Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=120820&ordering=-airdate
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=120840&ordering=-airdate", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=120800&ordering=-airdate", "results": [ { "id": 3422009, "uri": "https://api.kexp.org/v2/plays/3422009/?format=api", "airdate": "2024-11-06T06:38:35-08:00", "show": 61777, "show_uri": "https://api.kexp.org/v2/shows/61777/?format=api", "image_uri": "https://ia600208.us.archive.org/29/items/mbid-54ce5abd-a4e7-32b0-b749-219f83d552fe/mbid-54ce5abd-a4e7-32b0-b749-219f83d552fe-1399203463_thumb500.jpg", "thumbnail_uri": "https://ia800208.us.archive.org/29/items/mbid-54ce5abd-a4e7-32b0-b749-219f83d552fe/mbid-54ce5abd-a4e7-32b0-b749-219f83d552fe-1399203463_thumb250.jpg", "song": "Wars of Armageddon", "track_id": "cf5ce7d7-0ecf-3fa1-90dd-2c995b78d630", "recording_id": "e59d1457-74e3-4ad3-be3d-1646e02500e8", "artist": "Funkadelic", "artist_ids": [ "cf042013-3edd-46c4-9b0e-a62faac98d0b" ], "album": "Maggot Brain", "release_id": "54ce5abd-a4e7-32b0-b749-219f83d552fe", "release_group_id": "a334e612-e736-3b4f-82b4-c4dfb774983c", "labels": [ "Westbound Records" ], "label_ids": [ "0f6fb74a-eb83-4a02-b975-3c2e470f6aaa" ], "release_date": "1994-10-31", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "\"It starts with a crackle of feedback shooting from speaker to speaker and a voice intoning, \"Mother Earth is pregnant for the third time, for y'all have knocked her up\" and talking about rising \"above it all or drown in my own sh*t.\" This could only have been utterly bizarre back in 1971 and it's no less so decades later; though the Mothership was well on its way already, Maggot Brain really helped it take off.\" (Ned Raggett of allmusic) https://bit.ly/3lSkle6\n\nhttps://georgeclinton.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3422008, "uri": "https://api.kexp.org/v2/plays/3422008/?format=api", "airdate": "2024-11-06T06:34:52-08:00", "show": 61777, "show_uri": "https://api.kexp.org/v2/shows/61777/?format=api", "image_uri": "https://ia800207.us.archive.org/24/items/mbid-4527a37b-bf3a-4676-bf85-277e04df1610/mbid-4527a37b-bf3a-4676-bf85-277e04df1610-9982099177_thumb500.jpg", "thumbnail_uri": "https://ia600207.us.archive.org/24/items/mbid-4527a37b-bf3a-4676-bf85-277e04df1610/mbid-4527a37b-bf3a-4676-bf85-277e04df1610-9982099177_thumb250.jpg", "song": "Diodo", "track_id": "c5055236-8fc4-4af7-b7ab-dffcde9d0d74", "recording_id": "8f61fe8a-6958-4284-9da0-ff472a1592a8", "artist": "Blue Phantom", "artist_ids": [ "0b199902-661d-402a-acae-7b136266ebf4" ], "album": "Distortions", "release_id": "4527a37b-bf3a-4676-bf85-277e04df1610", "release_group_id": "ced8f5b4-9cdc-4c5b-bac7-dc2c55b3dc89", "labels": [ "AMS Records", "Spider Records" ], "label_ids": [ "8d7ccb19-6a14-4792-9f30-94e73c97b114", "f0e33d65-809e-442d-beb4-c8922470d8d4" ], "release_date": "2008-11-06", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Walker Wormhole Wednesday doesn't stop for anyone or anything! Today's WWW selection comes from Italian instrumental psych-prog artist Blue Phantom, a project by violinist Armando Sciascia.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3422007, "uri": "https://api.kexp.org/v2/plays/3422007/?format=api", "airdate": "2024-11-06T06:30:25-08:00", "show": 61777, "show_uri": "https://api.kexp.org/v2/shows/61777/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3422006, "uri": "https://api.kexp.org/v2/plays/3422006/?format=api", "airdate": "2024-11-06T06:27:27-08:00", "show": 61777, "show_uri": "https://api.kexp.org/v2/shows/61777/?format=api", "image_uri": "https://ia904606.us.archive.org/9/items/mbid-6339b300-26d8-329b-910b-c8280f286e9e/mbid-6339b300-26d8-329b-910b-c8280f286e9e-10210348954_thumb500.jpg", "thumbnail_uri": "https://ia804606.us.archive.org/9/items/mbid-6339b300-26d8-329b-910b-c8280f286e9e/mbid-6339b300-26d8-329b-910b-c8280f286e9e-10210348954_thumb250.jpg", "song": "Bring the Noise", "track_id": "d0037586-e25c-3135-a1de-14df9da40e14", "recording_id": "62cd3276-f33f-46f8-8c27-ca93f0ebc5e3", "artist": "Public Enemy", "artist_ids": [ "bf2e15d0-4b77-469e-bfb4-f8414415baca" ], "album": "Less Than Zero", "release_id": "6339b300-26d8-329b-910b-c8280f286e9e", "release_group_id": "d7090d06-6a75-380d-abdc-ed8944c0c9c9", "labels": [ "Def Jam Recordings" ], "label_ids": [ "a92d1684-4edb-48aa-b913-30e9da213004" ], "release_date": "1987-11-06", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "\"Bring the Noise\" was first released on the soundtrack for film Less Than Zero which was released on this day in 1987.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3422005, "uri": "https://api.kexp.org/v2/plays/3422005/?format=api", "airdate": "2024-11-06T06:22:41-08:00", "show": 61777, "show_uri": "https://api.kexp.org/v2/shows/61777/?format=api", "image_uri": "https://ia903001.us.archive.org/3/items/mbid-b5297fe8-70de-38a1-93a3-f8ab4925a682/mbid-b5297fe8-70de-38a1-93a3-f8ab4925a682-9106652041_thumb500.jpg", "thumbnail_uri": "https://ia803001.us.archive.org/3/items/mbid-b5297fe8-70de-38a1-93a3-f8ab4925a682/mbid-b5297fe8-70de-38a1-93a3-f8ab4925a682-9106652041_thumb250.jpg", "song": "Cult of Personality", "track_id": "bfe013c5-f216-335d-b2bc-f977419df856", "recording_id": "e106d2a8-ef16-4805-b0d5-e3ca818a464d", "artist": "Living Colour", "artist_ids": [ "dc6f8c1f-626b-42b0-9115-7e66ae4cecd6" ], "album": "Vivid", "release_id": "b5297fe8-70de-38a1-93a3-f8ab4925a682", "release_group_id": "8ce498ba-26f5-3ea9-b499-9007212ae269", "labels": [ "Epic" ], "label_ids": [ "8f638ddb-131a-4cc3-b3d4-7ebdac201b55" ], "release_date": "1988-09-18", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Happy Birthday to Corey Glover, lead vocalist of Living Colour and Galactic! Born on this day in 1964.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3422004, "uri": "https://api.kexp.org/v2/plays/3422004/?format=api", "airdate": "2024-11-06T06:21:28-08:00", "show": 61777, "show_uri": "https://api.kexp.org/v2/shows/61777/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3422003, "uri": "https://api.kexp.org/v2/plays/3422003/?format=api", "airdate": "2024-11-06T06:10:37-08:00", "show": 61777, "show_uri": "https://api.kexp.org/v2/shows/61777/?format=api", "image_uri": "https://ia804705.us.archive.org/13/items/mbid-9ce3dab0-f5b8-4f0d-873e-3f3b74ca8755/mbid-9ce3dab0-f5b8-4f0d-873e-3f3b74ca8755-1398443844_thumb500.jpg", "thumbnail_uri": "https://ia804705.us.archive.org/13/items/mbid-9ce3dab0-f5b8-4f0d-873e-3f3b74ca8755/mbid-9ce3dab0-f5b8-4f0d-873e-3f3b74ca8755-1398443844_thumb250.jpg", "song": "Machine Gun", "track_id": "eb849a20-026f-35a3-80ed-464d94bf703d", "recording_id": "10b2f207-2bfb-454f-81bd-9b503959c374", "artist": "Jimi Hendrix", "artist_ids": [ "06fb1c8b-566e-4cb2-985b-b467c90781d4" ], "album": "Live at the Fillmore East", "release_id": "54b68e60-4431-444d-b32c-0204c1cedebd", "release_group_id": "5d8b1b17-ddd8-3fad-9c69-28401da19d44", "labels": [ "Experience Hendrix" ], "label_ids": [ "5677c51a-a6d3-4ce6-abab-d9699c46f5f4" ], "release_date": "1999-02-23", "rotation_status": null, "is_local": true, "is_request": false, "is_live": false, "comment": "Both Jimi Hendrix and his bassist Billy Cox served in the military \"Before Hendrix was 19 years old, law authorities had twice caught him riding in stolen cars. Given a choice between prison or joining the Army, he chose the latter and enlisted on May 31, 1961. After completing eight weeks of basic training at Fort Ord, California, he was assigned to the 101st Airborne Division and stationed at Fort Campbell, Kentucky.\" \"Cox met Jimi Hendrix when they were serving in the Army at Fort Campbell, Kentucky, in 1961. While using the bathroom at Service Club No. 1 during a sudden rainstorm, he heard guitar playing inside. Impressed with what he heard, he introduced himself, told Hendrix he played bass, and they were jamming soon after. They became, and remained, fast friends.\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3422002, "uri": "https://api.kexp.org/v2/plays/3422002/?format=api", "airdate": "2024-11-06T06:06:45-08:00", "show": 61777, "show_uri": "https://api.kexp.org/v2/shows/61777/?format=api", "image_uri": "https://ia600204.us.archive.org/10/items/mbid-f6108f99-488a-3498-98eb-b037af8268d8/mbid-f6108f99-488a-3498-98eb-b037af8268d8-2514907489_thumb500.jpg", "thumbnail_uri": "https://ia600204.us.archive.org/10/items/mbid-f6108f99-488a-3498-98eb-b037af8268d8/mbid-f6108f99-488a-3498-98eb-b037af8268d8-2514907489_thumb250.jpg", "song": "Another Brick in the Wall, Part 2", "track_id": "83da97d0-b776-3a57-a8c2-535e6a20a080", "recording_id": "597eae0b-ccb6-4076-b997-0ce940586076", "artist": "Pink Floyd", "artist_ids": [ "83d91898-7763-47d7-b03b-b92132375c47" ], "album": "The Wall", "release_id": "f6108f99-488a-3498-98eb-b037af8268d8", "release_group_id": "f2026101-945b-3d05-9ef4-aa718fc3feef", "labels": [ "Capitol Records" ], "label_ids": [ "abea2d3e-eabf-4480-ab24-9382dd642c73" ], "release_date": "2000-04-25", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "At the suggestion of producer Bob Ezrin, Pink Floyd added elements of disco, which was popular at the time. According to guitarist David Gilmour:\n\n\"[Ezrin] said to me, 'Go to a couple of clubs and listen to what's happening with disco music,' so I forced myself out and listened to loud, four-to-the-bar bass drums and stuff and thought, Gawd, awful! Then we went back and tried to turn one of the parts into one of those so it would be catchy.\"\n\nGilmour recorded his guitar solo using a 1955 Gibson Les Paul Gold Top guitar with P-90 pick-ups. Despite his reservations about Ezrin's additions, Gilmour felt the final song still sounded like Pink Floyd. When Ezrin heard the song with a disco beat, he was convinced it could become a hit, but felt it needed to be longer, with two verses and two choruses. The band resisted, saying they did not release singles; Waters told him: \"Go ahead and waste your time doing silly stuff.\" https://bit.ly/3sKkG45", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3422001, "uri": "https://api.kexp.org/v2/plays/3422001/?format=api", "airdate": "2024-11-06T06:02:31-08:00", "show": 61777, "show_uri": "https://api.kexp.org/v2/shows/61777/?format=api", "image_uri": "https://ia600204.us.archive.org/10/items/mbid-f6108f99-488a-3498-98eb-b037af8268d8/mbid-f6108f99-488a-3498-98eb-b037af8268d8-2514907489_thumb500.jpg", "thumbnail_uri": "https://ia600204.us.archive.org/10/items/mbid-f6108f99-488a-3498-98eb-b037af8268d8/mbid-f6108f99-488a-3498-98eb-b037af8268d8-2514907489_thumb250.jpg", "song": "In the Flesh", "track_id": "c19eb95f-6441-38ac-ac93-e7b5fa579a75", "recording_id": "89881237-8c35-43b7-af8f-950fb6183fee", "artist": "Pink Floyd", "artist_ids": [ "83d91898-7763-47d7-b03b-b92132375c47" ], "album": "The Wall", "release_id": "f6108f99-488a-3498-98eb-b037af8268d8", "release_group_id": "f2026101-945b-3d05-9ef4-aa718fc3feef", "labels": [ "Capitol Records" ], "label_ids": [ "abea2d3e-eabf-4480-ab24-9382dd642c73" ], "release_date": "2000-04-25", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "\"Pink Floyd’s the Wall is one of the most intriguing and imaginative albums in the history of rock music. Since the studio album’s release in 1979, the tour of 1980-81, and the subsequent movie of 1982, the Wall has become synonymous with, if not the very definition of, the term “concept album.” Aurally explosive on record, astoundingly complex on stage, and visually dynamic on the screen, the Wall traces the life of the fictional protagonist, Pink Floyd, from his boyhood days in post-World-War-II England to his self-imposed isolation as a world-renowned rock star, leading to a climax that is as cathartic as it is destructive.\"\n\nhttps://bit.ly/3F2AiGc", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3422000, "uri": "https://api.kexp.org/v2/plays/3422000/?format=api", "airdate": "2024-11-06T05:58:37-08:00", "show": 61777, "show_uri": "https://api.kexp.org/v2/shows/61777/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3421999, "uri": "https://api.kexp.org/v2/plays/3421999/?format=api", "airdate": "2024-11-06T05:49:56-08:00", "show": 61777, "show_uri": "https://api.kexp.org/v2/shows/61777/?format=api", "image_uri": "https://ia802308.us.archive.org/0/items/mbid-4c5ebd62-ca16-4e41-8bc5-fc39ae7398fb/mbid-4c5ebd62-ca16-4e41-8bc5-fc39ae7398fb-32183827212_thumb500.jpg", "thumbnail_uri": "https://ia802308.us.archive.org/0/items/mbid-4c5ebd62-ca16-4e41-8bc5-fc39ae7398fb/mbid-4c5ebd62-ca16-4e41-8bc5-fc39ae7398fb-32183827212_thumb250.jpg", "song": "Water No Get Enemy", "track_id": "6183bb84-1ee2-3b47-bead-42a75279bae6", "recording_id": "b4be277c-5d37-44a0-a2e4-a82d87703a34", "artist": "Fela Kuti", "artist_ids": [ "6514cffa-fbe0-4965-ad88-e998ead8a82a" ], "album": "Afrobeat Sessions", "release_id": "4c5ebd62-ca16-4e41-8bc5-fc39ae7398fb", "release_group_id": "fbf362e0-d968-3063-8c9d-4d01ed2632a9", "labels": [ "Sessions" ], "label_ids": [ "da4a8bf1-a1b8-49cc-bf12-9895b53e88f4" ], "release_date": "2004-06-12", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“Water No Get Enemy” contains mixed vocal lingo of Yoruba language and pidgin English originating in West Africa. It sees Fela emphasize the power of water literally and metaphorically, suggesting its importance to opposing ideology such as life and death. https://genius.com/annotations/3836859/standalone_embed", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3421997, "uri": "https://api.kexp.org/v2/plays/3421997/?format=api", "airdate": "2024-11-06T05:45:19-08:00", "show": 61777, "show_uri": "https://api.kexp.org/v2/shows/61777/?format=api", "image_uri": "https://ia600609.us.archive.org/22/items/mbid-3583fbc9-a597-35d3-a415-6bd0cfa34acc/mbid-3583fbc9-a597-35d3-a415-6bd0cfa34acc-1920414273_thumb500.jpg", "thumbnail_uri": "https://ia800609.us.archive.org/22/items/mbid-3583fbc9-a597-35d3-a415-6bd0cfa34acc/mbid-3583fbc9-a597-35d3-a415-6bd0cfa34acc-1920414273_thumb250.jpg", "song": "Sunday Bloody Sunday", "track_id": "f1e944d1-cc94-4b63-96aa-6ade45b92768", "recording_id": "e95e5009-99b3-42d2-abdd-477967233b08", "artist": "U2", "artist_ids": [ "a3cb23fc-acd3-4ce0-8f36-1e5aa6a18432" ], "album": "War", "release_id": "3583fbc9-a597-35d3-a415-6bd0cfa34acc", "release_group_id": "c6b36664-7e60-3b3e-a24d-d096c67a11e9", "labels": [ "Island" ], "label_ids": [ "dfd92cd3-4888-46d2-b968-328b1feb2642" ], "release_date": "1983-02-28", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "The song was inspired by the tragic events of January 30, 1972, known as Bloody Sunday, when British soldiers shot and killed 14 unarmed civil rights protesters in Derry, Northern Ireland. Despite its political roots, Bono has always emphasized that the song is a call for peace and not a rebel song.\n\nHere's a live version of \"Sunday Bloody Sunday\" from Dublin in 2017: https://www.youtube.com/watch?v=pEuQjo17FEo", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3421996, "uri": "https://api.kexp.org/v2/plays/3421996/?format=api", "airdate": "2024-11-06T05:41:23-08:00", "show": 61777, "show_uri": "https://api.kexp.org/v2/shows/61777/?format=api", "image_uri": "https://ia601609.us.archive.org/22/items/mbid-1be68d56-dbbd-3e4e-9fa8-98a71dc63ff3/mbid-1be68d56-dbbd-3e4e-9fa8-98a71dc63ff3-14942693452_thumb500.jpg", "thumbnail_uri": "https://ia801609.us.archive.org/22/items/mbid-1be68d56-dbbd-3e4e-9fa8-98a71dc63ff3/mbid-1be68d56-dbbd-3e4e-9fa8-98a71dc63ff3-14942693452_thumb250.jpg", "song": "Drowning Man", "track_id": "c5aad97c-f2ed-3333-9950-cc91651e6872", "recording_id": "f7563f63-92ab-4a5d-b601-4240a8993527", "artist": "U2", "artist_ids": [ "a3cb23fc-acd3-4ce0-8f36-1e5aa6a18432" ], "album": "War", "release_id": "1be68d56-dbbd-3e4e-9fa8-98a71dc63ff3", "release_group_id": "c6b36664-7e60-3b3e-a24d-d096c67a11e9", "labels": [ "Island" ], "label_ids": [ "dfd92cd3-4888-46d2-b968-328b1feb2642" ], "release_date": "2008-07-22", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Take a deep breath... Eva listened to this song to help her breathe during pregnancy contractions!\n\nFrom U2's 1983 album, War.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3421995, "uri": "https://api.kexp.org/v2/plays/3421995/?format=api", "airdate": "2024-11-06T05:35:37-08:00", "show": 61777, "show_uri": "https://api.kexp.org/v2/shows/61777/?format=api", "image_uri": "https://ia801004.us.archive.org/27/items/mbid-081a744e-ad3c-3127-927d-6e7ed3ac0423/mbid-081a744e-ad3c-3127-927d-6e7ed3ac0423-24056431340_thumb500.jpg", "thumbnail_uri": "https://ia801004.us.archive.org/27/items/mbid-081a744e-ad3c-3127-927d-6e7ed3ac0423/mbid-081a744e-ad3c-3127-927d-6e7ed3ac0423-24056431340_thumb250.jpg", "song": "Metropolis", "track_id": "05f4abb7-50f7-333a-9b2a-f5f9c2b938fc", "recording_id": "4cf9bf33-f088-466d-926b-a9a08477d3ae", "artist": "Kraftwerk", "artist_ids": [ "5700dcd4-c139-4f31-aa3e-6382b9af9032" ], "album": "The Man-Machine", "release_id": "081a744e-ad3c-3127-927d-6e7ed3ac0423", "release_group_id": "d147e89b-90ca-35b6-9f7b-3e34b8edf63f", "labels": [ "Mute", "Kling Klang" ], "label_ids": [ "e0b106a5-4add-4839-9e40-c192457e1bf8", "142df2b2-07ea-43bd-9df9-4a2627ec6bb5" ], "release_date": "2009-10-12", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "'The Man-Machine' was released in 1978. NME stated: \"'The Man-Machine' stands as one of the pinnacles of 70's rock music\", adding that \"the sparsity of the lyrics leaves the emphasis squarely on those robot rhythms, chilling tones and exquisite melodies.\" https://bit.ly/2HKVhCg", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3421994, "uri": "https://api.kexp.org/v2/plays/3421994/?format=api", "airdate": "2024-11-06T05:31:21-08:00", "show": 61777, "show_uri": "https://api.kexp.org/v2/shows/61777/?format=api", "image_uri": "https://ia600209.us.archive.org/22/items/mbid-a0e0a03b-55ac-3c13-b2cd-28ada90a2cf1/mbid-a0e0a03b-55ac-3c13-b2cd-28ada90a2cf1-31950645479_thumb500.jpg", "thumbnail_uri": "https://ia600209.us.archive.org/22/items/mbid-a0e0a03b-55ac-3c13-b2cd-28ada90a2cf1/mbid-a0e0a03b-55ac-3c13-b2cd-28ada90a2cf1-31950645479_thumb250.jpg", "song": "Road to Nowhere", "track_id": "7d825269-9621-3c2b-8f02-07e13d4abca8", "recording_id": "345b6c01-f0f7-4f91-ad2f-7a272d25d2d9", "artist": "Talking Heads", "artist_ids": [ "a94a7155-c79d-4409-9fcf-220cb0e4dc3a" ], "album": "Once in a Lifetime", "release_id": "a0e0a03b-55ac-3c13-b2cd-28ada90a2cf1", "release_group_id": "4115ff42-4d79-3a95-a745-a07e66ff3c42", "labels": [ "Rhino" ], "label_ids": [ "c4f2cf49-b57c-4cc1-8061-f54400704ac4" ], "release_date": "2003-11-18", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "\"Road to Nowhere\" is written by David Byrne for the 1985 Talking Heads album Little Creatures. The song is about facing a dire future with optimism.\n\"I wanted to write a song that presented a resigned, even joyful look at doom,\" Talking Heads singer David Byrne recalled in the liner notes of Once in a Lifetime: The Best of Talking Heads. - https://www.songfacts.com/facts/talking-heads/road-to-nowhere", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3421993, "uri": "https://api.kexp.org/v2/plays/3421993/?format=api", "airdate": "2024-11-06T05:28:12-08:00", "show": 61777, "show_uri": "https://api.kexp.org/v2/shows/61777/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3421992, "uri": "https://api.kexp.org/v2/plays/3421992/?format=api", "airdate": "2024-11-06T05:26:22-08:00", "show": 61777, "show_uri": "https://api.kexp.org/v2/shows/61777/?format=api", "image_uri": "https://ia803208.us.archive.org/13/items/mbid-47dfc825-6be7-4f41-9fde-18121d7d53fc/mbid-47dfc825-6be7-4f41-9fde-18121d7d53fc-3946023600_thumb500.jpg", "thumbnail_uri": "https://ia903208.us.archive.org/13/items/mbid-47dfc825-6be7-4f41-9fde-18121d7d53fc/mbid-47dfc825-6be7-4f41-9fde-18121d7d53fc-3946023600_thumb250.jpg", "song": "Lord I Can’t Just Keep From Crying", "track_id": "09fd5391-a319-3c5a-a7c2-4c24288e84ba", "recording_id": "e1ec3f2b-042d-46e0-aaa3-daa2dff99dde", "artist": "Blind Willie Johnson", "artist_ids": [ "8a14c00b-4779-44e4-9b2e-4cc9dcd92e9b" ], "album": "The Complete Blind Willie Johnson", "release_id": "47dfc825-6be7-4f41-9fde-18121d7d53fc", "release_group_id": "03a27296-d762-3b20-8b2b-cfca9dfa9bdf", "labels": [ "Legacy" ], "label_ids": [ "45ffe1d8-92da-4750-9a4a-f42861f46e2c" ], "release_date": "1993-03-27", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "American Gospel Blues singer Blind Willie Johnson recorded the song \"Lord I Can't Just Keep From Crying\" in 1929.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3421991, "uri": "https://api.kexp.org/v2/plays/3421991/?format=api", "airdate": "2024-11-06T05:23:22-08:00", "show": 61777, "show_uri": "https://api.kexp.org/v2/shows/61777/?format=api", "image_uri": "https://ia601303.us.archive.org/20/items/mbid-dfb02ce2-2605-49f7-a863-c68050a4121a/mbid-dfb02ce2-2605-49f7-a863-c68050a4121a-37622825891_thumb500.jpg", "thumbnail_uri": "https://ia601303.us.archive.org/20/items/mbid-dfb02ce2-2605-49f7-a863-c68050a4121a/mbid-dfb02ce2-2605-49f7-a863-c68050a4121a-37622825891_thumb250.jpg", "song": "Go Down Moses", "track_id": "7149caeb-95b9-3d52-a446-683ad83c4b71", "recording_id": "9bf69b7d-7a1c-49a5-9b03-64b394c0bf38", "artist": "Homer Quincy Smith", "artist_ids": [ "87546a67-7992-4217-be41-40df8ac352c7" ], "album": "American Primitive, Vol. II: Pre-War Revenants (1897–1939)", "release_id": "dfb02ce2-2605-49f7-a863-c68050a4121a", "release_group_id": "9905b502-ad7e-3944-bdff-d7bfca5f58dd", "labels": [ "Revenant" ], "label_ids": [ "483edb6f-628c-4acc-b881-3337bfb9faeb" ], "release_date": "2005-10-04", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Homer Quincy Smith (December 2, 1902, Florence, Alabama) was founder and first tenor of The Southernaires. Formed in 1929, the Southernaires were a black gospel vocal quartet that found success via the radio.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3421990, "uri": "https://api.kexp.org/v2/plays/3421990/?format=api", "airdate": "2024-11-06T05:18:27-08:00", "show": 61777, "show_uri": "https://api.kexp.org/v2/shows/61777/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "End of the World", "track_id": null, "recording_id": "b1e793c4-4bea-4801-9d80-1f24da0e4ba6", "artist": "Prom Queen", "artist_ids": [ "fca827f9-7bf0-41c2-9f87-d2af0caa20a3" ], "album": "Doom-Wop", "release_id": null, "release_group_id": "a5da3de0-5079-469a-a2c3-37abc6b5ac46", "labels": [], "label_ids": [], "release_date": "2017-09-22", "rotation_status": null, "is_local": true, "is_request": false, "is_live": false, "comment": "Prom Queen’s Leeni Ramadan described this song as an anthem for the end of the world:\n\n“It’s an anthem expressing our need for comfort, community, and companionship”\n\nRead more on our website: https://www.kexp.org/read/2017/08/14/kexp-premiere-prom-queen-end-of-the-world/\n\nSeattle band Prom Queen performed live in the KEXP studio 2017. Watch their session here: https://youtu.be/ZNYrXStv8d0\n\nCheck out more by Prom Queen on bandcamp: https://promqueenband.bandcamp.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3421989, "uri": "https://api.kexp.org/v2/plays/3421989/?format=api", "airdate": "2024-11-06T05:06:53-08:00", "show": 61777, "show_uri": "https://api.kexp.org/v2/shows/61777/?format=api", "image_uri": "https://ia801903.us.archive.org/18/items/mbid-4438e99b-ef1e-32d0-962d-79e9f511f64e/mbid-4438e99b-ef1e-32d0-962d-79e9f511f64e-3698589799_thumb500.jpg", "thumbnail_uri": "https://ia801903.us.archive.org/18/items/mbid-4438e99b-ef1e-32d0-962d-79e9f511f64e/mbid-4438e99b-ef1e-32d0-962d-79e9f511f64e-3698589799_thumb250.jpg", "song": "The End", "track_id": "ef90c120-2c3b-3d99-9516-9921a5925472", "recording_id": "1423fcd8-31f1-4ced-9c75-082af4ba45c1", "artist": "The Doors", "artist_ids": [ "9efff43b-3b29-4082-824e-bc82f646f93d" ], "album": "The Doors", "release_id": "4438e99b-ef1e-32d0-962d-79e9f511f64e", "release_group_id": "8ebffd15-06c3-3b88-a761-ec18c5513287", "labels": [ "Elektra" ], "label_ids": [ "873f9f75-af68-4872-98e2-431058e4c9a9" ], "release_date": "1967-01-04", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "\"At once, the song is a delicate and poignant musing about the final curtain call we must all face but also producing themes of Oedipal relations, the destruction of one’s father and the song that got the group banned by the Whisky-A-Go-Go. It is, without doubt, the archetypal Doors tune.\"\n\nhttps://faroutmagazine.co.uk/the-doors-the-end-jim-morrison-oedipal-nightmare-story-behind-the-song/", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
