Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=16040
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=16060", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=16020", "results": [ { "id": 3544179, "uri": "https://api.kexp.org/v2/plays/3544179/?format=api", "airdate": "2025-08-24T11:37:04-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/953eef8f-32dc-4a12-bd21-08ec6e6bc519/15563365120-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/953eef8f-32dc-4a12-bd21-08ec6e6bc519/15563365120-250.jpg", "song": "Brother Louie", "track_id": null, "recording_id": "c2315276-95fd-4d1e-87e7-5d2480077506", "artist": "Stories", "artist_ids": [ "ec0d9da0-c126-4293-b1b9-cc3ad1df41a1" ], "album": "About Us", "release_id": null, "release_group_id": "06e33800-530a-3c91-9d9f-5e86c6dcc7f7", "labels": [ "Kama Sutra" ], "label_ids": [], "release_date": "1973-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The New York band recorded their own version of the song about an interracial couple that had done well when released by British band Hot Chocolate a year earlier.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544178, "uri": "https://api.kexp.org/v2/plays/3544178/?format=api", "airdate": "2025-08-24T11:31:57-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/5d34753b-7cb9-34ef-aeb3-0dd73384f54c/3734697776-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/5d34753b-7cb9-34ef-aeb3-0dd73384f54c/3734697776-250.jpg", "song": "Honky Cat", "track_id": null, "recording_id": "aefaa021-b6f9-4ac3-b0ec-b99cc27acb63", "artist": "Elton John", "artist_ids": [ "b83bc61f-8451-4a5d-8b8e-7e9ed295e822" ], "album": "Honky Château", "release_id": null, "release_group_id": "e17f2d6e-7849-37f9-a6d8-cda4d59cea28", "labels": [ "UNI Records" ], "label_ids": [ "83dedbf0-9cd7-470a-b317-0bb724785b20" ], "release_date": "1972-05-19", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Elton John's 5th studio album was named after the 18th century French chateau where it was recorded. It was Elton's first album to reach number one in the US, starting off a 7-record streak.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544177, "uri": "https://api.kexp.org/v2/plays/3544177/?format=api", "airdate": "2025-08-24T11:28:32-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/92a90fab-af9f-4e1d-8d93-3b85cb6987a7/8101878003-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/92a90fab-af9f-4e1d-8d93-3b85cb6987a7/8101878003-250.jpg", "song": "Kodachrome", "track_id": null, "recording_id": "642cb489-5c63-4b78-ac10-b1287bbd87b6", "artist": "Paul Simon", "artist_ids": [ "05517043-ff78-4988-9c22-88c68588ebb9" ], "album": "There Goes Rhymin’ Simon", "release_id": null, "release_group_id": "fb1e90a8-4461-382b-9081-183abb3c8997", "labels": [ "Columbia" ], "label_ids": [ "011d1192-6f65-45bd-85c4-0400dd45693e" ], "release_date": "1973-05-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Named after a type of Kodak film, the song wasn’t released in the UK because it couldn’t be played on BBC radio due to its trademarked name.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544176, "uri": "https://api.kexp.org/v2/plays/3544176/?format=api", "airdate": "2025-08-24T11:26:31-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/e2e8231f-865b-409c-8557-31ff7df52fcf/1264937158-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/e2e8231f-865b-409c-8557-31ff7df52fcf/1264937158-250.jpg", "song": "Bad, Bad Leroy Brown", "track_id": null, "recording_id": "6c5c01d1-96e6-4c98-8959-b2a08686dc4e", "artist": "Jim Croce", "artist_ids": [ "fcfa9543-e113-4ef9-9ef6-455ba4cbe7af" ], "album": "Life and Times", "release_id": null, "release_group_id": "7e127d77-c474-3f84-a849-b35bac2af651", "labels": [ "ABC Records" ], "label_ids": [ "c3e5d5a2-53f2-4eab-9641-23d61e511928" ], "release_date": "1973-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Written about Croce’s friend in the US army who went AWOL, it was his only #1 hit and his final single as he died later the same year it was released.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544175, "uri": "https://api.kexp.org/v2/plays/3544175/?format=api", "airdate": "2025-08-24T11:22:15-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Whatever Gets You Thru the Night", "track_id": null, "recording_id": "af0927db-7975-434d-983e-e0a821ef6ec5", "artist": "John Lennon", "artist_ids": [ "4d5447d7-c61c-4120-ba1b-d7f471d385b9" ], "album": "Walls & Bridges", "release_id": null, "release_group_id": null, "labels": [ "Apple Records" ], "label_ids": [ "cf7fc5cf-e011-4ef4-b511-cd0188537910" ], "release_date": "1974-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "One late night when he was channel surfing, Lennon came across Reverend Ike, a famous black evangelist, who said, 'Let me tell you guys, it doesn't matter, it's whatever gets you through the night.' which inspired the lyrics of this song. It was his only #1 single.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544174, "uri": "https://api.kexp.org/v2/plays/3544174/?format=api", "airdate": "2025-08-24T11:16:51-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/498a6e7a-da0f-4739-94a2-11e5873956d3/11436135257-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/498a6e7a-da0f-4739-94a2-11e5873956d3/11436135257-250.jpg", "song": "Nineteen Hundred and Eighty Five", "track_id": null, "recording_id": "ec73c993-ac37-40c9-920d-c9f80cd53e1b", "artist": "Paul McCartney", "artist_ids": [ "ba550d0e-adac-4864-b88b-407cab5e76af" ], "album": "Band on the Run", "release_id": null, "release_group_id": "2b678170-1c4e-3e61-b18c-f889fc1537b3", "labels": [ "Apple Records" ], "label_ids": [ "cf7fc5cf-e011-4ef4-b511-cd0188537910" ], "release_date": "1973-12-05", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "McCartney and Wings recorded this album in one of EMI’s studios in Lagos, Nigeria, unprepared for the harsh realities of the country at the time, with McCartney being robbed of lyrics and cassettes while out at night.\nhttps://www.ibtimes.com/band-run-40-years-ago-paul-mccartney-saved-his-career-album-made-under-duress-nigeria-1346223", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544173, "uri": "https://api.kexp.org/v2/plays/3544173/?format=api", "airdate": "2025-08-24T11:13:34-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/f7683ed7-9497-4c62-b3e6-bc563dbe7cab/9326717626-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/f7683ed7-9497-4c62-b3e6-bc563dbe7cab/9326717626-250.jpg", "song": "SOS", "track_id": null, "recording_id": "f5b15691-8b58-455c-8952-7e50c41f6b92", "artist": "ABBA", "artist_ids": [ "d87e52c5-bb8d-4da8-b941-9f4928627dc8" ], "album": "ABBA", "release_id": null, "release_group_id": "5ee43a5f-94eb-3f0c-a1ec-e0476251d95f", "labels": [ "Atlantic" ], "label_ids": [ "50c384a2-0b44-401b-b893-8181173339c7" ], "release_date": "1975-04-21", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The Swedish band were heavily influenced by the Wall of Sound and this song solidified them as an international band bigger than their Eurovision history.\nhttps://www.billboard.com/music/pop/abba-waterloo-global-conquest-eurovision-win-8505890/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544172, "uri": "https://api.kexp.org/v2/plays/3544172/?format=api", "airdate": "2025-08-24T11:10:14-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3544171, "uri": "https://api.kexp.org/v2/plays/3544171/?format=api", "airdate": "2025-08-24T11:06:41-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/336104a3-1d8b-40b5-8b06-f00a4d8130ac/31063268966-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/336104a3-1d8b-40b5-8b06-f00a4d8130ac/31063268966-250.jpg", "song": "Nothing From Nothing", "track_id": null, "recording_id": "31a13db7-b0c4-4b05-b96e-c5140cfdf665", "artist": "Billy Preston", "artist_ids": [ "8a7cf497-dc5c-4523-932d-3fcbc9a69d38" ], "album": "The Kids & Me", "release_id": null, "release_group_id": "35cf8550-78e2-485e-92b1-08f7cfdc7553", "labels": [ "A&M Records" ], "label_ids": [ "35515729-1f2c-4cc9-9390-9af2764bc56c" ], "release_date": "1974-05-04", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Written by the “fifth Beatle” simply because he liked the title phrase, it was his second #1 solo hit.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544170, "uri": "https://api.kexp.org/v2/plays/3544170/?format=api", "airdate": "2025-08-24T11:04:55-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Mr. Jaws", "track_id": null, "recording_id": "9594c50c-cea4-4c96-bdd8-73836409e548", "artist": "Dickie Goodman", "artist_ids": [ "9f48852e-1644-4d4d-8b66-62c67d36cfe2" ], "album": "Mr. Jaws And Other Fables", "release_id": null, "release_group_id": "45c3828e-5e87-405c-8edf-f16e6a74b99f", "labels": [ "Cash Records" ], "label_ids": [ "18327f50-d288-4f03-99ba-535b10fd6109" ], "release_date": "1975-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Dickie wrote this song as a parody of the summer’s hit movie Jaws mock-interviewing the shark and other characters from the movie.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544169, "uri": "https://api.kexp.org/v2/plays/3544169/?format=api", "airdate": "2025-08-24T11:00:09-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/f6457145-4a2b-46ce-915a-25e7bf1f8f96/23537994763-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/f6457145-4a2b-46ce-915a-25e7bf1f8f96/23537994763-250.jpg", "song": "Soul Dog", "track_id": null, "recording_id": "b26b27c7-00a6-4547-9595-124cc7e8854f", "artist": "Soul Dog", "artist_ids": [ "e61c2492-1972-4c7e-94e6-80dfe160e6d9" ], "album": "Movin On", "release_id": null, "release_group_id": "82d89e16-5654-4e34-b74f-ec55b4742114", "labels": [], "label_ids": [], "release_date": "1976-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Soul Dog, in 1976 during the big U.S. truckers craze. The pseudonym of NOLA musician Carl Marshall, and written by Willie B. Johnson, not much else is known about this band.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544168, "uri": "https://api.kexp.org/v2/plays/3544168/?format=api", "airdate": "2025-08-24T10:57:12-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/80319326-77ab-4a03-8459-5d0bc253621a/3805887215-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/80319326-77ab-4a03-8459-5d0bc253621a/3805887215-250.jpg", "song": "East Bound and Down", "track_id": null, "recording_id": "516ea90d-0d4a-476e-84b4-0305eb1460b7", "artist": "Jerry Reed", "artist_ids": [ "44419ff2-0251-49ba-933b-b09733ff9adb" ], "album": "Smokey and the Bandit", "release_id": null, "release_group_id": "f5d89fe7-3e3c-30f9-8716-a6b7076a710b", "labels": [ "MCA Records" ], "label_ids": [ "46a3941a-c810-47a1-974f-955effec4d09" ], "release_date": "1977-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Written for and summarizing most of the plot of the movie, the terminology refers to a signature CB radio trucker sign off “[Direction] bound and down\" which means they’ve got “the hammer down” on the accelerator pedal.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544167, "uri": "https://api.kexp.org/v2/plays/3544167/?format=api", "airdate": "2025-08-24T10:54:00-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/4750901a-2b2c-45f2-a065-e2860acebd57/40932792580-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/4750901a-2b2c-45f2-a065-e2860acebd57/40932792580-250.jpg", "song": "The Streak", "track_id": null, "recording_id": "267eead0-5b94-4c70-a5a6-c7884f82c22c", "artist": "Ray Stevens", "artist_ids": [ "140220f3-95fe-417a-8b66-4102d2deacb9" ], "album": "Boogity Boogity", "release_id": null, "release_group_id": "9d577470-24f5-4933-a39a-cdcf8edb260d", "labels": [ "Barnaby Records" ], "label_ids": [ "50b41517-5a3b-4826-9b97-a0a758a0c434" ], "release_date": "1974-05-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Stevens wrote this after reading about the popularity of streaking, and a week after it was released Robert Opel streaked across the stage at the Oscars ceremony, giving the peace sign to the audience.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544166, "uri": "https://api.kexp.org/v2/plays/3544166/?format=api", "airdate": "2025-08-24T10:50:37-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/cc01e094-e15e-4fbc-a7b7-6417fca053dd/16305015509-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/cc01e094-e15e-4fbc-a7b7-6417fca053dd/16305015509-250.jpg", "song": "Come and Get Your Love", "track_id": null, "recording_id": "b90553af-221b-4768-b5fb-0a4c4834270f", "artist": "Redbone", "artist_ids": [ "b3fa0e6f-93db-4aa5-b76e-393e24de35ba" ], "album": "Wovoka", "release_id": null, "release_group_id": "b70e7844-a850-3e91-b389-8dd0a15d8125", "labels": [ "Epic" ], "label_ids": [], "release_date": "1973-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The Vasquez-Vegas brothers were of Yaqui, Shoshone, and Mexican heritage and took their name for Louisiana slang for someone of mixed heritage.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544165, "uri": "https://api.kexp.org/v2/plays/3544165/?format=api", "airdate": "2025-08-24T10:47:35-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/e16a0da2-d873-4ebc-8e25-752aab81e24a/10667596312-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/e16a0da2-d873-4ebc-8e25-752aab81e24a/10667596312-250.jpg", "song": "Third Rate Romance", "track_id": null, "recording_id": "384c5a32-3d9d-4769-aba5-b4757303950c", "artist": "The Amazing Rhythm Aces", "artist_ids": [ "c0b6ccb6-fb87-4594-98fb-370120d2b6e8" ], "album": "Stacked Deck", "release_id": null, "release_group_id": "1da1c004-5e3c-31e2-ba92-fb08c6e87bf8", "labels": [ "ABC Records" ], "label_ids": [ "c3e5d5a2-53f2-4eab-9641-23d61e511928" ], "release_date": "1975-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Written by bandleader Russell Smith, the Tennessee band recorded this at Sam Phillips Recording in Memphis.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544164, "uri": "https://api.kexp.org/v2/plays/3544164/?format=api", "airdate": "2025-08-24T10:43:26-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3544163, "uri": "https://api.kexp.org/v2/plays/3544163/?format=api", "airdate": "2025-08-24T10:38:24-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/d8782628-0d8b-4df0-96b4-3a3cb277977e/9619451889-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/d8782628-0d8b-4df0-96b4-3a3cb277977e/9619451889-250.jpg", "song": "Call Me the Breeze", "track_id": null, "recording_id": "8c08aca5-cbc9-4fc6-a42f-7a635b5739d9", "artist": "Lynyrd Skynyrd", "artist_ids": [ "c544ed4d-2390-4442-a83e-1ea2883b09c8" ], "album": "Second Helping", "release_id": null, "release_group_id": "cbff20dc-1ed7-3579-9a60-c705e88bdf19", "labels": [ "MCA Records" ], "label_ids": [ "46a3941a-c810-47a1-974f-955effec4d09" ], "release_date": "1974-04-15", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The only cover on the Florida band’s second album doubled the length of JJ Cale’s song.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544162, "uri": "https://api.kexp.org/v2/plays/3544162/?format=api", "airdate": "2025-08-24T10:33:17-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/4b08e624-1ae5-4e5f-ac52-0ebc2537849d/5227011003-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/4b08e624-1ae5-4e5f-ac52-0ebc2537849d/5227011003-250.jpg", "song": "Roll On Down the Highway", "track_id": null, "recording_id": "d6fff18a-d604-4542-996e-a40f12a51fc3", "artist": "Bachman–Turner Overdrive", "artist_ids": [ "7a3b3f80-04b8-4968-b432-fbcd3f350716" ], "album": "Not Fragile", "release_id": null, "release_group_id": "03e7c359-4762-3738-bfad-2ca43e539938", "labels": [ "Mercury Records" ], "label_ids": [ "995428e7-81b6-41dd-bd38-5a7a0ece8ad6" ], "release_date": "1974-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The Canadian band had been approached by the Ford motor company to write songs for them but none were picked up, so Fred Turner and Robbie Bachman worked with Randy Bachman to turn this into their own hit single. \n\nThey're playing the WA state fair September 17 with Blue Oyster Cult https://www.thefair.com/entertainment/bachman-turner-overdrive/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544161, "uri": "https://api.kexp.org/v2/plays/3544161/?format=api", "airdate": "2025-08-24T10:30:14-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/07d64ae1-8750-4f1f-b8da-9e0e99950d72/17307675739-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/07d64ae1-8750-4f1f-b8da-9e0e99950d72/17307675739-250.jpg", "song": "We’re An American Band (2002 Remix)", "track_id": null, "recording_id": "81682034-1af1-4981-b9b3-3491668b10c8", "artist": "Grand Funk Railroad", "artist_ids": [ "103241b0-6adf-4b4f-9cff-5c87459f61a4" ], "album": "We’re an American Band", "release_id": null, "release_group_id": "9ba161d5-b554-30df-925a-1fef3ccfd1c4", "labels": [ "Capitol Records" ], "label_ids": [ "abea2d3e-eabf-4480-ab24-9382dd642c73" ], "release_date": "1973-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Band member and songwriter Don Brewer said he wrote this song motivated to make a hit that would work on FM radio as they needed the money after firing and being sued by their former manager.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544160, "uri": "https://api.kexp.org/v2/plays/3544160/?format=api", "airdate": "2025-08-24T10:27:00-07:00", "show": 64375, "show_uri": "https://api.kexp.org/v2/shows/64375/?format=api", "image_uri": "https://coverartarchive.org/release/188fb66b-2fd9-41a7-8d81-088e20714ad1/22846264996-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/188fb66b-2fd9-41a7-8d81-088e20714ad1/22846264996-250.jpg", "song": "Paranoid", "track_id": null, "recording_id": "a38191cb-2946-45d8-8738-1c2dfc9a3f08", "artist": "Black Sabbath", "artist_ids": [ "5182c1d9-c7d2-4dad-afa0-ccfeada921a8" ], "album": "Paranoid", "release_id": null, "release_group_id": "cc053745-c447-3566-8f27-bed5438c9133", "labels": [ "Vertigo" ], "label_ids": [], "release_date": "1970-09-18", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Just four months after their debut album was released the Brummie (from Birmingham, UK) band went into the studio to record their follow up. Trying to pad out the number of songs on the album, Tommy Iommi came up with the guitar line for Paranoid and within two hours the band had the entire song that would go on to be the title track.", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
