Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=1320&ordering=-airdate
https://api.kexp.org/v2/plays/?format=api&limit=20&offset=1340&ordering=-airdate", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=1300&ordering=-airdate", "results": [ { "id": 3547287, "uri": "https://api.kexp.org/v2/plays/3547287/?format=api", "airdate": "2025-08-31T19:33:43-07:00", "show": 64439, "show_uri": "https://api.kexp.org/v2/shows/64439/?format=api", "image_uri": "https://coverartarchive.org/release/8da1a17c-f1c0-468e-994e-8e73884962e9/41562691802-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/8da1a17c-f1c0-468e-994e-8e73884962e9/41562691802-250.jpg", "song": "Double Dutch Bus", "track_id": null, "recording_id": "e472a60b-13b6-478e-81eb-4190089e79a1", "artist": "Frankie Smith", "artist_ids": [ "1c0ee25e-da2a-436f-991e-67573711f236" ], "album": "Children of Tomorrow", "release_id": null, "release_group_id": "cdb77c3e-9b1d-47bf-b965-917229a93dec", "labels": [ "WMOT Records" ], "label_ids": [ "434a4dd4-83b2-43a5-89cb-dadabd3dfcba" ], "release_date": "1981-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Like \"Rapper's Delight\" and many other rap songs that were gaining traction in the early 80's, the song tells a clever and self-deprecating story: Frankie Smith misses his bus and has to walk 15 blocks to get to work. But \"Double Dutch Bus\" has a secret weapon: a hook filled with a kind of pig Latin variation sung by Smith and a group of kids along the lines of:\nMizzo izzay wizzat nizzo yizzou izzay\n\nThis was a precursor to Jay-Z's improvised language in his 2001 hit \"Izzo (H.O.V.A.),\" where he spells out HOVA in izzle-speak: H to the Izz-o, V to the Izz-A\n\nSnoop Dogg, an old-school aficionado, put his own spin on it, using it as part of his regular speech: Fo shizzle.\n\nAnd Missy Elliott sampled \"Double Dutch Bus\" on \"Gossip Folks\" from her 2002 album, Under Construction.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3547286, "uri": "https://api.kexp.org/v2/plays/3547286/?format=api", "airdate": "2025-08-31T19:25:57-07:00", "show": 64439, "show_uri": "https://api.kexp.org/v2/shows/64439/?format=api", "image_uri": "https://coverartarchive.org/release/2e4cd499-2b01-4c33-824f-0e93b69a2e29/34117537575-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/2e4cd499-2b01-4c33-824f-0e93b69a2e29/34117537575-250.jpg", "song": "Holy Ghost", "track_id": null, "recording_id": "318e53d0-808e-47c1-85dc-22c97d4c24ef", "artist": "The Bar‐Kays", "artist_ids": [ "919ac2b3-aa04-4732-93f8-742ebb7a03f2" ], "album": "Money Talks", "release_id": null, "release_group_id": "67734251-5236-3dd7-9e4e-77813f531e10", "labels": [ "Stax" ], "label_ids": [ "3d60c9cf-c020-49e8-a803-2189c146b880" ], "release_date": "1978-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Going out to Nick in Sacramento!\n\nSampled in M|A|R|R|S \"Pump Up the Volume\"! This one comes from The Bar-Kays, a Memphis group that formed in 1966.\n\nThe Bar-Kays were fixtures of the soul, R&B, and funk charts and have been sampled heavily, including multiple references in The Sugar Hill Gang's 1979 \"Rapper's Delight\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3547285, "uri": "https://api.kexp.org/v2/plays/3547285/?format=api", "airdate": "2025-08-31T19:19:17-07:00", "show": 64439, "show_uri": "https://api.kexp.org/v2/shows/64439/?format=api", "image_uri": "https://coverartarchive.org/release/dec90dbb-fe35-4066-b2ae-0f1b2fc1a0a8/15396813105-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/dec90dbb-fe35-4066-b2ae-0f1b2fc1a0a8/15396813105-250.jpg", "song": "Music Is the Answer", "track_id": null, "recording_id": "28561d7c-1274-4e33-972c-d70907b4fc26", "artist": "Colonel Abrams", "artist_ids": [ "c4e17198-0770-4616-b9f7-09979ab1a830" ], "album": "Colonel Abrams", "release_id": null, "release_group_id": "f4f72f48-0b03-3fb9-984b-0a7bd0bbd750", "labels": [ "Geffen Records" ], "label_ids": [ "0fadc2ce-f7de-4e27-bbe6-612b317e716b" ], "release_date": "1985-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Colonel Abrams released \"Music Is the Answer\" on Abrams' self-titled debut studio album in 1985.\nMost of the songs on the album were written by Abrams and his brother, Marston Freeman.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3547284, "uri": "https://api.kexp.org/v2/plays/3547284/?format=api", "airdate": "2025-08-31T19:15:31-07:00", "show": 64439, "show_uri": "https://api.kexp.org/v2/shows/64439/?format=api", "image_uri": "https://coverartarchive.org/release/fd8c49a8-58c6-49e2-ad4a-1cf2a696a239/39650833113-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/fd8c49a8-58c6-49e2-ad4a-1cf2a696a239/39650833113-250.jpg", "song": "My Old Piano", "track_id": null, "recording_id": "2bf33e68-4adc-4ffc-8808-58087926d382", "artist": "Diana Ross", "artist_ids": [ "60d41417-feda-4734-bbbf-7dcc30e08a83" ], "album": "Diana", "release_id": null, "release_group_id": "fd07981b-fe56-3218-8df6-bcbe6992c96e", "labels": [ "Motown" ], "label_ids": [ "8e479e57-ef44-490c-b75d-cd28df89bf1b" ], "release_date": "1980-05-22", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Diana Ross released \"My Old Piano\" in 1980 on the album Diana.\n\nDiana is Ross' eleventh studio album and the best-selling studio album of her career, spawning three international hit singles, including the number-one hit \"Upside Down.\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3547283, "uri": "https://api.kexp.org/v2/plays/3547283/?format=api", "airdate": "2025-08-31T19:11:00-07:00", "show": 64439, "show_uri": "https://api.kexp.org/v2/shows/64439/?format=api", "image_uri": "https://coverartarchive.org/release/f783b398-5d01-4f60-925c-2f4eb2c6aee6/14391253031-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/f783b398-5d01-4f60-925c-2f4eb2c6aee6/14391253031-250.jpg", "song": "Ten Percent (Walter Gibbons 12″ disco mix)", "track_id": null, "recording_id": "d8b0f2a2-b6a9-46e2-9ada-c6b3583d2bbb", "artist": "Double Exposure", "artist_ids": [ "ce16a54b-d14c-428f-8721-7baed0929cc0" ], "album": "Ten Percent", "release_id": null, "release_group_id": "0d1f5af3-a616-356c-b3c3-4008b73c6c8e", "labels": [ "BMG" ], "label_ids": [ "82ef9b02-7b42-49fe-a6bc-0d8ba816d72f" ], "release_date": "1976-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Moulton is the godfather of remix! Moulton was dissatisfied with a DJ he saw at a dance party. The songs would end, and the beat would change. People would lose rhythm, so he set out to make a mixtape that spliced the songs together. That's how remixes were born!", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3547282, "uri": "https://api.kexp.org/v2/plays/3547282/?format=api", "airdate": "2025-08-31T19:08:43-07:00", "show": 64439, "show_uri": "https://api.kexp.org/v2/shows/64439/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3547281, "uri": "https://api.kexp.org/v2/plays/3547281/?format=api", "airdate": "2025-08-31T19:04:28-07:00", "show": 64439, "show_uri": "https://api.kexp.org/v2/shows/64439/?format=api", "image_uri": "https://coverartarchive.org/release/047794f7-d179-401c-b663-c9b0c64222d1/29953371292-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/047794f7-d179-401c-b663-c9b0c64222d1/29953371292-250.jpg", "song": "Dance to the Drummer's Beat", "track_id": null, "recording_id": "182ee2e3-26fd-4c57-8e38-2de4701752f1", "artist": "Herman Kelly and Life", "artist_ids": [ "ddc381a7-a9bb-4770-83d8-d82bf38f0628" ], "album": "Percussion Explosion", "release_id": null, "release_group_id": "5fead974-13cd-359b-8117-69ecdc4277a9", "labels": [ "Alston Records" ], "label_ids": [ "90e2ed7b-7532-46fd-93d7-186ab1310174" ], "release_date": "1978-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "This track was featured on Make Your Move (Cobu 3D) Which is a Romeo and Juliet-inspired South Korean-American dance film.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3547280, "uri": "https://api.kexp.org/v2/plays/3547280/?format=api", "airdate": "2025-08-31T18:59:17-07:00", "show": 64439, "show_uri": "https://api.kexp.org/v2/shows/64439/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "West Coast Poplock", "track_id": null, "recording_id": null, "artist": "Ronnie Hudson & The Street People", "artist_ids": [ "4d9851f5-0c75-4e60-a7ac-5a9970e770f2" ], "album": "West Coast Poplock", "release_id": null, "release_group_id": "0c070846-358a-39b5-be2c-e6bc44523268", "labels": [ "Street People Record Company" ], "label_ids": [ "0b72fcd0-27c0-49fe-b17c-825a1c17acac" ], "release_date": "1982-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "This song contains elements from the 1981 song \"So Ruff, So Tuff\", performed by Roger Troutman, co-written by him and his brother Larry Troutman of Zapp. Perhaps you've heard the reference to \"California knows how to party\" before.\n--\nOriginally from D.C., bassist Ronnie Hudson performed with Chuck Brown and Al Johnson before he relocated to Memphis, where he recorded during the '70s with Isaac Hayes (as heard on part of the Shaft soundtrack and the entirety of Black Moses), Luther Ingram (the number three pop hit \"[If Loving You Is Wrong] I Don't Want to Be Right\"), and Rufus Thomas (including the number two R&B hit \"The Breakdown.\": https://www.allmusic.com/artist/ronnie-hudson-mn0000277115/biography", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3547279, "uri": "https://api.kexp.org/v2/plays/3547279/?format=api", "airdate": "2025-08-31T18:53:19-07:00", "show": 64439, "show_uri": "https://api.kexp.org/v2/shows/64439/?format=api", "image_uri": "https://coverartarchive.org/release/b30eaa6b-f9f1-4b4c-9fe3-85704821f5f6/13500343931-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/b30eaa6b-f9f1-4b4c-9fe3-85704821f5f6/13500343931-250.jpg", "song": "High Hopes", "track_id": null, "recording_id": "ace4ff16-0bd5-494f-8fa2-4461237bb00f", "artist": "The S.O.S. Band", "artist_ids": [ "39515237-2d70-436a-800c-fcbac974bec4" ], "album": "S.O.S. III", "release_id": null, "release_group_id": "d5b42642-cca5-3562-a56c-b175bd37dcaa", "labels": [ "Tabu Records" ], "label_ids": [ "071ed4dc-4266-478c-84b8-ec29fb319cfe" ], "release_date": "1982-11-04", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The first hit song written by Minneapolis production duo and former The Time members Jimmy Jam & Terry Lewis. \"High Hopes\" hit number 25 on the R&B charts, followed by the album coming in at number 27 in late 1982.\nhttps://www.thesosband.com/about", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3547278, "uri": "https://api.kexp.org/v2/plays/3547278/?format=api", "airdate": "2025-08-31T18:49:35-07:00", "show": 64439, "show_uri": "https://api.kexp.org/v2/shows/64439/?format=api", "image_uri": "https://coverartarchive.org/release/6765aaef-1e9d-3ebe-956a-be97390932e5/28085920093-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/6765aaef-1e9d-3ebe-956a-be97390932e5/28085920093-250.jpg", "song": "17 Days", "track_id": null, "recording_id": "f9a5a0ef-04e5-4eaf-8bc9-7a8a887454a1", "artist": "Prince", "artist_ids": [ "070d193a-845c-479f-980e-bef15710653e" ], "album": "The Hits / The B-Sides", "release_id": null, "release_group_id": "066e19c3-7f37-345a-adbe-9b06d07a39af", "labels": [ "Warner Bros. Records" ], "label_ids": [ "c595c289-47ce-4fba-b999-b87503e8cb71" ], "release_date": "1993-09-13", "rotation_status": null, "is_local": false, "is_request": true, "is_live": false, "comment": "Going out to Deanna in Shoreline!\n\nThough originally billed as a b-side to \"When Doves Cry\" and intended as a solo for Brenda Bennett for the Apollonia 6 project, the track \"17 Days (the rain will come down, then U will have 2 choose. If U believe look 2 the dawn and U shall never lose)\" became a favorite, often appearing in Prince's live shows. The title was ultimately shortened to \"17 Days\" and included on Prince's 1993 album The Hits/The B-sides.\n\nhttps://princevault.com/index.php?title=17_Days", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3547277, "uri": "https://api.kexp.org/v2/plays/3547277/?format=api", "airdate": "2025-08-31T18:47:54-07:00", "show": 64439, "show_uri": "https://api.kexp.org/v2/shows/64439/?format=api", "image_uri": "https://coverartarchive.org/release/c438be6e-7574-4cb8-85b8-36d34b3d7f25/33254630604-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/c438be6e-7574-4cb8-85b8-36d34b3d7f25/33254630604-250.jpg", "song": "Fo Sho", "track_id": null, "recording_id": "272a92f2-b586-4c08-b9f2-317f3f3ab205", "artist": "Delvon Lamarr Organ Trio", "artist_ids": [ "d70f3879-b92c-4948-a430-fc25d2e3c52d" ], "album": "I Told You So", "release_id": null, "release_group_id": "10e02ce0-f9bf-47bd-9105-b97e8796a80e", "labels": [ "Colemine Records" ], "label_ids": [ "cfb1811d-1776-4c68-881e-112f83b59998" ], "release_date": "2021-01-29", "rotation_status": null, "is_local": true, "is_request": false, "is_live": false, "comment": "Delvon Lamarr Organ Trio—or as it is sometimes referred to, DLO3—specialize in the lost art of “feel good music.” The trio is composed of Delvon Lamarr on keyboards, Jimmy James on guitar, and Dan Weiss on drums. Watch their February 3rd Live at Home on KEXP performance at https://www.youtube.com/watch?v=KCyIfcevExE", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3547276, "uri": "https://api.kexp.org/v2/plays/3547276/?format=api", "airdate": "2025-08-31T18:44:55-07:00", "show": 64439, "show_uri": "https://api.kexp.org/v2/shows/64439/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3547275, "uri": "https://api.kexp.org/v2/plays/3547275/?format=api", "airdate": "2025-08-31T18:39:44-07:00", "show": 64439, "show_uri": "https://api.kexp.org/v2/shows/64439/?format=api", "image_uri": "https://coverartarchive.org/release/92e28605-a79c-4ccd-ab56-25d0dd2634ff/32756399663-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/92e28605-a79c-4ccd-ab56-25d0dd2634ff/32756399663-250.jpg", "song": "Footsteps in the Dark, Parts 1 & 2", "track_id": null, "recording_id": "9de81353-bc6b-4c23-9fd4-2b10301a21ed", "artist": "The Isley Brothers", "artist_ids": [ "4a76400d-283f-492e-9754-18ef41755f81" ], "album": "Go for Your Guns", "release_id": null, "release_group_id": "aa83e235-4f34-3903-9466-62df43829cb5", "labels": [ "T-Neck" ], "label_ids": [ "3d1c2ffa-cfc1-4a55-a27e-d7045cf5adee" ], "release_date": "1977-04-16", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“Footsteps In The Dark” is a 1977 R&B ballad by The Isley Brothers from their album Go For Your Guns. Though the song was never a single on its own, it was included as the B-side of the Isleys' “Groove With You” from their next album Showdown in 1978.\n--\nThis song has currently been sampled at least 99 times.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3547274, "uri": "https://api.kexp.org/v2/plays/3547274/?format=api", "airdate": "2025-08-31T18:36:30-07:00", "show": 64439, "show_uri": "https://api.kexp.org/v2/shows/64439/?format=api", "image_uri": "https://ia804606.us.archive.org/1/items/mbid-88ab7a5c-fd27-421e-85f0-f107ed86a43f/mbid-88ab7a5c-fd27-421e-85f0-f107ed86a43f-21986047480_thumb500.jpg", "thumbnail_uri": "https://ia804606.us.archive.org/1/items/mbid-88ab7a5c-fd27-421e-85f0-f107ed86a43f/mbid-88ab7a5c-fd27-421e-85f0-f107ed86a43f-21986047480_thumb250.jpg", "song": "i", "track_id": "9ac57aa5-db76-4d20-91d0-384f1ff89689", "recording_id": "ad1eb2af-6332-44ce-9cd9-42a5bda9ea62", "artist": "Kendrick Lamar", "artist_ids": [ "381086ea-f511-4aba-bdf9-71c753dc5077" ], "album": "To Pimp a Butterfly", "release_id": "88ab7a5c-fd27-421e-85f0-f107ed86a43f", "release_group_id": "d9103c72-3807-4378-9ce7-b6f3e8fdd547", "labels": [ "Aftermath Entertainment", "Top Dawg Entertainment", "Interscope Records" ], "label_ids": [ "c0629488-2aa2-4b46-9de8-decb27147444", "56d2501f-12b7-4cfd-b8f8-e95189ea27f5", "2182a316-c4bd-4605-936a-5e2fac52bdd2" ], "release_date": "2015-03-16", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "By request from Noah and Frank in Vienna, VA!\n\nThe feel-good song actually came from a time when Lamar was feeling low. \"The record feels great; it feels good,\" the rapper said during an interview. \"But it comes from a place of depression. It comes from a place of insecurity. Not only for [other people], but for myself. It's a lot of things that I deal with personally. That you deal with, that everyone in this room deals with.\"\n\n\"So, it touches on so many different things, as far as equality within us as human beings, and accepting one another,\" K-Dot continued. \"People that wanna commit suicide; people that just don't respect themselves or like the way they look, feel, talk, dress, and not accept who they are. We all put on this world to be kings, and walk in his image, and that's how it starts - that song.\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3547273, "uri": "https://api.kexp.org/v2/plays/3547273/?format=api", "airdate": "2025-08-31T18:34:01-07:00", "show": 64439, "show_uri": "https://api.kexp.org/v2/shows/64439/?format=api", "image_uri": "https://coverartarchive.org/release/188b2fcc-a505-4fbc-8cc6-8621256929ab/20837457181-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/188b2fcc-a505-4fbc-8cc6-8621256929ab/20837457181-250.jpg", "song": "Do I Move You?", "track_id": null, "recording_id": "def28994-51a9-43a0-b37c-cbb8ab5604b8", "artist": "Nina Simone", "artist_ids": [ "2944824d-4c26-476f-a981-be849081942f" ], "album": "Nina Simone Sings the Blues", "release_id": null, "release_group_id": "3e756ef5-ffa4-3d48-83ae-f7f856a2b989", "labels": [ "RCA" ], "label_ids": [ "1ca5ed29-e00b-4ea5-b817-0bcca0e04946" ], "release_date": "1967-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Nina Simone released \"Do I Move You?\" in 1967 on the album, Nina Simone Sings the Blues, which was Simone's first album for RCA Victor, and her 17th album overall, after previously recording for Colpix Records and Philips Records. \n\nSimone was impossible to categorize, but she wrote in her autobiography, “If I had to be called something it should have been a folk singer because there was more folk and blues than jazz in my playing.”", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3547272, "uri": "https://api.kexp.org/v2/plays/3547272/?format=api", "airdate": "2025-08-31T18:30:08-07:00", "show": 64439, "show_uri": "https://api.kexp.org/v2/shows/64439/?format=api", "image_uri": "https://coverartarchive.org/release/446ab14d-2477-4a7f-9df2-e8027191567a/8692227105-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/446ab14d-2477-4a7f-9df2-e8027191567a/8692227105-250.jpg", "song": "Spirit", "track_id": null, "recording_id": "0a454d45-e548-4738-8004-2a2e8d3ea053", "artist": "Al Jarreau", "artist_ids": [ "3e54ba8b-f4cc-4192-9813-890d570e2b7a" ], "album": "We Got By", "release_id": null, "release_group_id": "ea457508-b567-3338-bc55-6b8b756cef6c", "labels": [ "Reprise Records" ], "label_ids": [ "af6d6f49-2b4d-40fe-86d4-241906772b59" ], "release_date": "1975-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Al Jarreau released \"Spirit\" on his debut album, We Got By, in 1975.\n\nAl Jarreau's 1981 album Breakin' Away spent two years on the Billboard 200 and cemented Jarreau as one of the finest examples of the Los Angeles pop and R&B sound. The album won Jarreau the 1982 Grammy for Best Male Pop Vocal Performance. In all, he won ten Grammy Awards and was nominated 19 other times during his career.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3547271, "uri": "https://api.kexp.org/v2/plays/3547271/?format=api", "airdate": "2025-08-31T18:24:39-07:00", "show": 64439, "show_uri": "https://api.kexp.org/v2/shows/64439/?format=api", "image_uri": "https://coverartarchive.org/release/f4ea118e-472b-4352-9ca8-4b70dee52910/42543199063-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/f4ea118e-472b-4352-9ca8-4b70dee52910/42543199063-250.jpg", "song": "My People... Hold On", "track_id": null, "recording_id": "e40499a1-3704-49a6-b613-7a28f9dc1efd", "artist": "Eddie Kendricks", "artist_ids": [ "cf3ea6e9-c856-4737-a988-6b64cc9f2bf2" ], "album": "People… Hold On", "release_id": null, "release_group_id": "74c3ea6b-42b2-378e-93ee-802e34d76d8a", "labels": [ "Universal Music Group" ], "label_ids": [ "19d052fa-570a-4b17-9a3d-8f2f029b7b57" ], "release_date": "1972-05-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The second solo album from Eddie Kendricks, who co-founded The Temptations and predominantly sang in a falsetto voice - it would prove to be his breakout album. My People... Hold on!", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3547270, "uri": "https://api.kexp.org/v2/plays/3547270/?format=api", "airdate": "2025-08-31T18:23:14-07:00", "show": 64439, "show_uri": "https://api.kexp.org/v2/shows/64439/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "I Want to Make It", "track_id": null, "recording_id": null, "artist": "Timothy Carpenter & Triunity", "artist_ids": [], "album": "Sweeter", "release_id": null, "release_group_id": null, "labels": [ "Praise Records" ], "label_ids": [], "release_date": "1978-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Timothy Carpenter & Triunity released \"I Want to Make It\" on the 1978 album Sweeter, with Praise Records.\n\nThe track served as the main sample for Kendrick Lamar's diss track \"Meet The Grahams.\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3547269, "uri": "https://api.kexp.org/v2/plays/3547269/?format=api", "airdate": "2025-08-31T18:19:51-07:00", "show": 64439, "show_uri": "https://api.kexp.org/v2/shows/64439/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3547268, "uri": "https://api.kexp.org/v2/plays/3547268/?format=api", "airdate": "2025-08-31T18:14:55-07:00", "show": 64439, "show_uri": "https://api.kexp.org/v2/shows/64439/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Stand on the Word (Larry Levan mix)", "track_id": null, "recording_id": "20cfe742-b1c4-48ed-8545-e9efd1140840", "artist": "The Joubert Singers", "artist_ids": [ "20e626d4-4381-46a1-8f4d-9d4593e808f2" ], "album": "Stand On The Word", "release_id": null, "release_group_id": "4c01b673-cc7f-47ae-821d-bdc691629ebf", "labels": [ "Favorite Recordings" ], "label_ids": [ "33db1bc6-4501-497c-a7f7-01123956f4d2" ], "release_date": "2015-04-24", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Aren't the voices of The Celestial Choir lovely? And yet....this gospel classic has a tangled history: https://daily.redbullmusicacademy.com/2016/05/stand-on-the-word", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }{ "next": "