Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=16420
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=16440", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=16400", "results": [ { "id": 3544346, "uri": "https://api.kexp.org/v2/plays/3544346/?format=api", "airdate": "2025-08-24T18:12:10-07:00", "show": 64378, "show_uri": "https://api.kexp.org/v2/shows/64378/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3544345, "uri": "https://api.kexp.org/v2/plays/3544345/?format=api", "airdate": "2025-08-24T18:08:51-07:00", "show": 64378, "show_uri": "https://api.kexp.org/v2/shows/64378/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Really Really", "track_id": null, "recording_id": "929729d2-6e94-4877-a318-b91b9e101800", "artist": "Retta Young", "artist_ids": [ "5a253f3e-08ba-46ec-81a3-7d1ccc5bf3e6" ], "album": "Young and Restless", "release_id": null, "release_group_id": "190bb64c-a3c9-4a75-b138-4cdfe64a062b", "labels": [ "All Platinum" ], "label_ids": [ "887fc9fb-b3f2-49c9-87b1-33096b6caf1c" ], "release_date": "1976-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Rhetta Young released \"Really Really\" in 1976 on her only solo album Young and Restless.\n\nRetta Young is a former singer best known for her 1975 disco hit \"Sending Out An S.O.S.\" which made the Billboard Hot Soul Singles, Cash Box Top 100 R&B and UK Top 30 charts. She released an album and three singles during the 1970s.\n\nRetta Young was signed to the All Platinum record label which produced hits for herself, The Moments and Sylvia. The relationship with Phonogram in the UK proved fruitful for the label and the artists. She was backed by The Moments during her Platinum Records period.\n\nYoung was married to Ray, Goodman & Brown member Al Goodman, who died in Hackensack, New Jersey on 26 July 2010.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544344, "uri": "https://api.kexp.org/v2/plays/3544344/?format=api", "airdate": "2025-08-24T18:05:26-07:00", "show": 64378, "show_uri": "https://api.kexp.org/v2/shows/64378/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Nobody", "track_id": null, "recording_id": "017d30e5-61b9-4817-aa7c-1077fe2743ba", "artist": "Hodges, James, Smith & Crawford", "artist_ids": [ "0033530b-286f-4729-a13b-5d603727e455" ], "album": "Early Years and Unheard Pearls 1970-1973", "release_id": null, "release_group_id": null, "labels": [ "Kent Soul" ], "label_ids": [], "release_date": "2021-06-25", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "You can find \"Nobody\" by Hodges, James, Smith & Crawford on the 2021 album Early Years and Unheard Pearls 1970-1973.\n\nHodges, James, Smith & Crawford was a female soul quartet from the 70's. Caroline Crawford later left the group, making it a trio called Hodges, James And Smith.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544343, "uri": "https://api.kexp.org/v2/plays/3544343/?format=api", "airdate": "2025-08-24T18:03:04-07:00", "show": 64378, "show_uri": "https://api.kexp.org/v2/shows/64378/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Next Time I See You", "track_id": null, "recording_id": null, "artist": "Harry Ray", "artist_ids": [ "24018a4b-734b-447f-8faa-f4fa838f19a4" ], "album": "7\" 45 RPM", "release_id": null, "release_group_id": null, "labels": [ "Sugar Hill Records" ], "label_ids": [], "release_date": "1982-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "New Jersey's own Harry Ray released \"Next Time That I See You\" as a b-side to \"Sweet Baby\" for Sugar Hill Records in 1982.\n\nHarry Milton Ray was a vocalist & songwriter who came to prominence as a member of soul & R&B groups like The Valtairs, Ray, Goodman & Brown, and The Moments.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544342, "uri": "https://api.kexp.org/v2/plays/3544342/?format=api", "airdate": "2025-08-24T18:00:28-07:00", "show": 64377, "show_uri": "https://api.kexp.org/v2/shows/64377/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3544341, "uri": "https://api.kexp.org/v2/plays/3544341/?format=api", "airdate": "2025-08-24T17:57:01-07:00", "show": 64377, "show_uri": "https://api.kexp.org/v2/shows/64377/?format=api", "image_uri": "https://dn721905.ca.archive.org/0/items/mbid-2f3d4fbd-f655-44b0-8f70-28ed26fe865b/mbid-2f3d4fbd-f655-44b0-8f70-28ed26fe865b-37247186919_thumb500.jpg", "thumbnail_uri": "https://dn721905.ca.archive.org/0/items/mbid-2f3d4fbd-f655-44b0-8f70-28ed26fe865b/mbid-2f3d4fbd-f655-44b0-8f70-28ed26fe865b-37247186919_thumb250.jpg", "song": "Since always and forever", "track_id": "2d7bfdf9-c705-4ced-b67c-e1b183028abb", "recording_id": "36cc0549-fba1-490a-b1ab-ed17afd1fa1e", "artist": "freekind.", "artist_ids": [ "375dd8d7-0e50-4889-814d-0bea720801da" ], "album": "Since Always and Forever", "release_id": "2f3d4fbd-f655-44b0-8f70-28ed26fe865b", "release_group_id": "2759ce88-566a-4598-af24-e6d6c7c05666", "labels": [ "Butter92" ], "label_ids": [ "61d2d105-d4dd-4db2-ae29-a514e2c303f8" ], "release_date": "2023-06-09", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "freekind. is a heart-centered pair, mixing soulful rhythms, vibrant energy, and warmth that envelops the listener. Rooted in a shared love for jazz, soul, and hip-hop, their path began with casual jams and slowly unfolded into a project grounded in meaning and mindfulness. Their performances are filled with positive energy, creating an intimate and empowering experience.\n\nSince their debut EP Not Good Enough (2019), they've released the album Since Always and Forever (2023) and the EP Good News (2024). These projects explore themes of self-acceptance, love, vulnerability, and optimism, with a sound that shifts between soothing melodies and vibrant grooves.\n\nfreekind. is devoted to creating music that reflects their own evolution and pursuit of inner harmony, while inspiring others to embrace their own journeys of healing and connection. They are currently directing their spirit into their next project. https://tinyurl.com/23v7cxzm", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544339, "uri": "https://api.kexp.org/v2/plays/3544339/?format=api", "airdate": "2025-08-24T17:53:10-07:00", "show": 64377, "show_uri": "https://api.kexp.org/v2/shows/64377/?format=api", "image_uri": "https://ia801808.us.archive.org/27/items/mbid-4f931a2b-98eb-49bb-94b7-0ec62dcfe644/mbid-4f931a2b-98eb-49bb-94b7-0ec62dcfe644-5356827241_thumb500.jpg", "thumbnail_uri": "https://ia801808.us.archive.org/27/items/mbid-4f931a2b-98eb-49bb-94b7-0ec62dcfe644/mbid-4f931a2b-98eb-49bb-94b7-0ec62dcfe644-5356827241_thumb250.jpg", "song": "Doo Wop (That Thing)", "track_id": "6c369899-31b2-3896-87bb-fad1d4986607", "recording_id": "83f4ab28-f069-4fe7-8071-41ab81e138c3", "artist": "Lauryn Hill", "artist_ids": [ "e8414012-4a1c-4ad4-be5e-fc55294e28cc" ], "album": "The Miseducation of Lauryn Hill", "release_id": "4f931a2b-98eb-49bb-94b7-0ec62dcfe644", "release_group_id": "8691d12c-abd8-385c-b1eb-d841190124f7", "labels": [ "Ruffhouse Records" ], "label_ids": [ "fb5e3051-217d-4ab7-bc7b-1d1d8e2327b3" ], "release_date": "1998-08-25", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Celebrating the vinylverssary of The Miseducation of Lauryn Hill, which turns 27 tomorrow! \n\nFrom the debut solo album of Lauryn Hill, sampling The 5th Dimension's \"Together Let's Find Love\". This album would take home five Grammy Awards including Album of the Year.\n\nWritten by Lauryn Hill, this was the singer's debut single. The song is a warning against guys who are more interested in frivolous, expensive things than their girlfriends or families. Hill had some difficult relationships that may have inspired this; she dated Wyclef Jean from her group Fugees and was once engaged to Rohan Marley, son of Bob Marley.\n\nWith this song, Hill became the first woman since Debbie Gibson to debut at #1 on the Billboard Hot 100 with a song she wrote, recorded, and produced on her own. Gibson did the same with \"Foolish Beat\" in 1989.\n\nIt was an accomplishment Hill was not encouraged to make. \"For some reason, women aren't taken seriously as thinkers and creators and arrangers and producers,\" she told Playboy. \"The industry thinks there always has to be some man somewhere puppeteering the whole situation.\"\n\nHill wanted to prove that a female artist could use her brains to have a chart-topper rather than her body, unlike fellow performers like Lil' Kim. She told Details magazine: \"I'm not dissing them, I'm dissing their mind-set. My music talks about a certain way of thinking, and if the cap fits, you know? I knew girls like Kim growing up - I might have even been one at certain age - and there's a huge lack of self-esteem behind that thinking. I mean, when I was 14 I thought that if a guy didn't whistle at me, that meant I wasn't pretty. But either you mature past that or you get caught in the concept of, 'Oh, I have to show some ass, 'cause that's the only way I can feel beautiful.' Sex is cool, but it's only part of the story.\" https://tinyurl.com/ytwt6ap9", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544337, "uri": "https://api.kexp.org/v2/plays/3544337/?format=api", "airdate": "2025-08-24T17:51:32-07:00", "show": 64377, "show_uri": "https://api.kexp.org/v2/shows/64377/?format=api", "image_uri": "https://coverartarchive.org/release/e454340c-2687-4619-be9f-f04a64a2bf22/40048017629-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/e454340c-2687-4619-be9f-f04a64a2bf22/40048017629-250.jpg", "song": "I Wanna Be Your Lover", "track_id": null, "recording_id": "285b93b7-6021-4d06-a9de-718d29d727e4", "artist": "Prince", "artist_ids": [ "070d193a-845c-479f-980e-bef15710653e" ], "album": "Prince", "release_id": null, "release_group_id": "5436e902-e53d-3ab8-82b7-3b96a04d6f40", "labels": [], "label_ids": [], "release_date": "1979-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Released on this day in 1979!!!\n\nThis song was inspired by Patrice Rushen, an R&B singer/songwriter (\"Forget Me Nots\") who did some work programming synthesizers on Prince's debut album For You. Apparently, Prince was smitten, but nothing came of it.\n\nHe offered both \"I Wanna Be Your Lover\" and \"I Feel For You\" to Rushen, but she turned them down.\n\nThis was the first single from Prince's second album. It was his breakout hit, going to #1 on the R&B chart and #11 on the Hot 100. The song became a live favorite and a staple of his early setlists.\n\nPrince was 21 when he released this song, although he claimed to be 19. He turned heads with his flamboyant stage look (platform heels, lots of gold and plenty of skin) and got a lot of attention for doing so much on his own: songwriting, production, vocals and instruments. His record deal with Warner Bros. ensured him creative freedom, something most artists had to earn over time. https://tinyurl.com/3k4xdcjy", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544332, "uri": "https://api.kexp.org/v2/plays/3544332/?format=api", "airdate": "2025-08-24T17:46:48-07:00", "show": 64377, "show_uri": "https://api.kexp.org/v2/shows/64377/?format=api", "image_uri": "https://dn721904.ca.archive.org/0/items/mbid-03c6dbde-e63d-474d-bc48-60e2b98b48d2/mbid-03c6dbde-e63d-474d-bc48-60e2b98b48d2-42758221460_thumb500.jpg", "thumbnail_uri": "https://dn721904.ca.archive.org/0/items/mbid-03c6dbde-e63d-474d-bc48-60e2b98b48d2/mbid-03c6dbde-e63d-474d-bc48-60e2b98b48d2-42758221460_thumb250.jpg", "song": "Overdue", "track_id": "e094c69a-597b-4a51-87b8-32f475e8143b", "recording_id": "62bdff0b-3e99-406a-9ddf-288156039339", "artist": "TATYANA", "artist_ids": [ "d27f8596-c425-44b8-9898-fe8c15eaa4a9" ], "album": "Overdue", "release_id": "03c6dbde-e63d-474d-bc48-60e2b98b48d2", "release_group_id": "307b5bd6-63d8-4222-80b1-499b8674114d", "labels": [ "Sinderlyn" ], "label_ids": [ "228a2488-ccc4-4cc0-8a0b-54099594b9f0" ], "release_date": "2025-08-12", "rotation_status": "Medium", "is_local": false, "is_request": false, "is_live": false, "comment": "Tatyana is an electronic producer, harpist, and singer/songwriter from London,\nUK.\n\nBorn in London, before moving to Russia, Holland, and Singapore in her teens, before eventually studying music at Berklee College in the USA – which she attained on full scholarship – and then back to London, Tatyana imbues her music with both haywire technical proficiency and encyclopaedic, far-flung tastes. https://tinyurl.com/45jz4v92\n\nOf this track, Tatyana shares, \"Overdue is my absolute favourite song i've ever made... i'm over the moon!\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544331, "uri": "https://api.kexp.org/v2/plays/3544331/?format=api", "airdate": "2025-08-24T17:43:46-07:00", "show": 64377, "show_uri": "https://api.kexp.org/v2/shows/64377/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3544326, "uri": "https://api.kexp.org/v2/plays/3544326/?format=api", "airdate": "2025-08-24T17:39:59-07:00", "show": 64377, "show_uri": "https://api.kexp.org/v2/shows/64377/?format=api", "image_uri": "https://ia601201.us.archive.org/11/items/mbid-84a6e328-2b9c-48ca-b0f3-28a069ae43ef/mbid-84a6e328-2b9c-48ca-b0f3-28a069ae43ef-18196974536_thumb500.jpg", "thumbnail_uri": "https://ia601201.us.archive.org/11/items/mbid-84a6e328-2b9c-48ca-b0f3-28a069ae43ef/mbid-84a6e328-2b9c-48ca-b0f3-28a069ae43ef-18196974536_thumb250.jpg", "song": "Kick Your Door Down", "track_id": "e362c6b2-e8fc-3e54-92c5-a35285ed3f74", "recording_id": "6f7b92e9-68ab-47bd-8c63-9b64c7decc69", "artist": "The Replacements", "artist_ids": [ "dc0d05ce-2f47-4962-b4fa-8631a0a51987" ], "album": "Sorry Ma, Forgot to Take Out the Trash", "release_id": "84a6e328-2b9c-48ca-b0f3-28a069ae43ef", "release_group_id": "9321601e-8c4c-3ec4-a55b-6d6bc9b4f826", "labels": [ "Rhino", "Ryko Distribution", "Twin/Tone Records" ], "label_ids": [ "c4f2cf49-b57c-4cc1-8061-f54400704ac4", "e6346b10-1a57-4d83-8653-392dbd6e1e80", "f551f46d-961e-447c-b88b-8117827cb251" ], "release_date": "2008-04-22", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Tomorrow is the 1981 release-iverssary of the Mats' debut album, Sorry Ma, Forgot to Take Out the Trash!\n\nBefore settling on a title for the album, Paul Westerberg considered the names Unsuitable for Airplay and Power Trash.\n\nTo celebrate its 40th anniversary back in 2021, Rhino Entertainment released a deluxe edition of the newly remastered album. Featuring 100 tracks spread across 4CDs and 1LP, it includes unreleased demos, alternative takes/mixes, and a previously unreleased 27-track live concert recorded on January 23, 1981 at 7th Street Entry in Minneapolis. https://tinyurl.com/28bu4pz9", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544327, "uri": "https://api.kexp.org/v2/plays/3544327/?format=api", "airdate": "2025-08-24T17:39:56-07:00", "show": 64377, "show_uri": "https://api.kexp.org/v2/shows/64377/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3544323, "uri": "https://api.kexp.org/v2/plays/3544323/?format=api", "airdate": "2025-08-24T17:34:11-07:00", "show": 64377, "show_uri": "https://api.kexp.org/v2/shows/64377/?format=api", "image_uri": "https://ia600707.us.archive.org/1/items/mbid-1c40c989-5d6b-4041-ad22-85b8b9dd3a4c/mbid-1c40c989-5d6b-4041-ad22-85b8b9dd3a4c-42152419415_thumb500.jpg", "thumbnail_uri": "https://dn720700.ca.archive.org/0/items/mbid-1c40c989-5d6b-4041-ad22-85b8b9dd3a4c/mbid-1c40c989-5d6b-4041-ad22-85b8b9dd3a4c-42152419415_thumb250.jpg", "song": "Playing Classics", "track_id": "3dff3e69-1633-46f5-80be-5341541ff80a", "recording_id": "a278cb36-669f-4c3f-825e-9c2586f5200b", "artist": "Water From Your Eyes", "artist_ids": [ "09f91305-e193-48af-92e3-252b3dd5e718" ], "album": "It's A Beautiful Place", "release_id": "1c40c989-5d6b-4041-ad22-85b8b9dd3a4c", "release_group_id": "9398c054-a0d2-4fd4-a95b-9afc02012827", "labels": [ "Matador" ], "label_ids": [ "229bd4be-8cd7-442c-85b0-5007ea353abc" ], "release_date": "2025-08-22", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "Playing The Independent in SF on Wednesday, October 29th, and at Seattle's Madame Lou's on Saturday, November 1st. \n\nWater From Your Eyes is the Brooklyn-based duo of Nate Amos from the band This is Lorelei and Rachel Brown from Thanks For Coming.\n\nIn the video for \"Playing Classics,\" a teddy bear goes for a long journey from a child’s stuffed animal, to a dog toy, to a skateboard accessory, to a star in Water From Your Eyes’ rehearsal: https://tinyurl.com/3yp9j5fw", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544330, "uri": "https://api.kexp.org/v2/plays/3544330/?format=api", "airdate": "2025-08-24T17:30:03-07:00", "show": 64377, "show_uri": "https://api.kexp.org/v2/shows/64377/?format=api", "image_uri": "https://coverartarchive.org/release/8d059e75-d9bb-4d90-97a9-1cb6ed7472c6/9552817368-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/8d059e75-d9bb-4d90-97a9-1cb6ed7472c6/9552817368-250.jpg", "song": "Never Let Me Down Again", "track_id": null, "recording_id": "ebc10daf-6e7b-4a89-b481-6834ed98b5ce", "artist": "Depeche Mode", "artist_ids": [ "8538e728-ca0b-4321-b7e5-cff6565dd4c0" ], "album": "Music for the Masses", "release_id": null, "release_group_id": "e59021bd-1710-3c13-9449-b78560039592", "labels": [ "Sire Records" ], "label_ids": [ "be0fec81-5c18-4494-8bbf-0d81dec006bf" ], "release_date": "1987-09-28", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Released on this day in 1987, \"Never Let Me Down\" was deemed an instant classic by Depeche Mode fans, with it being the most played song by the band in concert, followed by \"Personal Jesus.\"\n\nIt's famous during live shows for creating what's known as \"the wind in the cornfield\" moment, with singer Dave Gahan leading the audience in raising their arms above their heads and waving them side to side. https://tinyurl.com/mryk8cah\n\nThe song enjoyed a streaming boost in the US after it was included in the HBO series The Last Of Us. It plays on the radio in the final scene of the show's pilot episode on January 15, 2023.\n\nCraig Mazin, the co-creator of the series, selected the song because of its combination of cheerful sounds and gloomy lyrics. He believed the title of the song relates to the relationship between the two main protagonists, Joel and Ellie.\n\nDave Gahan watched the Last Of Us pilot episode in bed with his wife. \"I was falling asleep and the show came on and I was watching it a bit,\" he recalled to BBC Radio 2's Gary Davies. \"And then I fell asleep. And then suddenly in my dream, I could hear the beginning of Never Let Me Down and I sat up and like a boxer, hearing the bell, like going to go in and fight or something.\n\n\"And I heard it. And so I watched that scene and I liked it as well because the song represents that particular time in music. It represents trouble, it means trouble was coming. That was the code and I thought, 'This is perfect for that.'\" https://tinyurl.com/mvcd3b3w", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544318, "uri": "https://api.kexp.org/v2/plays/3544318/?format=api", "airdate": "2025-08-24T17:27:03-07:00", "show": 64377, "show_uri": "https://api.kexp.org/v2/shows/64377/?format=api", "image_uri": "https://dn721904.ca.archive.org/0/items/mbid-86c0eceb-c48e-42d0-8d6a-38383fe7bcb0/mbid-86c0eceb-c48e-42d0-8d6a-38383fe7bcb0-42515337293_thumb500.jpg", "thumbnail_uri": "https://dn721904.ca.archive.org/0/items/mbid-86c0eceb-c48e-42d0-8d6a-38383fe7bcb0/mbid-86c0eceb-c48e-42d0-8d6a-38383fe7bcb0-42515337293_thumb250.jpg", "song": "MY TYPE", "track_id": "64af7a3e-be6c-4e86-a3cf-22719b199ecf", "recording_id": "62eb3d9b-0cf8-4413-89dd-fc160ccd4ca7", "artist": "Sudan Archives", "artist_ids": [ "6ce5eca0-4ad6-49e0-a5ab-e11482d85324" ], "album": "THE BPM", "release_id": "86c0eceb-c48e-42d0-8d6a-38383fe7bcb0", "release_group_id": "f9e98ca4-0311-4f33-961f-f41154271ef0", "labels": [ "Stones Throw Records" ], "label_ids": [ "f1b83107-23e5-41a3-ab1b-2a36965cf77b" ], "release_date": "2025-10-17", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "On Sudan Archives' third album, THE BPM, out on October 17th, she introduces a new persona: Gadget Girl.\n\n\"I was never the girl in a band in high school. I could only express myself for the first time when I got my first iPad and started making beats on it, and when I got my first electric violin. I’m all gadget-girl-ed-out now, but I’ve never felt so free as a human.\"\n\nSudan describes \"MY TYPE\" as her first \"rap rap song\" – a cascading track about sexual liberation that also features some of her most outré production.\n\n\"The song is kind of flirty and corny and sexy, because I’m hyping up my friends and also saying, 'These are the types of girls I like,'\" she says. \"It’s also hinting on sexuality – are these just friends, or women I’m in love with?\" https://tinyurl.com/4be8why3", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544319, "uri": "https://api.kexp.org/v2/plays/3544319/?format=api", "airdate": "2025-08-24T17:25:20-07:00", "show": 64377, "show_uri": "https://api.kexp.org/v2/shows/64377/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3544317, "uri": "https://api.kexp.org/v2/plays/3544317/?format=api", "airdate": "2025-08-24T17:21:23-07:00", "show": 64377, "show_uri": "https://api.kexp.org/v2/shows/64377/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Blocks", "track_id": null, "recording_id": null, "artist": "Bratři", "artist_ids": [], "album": null, "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": null, "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Ship Festival Preview: Šibenik, Croatia\n\nCzech electronic duo Bratři has unveiled their sophomore album, Escape. Twin brothers Jiří and Ondřej form the project, which oscillates around a combination of catchy electronic dance and techno. The central driving forces are Jiři’s live percussion/drum beats and the melodic motives and sequences created by Ondřej on analogue and modular synthesisers. \n\n Jiří Veselý explains, \"We aimed for a cohesive experience, so our tracks now span from techno to progressive techno, glitch, experimental techno, and IDM (Intelligent Dance Music). My brother and I believe we’ve seamlessly integrated these styles in ways we couldn’t have imagined three years ago.\" https://tinyurl.com/msyedn22", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544316, "uri": "https://api.kexp.org/v2/plays/3544316/?format=api", "airdate": "2025-08-24T17:18:32-07:00", "show": 64377, "show_uri": "https://api.kexp.org/v2/shows/64377/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Tamara", "track_id": null, "recording_id": null, "artist": "Klaustro/Fonija", "artist_ids": [], "album": "Rigged Phantasies", "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": null, "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Ship Festival Preview: Šibenik, Croatia\n\nKlaustro/fonija is a power trio from Croatia that plays a blend of noise rock, psychedelia, post-punk, and post-whatnot. Honing their craft in a bomb shelter, their sound is defined by neurotic melodic vocals, driving bass lines, deep-fried guitar, sensual drumming, humidity, and tinnitus.\n\nFrom delay-addled howls to falsetto hooks, the mouth of Klaustro/fonija slaloms in and out of speaking in tongues, primal falsetto, and cheesy poetry. This year, the band teamed up with the Macedonian label Mrtov Konj, releasing their first album, Rigged Phantasies, under its wing. https://tinyurl.com/krjmrtzf", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544315, "uri": "https://api.kexp.org/v2/plays/3544315/?format=api", "airdate": "2025-08-24T17:14:37-07:00", "show": 64377, "show_uri": "https://api.kexp.org/v2/shows/64377/?format=api", "image_uri": "https://coverartarchive.org/release/b42f30ac-083c-4645-9f81-abbb73466817/40857202622-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/b42f30ac-083c-4645-9f81-abbb73466817/40857202622-250.jpg", "song": "Do Something", "track_id": null, "recording_id": "f9b63cbf-e1c2-4aa6-8173-b92767e4ed06", "artist": "Adult DVD", "artist_ids": [ "3daddca6-34a3-47b1-91a5-a1bff99c98dc" ], "album": "Do Something", "release_id": null, "release_group_id": "be63e1fb-bdc1-480b-a5a1-467678b324a8", "labels": [], "label_ids": [], "release_date": "2024-09-03", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Ship Festival Preview: Šibenik, Croatia\n\nOver their brief time as Adult DVD, the Leeds-based 6 piece have become known for their relentless output of infectious hooks and grooves with a euphoric live show that could be mistaken for a club night.\n\nTheir first single, \"Do Something,\" taken from self-released, self-produced EP Next Day Shipping, landed straight onto the BBC6 Music B list, earning widespread support from Dork, Line of Best Fit, Clash, Farout, and more. The group ended 2024 with a packed out show at the iconic 100 Club show and 2025 kicked off with a sold out headline for Line Of Best Fit’s \"5 Day Forecast,\" a showcase for the essential new artists of the year.\n\nAdult DVD are currently writing new material and gearing up for a summer at festivals in the UK and Europe. https://tinyurl.com/2xy8psb4", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3544314, "uri": "https://api.kexp.org/v2/plays/3544314/?format=api", "airdate": "2025-08-24T17:10:43-07:00", "show": 64377, "show_uri": "https://api.kexp.org/v2/shows/64377/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Powerless", "track_id": null, "recording_id": null, "artist": "Woomb", "artist_ids": [], "album": null, "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": null, "rotation_status": "R/N", "is_local": false, "is_request": false, "is_live": false, "comment": "Ship Festival Preview: Šibenik, Croatia\n\nWoomb is a British/Bulgarian-based duo that expands into a dynamic five-piece band on stage.\n\nThe project is fronted by Hristo Yordanov, a young singer-songwriter with a background in visual arts, and Gueorgui Linev, the LA-based composer and producer known for founding Kan Wakan and working with artists like Baby Keem, Thundercat, Moses Sumney, and Emily Armstrong (Linkin Park).\n\nTheir story began with a chance encounter at a house party and quickly grew into a creative bond shaped by a love for Cocteau Twins, Portishead, Björk, and Slowdive.\n\nIn late 2023, they released their debut single “Last Rays”, accompanied by a striking video drawing on Bulgarian paganism, Greek myth, and biblical motifs. Debut EP, To Never Fear the Sun, dropped in October 2024 and set the tone for their emotionally charged, genre-defying aesthetic. The next chapter begins with the release of \"Powerless,\" featuring drummer Joey Waronker (Radiohead, Atoms for Peace, Beck, Oasis). https://tinyurl.com/mr27djhn", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
