Information about plays

list: List of plays
retrieve: Information about a specific play by ID

GET /v2/plays/?format=api&offset=16020
HTTP 200 OK
Allow: GET, HEAD, OPTIONS
Content-Type: application/json
Vary: Accept

{
    "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=16040",
    "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=16000",
    "results": [
        {
            "id": 3544168,
            "uri": "https://api.kexp.org/v2/plays/3544168/?format=api",
            "airdate": "2025-08-24T10:57:12-07:00",
            "show": 64375,
            "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api",
            "image_uri": "https://coverartarchive.org/release/80319326-77ab-4a03-8459-5d0bc253621a/3805887215-500.jpg",
            "thumbnail_uri": "https://coverartarchive.org/release/80319326-77ab-4a03-8459-5d0bc253621a/3805887215-250.jpg",
            "song": "East Bound and Down",
            "track_id": null,
            "recording_id": "516ea90d-0d4a-476e-84b4-0305eb1460b7",
            "artist": "Jerry Reed",
            "artist_ids": [
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            ],
            "album": "Smokey and the Bandit",
            "release_id": null,
            "release_group_id": "f5d89fe7-3e3c-30f9-8716-a6b7076a710b",
            "labels": [
                "MCA Records"
            ],
            "label_ids": [
                "46a3941a-c810-47a1-974f-955effec4d09"
            ],
            "release_date": "1977-01-01",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Written for and summarizing most of the plot of the movie, the terminology refers to a signature CB radio trucker sign off “[Direction] bound and down\" which means they’ve got “the hammer down” on the accelerator pedal.",
            "location": 1,
            "location_name": "Default",
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        },
        {
            "id": 3544167,
            "uri": "https://api.kexp.org/v2/plays/3544167/?format=api",
            "airdate": "2025-08-24T10:54:00-07:00",
            "show": 64375,
            "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api",
            "image_uri": "https://coverartarchive.org/release/4750901a-2b2c-45f2-a065-e2860acebd57/40932792580-500.jpg",
            "thumbnail_uri": "https://coverartarchive.org/release/4750901a-2b2c-45f2-a065-e2860acebd57/40932792580-250.jpg",
            "song": "The Streak",
            "track_id": null,
            "recording_id": "267eead0-5b94-4c70-a5a6-c7884f82c22c",
            "artist": "Ray Stevens",
            "artist_ids": [
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            ],
            "album": "Boogity Boogity",
            "release_id": null,
            "release_group_id": "9d577470-24f5-4933-a39a-cdcf8edb260d",
            "labels": [
                "Barnaby Records"
            ],
            "label_ids": [
                "50b41517-5a3b-4826-9b97-a0a758a0c434"
            ],
            "release_date": "1974-05-01",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Stevens wrote this after reading about the popularity of streaking, and a week after it was released Robert Opel streaked across the stage at the Oscars ceremony, giving the peace sign to the audience.",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3544166,
            "uri": "https://api.kexp.org/v2/plays/3544166/?format=api",
            "airdate": "2025-08-24T10:50:37-07:00",
            "show": 64375,
            "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api",
            "image_uri": "https://coverartarchive.org/release/cc01e094-e15e-4fbc-a7b7-6417fca053dd/16305015509-500.jpg",
            "thumbnail_uri": "https://coverartarchive.org/release/cc01e094-e15e-4fbc-a7b7-6417fca053dd/16305015509-250.jpg",
            "song": "Come and Get Your Love",
            "track_id": null,
            "recording_id": "b90553af-221b-4768-b5fb-0a4c4834270f",
            "artist": "Redbone",
            "artist_ids": [
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            ],
            "album": "Wovoka",
            "release_id": null,
            "release_group_id": "b70e7844-a850-3e91-b389-8dd0a15d8125",
            "labels": [
                "Epic"
            ],
            "label_ids": [],
            "release_date": "1973-01-01",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "The Vasquez-Vegas brothers were of Yaqui, Shoshone, and Mexican heritage and took their name for Louisiana slang for someone of mixed heritage.",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3544165,
            "uri": "https://api.kexp.org/v2/plays/3544165/?format=api",
            "airdate": "2025-08-24T10:47:35-07:00",
            "show": 64375,
            "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api",
            "image_uri": "https://coverartarchive.org/release/e16a0da2-d873-4ebc-8e25-752aab81e24a/10667596312-500.jpg",
            "thumbnail_uri": "https://coverartarchive.org/release/e16a0da2-d873-4ebc-8e25-752aab81e24a/10667596312-250.jpg",
            "song": "Third Rate Romance",
            "track_id": null,
            "recording_id": "384c5a32-3d9d-4769-aba5-b4757303950c",
            "artist": "The Amazing Rhythm Aces",
            "artist_ids": [
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            "album": "Stacked Deck",
            "release_id": null,
            "release_group_id": "1da1c004-5e3c-31e2-ba92-fb08c6e87bf8",
            "labels": [
                "ABC Records"
            ],
            "label_ids": [
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            ],
            "release_date": "1975-01-01",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Written by bandleader Russell Smith, the Tennessee band recorded this at Sam Phillips Recording in Memphis.",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3544164,
            "uri": "https://api.kexp.org/v2/plays/3544164/?format=api",
            "airdate": "2025-08-24T10:43:26-07:00",
            "show": 64375,
            "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api",
            "image_uri": "",
            "thumbnail_uri": "",
            "comment": "",
            "location": 1,
            "location_name": "Default",
            "play_type": "airbreak"
        },
        {
            "id": 3544163,
            "uri": "https://api.kexp.org/v2/plays/3544163/?format=api",
            "airdate": "2025-08-24T10:38:24-07:00",
            "show": 64375,
            "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api",
            "image_uri": "https://coverartarchive.org/release/d8782628-0d8b-4df0-96b4-3a3cb277977e/9619451889-500.jpg",
            "thumbnail_uri": "https://coverartarchive.org/release/d8782628-0d8b-4df0-96b4-3a3cb277977e/9619451889-250.jpg",
            "song": "Call Me the Breeze",
            "track_id": null,
            "recording_id": "8c08aca5-cbc9-4fc6-a42f-7a635b5739d9",
            "artist": "Lynyrd Skynyrd",
            "artist_ids": [
                "c544ed4d-2390-4442-a83e-1ea2883b09c8"
            ],
            "album": "Second Helping",
            "release_id": null,
            "release_group_id": "cbff20dc-1ed7-3579-9a60-c705e88bdf19",
            "labels": [
                "MCA Records"
            ],
            "label_ids": [
                "46a3941a-c810-47a1-974f-955effec4d09"
            ],
            "release_date": "1974-04-15",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "The only cover on the Florida band’s second album doubled the length of JJ Cale’s song.",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3544162,
            "uri": "https://api.kexp.org/v2/plays/3544162/?format=api",
            "airdate": "2025-08-24T10:33:17-07:00",
            "show": 64375,
            "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api",
            "image_uri": "https://coverartarchive.org/release/4b08e624-1ae5-4e5f-ac52-0ebc2537849d/5227011003-500.jpg",
            "thumbnail_uri": "https://coverartarchive.org/release/4b08e624-1ae5-4e5f-ac52-0ebc2537849d/5227011003-250.jpg",
            "song": "Roll On Down the Highway",
            "track_id": null,
            "recording_id": "d6fff18a-d604-4542-996e-a40f12a51fc3",
            "artist": "Bachman–Turner Overdrive",
            "artist_ids": [
                "7a3b3f80-04b8-4968-b432-fbcd3f350716"
            ],
            "album": "Not Fragile",
            "release_id": null,
            "release_group_id": "03e7c359-4762-3738-bfad-2ca43e539938",
            "labels": [
                "Mercury Records"
            ],
            "label_ids": [
                "995428e7-81b6-41dd-bd38-5a7a0ece8ad6"
            ],
            "release_date": "1974-01-01",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "The Canadian band had been approached by the Ford motor company to write songs for them but none were picked up, so Fred Turner and Robbie Bachman worked with Randy Bachman to turn this into their own hit single. \n\nThey're playing the WA state fair September 17 with Blue Oyster Cult https://www.thefair.com/entertainment/bachman-turner-overdrive/",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3544161,
            "uri": "https://api.kexp.org/v2/plays/3544161/?format=api",
            "airdate": "2025-08-24T10:30:14-07:00",
            "show": 64375,
            "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api",
            "image_uri": "https://coverartarchive.org/release/07d64ae1-8750-4f1f-b8da-9e0e99950d72/17307675739-500.jpg",
            "thumbnail_uri": "https://coverartarchive.org/release/07d64ae1-8750-4f1f-b8da-9e0e99950d72/17307675739-250.jpg",
            "song": "We’re An American Band (2002 Remix)",
            "track_id": null,
            "recording_id": "81682034-1af1-4981-b9b3-3491668b10c8",
            "artist": "Grand Funk Railroad",
            "artist_ids": [
                "103241b0-6adf-4b4f-9cff-5c87459f61a4"
            ],
            "album": "We’re an American Band",
            "release_id": null,
            "release_group_id": "9ba161d5-b554-30df-925a-1fef3ccfd1c4",
            "labels": [
                "Capitol Records"
            ],
            "label_ids": [
                "abea2d3e-eabf-4480-ab24-9382dd642c73"
            ],
            "release_date": "1973-01-01",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Band member and songwriter Don Brewer said he wrote this song motivated to make a hit that would work on FM radio as they needed the money after firing and being sued by their former manager.",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3544160,
            "uri": "https://api.kexp.org/v2/plays/3544160/?format=api",
            "airdate": "2025-08-24T10:27:00-07:00",
            "show": 64375,
            "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api",
            "image_uri": "https://coverartarchive.org/release/188fb66b-2fd9-41a7-8d81-088e20714ad1/22846264996-500.jpg",
            "thumbnail_uri": "https://coverartarchive.org/release/188fb66b-2fd9-41a7-8d81-088e20714ad1/22846264996-250.jpg",
            "song": "Paranoid",
            "track_id": null,
            "recording_id": "a38191cb-2946-45d8-8738-1c2dfc9a3f08",
            "artist": "Black Sabbath",
            "artist_ids": [
                "5182c1d9-c7d2-4dad-afa0-ccfeada921a8"
            ],
            "album": "Paranoid",
            "release_id": null,
            "release_group_id": "cc053745-c447-3566-8f27-bed5438c9133",
            "labels": [
                "Vertigo"
            ],
            "label_ids": [],
            "release_date": "1970-09-18",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Just four months after their debut album was released the Brummie (from Birmingham, UK) band went into the studio to record their follow up. Trying to pad out the number of songs on the album, Tommy Iommi came up with the guitar line for Paranoid and within two hours the band had the entire song that would go on to be the title track.",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3544159,
            "uri": "https://api.kexp.org/v2/plays/3544159/?format=api",
            "airdate": "2025-08-24T10:20:28-07:00",
            "show": 64375,
            "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api",
            "image_uri": "",
            "thumbnail_uri": "",
            "song": "Rock Show",
            "track_id": null,
            "recording_id": "5fc14521-534d-4720-a09a-b371da11ee82",
            "artist": "Paul McCartney",
            "artist_ids": [
                "ba550d0e-adac-4864-b88b-407cab5e76af"
            ],
            "album": "Venus and Mars",
            "release_id": null,
            "release_group_id": "0dd4d0ee-1a30-3d65-b11d-bb9d4e305ffa",
            "labels": [
                "Capitol"
            ],
            "label_ids": [],
            "release_date": "1975-05-30",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Written by Paul and Linda McCartney, Paul explained the lyric name dropping Jimmy Page was simply because it rhymes with “stage.” \nhttps://www.the-paulmccartney-project.com/song/rock-show/",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3544158,
            "uri": "https://api.kexp.org/v2/plays/3544158/?format=api",
            "airdate": "2025-08-24T10:17:11-07:00",
            "show": 64375,
            "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api",
            "image_uri": "https://coverartarchive.org/release/2bcbbca5-0df4-4085-a133-83aedfd97551/21056431187-500.jpg",
            "thumbnail_uri": "https://coverartarchive.org/release/2bcbbca5-0df4-4085-a133-83aedfd97551/21056431187-250.jpg",
            "song": "Spiders & Snakes",
            "track_id": null,
            "recording_id": "34ac48c0-ec90-43bd-891d-627df5c732d2",
            "artist": "Jim Stafford",
            "artist_ids": [
                "1e8071ac-3b84-4fc1-8ee5-a438a26879f7"
            ],
            "album": "Jim Stafford",
            "release_id": null,
            "release_group_id": "f2d50de7-1e20-3b8d-b803-7ae58b9626c8",
            "labels": [
                "MGM Records"
            ],
            "label_ids": [
                "d67971aa-0ac7-4f75-8c9b-e9424ef6648f"
            ],
            "release_date": "1974-01-01",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Born and raised in Winterhaven, Florida the shared hometown of fellow bandmate Gram Parsons.",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3544157,
            "uri": "https://api.kexp.org/v2/plays/3544157/?format=api",
            "airdate": "2025-08-24T10:14:14-07:00",
            "show": 64375,
            "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api",
            "image_uri": "https://coverartarchive.org/release/2a127ede-11b4-4f48-9ca3-ae2ceb2e7256/33917804352-500.jpg",
            "thumbnail_uri": "https://coverartarchive.org/release/2a127ede-11b4-4f48-9ca3-ae2ceb2e7256/33917804352-250.jpg",
            "song": "Smokin’ in the Boys Room",
            "track_id": null,
            "recording_id": "2bc14b6b-2764-481c-80f0-2ace0a2ea71f",
            "artist": "Brownsville Station",
            "artist_ids": [
                "eda386f2-d8b5-4b8d-a692-3461a12eba07"
            ],
            "album": "Yeah!",
            "release_id": null,
            "release_group_id": "633c37c7-ae1c-3a11-83b8-0f7ddd0332b9",
            "labels": [
                "Big Tree Records"
            ],
            "label_ids": [
                "1144ad63-23c1-4a99-ab21-56c580004e8f"
            ],
            "release_date": "1973-01-01",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Co-songwriter Mike Lutz didn’t smoke in his school’s bathrooms, but he did go to the same school as Iggy Pop and Bob Seger in Michigan. The band weren’t super confident in the song but a DJ in Maine gave it a chance and it went on to be covered by Motley Crue.\nhttps://www.loudersound.com/features/how-brownsville-station-station-made-the-goofy-hit-that-gave-motley-crue-a-goofy-hit",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3544156,
            "uri": "https://api.kexp.org/v2/plays/3544156/?format=api",
            "airdate": "2025-08-24T10:10:58-07:00",
            "show": 64375,
            "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api",
            "image_uri": "",
            "thumbnail_uri": "",
            "comment": "",
            "location": 1,
            "location_name": "Default",
            "play_type": "airbreak"
        },
        {
            "id": 3544155,
            "uri": "https://api.kexp.org/v2/plays/3544155/?format=api",
            "airdate": "2025-08-24T10:06:28-07:00",
            "show": 64375,
            "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api",
            "image_uri": "https://coverartarchive.org/release/78e6a3f9-919c-48af-abcb-d9cbe5b6b3ac/33838487950-500.jpg",
            "thumbnail_uri": "https://coverartarchive.org/release/78e6a3f9-919c-48af-abcb-d9cbe5b6b3ac/33838487950-250.jpg",
            "song": "I’ve Got the Music in Me",
            "track_id": null,
            "recording_id": "9df294ab-ee5d-4b38-9c6b-a44da3ca76df",
            "artist": "The Kiki Dee Band",
            "artist_ids": [
                "b9ac19b1-a88d-4303-bd8f-e32dac2ae6da"
            ],
            "album": "I’ve Got the Music in Me",
            "release_id": null,
            "release_group_id": "5d96aa3d-b4c4-38e8-a7d8-dd0e7061d496",
            "labels": [
                "The Rocket Record Company"
            ],
            "label_ids": [
                "a0a1c747-ce94-4fc9-bba6-3fef4ff7a788"
            ],
            "release_date": "1974-11-01",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "In 1970, Dee became the first white British artist signed to Motown Records, but after her success with Elton John, she released this album on his label.",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3544154,
            "uri": "https://api.kexp.org/v2/plays/3544154/?format=api",
            "airdate": "2025-08-24T09:59:18-07:00",
            "show": 64375,
            "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api",
            "image_uri": "",
            "thumbnail_uri": "",
            "song": "More, More, More",
            "track_id": null,
            "recording_id": null,
            "artist": "The Andrea True Connection",
            "artist_ids": [],
            "album": "Andrea True",
            "release_id": null,
            "release_group_id": null,
            "labels": [
                "Buddah"
            ],
            "label_ids": [],
            "release_date": null,
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "When former adult film star True finished a TV commercial in Jamaica she was unable to return to the US with the money earned from the gig, so she invested it into recording this song on the island.\nhttps://www.bbc.com/news/entertainment-arts-15908790",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3544152,
            "uri": "https://api.kexp.org/v2/plays/3544152/?format=api",
            "airdate": "2025-08-24T09:56:38-07:00",
            "show": 64375,
            "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api",
            "image_uri": "https://coverartarchive.org/release/56f918d2-e905-42e4-bcf5-72f98afd8503/4277907532-500.jpg",
            "thumbnail_uri": "https://coverartarchive.org/release/56f918d2-e905-42e4-bcf5-72f98afd8503/4277907532-250.jpg",
            "song": "Machine Gun",
            "track_id": null,
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            "artist": "Commodores",
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            "comment": "Motown founder Berry Gordy thought Milan Williams’ clavinet part sounded like a machine gun and that’s how they found a title for the song.\nhttps://theboombox.com/40-years-ago-commodores-release-machine-gun/",
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}