's concerns, it was an allegory for Seeger’s views on the Vietnam War. When he recorded it for the Smothers Brothers Comedy Hour it was originally censored for its political perspective, but a year later Seeger sung it on the show.\nhttps://peteseeger.bandcamp.com/track/waist-deep-in-the-big-muddy", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3420870, "uri": "https://api.kexp.org/v2/plays/3420870/?format=api", "airdate": "2024-11-03T10:43:13-08:00", "show": 61752, "show_uri": "https://api.kexp.org/v2/shows/61752/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "John Sinclair", "track_id": null, "recording_id": "e9c3b6b2-e981-42d3-8314-645737297b8e", "artist": "John Lennon", "artist_ids": [ "4d5447d7-c61c-4120-ba1b-d7f471d385b9" ], "album": "Some Time in NYC", "release_id": null, "release_group_id": null, "labels": [ "Apple" ], "label_ids": [], "release_date": "1972-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Written for the writer, activist and former manager of the MC5. He had been convicted a number of times for marijuana possession and Lennon empathized with him having also been arrested for possession.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3420869, "uri": "https://api.kexp.org/v2/plays/3420869/?format=api", "airdate": "2024-11-03T10:40:21-08:00", "show": 61752, "show_uri": "https://api.kexp.org/v2/shows/61752/?format=api", "image_uri": "https://coverartarchive.org/release/25ecefb1-e5bb-4b21-9c2a-ec278318aa63/17285428248-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/25ecefb1-e5bb-4b21-9c2a-ec278318aa63/17285428248-250.jpg", "song": "Gimme Some Truth", "track_id": null, "recording_id": "df686456-3f75-4032-b781-c142c1d9e949", "artist": "John Lennon", "artist_ids": [ "4d5447d7-c61c-4120-ba1b-d7f471d385b9" ], "album": "Imagine", "release_id": null, "release_group_id": "f242f304-0f1f-33a5-81a2-7a965b30e3b5", "labels": [ "Apple" ], "label_ids": [], "release_date": "1971-09-09", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Co-produced with Phil Spector, featuring slide guitar from George Harrison, and with the phrase, “Money for rope/Money for dope” from the Get Back sessions with Paul McCartney, this song is a protest against the Vietnam War.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3420868, "uri": "https://api.kexp.org/v2/plays/3420868/?format=api", "airdate": "2024-11-03T10:37:06-08:00", "show": 61752, "show_uri": "https://api.kexp.org/v2/shows/61752/?format=api", "image_uri": "https://coverartarchive.org/release/298fe4cd-0ed6-443c-8977-2813808e408b/36445589243-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/298fe4cd-0ed6-443c-8977-2813808e408b/36445589243-250.jpg", "song": "I-Feel-Like-I'm-Fixin'-To-Die Rag (Previously Unissued Alternate Take)", "track_id": null, "recording_id": "7dfb1010-66ec-4237-9a72-8dba7f0f891e", "artist": "Country Joe and the Fish", "artist_ids": [ "5c57506f-9967-4503-9dc0-0b9254b6697b" ], "album": "I-Feel-Like-I'm-Fixin'-To-Die", "release_id": null, "release_group_id": "0d9602b4-5aab-3dc0-8cbe-1a399073eb3e", "labels": [ "Ace Vanguard Masters" ], "label_ids": [ "5ac52cc6-9ac2-4aab-ab1a-fb240b4b224a" ], "release_date": "1967-11-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Considered one of the most recognizable protest songs against the Vietnam War, Country Joe McDonald said he wrote it in 30 minutes.\nhttps://www.countryjoe.com/howrag.htm", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3420867, "uri": "https://api.kexp.org/v2/plays/3420867/?format=api", "airdate": "2024-11-03T10:34:37-08:00", "show": 61752, "show_uri": "https://api.kexp.org/v2/shows/61752/?format=api", "image_uri": "https://coverartarchive.org/release/259664a0-032f-4982-8518-50ccae4394a4/14169425346-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/259664a0-032f-4982-8518-50ccae4394a4/14169425346-250.jpg", "song": "Kill for Peace", "track_id": null, "recording_id": "2306fb28-dd01-47c4-bce0-520479d762d4", "artist": "The Fugs", "artist_ids": [ "88b1dd15-34d9-4214-861c-045e872162a6" ], "album": "The Fugs", "release_id": null, "release_group_id": "8108e760-d687-37e6-ab61-442382c9e91f", "labels": [ "ESP Disk" ], "label_ids": [], "release_date": "1966-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Anti–Vietnam War song: https://www.npr.org/templates/story/story.php?storyId=125628216.\nThe NYC band’s previous record was released on Folkways a year earlier in 1965 and was called “The Village Fugs Sing Ballads of Contemporary Protest, Point of Views, and General Dissatisfaction.”", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3420866, "uri": "https://api.kexp.org/v2/plays/3420866/?format=api", "airdate": "2024-11-03T10:31:27-08:00", "show": 61752, "show_uri": "https://api.kexp.org/v2/shows/61752/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3420865, "uri": "https://api.kexp.org/v2/plays/3420865/?format=api", "airdate": "2024-11-03T10:25:31-08:00", "show": 61752, "show_uri": "https://api.kexp.org/v2/shows/61752/?format=api", "image_uri": "https://coverartarchive.org/release/c7ca6205-29da-47cb-ac42-cb1af4fd5f70/35033737467-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/c7ca6205-29da-47cb-ac42-cb1af4fd5f70/35033737467-250.jpg", "song": "The Divided States of America", "track_id": null, "recording_id": "340bce8a-13c5-409b-88e1-ecb622f91cb5", "artist": "Jim White", "artist_ids": [ "e1f83b22-d40e-400a-8ebb-4e59b5b53d31" ], "album": "Misfit's Jubilee", "release_id": null, "release_group_id": "28f44ed3-efda-42b4-a6da-14ab3fd85ffe", "labels": [ "Loose Music" ], "label_ids": [ "4c47716c-7a60-4593-831b-05f1da49936d" ], "release_date": "2020-10-30", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Recorded in Belgium, the rural Georgia based musician said, “Us freaks, we gotta take up musical arms and start speaking truth to power here. If we don’t, who exactly will?”\nhttps://jimwhite.bandcamp.com/album/misfits-jubilee", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3420864, "uri": "https://api.kexp.org/v2/plays/3420864/?format=api", "airdate": "2024-11-03T10:22:14-08:00", "show": 61752, "show_uri": "https://api.kexp.org/v2/shows/61752/?format=api", "image_uri": "https://coverartarchive.org/release/dd18238c-31e9-4958-9d9a-fdcb906ec98b/30108796897-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/dd18238c-31e9-4958-9d9a-fdcb906ec98b/30108796897-250.jpg", "song": "Whole World Knows", "track_id": null, "recording_id": "9a6d4998-a2d5-4c4c-99f2-bce6fa600a84", "artist": "Adia Victoria", "artist_ids": [ "7b1252da-a5e6-49db-9ca8-1d3045d8dc2c" ], "album": "A Southern Gothic", "release_id": null, "release_group_id": "408432e4-4908-4e0b-8682-2b8fed07d4ed", "labels": [ "Atlantic" ], "label_ids": [ "50c384a2-0b44-401b-b893-8181173339c7" ], "release_date": "2021-09-17", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The South Carolina–born, Nashville-based artist was joined on this album by Margo Price, Jason Isbell, and others, and it was co-produced by T-Bone Burnett.\n\nWatch her live on KEXP in 2022.\nhttps://www.youtube.com/watch?v=Ju4v-lLvIlI\n\nEmily Fox interviewed Adia Victoria for KEXP's 'Sound and Vision' podcast, where she spoke about this album and how it reimagines the south's whitewashed history: https://kexp.org/podcasts/sound-vision/2021/9/21/adia-victoria-reclaims-souths-whitewashed-history", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3420863, "uri": "https://api.kexp.org/v2/plays/3420863/?format=api", "airdate": "2024-11-03T10:15:34-08:00", "show": 61752, "show_uri": "https://api.kexp.org/v2/shows/61752/?format=api", "image_uri": "https://coverartarchive.org/release/0fd09b8f-3141-4d97-985b-6815252015af/33038882279-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/0fd09b8f-3141-4d97-985b-6815252015af/33038882279-250.jpg", "song": "Peculiar, Missouri", "track_id": null, "recording_id": "1bfd872c-d3c5-4fb0-86f4-0d5a2b6e3d20", "artist": "Willi Carlisle", "artist_ids": [ "2edad2c2-cff9-4a69-96f6-8a53616051b5" ], "album": "Peculiar, Missouri", "release_id": null, "release_group_id": "3409f1c4-e277-4510-aea8-9dfeaae6a309", "labels": [ "Free Dirt Records" ], "label_ids": [ "cabd9a49-9df2-47b3-ac4b-d9b5a67bf0a4" ], "release_date": "2022-07-15", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Recorded in rural Louisiana, Carlisle makes the case across twelve epic tracks that love truly can conquer all.\nhttps://willicarlisle.bandcamp.com/album/peculiar-missouri\n\nTop Ten Albums of 2022 in The Roadhouse! https://www.kexp.org/read/2022/12/8/kexp-djs-top-albums-of-2022\n\nVideo of a full live set from his home in 2021: https://youtu.be/s1DbqHCWu74 ;", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3420862, "uri": "https://api.kexp.org/v2/plays/3420862/?format=api", "airdate": "2024-11-03T10:09:18-08:00", "show": 61752, "show_uri": "https://api.kexp.org/v2/shows/61752/?format=api", "image_uri": "https://coverartarchive.org/release/d809d424-00d5-4fa9-8d1b-82c98fb5566e/15142036571-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/d809d424-00d5-4fa9-8d1b-82c98fb5566e/15142036571-250.jpg", "song": "Beautiful Strangers", "track_id": null, "recording_id": "26c9c963-5331-4f19-b9ee-30490ac4a102", "artist": "Kevin Morby", "artist_ids": [ "eac962e1-0295-4e69-a266-4dab2adb4f11" ], "album": "Beautiful Strangers / No Place to Fall", "release_id": null, "release_group_id": "449d6aae-5e28-41e2-b5ea-372706ac68f3", "labels": [ "Dead Oceans" ], "label_ids": [ "f70f950f-2587-4f85-a5c7-b483a47bd2e9" ], "release_date": "2016-10-27", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The Kansas City singer said this song is, “dedicated to and written for all the people I have never met but have only read about. The innocent people who were out living their lives and one day, without warning, had them taken away from them. All those names and faces, all those beautiful strangers…”\nAny purchase will support the work of Everytown For Gun Safety.\nhttps://kevinmorby.bandcamp.com/album/beautiful-strangers-b-w-no-place-to-fall\n\nMorby performed it live on KEXP from the Triple Door in 2017: https://www.youtube.com/watch?\nv=l5J8Ca2WCc0", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3420861, "uri": "https://api.kexp.org/v2/plays/3420861/?format=api", "airdate": "2024-11-03T10:06:22-08:00", "show": 61752, "show_uri": "https://api.kexp.org/v2/shows/61752/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3420860, "uri": "https://api.kexp.org/v2/plays/3420860/?format=api", "airdate": "2024-11-03T10:04:04-08:00", "show": 61752, "show_uri": "https://api.kexp.org/v2/shows/61752/?format=api", "image_uri": "https://coverartarchive.org/release/830f2c9c-9223-4882-8245-ef2b9644327a/26651902906-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/830f2c9c-9223-4882-8245-ef2b9644327a/26651902906-250.jpg", "song": "Fight!", "track_id": null, "recording_id": "3a07caed-20a8-4cdd-89a8-7ae435fbd044", "artist": "Wyatt Waddell", "artist_ids": [ "7e847461-7f1f-4418-a068-f1400d1eda50" ], "album": "Fight!", "release_id": null, "release_group_id": "27ea5eae-50fc-46fa-9424-b652dc703ab3", "labels": [ "2020" ], "label_ids": [], "release_date": "2020-06-03", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“This song is me looking at what’s happening and what I’d tell the people protesting. I had to look outside of myself at what’s going on and how people are being affected. Hearing people’s fears, anxieties, and watching everything happening on TV really helped me write the song. I hope that it can be an anthem for my people as they’re fighting for a better America.”\nhttps://wyattwaddell.bandcamp.com/track/fight", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3420859, "uri": "https://api.kexp.org/v2/plays/3420859/?format=api", "airdate": "2024-11-03T09:59:57-08:00", "show": 61752, "show_uri": "https://api.kexp.org/v2/shows/61752/?format=api", "image_uri": "https://coverartarchive.org/release/5b56b627-0616-4f08-95fd-a77e5793f392/38220719014-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/5b56b627-0616-4f08-95fd-a77e5793f392/38220719014-250.jpg", "song": "Fight On!", "track_id": null, "recording_id": "b475954b-9ee3-4ffd-a3ed-62739b9a8aa1", "artist": "The Harlem Gospel Travelers", "artist_ids": [ "a8cbce80-f96d-47ce-bd79-3991c80ee5b4" ], "album": "Fight On!", "release_id": null, "release_group_id": "44418fc1-48cd-49f0-b965-7312e43276da", "labels": [ "Colemine" ], "label_ids": [], "release_date": "2020-06-19", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Group member and songwriter Thomas Gatling says this about the song:\n“During slavery, songs were a form of communication for black people. These songs became known as hymns, or as our seasoned saints call them, the songs that brought us over. “Fight On” was inspired by a hymn called ”Hold On (Just A Little While Longer)”, a song used to encourage black people to not give up. \nhttps://theharlemgospeltravelers.bandcamp.com/album/fight-on", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3420858, "uri": "https://api.kexp.org/v2/plays/3420858/?format=api", "airdate": "2024-11-03T09:54:34-08:00", "show": 61752, "show_uri": "https://api.kexp.org/v2/shows/61752/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Under the Devil's Knee", "track_id": null, "recording_id": null, "artist": "Tre Burt", "artist_ids": [ "fc71764b-0b47-412f-afc1-d55760eee9bb" ], "album": "", "release_id": null, "release_group_id": null, "labels": [ "Self Released" ], "label_ids": [], "release_date": "2020-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“Music is a powerful force, especially when you put it through a protest song. It makes the fight more tangible. Reframes perspective.” Tre Burt\nFeaturing Our Native Daughter's Allison Russell and Leyla McCalla, and Sunny War.\nhttps://treburtmusic.bandcamp.com/track/under-the-devils-knee", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
