Information about plays

list: List of plays
retrieve: Information about a specific play by ID

GET /v2/plays/?format=api&offset=20
HTTP 200 OK
Allow: GET, HEAD, OPTIONS
Content-Type: application/json
Vary: Accept

{
    "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=40",
    "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20",
    "results": [
        {
            "id": 3644938,
            "uri": "https://api.kexp.org/v2/plays/3644938/?format=api",
            "airdate": "2026-04-21T13:53:10-07:00",
            "show": 66514,
            "show_uri": "https://api.kexp.org/v2/shows/66514/?format=api",
            "image_uri": "",
            "thumbnail_uri": "",
            "comment": "",
            "location": 1,
            "location_name": "Default",
            "play_type": "airbreak"
        },
        {
            "id": 3644937,
            "uri": "https://api.kexp.org/v2/plays/3644937/?format=api",
            "airdate": "2026-04-21T13:48:13-07:00",
            "show": 66514,
            "show_uri": "https://api.kexp.org/v2/shows/66514/?format=api",
            "image_uri": "https://dn710906.ca.archive.org/0/items/mbid-89b84d6b-2067-4179-8478-ea3e24ddcb9f/mbid-89b84d6b-2067-4179-8478-ea3e24ddcb9f-4462754181_thumb500.jpg",
            "thumbnail_uri": "https://dn710906.ca.archive.org/0/items/mbid-89b84d6b-2067-4179-8478-ea3e24ddcb9f/mbid-89b84d6b-2067-4179-8478-ea3e24ddcb9f-4462754181_thumb250.jpg",
            "song": "Turn Around",
            "track_id": "3835c4d3-2d90-388e-814a-bbb5602379a2",
            "recording_id": "6dbb6fde-c2f2-49ab-b1d9-ea0f37e3b317",
            "artist": "The Postal Service",
            "artist_ids": [
                "299278d3-25dd-4f30-bae4-5b571c28034d"
            ],
            "album": "Give Up",
            "release_id": "89b84d6b-2067-4179-8478-ea3e24ddcb9f",
            "release_group_id": "ee51d41d-d337-3ce1-b72c-3f40e1973e2b",
            "labels": [
                "Sub Pop Records"
            ],
            "label_ids": [
                "38dc88de-7720-4100-9d5b-3cdc41b0c474"
            ],
            "release_date": "2013-04-09",
            "rotation_status": null,
            "is_local": true,
            "is_request": false,
            "is_live": false,
            "comment": "\"Turn Around\" is a new Postal Service song that's actually an old one — a track Ben Gibbard, Jimmy Tamborello, and Jenny Lewis recorded during the original Give Up sessions, shelved, and then finally finished and released for the album's 10th anniversary reissue on Sub Pop on April 9, 2013. Critics read it almost as a sequel to \"This Place Is a Prison,\" with Gibbard promising to stick around for someone drowning in drugs and booze — acoustic-guitar melancholy that suddenly speeds up into lunging electronic anxiety. One of only two new Postal Service songs the trio ever completed after Give Up. Read more here: https://consequence.net/2013/03/listen-to-the-postal-services-new-song-turn-around/\nhttps://thepostalservice.bandcamp.com\nhttps://postalservicemusic.net",
            "location": 1,
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        },
        {
            "id": 3644936,
            "uri": "https://api.kexp.org/v2/plays/3644936/?format=api",
            "airdate": "2026-04-21T13:44:08-07:00",
            "show": 66514,
            "show_uri": "https://api.kexp.org/v2/shows/66514/?format=api",
            "image_uri": "https://dn721806.ca.archive.org/0/items/mbid-1d8f4825-130a-4354-ac69-e4f497ced593/mbid-1d8f4825-130a-4354-ac69-e4f497ced593-35543195762_thumb500.jpg",
            "thumbnail_uri": "https://dn721806.ca.archive.org/0/items/mbid-1d8f4825-130a-4354-ac69-e4f497ced593/mbid-1d8f4825-130a-4354-ac69-e4f497ced593-35543195762_thumb250.jpg",
            "song": "No One Knows We’re Dancing",
            "track_id": "05b56e77-7267-4b10-b699-7adf96cd30cc",
            "recording_id": "55cedd15-c5a6-45c6-bfb3-3fdac2acaf8c",
            "artist": "Everything but the Girl",
            "artist_ids": [
                "959cf5bf-ee29-4af6-a85a-0b480181d988"
            ],
            "album": "Fuse",
            "release_id": "1d8f4825-130a-4354-ac69-e4f497ced593",
            "release_group_id": "e09f368f-8441-4aa6-91ee-06e056744694",
            "labels": [
                "Buzzin' Fly"
            ],
            "label_ids": [
                "f58041a3-1438-4e66-911e-bf34378e0ea4"
            ],
            "release_date": "2023-04-21",
            "rotation_status": "Library",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Tracey Thorn and Ben Watt met at the University of Hull in October 1981 — both nineteen, both already signed as teenagers to Cherry Red Records (she fronted the post-punk trio Marine Girls, a band Kurt Cobain and Courtney Love were publicly fans of; he was a solo singer-songwriter), and their shared A&R man Mike Alway was actually the one who engineered the introduction. They formed Everything but the Girl in 1982 and named it after a sign they walked past in the window of Turner's Furniture on Beverley Road, Hull: \"For your bedroom needs, we sell everything but the girl.\" They've been married ever since. Read more here: https://ebtg.com/about/\nhttps://ebtg.com\n\n\"No One Knows We're Dancing\" is Tracey Thorn and Ben Watt's eulogy to Lazy Dog — the Sunday club night Ben ran at Notting Hill Arts Club with Jay Hannan from the late '90s into the early 2000s. \"I think we all missed the communality of nightlife during the pandemic,\" Thorn has said",
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        },
        {
            "id": 3644935,
            "uri": "https://api.kexp.org/v2/plays/3644935/?format=api",
            "airdate": "2026-04-21T13:40:51-07:00",
            "show": 66514,
            "show_uri": "https://api.kexp.org/v2/shows/66514/?format=api",
            "image_uri": "https://dn720704.ca.archive.org/0/items/mbid-d567881a-1e38-4222-96c0-db03f099fbd1/mbid-d567881a-1e38-4222-96c0-db03f099fbd1-43220029702_thumb500.jpg",
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            "song": "blade bird",
            "track_id": "0c71300a-c6ef-44af-8886-0b47f7e98dca",
            "recording_id": "bc2a386b-2bc3-4dd6-a378-e7c9027bbfc2",
            "artist": "Oklou",
            "artist_ids": [
                "13e2db47-3010-48b8-a8b9-667551f37119"
            ],
            "album": "choke enough",
            "release_id": "d567881a-1e38-4222-96c0-db03f099fbd1",
            "release_group_id": "45f8261c-e781-4a8f-b1f6-ca6616bd1dfe",
            "labels": [
                "True Panther Records"
            ],
            "label_ids": [
                "e48f491c-3106-4321-a724-82728ffa13c3"
            ],
            "release_date": "2025-02-07",
            "rotation_status": "Library",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Out to Tony in PDX!\n\n\"blade bird\" adapts a Basque folk poem called \"Txoria Txori\" — \"The Bird's a Bird\" — about loving a creature you can't cage without killing. Oklou flips it into a song about romantic love: falling for someone precisely because of the things that make them impossible to hold, and sitting with the knowledge that your own desire is the blade. It closes the album in a hush, mostly voice and gauze, extending the drumless palette she's been perfecting across the record. She walked Pitchfork through the whole reading-Txoria-Txori connection in their interview this year. Read more here: https://liminul.xyz/oklous-blade-bird-and-sylvia-plaths-the-shrike/\nhttps://oklou.bandcamp.com\nhttps://oklou.com",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3644934,
            "uri": "https://api.kexp.org/v2/plays/3644934/?format=api",
            "airdate": "2026-04-21T13:37:48-07:00",
            "show": 66514,
            "show_uri": "https://api.kexp.org/v2/shows/66514/?format=api",
            "image_uri": "https://dn710301.ca.archive.org/0/items/mbid-d7777238-962e-34cd-a12e-c0b615bc607b/mbid-d7777238-962e-34cd-a12e-c0b615bc607b-22159240021_thumb500.jpg",
            "thumbnail_uri": "https://dn710301.ca.archive.org/0/items/mbid-d7777238-962e-34cd-a12e-c0b615bc607b/mbid-d7777238-962e-34cd-a12e-c0b615bc607b-22159240021_thumb250.jpg",
            "song": "Believe E.S.P.",
            "track_id": "eb7d88a2-33f6-3056-8a9f-2441a70158f0",
            "recording_id": "a2ada739-daae-46ea-b51e-777abfc8aafa",
            "artist": "Deerhoof",
            "artist_ids": [
                "11eabe0c-2638-4808-92f9-1dbd9c453429"
            ],
            "album": "Friend Opportunity",
            "release_id": "3b70f7f0-b423-37b4-8e3b-f610599d9b86",
            "release_group_id": "16e712d3-3d31-3f59-b16d-cfd3bafc363c",
            "labels": [
                "ATP Recordings"
            ],
            "label_ids": [
                "4083edb9-d2f5-4bfd-8c36-061b2aaaf82f"
            ],
            "release_date": "2007-02-26",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Friend Opportunity arrived in January 2007 as Deerhoof's accessible-pop pivot — the record where, after fifteen years of gleeful noise-damage, they unveiled a version of themselves that was \"radio-ready\" enough for Pitchfork to actually use that phrase. It's also the album that got twelve different front covers, each one drawn by the British artist David Shrigley as a kind of gift to the band. There's a loose theme threaded through the songs — lonely, lost, and migrating people searching for connection — and \"Believe E.S.P.\" is one of its stranger-minded characters, thrumming with mind-reading paranoia. Read more here: https://www.treblezine.com/deerhoof-friend-opportunity/\nhttps://deerhoof.bandcamp.com\nhttps://deerhoof.website",
            "location": 1,
            "location_name": "Default",
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        },
        {
            "id": 3644933,
            "uri": "https://api.kexp.org/v2/plays/3644933/?format=api",
            "airdate": "2026-04-21T13:33:14-07:00",
            "show": 66514,
            "show_uri": "https://api.kexp.org/v2/shows/66514/?format=api",
            "image_uri": "https://dn711005.ca.archive.org/0/items/mbid-aa7845c8-79e3-4149-93ac-3968d7951439/mbid-aa7845c8-79e3-4149-93ac-3968d7951439-44536532463_thumb500.jpg",
            "thumbnail_uri": "https://dn711005.ca.archive.org/0/items/mbid-aa7845c8-79e3-4149-93ac-3968d7951439/mbid-aa7845c8-79e3-4149-93ac-3968d7951439-44536532463_thumb250.jpg",
            "song": "Sarniezz",
            "track_id": "304b837b-37f7-4a80-bba5-78b8d9948207",
            "recording_id": "2456f690-add7-467f-9ca7-4669dd923b54",
            "artist": "Angine de Poitrine",
            "artist_ids": [
                "5fd29907-c3c5-4b1d-a799-7cf9bbd288fc"
            ],
            "album": "Vol II.",
            "release_id": "aa7845c8-79e3-4149-93ac-3968d7951439",
            "release_group_id": "e94228ce-5394-45f9-b535-7469a6e57d02",
            "labels": [],
            "label_ids": [],
            "release_date": "2026-04-03",
            "rotation_status": "Medium",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "\"Sarniezz\" is a standout track from Vol. II, the sophomore album by the anonymous Quebecois duo Angine de Poitrine. Following their Live on KEXP performance—which has amassed over ten million views—the duo has seen a massive surge in momentum, fueling the anticipation and buzz surrounding this latest release. Watch here: https://www.youtube.com/watch?v=0Ssi-9wS1so",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3644931,
            "uri": "https://api.kexp.org/v2/plays/3644931/?format=api",
            "airdate": "2026-04-21T13:30:15-07:00",
            "show": 66514,
            "show_uri": "https://api.kexp.org/v2/shows/66514/?format=api",
            "image_uri": "https://dn710104.ca.archive.org/0/items/mbid-81164a05-3bf7-4f1a-b162-9b9784157f33/mbid-81164a05-3bf7-4f1a-b162-9b9784157f33-44408994230_thumb500.jpg",
            "thumbnail_uri": "https://dn710104.ca.archive.org/0/items/mbid-81164a05-3bf7-4f1a-b162-9b9784157f33/mbid-81164a05-3bf7-4f1a-b162-9b9784157f33-44408994230_thumb250.jpg",
            "song": "Fear (Hey Friend)",
            "track_id": "4197239d-2c69-4717-989c-f34307202353",
            "recording_id": "2d1ca803-210b-4727-9ae0-4066fa62dd23",
            "artist": "Moonchild feat. PJ Morton",
            "artist_ids": [
                "d0bb100a-c0d6-4ef7-bde2-cc5095a31d24",
                "ee172506-d3b5-4977-8486-eaa478052997"
            ],
            "album": "Waves",
            "release_id": "81164a05-3bf7-4f1a-b162-9b9784157f33",
            "release_group_id": "d1c7b218-4af1-4322-b06a-9bacc0e0df4a",
            "labels": [
                "Tru Thoughts"
            ],
            "label_ids": [
                "095a742b-c292-43e2-b10d-e93e46c446db"
            ],
            "release_date": "2026-02-20",
            "rotation_status": "Light",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Moonchild play The Crocodile in Seattle this Thursday, April 23 — two nights from now — behind Waves, their new album, which dropped digitally in February and on vinyl three weeks ago. It's their sixth record, and their first full album of in-person studio work since before the pandemic (2022's Starfruit was built entirely remote). Waves stacks a serious guest list across its 14 tracks: Jill Scott, Lalah Hathaway, Robert Glasper, Rapsody, D Smoke, drummer Chris Dave, and PJ Morton, who features on this one. Brittney Carter opens Thursday. Read more here: https://tru-thoughts.co.uk/moonchild-return-with-waves/\nCatch Moonchild live:\n\nSeattle, WA on April 23 at The Crocodile (with Brittney Carter)\nPortland, OR on April 24\nBerkeley, CA on April 29 at The UC Theatre\nhttps://thisismoonchild.bandcamp.com\nhttps://www.thisismoonchild.com",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3644932,
            "uri": "https://api.kexp.org/v2/plays/3644932/?format=api",
            "airdate": "2026-04-21T13:28:21-07:00",
            "show": 66514,
            "show_uri": "https://api.kexp.org/v2/shows/66514/?format=api",
            "image_uri": "",
            "thumbnail_uri": "",
            "comment": "",
            "location": 1,
            "location_name": "Default",
            "play_type": "airbreak"
        },
        {
            "id": 3644930,
            "uri": "https://api.kexp.org/v2/plays/3644930/?format=api",
            "airdate": "2026-04-21T13:20:56-07:00",
            "show": 66514,
            "show_uri": "https://api.kexp.org/v2/shows/66514/?format=api",
            "image_uri": "https://coverartarchive.org/release/c4e04838-0c19-4e5b-9fcf-709764085a94/11483911113-500.jpg",
            "thumbnail_uri": "https://coverartarchive.org/release/c4e04838-0c19-4e5b-9fcf-709764085a94/11483911113-250.jpg",
            "song": "Feels So Real (Won’t Let Go)",
            "track_id": null,
            "recording_id": "911e4d01-695c-4fb7-b08f-cebecb1522b9",
            "artist": "Patrice Rushen",
            "artist_ids": [
                "a247b1b8-8f47-4568-9a89-fa16b4a2b77f"
            ],
            "album": "Straight From the Heart + Now",
            "release_id": null,
            "release_group_id": "ecfd3020-a757-4696-9404-d67836d2c7b7",
            "labels": [
                "Rhino"
            ],
            "label_ids": [
                "c4f2cf49-b57c-4cc1-8061-f54400704ac4"
            ],
            "release_date": "2013-09-30",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "This one's a Patrice Rushen / Freddie Washington co-write — the same partnership behind \"Forget Me Nots,\" which famously started as a jam at Rushen's family's house with Washington noodling on a bassline. By 1984's Now, they had that interplay down cold: Washington's elastic bass is the gravity, Rushen layers synths, claps, and fingersnaps around her own multi-tracked vocal, and the whole thing walks the tightrope between boogie and jazz-funk that only Rushen ever really found. It hit No. 3 on Billboard's R&B chart and No. 10 on Dance Club Songs. Read more here: https://daily.bandcamp.com/features/patrice-rushen-straight-from-the-heart-interview\nhttps://patricerushen.bandcamp.com\nhttps://patricerushen.com",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3644929,
            "uri": "https://api.kexp.org/v2/plays/3644929/?format=api",
            "airdate": "2026-04-21T13:18:31-07:00",
            "show": 66514,
            "show_uri": "https://api.kexp.org/v2/shows/66514/?format=api",
            "image_uri": "https://dn711103.ca.archive.org/0/items/mbid-32bbe496-88f3-4217-a2ec-7236a988f07b/mbid-32bbe496-88f3-4217-a2ec-7236a988f07b-12089344465_thumb500.jpg",
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            "song": "My Adidas",
            "track_id": "d7154de3-ff1d-3bec-be97-9533d9cbcd12",
            "recording_id": "72bc72ac-3dab-4459-a964-f96bb2062635",
            "artist": "Run‐D.M.C.",
            "artist_ids": [
                "5ecc3f72-20a6-47a0-8dc5-fb0b3dadeea0"
            ],
            "album": "Raising Hell",
            "release_id": "32bbe496-88f3-4217-a2ec-7236a988f07b",
            "release_group_id": "a209c0a5-e9b2-37ff-a76d-df5bc405a0e8",
            "labels": [
                "Legacy",
                "Arista"
            ],
            "label_ids": [
                "45ffe1d8-92da-4750-9a4a-f42861f46e2c",
                "c62e3985-6370-446a-bfb8-f1f6122e9c33"
            ],
            "release_date": "2005-09-06",
            "rotation_status": "Library",
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Run-D.M.C. made a fashion statement by wearing their Adidas sneakers with no laces, which they did because shoelaces weren't allowed in jail. They were also known for their trench coats and big jewelry, which became popular with rappers and set the stage for hip-hop style.\n\nAdidas wasn't a very popular brand among kids in the early '80s raposphere - Fila and Reebok were bigger - but this song made it the apparel of choice. The trio had the good fortune of being managed by Russell Simmons, a shrewd businessman and the brother of group-member Run (Joseph Simmons), and in early 1987 when this song had become a crowd favorite, he arranged for executives from Adidas to attend a show. Before performing this song, DMC (Darryl McDaniels) asked the crowd to \"show us your Adidas,\" and about 3,000 urban influencers dutifully lifted their sneakers for display. Suitably impressed, the Adidas executives signed a $1.6 million deal with Run-D.M.C. and created their own line of laceless footwear.",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
            "id": 3644928,
            "uri": "https://api.kexp.org/v2/plays/3644928/?format=api",
            "airdate": "2026-04-21T13:14:21-07:00",
            "show": 66514,
            "show_uri": "https://api.kexp.org/v2/shows/66514/?format=api",
            "image_uri": "https://dn710204.ca.archive.org/0/items/mbid-14ec0698-18fa-3395-b203-b5c3c8c2cc51/mbid-14ec0698-18fa-3395-b203-b5c3c8c2cc51-33438919398_thumb500.jpg",
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            "song": "Lorelei",
            "track_id": "74d0749b-70a0-38ca-877a-24bb9b9ba69b",
            "recording_id": "01ae8626-7118-4415-83bc-b708d202f84d",
            "artist": "Cocteau Twins",
            "artist_ids": [
                "000fc734-b7e1-4a01-92d1-f544261b43f5"
            ],
            "album": "Treasure",
            "release_id": "14ec0698-18fa-3395-b203-b5c3c8c2cc51",
            "release_group_id": "e0023081-c755-377d-9bbf-fd7551d5d14c",
            "labels": [
                "Capitol Records"
            ],
            "label_ids": [
                "abea2d3e-eabf-4480-ab24-9382dd642c73"
            ],
            "release_date": "1993-01-01",
            "rotation_status": null,
            "is_local": false,
            "is_request": false,
            "is_live": false,
            "comment": "Simon Raymonde shares the tale where, while sound-checking this song on BBC's venerable Old Grey Whistle programme, he and Robin Guthrie swapped instruments on a lark while playing through this song. As soon as they finished, the producer announced that their take was perfect.\n\nUnbeknownst to the band, the BBC were recording the run-through, and refused to re-record the song. After an enormous row, the Cocteau Twins did not reappear on the BBC for at least another eight years.\n\nYou can catch that very impromptu, off-the-cuff performance here: https://tinyurl.com/hfpetxw7",
            "location": 1,
            "location_name": "Default",
            "play_type": "trackplay"
        },
        {
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            "comment": "Happy Birthday Robert Smith, born this day in 1959!\n\nThank you Hedge Coffee for having us in today! Catch John and Cheryl in the Bay Area again tomorrow at Moving Records in Oakland!",
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            "comment": "Cheryl chats with guests from Women’s Audio Mission – a San Francisco-based nonprofit focused on increasing opportunities for women and girls in audio engineering and production.\n\nhttps://womensaudiomission.org/",
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            "comment": "California-based band La Luz shared tracks from their album 'News From the Universe' LIVE on KEXP in 2024! Check out video of that session here: https://www.youtube.com/watch?v=dkbfAKQdWqs&t=11s\n\nhttps://laluz.bandcamp.com\nhttps://laluzband.com/",
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