Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=13080&ordering=-airdate
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=13100&ordering=-airdate", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=13060&ordering=-airdate", "results": [ { "id": 3544164, "uri": "https://api.kexp.org/v2/plays/3544164/?format=api", "airdate": "2025-08-24T10:43:26-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3544163, "uri": "https://api.kexp.org/v2/plays/3544163/?format=api", "airdate": "2025-08-24T10:38:24-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/d8782628-0d8b-4df0-96b4-3a3cb277977e/9619451889-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/d8782628-0d8b-4df0-96b4-3a3cb277977e/9619451889-250.jpg", "song": "Call Me the Breeze", "track_id": null, "recording_id": "8c08aca5-cbc9-4fc6-a42f-7a635b5739d9", "artist": "Lynyrd Skynyrd", "artist_ids": [ "c544ed4d-2390-4442-a83e-1ea2883b09c8" ], "album": "Second Helping", "release_id": null, "release_group_id": "cbff20dc-1ed7-3579-9a60-c705e88bdf19", "labels": [ "MCA Records" ], "label_ids": [ "46a3941a-c810-47a1-974f-955effec4d09" ], "release_date": "1974-04-15", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The only cover on the Florida band’s second album doubled the length of JJ Cale’s song.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544162, "uri": "https://api.kexp.org/v2/plays/3544162/?format=api", "airdate": "2025-08-24T10:33:17-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/4b08e624-1ae5-4e5f-ac52-0ebc2537849d/5227011003-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/4b08e624-1ae5-4e5f-ac52-0ebc2537849d/5227011003-250.jpg", "song": "Roll On Down the Highway", "track_id": null, "recording_id": "d6fff18a-d604-4542-996e-a40f12a51fc3", "artist": "Bachman–Turner Overdrive", "artist_ids": [ "7a3b3f80-04b8-4968-b432-fbcd3f350716" ], "album": "Not Fragile", "release_id": null, "release_group_id": "03e7c359-4762-3738-bfad-2ca43e539938", "labels": [ "Mercury Records" ], "label_ids": [ "995428e7-81b6-41dd-bd38-5a7a0ece8ad6" ], "release_date": "1974-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The Canadian band had been approached by the Ford motor company to write songs for them but none were picked up, so Fred Turner and Robbie Bachman worked with Randy Bachman to turn this into their own hit single. \n\nThey're playing the WA state fair September 17 with Blue Oyster Cult https://www.thefair.com/entertainment/bachman-turner-overdrive/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544161, "uri": "https://api.kexp.org/v2/plays/3544161/?format=api", "airdate": "2025-08-24T10:30:14-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/07d64ae1-8750-4f1f-b8da-9e0e99950d72/17307675739-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/07d64ae1-8750-4f1f-b8da-9e0e99950d72/17307675739-250.jpg", "song": "We’re An American Band (2002 Remix)", "track_id": null, "recording_id": "81682034-1af1-4981-b9b3-3491668b10c8", "artist": "Grand Funk Railroad", "artist_ids": [ "103241b0-6adf-4b4f-9cff-5c87459f61a4" ], "album": "We’re an American Band", "release_id": null, "release_group_id": "9ba161d5-b554-30df-925a-1fef3ccfd1c4", "labels": [ "Capitol Records" ], "label_ids": [ "abea2d3e-eabf-4480-ab24-9382dd642c73" ], "release_date": "1973-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Band member and songwriter Don Brewer said he wrote this song motivated to make a hit that would work on FM radio as they needed the money after firing and being sued by their former manager.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544160, "uri": "https://api.kexp.org/v2/plays/3544160/?format=api", "airdate": "2025-08-24T10:27:00-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/188fb66b-2fd9-41a7-8d81-088e20714ad1/22846264996-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/188fb66b-2fd9-41a7-8d81-088e20714ad1/22846264996-250.jpg", "song": "Paranoid", "track_id": null, "recording_id": "a38191cb-2946-45d8-8738-1c2dfc9a3f08", "artist": "Black Sabbath", "artist_ids": [ "5182c1d9-c7d2-4dad-afa0-ccfeada921a8" ], "album": "Paranoid", "release_id": null, "release_group_id": "cc053745-c447-3566-8f27-bed5438c9133", "labels": [ "Vertigo" ], "label_ids": [], "release_date": "1970-09-18", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Just four months after their debut album was released the Brummie (from Birmingham, UK) band went into the studio to record their follow up. Trying to pad out the number of songs on the album, Tommy Iommi came up with the guitar line for Paranoid and within two hours the band had the entire song that would go on to be the title track.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544159, "uri": "https://api.kexp.org/v2/plays/3544159/?format=api", "airdate": "2025-08-24T10:20:28-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Rock Show", "track_id": null, "recording_id": "5fc14521-534d-4720-a09a-b371da11ee82", "artist": "Paul McCartney", "artist_ids": [ "ba550d0e-adac-4864-b88b-407cab5e76af" ], "album": "Venus and Mars", "release_id": null, "release_group_id": "0dd4d0ee-1a30-3d65-b11d-bb9d4e305ffa", "labels": [ "Capitol" ], "label_ids": [], "release_date": "1975-05-30", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Written by Paul and Linda McCartney, Paul explained the lyric name dropping Jimmy Page was simply because it rhymes with “stage.” \nhttps://www.the-paulmccartney-project.com/song/rock-show/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544158, "uri": "https://api.kexp.org/v2/plays/3544158/?format=api", "airdate": "2025-08-24T10:17:11-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/2bcbbca5-0df4-4085-a133-83aedfd97551/21056431187-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/2bcbbca5-0df4-4085-a133-83aedfd97551/21056431187-250.jpg", "song": "Spiders & Snakes", "track_id": null, "recording_id": "34ac48c0-ec90-43bd-891d-627df5c732d2", "artist": "Jim Stafford", "artist_ids": [ "1e8071ac-3b84-4fc1-8ee5-a438a26879f7" ], "album": "Jim Stafford", "release_id": null, "release_group_id": "f2d50de7-1e20-3b8d-b803-7ae58b9626c8", "labels": [ "MGM Records" ], "label_ids": [ "d67971aa-0ac7-4f75-8c9b-e9424ef6648f" ], "release_date": "1974-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Born and raised in Winterhaven, Florida the shared hometown of fellow bandmate Gram Parsons.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544157, "uri": "https://api.kexp.org/v2/plays/3544157/?format=api", "airdate": "2025-08-24T10:14:14-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/2a127ede-11b4-4f48-9ca3-ae2ceb2e7256/33917804352-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/2a127ede-11b4-4f48-9ca3-ae2ceb2e7256/33917804352-250.jpg", "song": "Smokin’ in the Boys Room", "track_id": null, "recording_id": "2bc14b6b-2764-481c-80f0-2ace0a2ea71f", "artist": "Brownsville Station", "artist_ids": [ "eda386f2-d8b5-4b8d-a692-3461a12eba07" ], "album": "Yeah!", "release_id": null, "release_group_id": "633c37c7-ae1c-3a11-83b8-0f7ddd0332b9", "labels": [ "Big Tree Records" ], "label_ids": [ "1144ad63-23c1-4a99-ab21-56c580004e8f" ], "release_date": "1973-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Co-songwriter Mike Lutz didn’t smoke in his school’s bathrooms, but he did go to the same school as Iggy Pop and Bob Seger in Michigan. The band weren’t super confident in the song but a DJ in Maine gave it a chance and it went on to be covered by Motley Crue.\nhttps://www.loudersound.com/features/how-brownsville-station-station-made-the-goofy-hit-that-gave-motley-crue-a-goofy-hit", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544156, "uri": "https://api.kexp.org/v2/plays/3544156/?format=api", "airdate": "2025-08-24T10:10:58-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3544155, "uri": "https://api.kexp.org/v2/plays/3544155/?format=api", "airdate": "2025-08-24T10:06:28-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/78e6a3f9-919c-48af-abcb-d9cbe5b6b3ac/33838487950-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/78e6a3f9-919c-48af-abcb-d9cbe5b6b3ac/33838487950-250.jpg", "song": "I’ve Got the Music in Me", "track_id": null, "recording_id": "9df294ab-ee5d-4b38-9c6b-a44da3ca76df", "artist": "The Kiki Dee Band", "artist_ids": [ "b9ac19b1-a88d-4303-bd8f-e32dac2ae6da" ], "album": "I’ve Got the Music in Me", "release_id": null, "release_group_id": "5d96aa3d-b4c4-38e8-a7d8-dd0e7061d496", "labels": [ "The Rocket Record Company" ], "label_ids": [ "a0a1c747-ce94-4fc9-bba6-3fef4ff7a788" ], "release_date": "1974-11-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "In 1970, Dee became the first white British artist signed to Motown Records, but after her success with Elton John, she released this album on his label.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544154, "uri": "https://api.kexp.org/v2/plays/3544154/?format=api", "airdate": "2025-08-24T09:59:18-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "More, More, More", "track_id": null, "recording_id": null, "artist": "The Andrea True Connection", "artist_ids": [], "album": "Andrea True", "release_id": null, "release_group_id": null, "labels": [ "Buddah" ], "label_ids": [], "release_date": null, "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "When former adult film star True finished a TV commercial in Jamaica she was unable to return to the US with the money earned from the gig, so she invested it into recording this song on the island.\nhttps://www.bbc.com/news/entertainment-arts-15908790", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544152, "uri": "https://api.kexp.org/v2/plays/3544152/?format=api", "airdate": "2025-08-24T09:56:38-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/56f918d2-e905-42e4-bcf5-72f98afd8503/4277907532-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/56f918d2-e905-42e4-bcf5-72f98afd8503/4277907532-250.jpg", "song": "Machine Gun", "track_id": null, "recording_id": "9ae0996b-6e92-443b-8382-bb59314b6f98", "artist": "Commodores", "artist_ids": [ "900ab237-327b-44e2-87e4-73250bbe025a" ], "album": "Machine Gun", "release_id": null, "release_group_id": "c9bc4912-c69f-3b7d-b3b4-ef283db2bcee", "labels": [ "Motown" ], "label_ids": [], "release_date": "1974-07-22", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Motown founder Berry Gordy thought Milan Williams’ clavinet part sounded like a machine gun and that’s how they found a title for the song.\nhttps://theboombox.com/40-years-ago-commodores-release-machine-gun/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544151, "uri": "https://api.kexp.org/v2/plays/3544151/?format=api", "airdate": "2025-08-24T09:52:51-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/6ab1df5d-39f2-49c8-a7b9-19639b21c2f6/11889591756-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/6ab1df5d-39f2-49c8-a7b9-19639b21c2f6/11889591756-250.jpg", "song": "Get Dancin’", "track_id": null, "recording_id": "10742f8f-aadf-4b71-9386-3bd36db6d917", "artist": "Disco Tex and His Sex‐O‐Lettes", "artist_ids": [ "3cf294ed-9ec6-42bf-9c98-6d186310217d" ], "album": "Disco Tex & the Sex‐O‐Lettes Review", "release_id": null, "release_group_id": "dd601228-5b89-43dc-9cf7-647654e8c8aa", "labels": [ "Chelsea Records" ], "label_ids": [ "79b35f59-eaf3-4a5a-acca-282b52154ca3" ], "release_date": "1975-04-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Perhaps the only recorded song that features a staged encore scene.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544150, "uri": "https://api.kexp.org/v2/plays/3544150/?format=api", "airdate": "2025-08-24T09:48:27-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/7b051a24-2e96-4e7f-8a13-23fa1df3c4d8/37078825900-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/7b051a24-2e96-4e7f-8a13-23fa1df3c4d8/37078825900-250.jpg", "song": "Ballroom Blitz", "track_id": null, "recording_id": "96d333f9-0248-4dc8-8de9-e3f2ab86c623", "artist": "Sweet", "artist_ids": [ "dc73bb40-b697-4df9-a2ec-0555bebdba75" ], "album": "Desolation Boulevard", "release_id": null, "release_group_id": "82993041-b4e7-3d33-aa84-cdd20461da53", "labels": [ "Capitol" ], "label_ids": [], "release_date": "1974-11-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The British band wrote this song about the time in Scotland where they got a “bottling” from an angry crowd that drove them offstage.\nhttps://americansongwriter.com/the-meaning-behind-the-ballroom-blitz-by-the-sweet/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544149, "uri": "https://api.kexp.org/v2/plays/3544149/?format=api", "airdate": "2025-08-24T09:44:49-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/2e778d53-5187-4d53-9ec9-2fb8ae1a85c8/11819020454-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/2e778d53-5187-4d53-9ec9-2fb8ae1a85c8/11819020454-250.jpg", "song": "Jeepster", "track_id": null, "recording_id": "923f569e-0783-4d4b-a86f-4cea6826a973", "artist": "T. Rex", "artist_ids": [ "c842d29f-a297-48cd-bb71-4f77fd672b16" ], "album": "Electric Warrior", "release_id": null, "release_group_id": "e53310bf-8ccc-3d7f-a0b7-5ca4dbababcb", "labels": [ "Fly" ], "label_ids": [ "93067944-3ff9-4f35-93fa-a9e9d85e84f2" ], "release_date": "1971-09-24", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Band leader Marc Bolan admitted he “lifted it from a Howlin’ Wolf song,” which was \"You'll Be Mine,\" written by Willie Dixon.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544148, "uri": "https://api.kexp.org/v2/plays/3544148/?format=api", "airdate": "2025-08-24T09:43:07-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3544147, "uri": "https://api.kexp.org/v2/plays/3544147/?format=api", "airdate": "2025-08-24T09:38:18-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/53e4761d-024a-415f-833c-01b47e11c8c3/11781535870-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/53e4761d-024a-415f-833c-01b47e11c8c3/11781535870-250.jpg", "song": "Mozambique", "track_id": null, "recording_id": "1b612fd2-1f2f-4080-822c-5b01f9b23494", "artist": "Bob Dylan", "artist_ids": [ "72c536dc-7137-4477-a521-567eeb840fa8" ], "album": "Desire", "release_id": null, "release_group_id": "fc325dd3-73ed-36aa-9c77-6b65a958e3cf", "labels": [ "Columbia" ], "label_ids": [], "release_date": "1976-01-05", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Featuring Emmylou Harris on backing vocals. While some think this song is nodding to the, at the time, recent independence of Mozambique, there’s no evidence or acknowledgement from Dylan about its meaning, but that doesn’t stop Dylan scholars from trying to understand the mysterious songwriter.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544146, "uri": "https://api.kexp.org/v2/plays/3544146/?format=api", "airdate": "2025-08-24T09:34:58-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/cfbc501c-6f41-4618-8bb1-90bb8ebd936f/2065403356-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/cfbc501c-6f41-4618-8bb1-90bb8ebd936f/2065403356-250.jpg", "song": "Stuck in the Middle With You", "track_id": null, "recording_id": "6d934feb-2ed3-4516-9bef-ff53eb7fe4b1", "artist": "Stealers Wheel", "artist_ids": [ "63200203-e2c6-4081-8e0d-00c9732c6b6f" ], "album": "Stealers Wheel", "release_id": null, "release_group_id": "5300d93f-8c4e-3a24-ac0f-d2a72fa7489f", "labels": [ "A&M Records" ], "label_ids": [ "35515729-1f2c-4cc9-9390-9af2764bc56c" ], "release_date": "1972-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "In 1992 director Quentin Tarantino used \"Stuck in the Middle With You\" in the soundtrack of his debut film Reservoir Dogs, in the infamous Michael Madsen ear-cutting scene, bringing new attention to the song.\n\nAccording to rumor, the Scottish rock band Stealers Wheel wrote Stuck in the Middle as a parody of Dylan’s vocal delivery and absurd, sometimes paranoiac imagery. Much to the band’s chagrin, the song caught on (probably because everybody — including Dylan — assumed this was a new Bob Dylan tune) becoming the band’s biggest (read: only) hit. - https://bit.ly/34d36LN", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544145, "uri": "https://api.kexp.org/v2/plays/3544145/?format=api", "airdate": "2025-08-24T09:30:54-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/6c169002-f982-4df4-b695-10964f45f549/6539654788-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/6c169002-f982-4df4-b695-10964f45f549/6539654788-250.jpg", "song": "I Can Help", "track_id": null, "recording_id": "06d3ae2c-2844-4f4e-9fa2-c03227c9d5e5", "artist": "Billy Swan", "artist_ids": [ "fa1a5b71-965b-4f4f-bc93-d7920889e335" ], "album": "I Can Help", "release_id": null, "release_group_id": "588303e2-feb9-3055-9e58-2b881625bcce", "labels": [ "Monument" ], "label_ids": [ "8f5e33fd-2e2f-42ca-922c-e47fb62601e1" ], "release_date": "1974-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Swan wrote this song using a drum machine preset titled, “Rock” in his converted closet in his Nashville home.\nhttps://www.soundonsound.com/techniques/classic-tracks-billy-swan-can-help", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544144, "uri": "https://api.kexp.org/v2/plays/3544144/?format=api", "airdate": "2025-08-24T09:26:13-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/e64733d2-f142-4493-9b93-4713e714c70c/12381841033-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/e64733d2-f142-4493-9b93-4713e714c70c/12381841033-250.jpg", "song": "Clap for the Wolfman", "track_id": null, "recording_id": "9fbfdbd9-fbe3-4be6-a1da-d087007613be", "artist": "The Guess Who", "artist_ids": [ "4c567499-3a26-40e3-9471-20feb6c73767" ], "album": "Road Food", "release_id": null, "release_group_id": "32e60abd-d7bb-31c1-8beb-5e3eb6db0480", "labels": [ "RCA" ], "label_ids": [], "release_date": "1974-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "A tribute to and featuring the gravelly voice of the DJ Wolfman Jack. \n\nLed by Burton Cummings who formed the band with Randy Bachman, Bachman left in 1970 after falling in love with a Mormon woman and renouncing the rock and roll lifestyle.", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
