Information about plays

list: List of plays
retrieve: Information about a specific play by ID

GET /v2/plays/?format=api&offset=1900
HTTP 200 OK
Allow: GET, HEAD, OPTIONS
Content-Type: application/json
Vary: Accept

{
    "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=1920",
    "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=1880",
    "results": [
        {
            "id": 3550103,
            "uri": "https://api.kexp.org/v2/plays/3550103/?format=api",
            "airdate": "2025-09-07T16:14:46-07:00",
            "show": 64501,
            "show_uri": "https://api.kexp.org/v2/shows/64501/?format=api",
            "image_uri": "https://ia801507.us.archive.org/33/items/mbid-4bf885ac-0775-4aad-9027-246491ff245b/mbid-4bf885ac-0775-4aad-9027-246491ff245b-42326788466_thumb500.jpg",
            "thumbnail_uri": "https://ia801507.us.archive.org/33/items/mbid-4bf885ac-0775-4aad-9027-246491ff245b/mbid-4bf885ac-0775-4aad-9027-246491ff245b-42326788466_thumb250.jpg",
            "song": "Solid",
            "track_id": "75371051-0d03-419d-bd93-4bca3952bf3d",
            "recording_id": "af149d69-6b0b-4488-a5aa-1069c7c0d809",
            "artist": "Cut Copy",
            "artist_ids": [
                "caaba574-dfbc-4681-8e56-19b5150897d2"
            ],
            "album": "Moments",
            "release_id": "4bf885ac-0775-4aad-9027-246491ff245b",
            "release_group_id": "b5fe115f-fd45-4602-85cc-d415e03434a0",
            "labels": [
                "Cutters Records"
            ],
            "label_ids": [
                "dd938612-63ab-45fb-a797-831bfadd7c97"
            ],
            "release_date": "2025-09-05",
            "rotation_status": "Heavy",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Cut Copy's first bit of new music since 2020's Freeze/Melt!\n\n\"I wrote the song as a reminder to myself that things will be ok, even when life gets turned on its head and it feels like there’s no way forward,” frontman Dan Whitford says of \"Solid.\"\n\n\"I hope in some small way it gives other people a little nudge forward in the direction of their dreams. Hang in there… we’ll be solid.\"  https://tinyurl.com/5cc45kbe",
            "location": 1,
            "location_name": "Default",
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        },
        {
            "id": 3550102,
            "uri": "https://api.kexp.org/v2/plays/3550102/?format=api",
            "airdate": "2025-09-07T16:12:46-07:00",
            "show": 64501,
            "show_uri": "https://api.kexp.org/v2/shows/64501/?format=api",
            "image_uri": "",
            "thumbnail_uri": "",
            "comment": "",
            "location": 1,
            "location_name": "Default",
            "play_type": "airbreak"
        },
        {
            "id": 3550101,
            "uri": "https://api.kexp.org/v2/plays/3550101/?format=api",
            "airdate": "2025-09-07T16:08:22-07:00",
            "show": 64501,
            "show_uri": "https://api.kexp.org/v2/shows/64501/?format=api",
            "image_uri": "https://ia800406.us.archive.org/19/items/mbid-f304e7c4-f66a-4131-8685-f7edeed5e3ea/mbid-f304e7c4-f66a-4131-8685-f7edeed5e3ea-32302277547_thumb500.jpg",
            "thumbnail_uri": "https://dn721603.ca.archive.org/0/items/mbid-f304e7c4-f66a-4131-8685-f7edeed5e3ea/mbid-f304e7c4-f66a-4131-8685-f7edeed5e3ea-32302277547_thumb250.jpg",
            "song": "Jackie Down The Line",
            "track_id": "cf4a2311-4dd9-4ce9-b1e5-dd09fb2a08b2",
            "recording_id": "08410e18-e94b-4ef6-8eaf-a76c720fb5ac",
            "artist": "Fontaines D.C.",
            "artist_ids": [
                "fd87acc7-e0a0-4a45-bc2a-d2ab5c10be68"
            ],
            "album": "Skinty Fia",
            "release_id": "f304e7c4-f66a-4131-8685-f7edeed5e3ea",
            "release_group_id": "aa2f908a-5aba-40c1-a198-3d0ad4f43486",
            "labels": [
                "Partisan Records"
            ],
            "label_ids": [
                "d4ec5bb3-1d64-40fe-9629-ee1e452e251e"
            ],
            "release_date": "2022-04-22",
            "rotation_status": "Library",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "A \"Jackeen\" is a derogatory term used by people from other parts of Ireland to describe someone from Dublin. The Irish city traditionally had a strong association with Britain, and when Queen Victoria visited Dublin, folks there waved Union Jacks as a welcome to Her Majesty. This led to them being referred to as Jackeens.\n\nFontaines D.C. singer Grian Chatten, along with the rest of the band, left Ireland to pursue his music career in London. Here, he explores the transformation of their Irish culture and identity after moving to a different country.\n\n\"It's this kind of mutation of Irishness or loss of Irishness as it exists, or fails to exist, in a different environment.\"\n\n\"Jackie Down The Line\" came together almost instantaneously when Fontaines were working on a different track but got stuck. They called it a day, and just as Chatten was leaving, he heard bassist Conor Deegan playing the song's rumbling bassline.\n\n\"I had the melody come to my head before I'd got to the door,\" he recalled. \"I turned round, and we had the song basically done in about 20 minutes.\" https://tinyurl.com/552nbbdj",
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            "location_name": "Default",
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        },
        {
            "id": 3550100,
            "uri": "https://api.kexp.org/v2/plays/3550100/?format=api",
            "airdate": "2025-09-07T16:05:06-07:00",
            "show": 64501,
            "show_uri": "https://api.kexp.org/v2/shows/64501/?format=api",
            "image_uri": "https://ia800900.us.archive.org/35/items/mbid-efc696c1-20c0-4b92-8087-02c4ab0b825e/mbid-efc696c1-20c0-4b92-8087-02c4ab0b825e-17718701971_thumb500.jpg",
            "thumbnail_uri": "https://ia600900.us.archive.org/35/items/mbid-efc696c1-20c0-4b92-8087-02c4ab0b825e/mbid-efc696c1-20c0-4b92-8087-02c4ab0b825e-17718701971_thumb250.jpg",
            "song": "Masseduction",
            "track_id": "c182056b-5d1f-4c6a-a320-67edd0d57892",
            "recording_id": "3e2f0fd5-ebdb-4fd5-aa73-6815928f102d",
            "artist": "St. Vincent",
            "artist_ids": [
                "5334edc0-5faf-4ca5-b1df-000de3e1f752"
            ],
            "album": "MASSEDUCTION",
            "release_id": "efc696c1-20c0-4b92-8087-02c4ab0b825e",
            "release_group_id": "53dd291e-372f-4f76-844b-1b5b42df6832",
            "labels": [
                "Loma Vista Recordings",
                "Concord Records"
            ],
            "label_ids": [
                "9c3ec056-57dd-4987-bb53-cbea027ef81c",
                "c5f3bc66-5e1e-47bf-8737-46612304aca6"
            ],
            "release_date": "2017-10-13",
            "rotation_status": "Library",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Cool connection: St. Vincent contributes her talents to her buddy David Byrne's new album, What is the Reason for It?, released on Friday.\n\nThe album was produced by Clark and Jack Antonoff at Electric Lady Studios in Manhattan, with additional recording at Rough Consumer Studio in Brooklyn, and Compound Fracture in Los Angeles.\n\nIt features contributions from Doveman on piano, Kamasi Washington on saxophone, Jenny Lewis on guest vocals, and beat production from Sounwave, as well as pedal steel by Greg Leisz and Rich Hinman, and additional guitar and vocals from her uncle and aunt Tuck & Patti, respectively.\n\nModel and actress Cara Delevingne, whom Clark had dated before they split in 2016, provided back-up vocals. https://tinyurl.com/hz93emv8",
            "location": 1,
            "location_name": "Default",
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        },
        {
            "id": 3550099,
            "uri": "https://api.kexp.org/v2/plays/3550099/?format=api",
            "airdate": "2025-09-07T16:02:00-07:00",
            "show": 64501,
            "show_uri": "https://api.kexp.org/v2/shows/64501/?format=api",
            "image_uri": "https://ia800709.us.archive.org/7/items/mbid-16c0929d-3375-48fc-82a3-b081eb899bf9/mbid-16c0929d-3375-48fc-82a3-b081eb899bf9-42204221999_thumb500.jpg",
            "thumbnail_uri": "https://ia600709.us.archive.org/7/items/mbid-16c0929d-3375-48fc-82a3-b081eb899bf9/mbid-16c0929d-3375-48fc-82a3-b081eb899bf9-42204221999_thumb250.jpg",
            "song": "What Is the Reason for It?",
            "track_id": "5b2c3ea3-50f8-4a8d-8b0e-10b23e708711",
            "recording_id": "c9fe3302-8a9a-49f7-b9f7-18bf58c0447e",
            "artist": "David Byrne",
            "artist_ids": [
                "d4659efb-b8eb-4f03-95e9-f69ce35967a9"
            ],
            "album": "Who Is The Sky?",
            "release_id": "16c0929d-3375-48fc-82a3-b081eb899bf9",
            "release_group_id": "153dc33e-59bc-4990-9c9d-d4c3861f541e",
            "labels": [
                "Matador"
            ],
            "label_ids": [
                "229bd4be-8cd7-442c-85b0-5007ea353abc"
            ],
            "release_date": "2025-09-05",
            "rotation_status": "Heavy",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "David Byrne's new single features vocals from Paramore’s Hayley Williams. \n\n\"When we were finishing up the record, the producer Kid Harpoon and I were wondering, 'Oh, maybe this song, it’s a love song, or at least it’s asking what is love, what it’s about? Why do we do this? Why do other people do it? Do we know anything about it? (…)\n\n\"And I knew that [Williams] was in town, so I just texted her and said, 'Do you want to come by and sing on this?' And she said yes. And she killed it.\"\n\nByrne and Williams have also collaborated on \"Open The Door,\" a song from the new animated film adaptation of Roald Dahl’s The Twits.  https://tinyurl.com/2ehr2c8j",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3550098,
            "uri": "https://api.kexp.org/v2/plays/3550098/?format=api",
            "airdate": "2025-09-07T16:00:57-07:00",
            "show": 64501,
            "show_uri": "https://api.kexp.org/v2/shows/64501/?format=api",
            "image_uri": "",
            "thumbnail_uri": "",
            "comment": "",
            "location": 1,
            "location_name": "Default",
            "play_type": "airbreak"
        },
        {
            "id": 3550097,
            "uri": "https://api.kexp.org/v2/plays/3550097/?format=api",
            "airdate": "2025-09-07T15:57:14-07:00",
            "show": 64501,
            "show_uri": "https://api.kexp.org/v2/shows/64501/?format=api",
            "image_uri": "https://ia800408.us.archive.org/18/items/mbid-df6574a3-b200-4c22-b3c3-ae284cfae1bc/mbid-df6574a3-b200-4c22-b3c3-ae284cfae1bc-34591813336_thumb500.jpg",
            "thumbnail_uri": "https://ia800408.us.archive.org/18/items/mbid-df6574a3-b200-4c22-b3c3-ae284cfae1bc/mbid-df6574a3-b200-4c22-b3c3-ae284cfae1bc-34591813336_thumb250.jpg",
            "song": "Save It for Later",
            "track_id": "1310dad7-320e-3de0-b614-c160796bfdac",
            "recording_id": "8bfee4f8-a218-44e4-9df6-2b7659567fb2",
            "artist": "The Beat",
            "artist_ids": [
                "9727e632-c228-47f8-a7ae-398df94f00c7"
            ],
            "album": "Special Beat Service",
            "release_id": "118ad910-9e52-4f65-8458-a1ecb5dd866c",
            "release_group_id": "7d02d86d-1b55-3821-9f5f-9e5a83ebd108",
            "labels": [
                "Go Feet",
                "London Records"
            ],
            "label_ids": [
                "7abf6944-fd69-49e2-b904-614f5c4659b8",
                "60a0dd34-2333-4679-9050-38c21f7bc616"
            ],
            "release_date": "1999-01-01",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Of this track, English Beat singer/guitarist Dave Wakeling reveals, \"I wrote it when I was a teenager. I wrote it before The Beat (outside of the US, the group is known as The Beat) started. And it was about turning from a teenager to someone in their 20s, and realizing that the effortless promise for your teenage years was not necessarily going to show that life was so simple as you started to grow up.\n\n\"So it was about being lost, about not really knowing your role in the world, trying to find your place in the world. So, you couldn't find your own way in the world, and you'd have all sorts of people telling you this, that, and the other, and advising you, and it didn't actually seem like they knew any better. So it was like keep your advice to yourself. Save it - for later.\"\n\nListeners often find salacious subtexts in songs when in fact, none exist. In this case, however, it does.\n\nWakeling explains, \"The actual hook line itself was just a dirty joke, I just thought it was hilarious that you could get in a song: 'save it – comma – for later – F-E-double L-A-T-O-R.' So I thought it'd be really neat to get that in a song and everybody would be singing it. I didn't know it was going to be a joke that lasted for 30 years.\"  https://tinyurl.com/52fat95h",
            "location": 1,
            "location_name": "Default",
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        },
        {
            "id": 3550095,
            "uri": "https://api.kexp.org/v2/plays/3550095/?format=api",
            "airdate": "2025-09-07T15:53:16-07:00",
            "show": 64501,
            "show_uri": "https://api.kexp.org/v2/shows/64501/?format=api",
            "image_uri": "https://ia801800.us.archive.org/15/items/mbid-09def001-7485-48fb-8728-edc33414d5af/mbid-09def001-7485-48fb-8728-edc33414d5af-41247895194_thumb500.jpg",
            "thumbnail_uri": "https://ia801800.us.archive.org/15/items/mbid-09def001-7485-48fb-8728-edc33414d5af/mbid-09def001-7485-48fb-8728-edc33414d5af-41247895194_thumb250.jpg",
            "song": "Cutting Room Floor",
            "track_id": "b504e682-ca16-48ee-b2f3-1c96855a4a7b",
            "recording_id": "38bab327-9062-4c63-a38f-f59a86af4c78",
            "artist": "Gordi",
            "artist_ids": [
                "b7732e25-d347-46cc-8668-605c8b773c71"
            ],
            "album": "Like Plasticine",
            "release_id": "09def001-7485-48fb-8728-edc33414d5af",
            "release_group_id": "92a196b3-4062-40bd-b754-6a82732fb01d",
            "labels": [
                "Mushroom Music",
                "Virgin"
            ],
            "label_ids": [
                "5d10d13f-786a-4a6a-830c-dcd29922a189",
                "49b58bdb-3d74-40c6-956a-4c4b46115c9c"
            ],
            "release_date": "2025-05-30",
            "rotation_status": "Medium",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Of this track, Gordi confides, \"'Cutting Room Floor' is a song about growing pains, about the slow splintering that happens between people. I took the song to Durham in North Carolina to work on with my friend Brad Cook. Matt McCaughan [of Bon Iver} came over and played drums, and Brad and I filled in the rest.\n\n\"It was one of those songs that seemed to expand to fit any idea, and it was a real joy to work on. Jared Frieder and I shot the video in a carpark in Dallas as the sun was setting in the middle of a sweltering heatwave. I ate a whole pack of Twizzlers when we finished in an effort to abate my delirium.\"  https://tinyurl.com/4k89ztfx",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3550094,
            "uri": "https://api.kexp.org/v2/plays/3550094/?format=api",
            "airdate": "2025-09-07T15:48:59-07:00",
            "show": 64501,
            "show_uri": "https://api.kexp.org/v2/shows/64501/?format=api",
            "image_uri": "https://ia800901.us.archive.org/25/items/mbid-1cfa5f86-f0a5-4af5-adaa-477f0570c554/mbid-1cfa5f86-f0a5-4af5-adaa-477f0570c554-27017952940_thumb500.jpg",
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            "song": "Polish Girl",
            "track_id": "025f8dcf-a05d-328f-a032-352d2a6ad6e0",
            "recording_id": "66dca858-cd4f-45f2-8dea-3a0e020f1fd7",
            "artist": "Neon Indian",
            "artist_ids": [
                "e8238c02-1cf0-4a51-bfd0-cee93904d351"
            ],
            "album": "Era Extraña",
            "release_id": "1cfa5f86-f0a5-4af5-adaa-477f0570c554",
            "release_group_id": "f55f6628-cefa-44b0-97a5-97a73c91194f",
            "labels": [
                "Mom + Pop Music"
            ],
            "label_ids": [
                "e30c6170-fcd5-4c30-9b89-bd1bdcbcaa5f"
            ],
            "release_date": "2011-09-13",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Released on this day in 2011!\n\nThe album was recorded from the winter of 2010 to 2011 at Kalevankatu 45 in Helsinki, Finland, when Palomo lived there for four weeks.\n\nPalomo primarily wrote the album using a Voyetra-8, a Korg MS-20, and a modified Commodore 64, with the first weeks of production in Helsinki involving him learning this equipment.\n\nPalomo first saw the Voyetra-8 in the music video for New Order's \"The Perfect Kiss\" (1985), saying that he was amazed by its appearance: \"It's this bizarre, kaleidoscope interface with these knobs, and it's really physical to use, a strange kind of challenge.\"  https://tinyurl.com/ycf8mrsm",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3550093,
            "uri": "https://api.kexp.org/v2/plays/3550093/?format=api",
            "airdate": "2025-09-07T15:45:57-07:00",
            "show": 64501,
            "show_uri": "https://api.kexp.org/v2/shows/64501/?format=api",
            "image_uri": "https://dn720701.ca.archive.org/0/items/mbid-4a8efb9f-61c1-4f6e-ad63-a02f68097dd4/mbid-4a8efb9f-61c1-4f6e-ad63-a02f68097dd4-42802282441_thumb500.jpg",
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            "song": "easy come, easy go",
            "track_id": "b6ef6cbb-ffaf-46e5-8b38-ef29d88f89cb",
            "recording_id": "48facfbf-6674-4a98-b6f9-a338100e9f20",
            "artist": "LAVA LA RUE",
            "artist_ids": [
                "8ee9e6fe-a629-4ff9-a4d5-ecb79b637350"
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            "album": "easy come, easy go",
            "release_id": "4a8efb9f-61c1-4f6e-ad63-a02f68097dd4",
            "release_group_id": "4a7765c6-daaa-4cf2-be7b-d20080b5f5e2",
            "labels": [
                "BMG Rights Management (UK) LTD (C)"
            ],
            "label_ids": [
                "78e3bd4c-c823-4302-9b2d-262e3ff93993"
            ],
            "release_date": "2025-08-14",
            "rotation_status": "Medium",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "This breezy track has been described by London-based Lava as \"the soundtrack of my summer holidays,” while the lyrics tap into their anxieties around the growth of AI, Janos-here rhetoric, and the dissonance between online and offline intimacy.\n\n\"Even simple milestones like heartbreak or a gap year feel warped,\" Lava explains, \"like not being able to tell if your crush sent you a text ghostwritten by ChatGPT.\n\n\"Even if you feel hopeless about the state of the world, use that energy to genuinely double down on radically exuding compassion and community action.\"  https://tinyurl.com/5n8es4vy",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3550092,
            "uri": "https://api.kexp.org/v2/plays/3550092/?format=api",
            "airdate": "2025-09-07T15:43:38-07:00",
            "show": 64501,
            "show_uri": "https://api.kexp.org/v2/shows/64501/?format=api",
            "image_uri": "",
            "thumbnail_uri": "",
            "comment": "",
            "location": 1,
            "location_name": "Default",
            "play_type": "airbreak"
        },
        {
            "id": 3550091,
            "uri": "https://api.kexp.org/v2/plays/3550091/?format=api",
            "airdate": "2025-09-07T15:39:49-07:00",
            "show": 64501,
            "show_uri": "https://api.kexp.org/v2/shows/64501/?format=api",
            "image_uri": "https://ia601403.us.archive.org/31/items/mbid-10a503f6-265a-4850-93bd-78b18fc6e6b8/mbid-10a503f6-265a-4850-93bd-78b18fc6e6b8-7486369964_thumb500.jpg",
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            "song": "Ocean Breathes Salty",
            "track_id": "124dbf00-a358-3722-85da-87a14f3d0f80",
            "recording_id": "cc7e3ca6-abed-42af-89b1-12b78d7b296b",
            "artist": "Modest Mouse",
            "artist_ids": [
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            "album": "Good News for People Who Love Bad News",
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            "comment": "This 2004 single has a lot of commentary on physical death and carrying the memory of the person on with you: \"Your body may be gone, I’m gonna carry you in. In my head, in my heart, in my soul.\"\n\nIt is a song for lost loved ones, with touching lyrics, and a great music video to boot.\n\nModest Mouse formed in 1992 in Issaquah, Washington and currently based in Portland, Oregon.\n\nGood News for People Who Love Bad News was nominated for the Grammy Award for Best Alternative Music Album in 2005. It was certified platinum by the RIAA in August 2004, and had sold over 1.5 million copies in the United States by 2007.",
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            "song": "To and Fro",
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            "comment": "Shame—featuring vocalist Charlie Steen, guitarists Sean Coyle-Smith and Eddie Green, bassist Josh Finerty, and drummer Charlie Forbes—recorded the new album, which they describe as \"a joyride,\" at Salvation Studios in Brighton, England.\n\n\"This is about who we are,\" Steen said. \"Our live shows aren’t performance art—they’re direct, confrontational, and raw. That’s always been the root of us. We live in crazy times. But it’s not about 'Poor me.' It’s about 'Fuck you.'\"\n\nHe added, \"It’s about the cowards, the cunts, the hypocrites. Let’s face it, there’s a lot of them around right now.\" https://tinyurl.com/588wy67z",
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            "song": "She Sells Sanctuary",
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            "comment": "Ian Astbury, frontman of The Cult, answered the question, \"What's the song about?\" Said Astbury: \"Sex. Plain and simple, it's about sex. I've had sex and I'm very proud of that fact.\"\n\nThe quasi-psychedelic guitar intro from The Cult guitarist Billy Duffy came about on a lark: The band was recording the song at Olympic Studios in Barnes, London, where Led Zeppelin used to record. Zep guitarist Jimmy Page sometimes used a violin bow to play his guitar, so when Duffy found a bow in the studio, he gave it a try just to amuse Ian Astbury, who was listening in the control room.\n\n\"In order to make it sound weirder, I just hit every pedal I had on the pedal board,\" Duffy explained. \"Then once I stopped banging the strings and doing all that, I played the middle section of the song, which was kind of a pick thing with all the BOSS pedals on, and that sound just leaped out.\n\nThe producer went, 'Hold it, hold it, that's great!' And we decided to start the song with that mystical sound. If I hadn't found that violin bow laying around, we wouldn't have gone there.\" https://tinyurl.com/yh3775v7",
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            "airdate": "2025-09-07T15:29:28-07:00",
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            "song": "Straight Line Was a Lie",
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            "comment": "The Beths are a New Zealand indie rock band, formed in Auckland in 2014.\n\nElizabeth Stokes and Jonathan Pearce originally met in high school, and they met both Benjamin Sinclair and Ivan Luketina-Johnston when all four attended classes at the University of Auckland, studying jazz.\n\nPrior to the Beths, Luketina-Johnston was performing swing under the moniker of Sal Valentine; Stokes, Pearce and Sinclair were all part of his backing band, The Babyshakes, for various tenures.\n\nStokes said that she named the band using her own name, after being inspired by Gilmore Girls character Lorelai Gilmore naming her daughter after herself. https://tinyurl.com/46wd5s3x",
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            "airdate": "2025-09-07T15:22:32-07:00",
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            "song": "Tattooed Heart",
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            "comment": "The Orange County-based band reveals, \"In a lot of ways, 'Tattooed Heart' exists in a liminal space. It is vivid and hazy, intimate and universal—where beauty and decay are inseparable.\n\n\"The lyrics are both a response to what is happening musically, and the result of mining the conscious and subconscious mind. “Tattooed Heart” captures the sort of strange duality of feeling grounded one moment and completely disoriented the next. It’s a reflection on waning and longing.\"",
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            "airdate": "2025-09-07T15:18:05-07:00",
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            "song": "Destroy Everything You Touch",
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            "comment": "If you haven't seen it already, check out the stunning music video for this track. \n\nDirected by Adam Bartley, the video depicts the members of Ladytron hiking through a mountain range, facing various hazards such as creatures attempting to attack them, and being assaulted by frosty winds blown by mountaintops (also played by band members in elaborate makeup).\n\nYou can catch the video here: https://tinyurl.com/4fjv87ee\n\nThe song was a hit, reaching #42 on the UK Singles Chart and was listed by Pitchfork among the best tracks of the 2000s.",
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            "airdate": "2025-09-07T15:14:17-07:00",
            "show": 64501,
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            "comment": "Spoon have released two new songs, \"Chateau Blues\" and \"Guess I’m Fallin in Love.\" \n\nThe double A-side was recorded during the indie-rock band’s ongoing sessions for a new album.\n\nSpoon frontperson Britt Daniel shares, \"As we finished up the first two songs for the LP, it crossed somebody’s mind and eventually all of ours that these two really should come out now.\"",
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