Information about plays

list: List of plays
retrieve: Information about a specific play by ID

GET /v2/plays/?format=api&offset=19340
HTTP 200 OK
Allow: GET, HEAD, OPTIONS
Content-Type: application/json
Vary: Accept

{
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    "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=19320",
    "results": [
        {
            "id": 3553038,
            "uri": "https://api.kexp.org/v2/plays/3553038/?format=api",
            "airdate": "2025-09-14T17:24:57-07:00",
            "show": 64562,
            "show_uri": "https://api.kexp.org/v2/shows/64562/?format=api",
            "image_uri": "https://coverartarchive.org/release/227d55ab-f7b2-4d7b-9309-d1301d9714ae/33908679553-500.jpg",
            "thumbnail_uri": "https://coverartarchive.org/release/227d55ab-f7b2-4d7b-9309-d1301d9714ae/33908679553-250.jpg",
            "song": "(Keep Feeling) Fascination (Improvisation)",
            "track_id": null,
            "recording_id": "eab99cf1-fc3a-4fa7-868c-44d5264fec73",
            "artist": "The Human League",
            "artist_ids": [
                "7adaabfb-acfb-47bc-8c7c-59471c2f0db8"
            ],
            "album": "Fascination!",
            "release_id": null,
            "release_group_id": "ea6c6bc3-3d01-348c-bf0a-1baef9aa8c40",
            "labels": [],
            "label_ids": [],
            "release_date": "1983-01-01",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "This track was composed by Jo Callis and Philip Oakey, and produced by Martin Rushent (which would be the last song he produced for the band for seven years). \n\nIt features vocals from four of the band members, including lead vocalist Philip Oakey, female co-vocalists Susan Ann Sulley and Joanne Catherall, and a rare vocal role from keyboardist and guitarist Jo Callis.\n\nUpon the song's release, it peaked at number two in the United Kingdom and entered the top 10 in Australia, Ireland, New Zealand and the United States. The single was designated 'Red' on the Human League's short-lived, self-imposed labelling system of 'Blue' for pop songs and 'Red' for dance tracks. https://tinyurl.com/2s47jbuu",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3553036,
            "uri": "https://api.kexp.org/v2/plays/3553036/?format=api",
            "airdate": "2025-09-14T17:21:08-07:00",
            "show": 64562,
            "show_uri": "https://api.kexp.org/v2/shows/64562/?format=api",
            "image_uri": "https://dn721904.ca.archive.org/0/items/mbid-4bf885ac-0775-4aad-9027-246491ff245b/mbid-4bf885ac-0775-4aad-9027-246491ff245b-42326788466_thumb500.jpg",
            "thumbnail_uri": "https://dn721904.ca.archive.org/0/items/mbid-4bf885ac-0775-4aad-9027-246491ff245b/mbid-4bf885ac-0775-4aad-9027-246491ff245b-42326788466_thumb250.jpg",
            "song": "Still See Love",
            "track_id": "2e0103ec-b590-4b1c-bcef-6cef19693a6e",
            "recording_id": "4244e3f4-c5b1-4e5d-8f33-ab1f67a2e960",
            "artist": "Cut Copy",
            "artist_ids": [
                "caaba574-dfbc-4681-8e56-19b5150897d2"
            ],
            "album": "Moments",
            "release_id": "4bf885ac-0775-4aad-9027-246491ff245b",
            "release_group_id": "b5fe115f-fd45-4602-85cc-d415e03434a0",
            "labels": [
                "Cutters Records"
            ],
            "label_ids": [
                "dd938612-63ab-45fb-a797-831bfadd7c97"
            ],
            "release_date": "2025-09-05",
            "rotation_status": "Heavy",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Playing Seattle's Showbox on Monday, November 10th, and San Francisco's Regency Ballroom on Thursday, November 13th.\n\nSongwriter Dan Whitford reveals, \"'Still See Love' was a tune that came together pretty quickly, written about a couple clinging to what’s left of a relationship as it slowly capsizes. My idea was to make a song that had a verse and chorus that came from different worlds.\n\n\"We tried to make the verses as loose and organic as possible, layering live bass, percussion and spaced out roomy drum sounds, inspired by hybrid disco-dub productions of artists like Arthur Russell, Francois K, and ESG. Then in the chorus the whole track empties out, going from a big cavernous space into a tiny one, driven along by a minimal stuttering synth rhythm.\n\n\"I love the sense of contrast we achieved in this song. It’s constantly flipping back and forth between worlds and it almost feels like it exists in two places at once.\" https://tinyurl.com/2nm3a2ut",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3553034,
            "uri": "https://api.kexp.org/v2/plays/3553034/?format=api",
            "airdate": "2025-09-14T17:17:38-07:00",
            "show": 64562,
            "show_uri": "https://api.kexp.org/v2/shows/64562/?format=api",
            "image_uri": "https://ia800906.us.archive.org/4/items/mbid-86c0eceb-c48e-42d0-8d6a-38383fe7bcb0/mbid-86c0eceb-c48e-42d0-8d6a-38383fe7bcb0-42515337293_thumb500.jpg",
            "thumbnail_uri": "https://dn721904.ca.archive.org/0/items/mbid-86c0eceb-c48e-42d0-8d6a-38383fe7bcb0/mbid-86c0eceb-c48e-42d0-8d6a-38383fe7bcb0-42515337293_thumb250.jpg",
            "song": "COME AND FIND YOU",
            "track_id": "ff2c0dc4-4174-4855-9aa0-b56153c07517",
            "recording_id": "73a65fe9-a5eb-4c96-b6b4-2f61c5bfd644",
            "artist": "Sudan Archives",
            "artist_ids": [
                "6ce5eca0-4ad6-49e0-a5ab-e11482d85324"
            ],
            "album": "THE BPM",
            "release_id": "86c0eceb-c48e-42d0-8d6a-38383fe7bcb0",
            "release_group_id": "f9e98ca4-0311-4f33-961f-f41154271ef0",
            "labels": [
                "Stones Throw Records"
            ],
            "label_ids": [
                "f1b83107-23e5-41a3-ab1b-2a36965cf77b"
            ],
            "release_date": "2025-10-17",
            "rotation_status": "Heavy",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Violinist/vocalist Brittney Denise Park writes, plays, and produces her own music. She is self-taught on the violin, inspired by Sudanese fiddlers, R&B, West African rhythms, and experimental electronic music.\n\nShe shared on Instagram that this \"might be my favorite song off THE BPM…\"",
            "location": 1,
            "location_name": "Default",
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        },
        {
            "id": 3553035,
            "uri": "https://api.kexp.org/v2/plays/3553035/?format=api",
            "airdate": "2025-09-14T17:16:54-07:00",
            "show": 64562,
            "show_uri": "https://api.kexp.org/v2/shows/64562/?format=api",
            "image_uri": "",
            "thumbnail_uri": "",
            "comment": "",
            "location": 1,
            "location_name": "Default",
            "play_type": "airbreak"
        },
        {
            "id": 3553033,
            "uri": "https://api.kexp.org/v2/plays/3553033/?format=api",
            "airdate": "2025-09-14T17:11:24-07:00",
            "show": 64562,
            "show_uri": "https://api.kexp.org/v2/shows/64562/?format=api",
            "image_uri": "https://ia800705.us.archive.org/29/items/mbid-dc1bb195-d141-4cac-975d-f930d0084c99/mbid-dc1bb195-d141-4cac-975d-f930d0084c99-42138467826_thumb500.jpg",
            "thumbnail_uri": "https://dn720706.ca.archive.org/0/items/mbid-dc1bb195-d141-4cac-975d-f930d0084c99/mbid-dc1bb195-d141-4cac-975d-f930d0084c99-42138467826_thumb250.jpg",
            "song": "E - Asphyxiation",
            "track_id": "69b99b55-2ce6-4ce6-8b65-313b55c06d90",
            "recording_id": "1ca3263b-93c2-45d6-a807-bcdcf6cfeead",
            "artist": "Cafuné",
            "artist_ids": [
                "ad10c69c-0cae-4c27-934d-a02e4ecc9985"
            ],
            "album": "Bite Reality",
            "release_id": "dc1bb195-d141-4cac-975d-f930d0084c99",
            "release_group_id": "1b4e3b67-00f0-41c0-989f-d428875da9f7",
            "labels": [
                "Aurelians Club"
            ],
            "label_ids": [
                "3652bd70-bcf2-4635-8829-5f1b5acda571"
            ],
            "release_date": "2025-09-12",
            "rotation_status": "Light",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Cafuné will be playing at Madame Lou's in Seattle, WA on Monday, October 6th, and Bimbo's 365 Club in San Francisco, CA on Wednesday, October 8th.\n\nMulti-platinum Brooklyn duo Cafuné—Noah Yoo and Sedona Schat—have unveiled \"e-Asphyxiation,\" which explores the dehumanizing effects of life lived online.\n\nOf this track, Cafuné reveal, \"Every time you doom-scroll, you’re letting your phone choke you out. Wake up, check the feed, feel bad about yourself – rinse and repeat. Even the 'good stuff' on the Internet doesn’t feel fun or sustainable anymore. The world has never seemed more connected and further apart at the same time, stuck in a cycle of 'e-Asphyxiation.' Why do I have to prove that I am alive online?\" https://tinyurl.com/bdhntuns",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3553032,
            "uri": "https://api.kexp.org/v2/plays/3553032/?format=api",
            "airdate": "2025-09-14T17:08:15-07:00",
            "show": 64562,
            "show_uri": "https://api.kexp.org/v2/shows/64562/?format=api",
            "image_uri": "https://ia904504.us.archive.org/14/items/mbid-1134c9a9-18eb-4930-933a-48bd0c1f0d57/mbid-1134c9a9-18eb-4930-933a-48bd0c1f0d57-22276388543_thumb500.jpg",
            "thumbnail_uri": "https://ia904504.us.archive.org/14/items/mbid-1134c9a9-18eb-4930-933a-48bd0c1f0d57/mbid-1134c9a9-18eb-4930-933a-48bd0c1f0d57-22276388543_thumb250.jpg",
            "song": "Cure for Pain",
            "track_id": "2d410d6d-a6be-32f8-a82f-0f86e3ee2d0b",
            "recording_id": "5f8fad6c-156c-40d6-9afb-454948104be5",
            "artist": "Morphine",
            "artist_ids": [
                "42689657-cbec-4f66-a9ed-80f939ea23ed"
            ],
            "album": "Cure for Pain",
            "release_id": "1134c9a9-18eb-4930-933a-48bd0c1f0d57",
            "release_group_id": "f8360cc5-f6fc-34b2-b32a-eebfcd5f8398",
            "labels": [
                "Rykodisc"
            ],
            "label_ids": [
                "6dedcd20-3d02-4838-b583-5434eac199d9"
            ],
            "release_date": "1994-01-18",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Released on this day in 1993!\n\nJerome Deupree, the band's original drummer, quit due to health problems during the recording of the album and was replaced by Billy Conway.\n\nThe tracks \"Sheila\" and \"In Spite of Me\" were prominently featured on the soundtrack of the 1994 independent film Spanking the Monkey. The track \"Buena\" also appears in the first season of The Sopranos, in the Daria episode \"The Teachings of Don Jake,\" and the barroom scene in the 1997 film Ulee's Gold.\n\nAs of 1995, it has sold 107,000 copies in United States and over 300,000 copies worldwide. https://tinyurl.com/nr74cp4z",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3553031,
            "uri": "https://api.kexp.org/v2/plays/3553031/?format=api",
            "airdate": "2025-09-14T17:03:43-07:00",
            "show": 64562,
            "show_uri": "https://api.kexp.org/v2/shows/64562/?format=api",
            "image_uri": "https://dn721700.ca.archive.org/0/items/mbid-b49a47b9-103c-4150-8b1a-bb9b11d345c4/mbid-b49a47b9-103c-4150-8b1a-bb9b11d345c4-42078316853_thumb500.jpg",
            "thumbnail_uri": "https://dn721700.ca.archive.org/0/items/mbid-b49a47b9-103c-4150-8b1a-bb9b11d345c4/mbid-b49a47b9-103c-4150-8b1a-bb9b11d345c4-42078316853_thumb250.jpg",
            "song": "Take Me to the Pilot",
            "track_id": "5dd74c3e-19b2-4bd6-acd6-b73a7fd25980",
            "recording_id": "dc8f6f1a-a720-41e0-b9ac-c8c9a1e12176",
            "artist": "Saint Etienne",
            "artist_ids": [
                "3997d4a6-c2bd-4191-8406-eb07f0abb5d2"
            ],
            "album": "International",
            "release_id": "b49a47b9-103c-4150-8b1a-bb9b11d345c4",
            "release_group_id": "63339f75-1e58-4a23-83d9-321bdb63bb5e",
            "labels": [
                "Heavenly Recordings"
            ],
            "label_ids": [
                "696ee2f4-c486-4e7a-80f4-cfd85193677a"
            ],
            "release_date": "2025-09-05",
            "rotation_status": "Heavy",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "This song was created with the help of Orbital’s Paul Hartnoll, who co-wrote and co-produced it.\n\nOf the track, Saint Etienne’s Bob Stanley reveals, \"'Take Me To The Pilot' is a dark mystery, a flight to somewhere new, somewhere to make your heart beat faster. It’s about escape, disappearance, reinvention. Who’s the pilot? You don’t get to find out — that’s the mystery, and the fun. Paul Hartnoll from Orbital and Tim Powell from Xenomania worked on it with us, and it might just have the best bassline we’ve ever released.\"\n\nPete Wiggs goes on to share, \"Back in 1990, after Bob had written a piece on Orbital, the Hartnoll brothers kindly let us see their stage setup. We hadn’t done anything live yet and were slightly mystified. I think we remained so.\n\n\"Years later, now much wiser, I was reintroduced to Paul at a party in Hove, where I now live. We kept bumping into each other on the seafront, got chatting, and although I wasn’t sure he’d say yes, I asked if he’d be up for writing a song with us. He did — and we love it!\" https://tinyurl.com/ee2j8vfy",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3553030,
            "uri": "https://api.kexp.org/v2/plays/3553030/?format=api",
            "airdate": "2025-09-14T17:01:50-07:00",
            "show": 64562,
            "show_uri": "https://api.kexp.org/v2/shows/64562/?format=api",
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            "comment": "",
            "location": 1,
            "location_name": "Default",
            "play_type": "airbreak"
        },
        {
            "id": 3553029,
            "uri": "https://api.kexp.org/v2/plays/3553029/?format=api",
            "airdate": "2025-09-14T16:58:37-07:00",
            "show": 64562,
            "show_uri": "https://api.kexp.org/v2/shows/64562/?format=api",
            "image_uri": "https://ia903107.us.archive.org/29/items/mbid-de3f9a1a-fedd-4e98-a0bf-4f37a3a0aaf9/mbid-de3f9a1a-fedd-4e98-a0bf-4f37a3a0aaf9-20510904847_thumb500.jpg",
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            "song": "Heavy, California",
            "track_id": "fe7cb3d8-e984-4a40-821d-1acfb7b50024",
            "recording_id": "db82d2da-9644-411f-979f-39e24938c029",
            "artist": "Jungle",
            "artist_ids": [
                "6bbb3983-ce8a-4971-96e0-7cae73268fc4"
            ],
            "album": "For Ever",
            "release_id": "de3f9a1a-fedd-4e98-a0bf-4f37a3a0aaf9",
            "release_group_id": "6cac3a96-2661-4d2b-a253-bef16a559616",
            "labels": [
                "XL Recordings"
            ],
            "label_ids": [
                "14221f01-8939-4ea0-b8f1-b5a21beae80a"
            ],
            "release_date": "2018-09-14",
            "rotation_status": "Library",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Released on this day in 2018!\n\nJungle were founded in 2013 by Josh Lloyd-Watson and Tom McFarland, who had been friends since they were nine years old and lived next door to each other in Shepherd's Bush, London. They were both educated at the Latymer Upper School in London.\n\nOriginally, the pair were part of the short-lived indie band Born Blonde, which released one album in 2012. They went on to form Jungle at the beginning of 2013, choosing to put an aesthetic emphasis on the music's surrounding artwork and videos, and not on the pair's own identity. \n\nInitially hiding their names and faces, Josh Lloyd-Watson and Tom McFarland came to be known as J and T. Over the course of the following year, Jungle evolved into a collective by working with different artists across diverse disciplines. https://tinyurl.com/ybf5prew",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3553027,
            "uri": "https://api.kexp.org/v2/plays/3553027/?format=api",
            "airdate": "2025-09-14T16:54:54-07:00",
            "show": 64562,
            "show_uri": "https://api.kexp.org/v2/shows/64562/?format=api",
            "image_uri": "https://dn721305.ca.archive.org/0/items/mbid-c83a7647-89c5-4491-a5c8-5773708e033b/mbid-c83a7647-89c5-4491-a5c8-5773708e033b-41979893265_thumb500.jpg",
            "thumbnail_uri": "https://dn721305.ca.archive.org/0/items/mbid-c83a7647-89c5-4491-a5c8-5773708e033b/mbid-c83a7647-89c5-4491-a5c8-5773708e033b-41979893265_thumb250.jpg",
            "song": "Sisters",
            "track_id": "7c6ff518-7f5f-4d14-b0bf-d7d17e16ac5f",
            "recording_id": "3720eb89-c8c0-417d-853a-8f7c324718c2",
            "artist": "Sofia Kourtesis",
            "artist_ids": [
                "2f8d2007-7666-45af-89d4-dec4921dce04"
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            "album": "Volver",
            "release_id": "c83a7647-89c5-4491-a5c8-5773708e033b",
            "release_group_id": "9f8b3609-c58f-4230-a8cd-dcf16d2f6c74",
            "labels": [
                "Ninja Tune"
            ],
            "label_ids": [
                "dc940013-b8a8-4362-a465-291026c04b42"
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            "release_date": "2025-08-01",
            "rotation_status": "Medium",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "The new EP from Peruvian DJ, producer, and vocalist Sofia Kourtesis is a vibrant collection of contemporary dance music infused with infectious Latin rhythms. \n\nCrafted between her homes in Germany and Peru, she uses her remarkable talents to help listeners move and groove with intent and purpose.\n\nKourtesis shares that Volver is a tribute to the LGBTQ+ community, and to trans women in particular: \"Their bravery and existence in a world full of hate and danger, they find a way to bring the lights to the most vulnerable communities, specifically those that are behind the walls of terrible corruption in the Latino America Security and Health System.\" https://tinyurl.com/ye24fscz",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3553026,
            "uri": "https://api.kexp.org/v2/plays/3553026/?format=api",
            "airdate": "2025-09-14T16:52:10-07:00",
            "show": 64562,
            "show_uri": "https://api.kexp.org/v2/shows/64562/?format=api",
            "image_uri": "https://ia800906.us.archive.org/10/items/mbid-5ea9f825-7bcf-4974-8adc-404d1c22fc39/mbid-5ea9f825-7bcf-4974-8adc-404d1c22fc39-42895384177_thumb500.jpg",
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            "song": "Obsession",
            "track_id": "756cd368-ede4-406d-be36-8b8902aeac8c",
            "recording_id": "7c5dea73-bb93-40b3-a6ea-8c89516bce70",
            "artist": "Oliver Sim",
            "artist_ids": [
                "040cb119-5d70-4f7f-af34-5d1f1c898030"
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            "album": "Obsession",
            "release_id": "5ea9f825-7bcf-4974-8adc-404d1c22fc39",
            "release_group_id": "fd70ad39-774a-40e2-9a7c-7bd7255c14dd",
            "labels": [
                "Young"
            ],
            "label_ids": [
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            ],
            "release_date": "2025-08-27",
            "rotation_status": "Medium",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "It’s been three years since the xx’s Oliver Sim released his solo debut album Hideous Bastard, but he's back with a new track featuring complementary vocals from Katie O’Neill, bringing Sim back into the boy-girl dynamic that works so well in his main band.\n\n\"Obsession\" is, however, a move away from the xx in one important way: It’s his first song ever to not be produced by Jamie xx, but Bullion and Taylor Skye. https://tinyurl.com/3skt4pam",
            "location": 1,
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        },
        {
            "id": 3553028,
            "uri": "https://api.kexp.org/v2/plays/3553028/?format=api",
            "airdate": "2025-09-14T16:50:32-07:00",
            "show": 64562,
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            "song": "Scooby-Doo, Where Are You?",
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            "artist": "Hoogway, Dosi, and Scooby Doo",
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            "album": "Lofi Scooby-Doo",
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            "labels": [
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            "comment": "It’s not entirely clear how this happened, but the beloved mystery-solving cartoon dog Scooby-Doo has now entered the lofi chill-beats music genre that populates so many Spotify playlists. WaterTower Music, the label associated with Warner Bros., has released a new album called Lofi Scooby-Doo, which includes a spaced-out version of the classic theme song “Scooby-Doo, Where Are You?” and a bunch of other comfortingly spooky selections.\n\nOf the project, WaterTower shares, \"The project taps into the rising global movement of lofi as a cultural touchstone — a genre that has become synonymous with study sessions, late-night drives, and cozy moments of reflection. By merging Scooby-Doo’s playful mystery-solving spirit with the warmth and nostalgia of lofi, the release invites fans both old and new to experience these legendary melodies in a fresh, modern way.\n\n\"The collection features eight leading voices in the scene: Hogway, Dosi, SwuM, Kurt Stewart, Lomme, Ruth de las Plantas, Sadiva, and Pastels. Each artist was given the freedom to reinterpret classic Scooby-Doo cues with their signature style — resulting in a soundtrack that feels at once familiar and surprising.\" https://tinyurl.com/2jujk7ua",
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            "airdate": "2025-09-14T16:44:20-07:00",
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            "song": "Kiss Them for Me",
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            "artist": "Siouxsie and the Banshees",
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            "album": "Superstition",
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            "comment": "One of many great songs sampling James Brown's \"Funky Drummer\"!\n\nSiouxsie wrote this song as a tribute to Jayne Mansfield, the late actress and pin-up girl, who starred opposite Cary Grant in the 1957 film \"Kiss Them for Me.\" \n\nThe lyrics use Mansfield's catchword \"divoon,\" referring to her heart-shaped swimming pool and her love of champagne and parties, and to the car crash that killed her at the age of 34 in 1967.  In the chorus, Siouxsie references her death: \"Nothing or no one / will ever make me let you down / Kiss them for me / I may be delayed Kiss them for me / if I am delayed…\"  https://tinyurl.com/ywpt8x8y",
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        {
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            "airdate": "2025-09-14T16:41:25-07:00",
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            "song": "Daisy",
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            "artist": "Melody’s Echo Chamber, El Michels Affair",
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            "album": "Daisy",
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            "comment": "French musician Melody Prochet, known as Melody’s Echo Chamber, has returned with \"Daisy,\" created in collaboration with El Michels Affair, the project of Grammy-winning producer Leon Michels.\n\nMichels brought in Grammy-winning mixer Jens Jungkurth to fully bring the track to life, resulting in a richly textured soundscape. The collaboration highlights both artists’ strengths—Prochet’s dreamlike melodic touch and Michels’ refined production—while creating something entirely new.\n\nOf this track, Melody says, \"'Daisy' started as a daydream while listening to Leon’s finest music. I reached out to him, and we instantly created this sweet overlapping zone—like an invisible playground between our worlds. It’s a privilege to have made this one together!\" https://tinyurl.com/mhvc5z79",
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            "airdate": "2025-09-14T16:37:37-07:00",
            "show": 64562,
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            "song": "Fight Test",
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            "artist": "The Flaming Lips",
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            "album": "Yoshimi Battles the Pink Robots",
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            "release_date": "2002-07-16",
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            "comment": "Of this track, Flaming Lips frontman Wayne Coyne explains, \"The subject of the song is the singer's regret about taking the attitude of 'not fighting' to an extreme - and by the end of the song realizes he's made a mistake and sometimes a person has no choice - as unpleasant as it may be... To surrender to every conflict without a challenge, he finds, is worse than getting beat up.\"\n\nThe melody is very similar to \"Father And Son\" by Cat Stevens. The Flaming Lips agreed to share the song's royalties with Stevens.\n\nThe melodic similarity to \"Father and Son\" wasn't intentional. \"We thought it was the greatest thing ever to finally be involved in a plagiarism claim,\" Wayne Coyne told Uncut magazine. \"We thought, 'We're legit! A real songwriter thinks it matters! It made the song more interesting. People probably listened to it five or six more times, just to be like, 'Does it really sound like that?'\"\n\nStevens didn't ask for much, just a quarter of the song's royalties. \"We were like, 'You want a quarter of one song on a Flaming Lips album - do you know what this is? This isn't anything!,'\" Coyne remarked.\n\n\"Fight Test\" was the theme song for the MTV cartoon 3 South, which ran for one season in 2002. https://tinyurl.com/rumtw3nn",
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        {
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            "airdate": "2025-09-14T16:33:59-07:00",
            "show": 64562,
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            "song": "I Believe in You",
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            "artist": "Ladytron",
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            "album": "I Believe in You",
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            "comment": "Founded in Liverpool, Ladytron were among the first acts at the start of the 21st century to readopt what had become unfashionable but also cheap synthesizers into their own DIY indie punk style of electronic music. From their debut album ‘604’ in 2001 to their most recent long form release \"Time’s Arrow\" in 2023, their sound has evolved and has led to their sound being variously described as synthpop, electroclash, electronic shoegaze and industrial goth over the years.\n\nNow slimmed down to a trio of Helen Marnie, Daniel Hunt, and Mira Aroyo following the departure of co-founder member Reuben Wu, the great new first single from the reconfigured line-up has been described as \"high-priestess disco.\" \"I Believe In You\" certainly possesses an infectious house groove previously not heard from LADYTRON while still recognisable as them.  https://tinyurl.com/4cc9c53d",
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            "airdate": "2025-09-14T16:26:34-07:00",
            "show": 64562,
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            "song": "Wordless Chorus",
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            "artist": "My Morning Jacket",
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            "album": "Z",
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            "comment": "This track features a literal wordless, harmonized chorus sung by the band, which creates a lush wall of sound after the introspective verses. The lyrics explore themes of artistic integrity and commercial success, with lines like \"Forget about instinct, it's not what pays\" and \"Remember the promise as a kid you made.\"\n\nThe song also contains a unique, highly distinctive syncopated melodic line in the verses and yelps from frontman Jim James in the instrumental section.",
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            "airdate": "2025-09-14T16:22:20-07:00",
            "show": 64562,
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            "song": "Another Life",
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            "artist": "Alabama Shakes",
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            "comment": "Of this majestic track, Brittany Howard reveals, \"As human beings, I think we've kind of forgotten who we are. We're not just, like, biological fleshy bodies walking around and making money. Science has kind of caught up to the spiritual idea of there being multiple timelines. Your soul is just a part of this experience. There's so much more going on than meets the eye. Therefore, there's so much more possibility to talk about these things as being natural things in existence.\n\n\"Just because this didn't happen in this timeline doesn't mean it won't arrive on another one, or [that] I'm not already experiencing this in another lifetime. It's okay to let go. It's okay not to be angry. It's okay that not everything is meant to be you know. That's kind of what that whole thing is about.\n\n\"Of course, I would love for people to put their own meaning to it. The [Shakes] song 'I Don't Wanna Fight' — a lot of people take it to mean in a relationship, but what I actually meant was people as world citizens having to fight this, that and the other just to be people.\" https://tinyurl.com/4csp7rh2",
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}