Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=19560
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=19580", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=19540", "results": [ { "id": 3552913, "uri": "https://api.kexp.org/v2/plays/3552913/?format=api", "airdate": "2025-09-14T10:01:29-07:00", "show": 64560, "show_uri": "https://api.kexp.org/v2/shows/64560/?format=api", "image_uri": "https://coverartarchive.org/release/eb47ab96-5351-42e6-a892-4c2b4ad0a1ba/35069410488-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/eb47ab96-5351-42e6-a892-4c2b4ad0a1ba/35069410488-250.jpg", "song": "Undertaker Blues", "track_id": null, "recording_id": "90d591f5-065f-45cd-8252-5b8621879e4b", "artist": "Nat Myers", "artist_ids": [ "3df37b59-161c-4a82-b76b-a5b9b69bdf1c" ], "album": "Yellow Peril", "release_id": null, "release_group_id": "b4bde39d-2eab-4cb4-a95f-5a40fca13acb", "labels": [ "Easy Eye Sound" ], "label_ids": [ "895e5b19-d586-4f83-a2aa-2b00d4803ba4" ], "release_date": "2023-06-23", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The Korean-American poet was busking in New York and uploading performances to YouTube when Dan Auerbach found him and invited him to record an album at his studio in Nashville.\nhttps://natmyers.bandcamp.com/album/yellow-peril", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3552912, "uri": "https://api.kexp.org/v2/plays/3552912/?format=api", "airdate": "2025-09-14T09:58:28-07:00", "show": 64560, "show_uri": "https://api.kexp.org/v2/shows/64560/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Mistreating People", "track_id": null, "recording_id": null, "artist": "Ryan Lee Crosby", "artist_ids": [], "album": "At The Blue Front", "release_id": null, "release_group_id": null, "labels": [ "Crossnote Records" ], "label_ids": [], "release_date": "2025-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The Bostonian recorded live to a Tascam 22-4 four channel reel to reel recorder at the Blue Front Cafe in Bentonia, Mississippi, which is owned by Crosby’s mentor in Bentonia blues playing Jimmy “Duck” Holmes. \nhttps://ryanleecrosby.bandcamp.com/track/mistreating-people-3", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3552911, "uri": "https://api.kexp.org/v2/plays/3552911/?format=api", "airdate": "2025-09-14T09:54:24-07:00", "show": 64560, "show_uri": "https://api.kexp.org/v2/shows/64560/?format=api", "image_uri": "https://coverartarchive.org/release/09833b6e-75d0-4be0-a882-b90edd2ac660/27444647326-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/09833b6e-75d0-4be0-a882-b90edd2ac660/27444647326-250.jpg", "song": "Ode to the Lonesome", "track_id": null, "recording_id": "4617230c-f511-4644-98ce-44dd6a228661", "artist": "Robert Connely Farr & The Rebeltone Boys", "artist_ids": [ "980a69c5-10a5-4d8d-bdb8-63f049fd506b", "a0058cd3-f0f9-4c39-a89b-7db95167c9d0" ], "album": "Dirty South Blues", "release_id": null, "release_group_id": "1a82d3f6-0ae0-44e3-9fca-d8193ebdd6ae", "labels": [ "Self Released" ], "label_ids": [], "release_date": "2018-09-14", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The Vancouver, BC based musician is originally from Mississippi and was mentored by Jimmy “Duck” Holmes in the Bentonia blues style and Connely dedicated the album to him. \nhttps://robertconnelyfarr.bandcamp.com/album/dirty-south-blues-2", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3552910, "uri": "https://api.kexp.org/v2/plays/3552910/?format=api", "airdate": "2025-09-14T09:48:54-07:00", "show": 64560, "show_uri": "https://api.kexp.org/v2/shows/64560/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Ain't It A Shame", "track_id": null, "recording_id": null, "artist": "Gabe Carter", "artist_ids": [ "49939bf2-2677-4704-8aad-122517739819" ], "album": "I Was Born To Preach The Gospel", "release_id": null, "release_group_id": null, "labels": [ "Lord and Gabe Records" ], "label_ids": [], "release_date": "2014-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Carter was born in Indiana and raised in Michigan but was given the nickname Mississippi in recognition of the influence of the blues music that came out of the Bentonian region of the state.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3552909, "uri": "https://api.kexp.org/v2/plays/3552909/?format=api", "airdate": "2025-09-14T09:45:36-07:00", "show": 64560, "show_uri": "https://api.kexp.org/v2/shows/64560/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3552908, "uri": "https://api.kexp.org/v2/plays/3552908/?format=api", "airdate": "2025-09-14T09:42:09-07:00", "show": 64560, "show_uri": "https://api.kexp.org/v2/shows/64560/?format=api", "image_uri": "https://coverartarchive.org/release/ca262159-8c97-4f34-b9df-54aae52b8844/37806336181-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/ca262159-8c97-4f34-b9df-54aae52b8844/37806336181-250.jpg", "song": "Going Down the Road Feeling Bad", "track_id": null, "recording_id": "0aca7c24-c73a-413f-ba40-6c0feb3f3363", "artist": "Cephas & Wiggins", "artist_ids": [ "c446d14f-6abf-47da-927d-e7cbfc0c6373" ], "album": "Richmond Blues", "release_id": null, "release_group_id": "4cde721f-665b-478a-a294-b2fda0bf3dfa", "labels": [ "Smithsonian Folkways" ], "label_ids": [ "a1bc50b9-4ef5-409d-9042-594d653f425a" ], "release_date": "2008-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "John Cephas and Phil Wiggins met at a jam session at the Smithsonian's Festival of American Folklife in 1976 and both went on to be awarded the National Heritage Fellowship.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3552907, "uri": "https://api.kexp.org/v2/plays/3552907/?format=api", "airdate": "2025-09-14T09:39:24-07:00", "show": 64560, "show_uri": "https://api.kexp.org/v2/shows/64560/?format=api", "image_uri": "https://coverartarchive.org/release/ee601564-e86a-410b-a645-950b2ebf9102/32508132510-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/ee601564-e86a-410b-a645-950b2ebf9102/32508132510-250.jpg", "song": "Going Down the Road Feeling Bad", "track_id": null, "recording_id": "f023b1d7-8813-4b52-94e8-f1bdaa9db835", "artist": "Etta Baker", "artist_ids": [ "e3e250c1-fc37-4d6a-a907-2e3bf3ad0f0b" ], "album": "Railroad Bill", "release_id": null, "release_group_id": "be07c591-e36c-3dcf-8ad1-8a5dc6efa57e", "labels": [ "Music Maker Recordings" ], "label_ids": [ "d11ef58e-829e-4221-9926-bf07d72e227a" ], "release_date": "2016-02-04", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The Virgininian Piedmont blues guitar player was discovered in the 1950s but held back in her career by her husband. It was only after his death that she had started performing in public, inspiring the likes of Taj Mahal who points to this song as being a key part of his guitar vocabulary.\nhttps://www.musicmaker.org/artist/etta-baker/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3552906, "uri": "https://api.kexp.org/v2/plays/3552906/?format=api", "airdate": "2025-09-14T09:35:53-07:00", "show": 64560, "show_uri": "https://api.kexp.org/v2/shows/64560/?format=api", "image_uri": "https://coverartarchive.org/release/bfd2f9f6-a143-35d0-9eee-67299edf28c9/32007430209-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/bfd2f9f6-a143-35d0-9eee-67299edf28c9/32007430209-250.jpg", "song": "Make Me Down a Pallet on Your Floor", "track_id": null, "recording_id": "39dea743-f473-4db0-a2f7-5488cea9fbec", "artist": "Lucinda Williams", "artist_ids": [ "21685b15-3074-446e-aa1d-ff7157014f53" ], "album": "Ramblin' on My Mind", "release_id": null, "release_group_id": "890b48be-de9a-386f-ba00-7231da6c0364", "labels": [ "Smithsonian Folkways" ], "label_ids": [ "a1bc50b9-4ef5-409d-9042-594d653f425a" ], "release_date": "1979-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "William’s debut featured her interpretations of traditional songs and was recorded in Mississippi.\nhttps://lucindawilliams.bandcamp.com/album/ramblin-on-my-mind\n\nPlaying SF’s Golden Gate Park 10/3 and Seattle’s 5th Avenue Theatre 10/8.\n\nPlaying some of her other songs live on KEXP in 2015 here: https://www.youtube.com/watch?v=LSyI1nZsSi4", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3552905, "uri": "https://api.kexp.org/v2/plays/3552905/?format=api", "airdate": "2025-09-14T09:33:06-07:00", "show": 64560, "show_uri": "https://api.kexp.org/v2/shows/64560/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Make Me a Pallet", "track_id": null, "recording_id": "a86ea45e-df77-402c-8dab-0291bbd1f1a3", "artist": "Jo Ann Kelly", "artist_ids": [ "25c782fb-7ce9-481a-a7f6-006fa09b4c5c" ], "album": "Me And The Devil: An Anthology Of The British Blues", "release_id": null, "release_group_id": null, "labels": [ "Imperial" ], "label_ids": [ "afe5e60c-918e-48ab-a692-66940684ade7" ], "release_date": "1968-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "A traditional blues song first recorded in 1925.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3552904, "uri": "https://api.kexp.org/v2/plays/3552904/?format=api", "airdate": "2025-09-14T09:27:08-07:00", "show": 64560, "show_uri": "https://api.kexp.org/v2/shows/64560/?format=api", "image_uri": "https://coverartarchive.org/release/15345c5f-fad5-41d8-a827-9c4b963819b6/32907469146-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/15345c5f-fad5-41d8-a827-9c4b963819b6/32907469146-250.jpg", "song": "Oh Babe It Ain't No Lie", "track_id": null, "recording_id": "0e866129-7d97-46a5-a341-b0d74ece2229", "artist": "Elizabeth Cotten", "artist_ids": [ "907f53c2-f7d1-406a-8071-30262ba472ca" ], "album": "Folksongs and Instrumentals With Guitar", "release_id": null, "release_group_id": "3d360ea7-e0f5-420e-af07-7400dee2aace", "labels": [ "Folkways Records" ], "label_ids": [ "4c119b4a-d398-454a-be5d-96b7aac653bc" ], "release_date": "1958-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Originally released in 1958, showcasing Cotten’s left handed playing of an upside down right handed guitar.\nhttps://elizabethcotten.bandcamp.com/album/freight-train-and-other-north-carolina-folk-songs-and-tunes", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3552903, "uri": "https://api.kexp.org/v2/plays/3552903/?format=api", "airdate": "2025-09-14T09:24:41-07:00", "show": 64560, "show_uri": "https://api.kexp.org/v2/shows/64560/?format=api", "image_uri": "https://coverartarchive.org/release/a150ecb5-848d-3fa5-ad60-90de29226b07/29849600968-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/a150ecb5-848d-3fa5-ad60-90de29226b07/29849600968-250.jpg", "song": "Hey Girl", "track_id": null, "recording_id": "a551c8b4-eaed-41ec-bb91-bdb30bff3020", "artist": "Norma Tanega", "artist_ids": [ "6afd770e-8d2a-4243-b1fc-d9c22f11e428" ], "album": "Walkin’ My Cat Named Dog", "release_id": null, "release_group_id": "c0c69882-d4bc-3155-937f-578622f9468b", "labels": [ "New Voice Records" ], "label_ids": [ "05c57d2b-fe67-4c54-ba3f-593dd369e476" ], "release_date": "1966-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The Californian-Panamanian singer was a member of the Greenwich Village folk scene of the 60s.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3552902, "uri": "https://api.kexp.org/v2/plays/3552902/?format=api", "airdate": "2025-09-14T09:21:21-07:00", "show": 64560, "show_uri": "https://api.kexp.org/v2/shows/64560/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3552901, "uri": "https://api.kexp.org/v2/plays/3552901/?format=api", "airdate": "2025-09-14T09:18:54-07:00", "show": 64560, "show_uri": "https://api.kexp.org/v2/shows/64560/?format=api", "image_uri": "https://coverartarchive.org/release/1ebd5f98-a611-35c0-900d-abc3373597e0/2976718357-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/1ebd5f98-a611-35c0-900d-abc3373597e0/2976718357-250.jpg", "song": "Your Southern Can Is Mine", "track_id": null, "recording_id": "13311783-f206-4db3-8432-181fdf70d760", "artist": "The White Stripes", "artist_ids": [ "11ae9fbb-f3d7-4a47-936f-4c0a04d3b3b5" ], "album": "De Stijl", "release_id": null, "release_group_id": "17d13708-d267-3e28-9f7a-dc27eaaf2eb1", "labels": [ "Sympathy for the Record Industry" ], "label_ids": [ "5080c956-1501-4a2b-ae59-161edab8a4f0" ], "release_date": "2000-06-20", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "This cover of a Blind Willie McTell song and the rest of the album were recorded by the duo in Jack White's living room, exclusively using an 8-track analog tape.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3552900, "uri": "https://api.kexp.org/v2/plays/3552900/?format=api", "airdate": "2025-09-14T09:17:03-07:00", "show": 64560, "show_uri": "https://api.kexp.org/v2/shows/64560/?format=api", "image_uri": "https://coverartarchive.org/release/3982ce7f-cd3e-46df-960c-ee5575681198/6394256100-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/3982ce7f-cd3e-46df-960c-ee5575681198/6394256100-250.jpg", "song": "I'm So Glad", "track_id": null, "recording_id": "90ba5fbb-eac8-48e2-8950-6032d7c4a7c2", "artist": "Skip James", "artist_ids": [ "f205743d-4441-471d-a3af-66f584738e29" ], "album": "Today!", "release_id": null, "release_group_id": "d4868d29-590e-322f-910d-d26eb60c2f8f", "labels": [ "Vanguard" ], "label_ids": [], "release_date": "1966-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Originally recorded and released in 1930 by the Delta blues musician, British rock band Cream included a cover on their debut album of which James liked their interpretation of his song, and recorded a new version to capitalize on the new attention.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3552899, "uri": "https://api.kexp.org/v2/plays/3552899/?format=api", "airdate": "2025-09-14T09:11:47-07:00", "show": 64560, "show_uri": "https://api.kexp.org/v2/shows/64560/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Fare Thee Well Blues", "track_id": null, "recording_id": "234e4e95-a25f-4934-afa7-53ebd84258ae", "artist": "Joe Callicott", "artist_ids": [ "0ca9df14-4a72-480f-8bbe-34ee521ce390" ], "album": "Ain't a Gonna Lie to You: George Mitchell Collection", "release_id": null, "release_group_id": null, "labels": [ "Fat Possum Records" ], "label_ids": [ "76da5b47-69e8-49e7-a2fc-62d296b6224f" ], "release_date": "2003-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Recorded by folklorist George Mitchell on Joe's front porch in Mississippi in 1967, nearly 40 years after Joe's first recordings\nhttp://www.mississippibluestravellers.com/joe-callicott-aint-a-gonna-lie-to-you-fat-possum-records \n\nhttps://joecallicott.bandcamp.com/album/aint-a-gonna-lie-to-you", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3552898, "uri": "https://api.kexp.org/v2/plays/3552898/?format=api", "airdate": "2025-09-14T09:09:18-07:00", "show": 64560, "show_uri": "https://api.kexp.org/v2/shows/64560/?format=api", "image_uri": "https://coverartarchive.org/release/7642accf-115c-45a5-b256-e6ce53516058/26599402999-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/7642accf-115c-45a5-b256-e6ce53516058/26599402999-250.jpg", "song": "You Got to Die", "track_id": null, "recording_id": "e101b6a4-471a-47b7-905f-8ce4a603f3c2", "artist": "Blind Willie McTell", "artist_ids": [ "81e02e29-e46a-49cb-bf13-d204cbe86daa" ], "album": "Atlanta Twelve String", "release_id": null, "release_group_id": "1f7692b9-351a-3fee-8939-c5f78a5b9735", "labels": [ "Atlantic" ], "label_ids": [ "50c384a2-0b44-401b-b893-8181173339c7" ], "release_date": "1972-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The Georgia musician played in a fluid, syncopated finger picking guitar style known as Piedmont blues style. While he never had commercial success, he played the Atlanta circuit and recorded up until his death. Recorded in 1949.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3552897, "uri": "https://api.kexp.org/v2/plays/3552897/?format=api", "airdate": "2025-09-14T09:06:31-07:00", "show": 64560, "show_uri": "https://api.kexp.org/v2/shows/64560/?format=api", "image_uri": "https://coverartarchive.org/release/786db1eb-10e5-4e56-87f5-ff8b0ccfbb12/37349141684-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/786db1eb-10e5-4e56-87f5-ff8b0ccfbb12/37349141684-250.jpg", "song": "Easy Rider", "track_id": null, "recording_id": "47367dcb-82bf-4c8f-a5be-4ef72050a6b8", "artist": "Lead Belly", "artist_ids": [ "ddcfbdcf-cf8d-4776-8a69-10f39376b5a2" ], "album": "Easy Rider: Leadbelly Legacy Volume Four", "release_id": null, "release_group_id": "3b275bee-9696-4c44-a03b-572d18ccd5cb", "labels": [ "Folkways Records" ], "label_ids": [ "4c119b4a-d398-454a-be5d-96b7aac653bc" ], "release_date": "1953-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "A collection of songs recorded in the 1940s thematically tied through Leadbelly’s observations on the hate and racism that permeated America and the world during this turbulent period of history.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3552896, "uri": "https://api.kexp.org/v2/plays/3552896/?format=api", "airdate": "2025-09-14T09:03:33-07:00", "show": 64560, "show_uri": "https://api.kexp.org/v2/shows/64560/?format=api", "image_uri": "https://coverartarchive.org/release/401d66d2-e834-409a-8698-8bb8af0bd9a4/34968371707-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/401d66d2-e834-409a-8698-8bb8af0bd9a4/34968371707-250.jpg", "song": "Falling Down Blues", "track_id": null, "recording_id": "acb4c317-4b10-4a94-81d5-b9582f86b537", "artist": "Furry Lewis", "artist_ids": [ "56cc74c7-6a8c-42a4-87a1-59d6963b2c1f" ], "album": "In His Prime 1927-1928", "release_id": null, "release_group_id": "c37420a0-b7d9-37ff-b07e-c6dabbb54409", "labels": [ "Yazoo Records" ], "label_ids": [ "0a202dda-fc09-453a-9db2-c4828f9c4de2" ], "release_date": "1991-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Mississippi-born Memphis, TN raised Lewis was playing fish frys and taverns as a child and was a beloved figure on Beale Street. He lost his leg while trying to hop a train. Recorded in the 1920s.\nhttps://folkways.si.edu/furry-lewis-rural-blues-performer/music/article/smithsonian", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3552894, "uri": "https://api.kexp.org/v2/plays/3552894/?format=api", "airdate": "2025-09-14T09:00:23-07:00", "show": 64560, "show_uri": "https://api.kexp.org/v2/shows/64560/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Guitar Rag", "track_id": null, "recording_id": "47ee75ff-c997-493c-b027-02773952382c", "artist": "Sylvester Weaver", "artist_ids": [ "1e1fa4a5-3bd6-4a1c-9b1d-5c613a741500" ], "album": "Complete Recorded Works in Chronological Order, Volume 1: 1923-1927", "release_id": null, "release_group_id": "a15e6441-596d-4dde-b050-471f9902642e", "labels": [ "Document Records" ], "label_ids": [ "118ef48e-0a1a-4826-aa87-27a5a3d3d465" ], "release_date": "1992-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "In 1926, Kentucky born Weaver went to NYC and recorded this song, the first known blues guitar instrumental. It went on to be a country blues classic.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3552893, "uri": "https://api.kexp.org/v2/plays/3552893/?format=api", "airdate": "2025-09-14T09:00:21-07:00", "show": 64560, "show_uri": "https://api.kexp.org/v2/shows/64560/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" } ] }
