Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=20
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=40", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20", "results": [ { "id": 3656878, "uri": "https://api.kexp.org/v2/plays/3656878/?format=api", "airdate": "2026-05-19T15:17:18-07:00", "show": 66760, "show_uri": "https://api.kexp.org/v2/shows/66760/?format=api", "image_uri": "https://dn711408.ca.archive.org/0/items/mbid-89b253d9-22c0-4ee1-aea4-141cee144175/mbid-89b253d9-22c0-4ee1-aea4-141cee144175-44876242270_thumb500.jpg", "thumbnail_uri": "https://dn711408.ca.archive.org/0/items/mbid-89b253d9-22c0-4ee1-aea4-141cee144175/mbid-89b253d9-22c0-4ee1-aea4-141cee144175-44876242270_thumb250.jpg", "song": "CAMINO", "track_id": "dc342abf-d490-4501-a13b-6f2252c7cca5", "recording_id": "6443fde8-b59d-4944-92cc-1071ee431394", "artist": "Reyna Tropical & Xiuhtezcatl", "artist_ids": [ "1527780e-ee93-42fe-8736-5adc529235ef", "dd30c2d9-440f-4845-b68c-6b1dbe234818" ], "album": "CAMINO", "release_id": "89b253d9-22c0-4ee1-aea4-141cee144175", "release_group_id": "3d0cf980-4b01-4aa2-b294-1df8055c4edb", "labels": [ "Psychic Hotline" ], "label_ids": [ "2589a508-4fa8-4bbd-a2ac-fef51c7abfc1" ], "release_date": "2026-04-15", "rotation_status": "Medium", "is_local": false, "is_request": false, "is_live": false, "comment": "The song was created in collaboration with the Colombian percussionist Diva Cruz and the Bolivian co-producer Susobrino. \"When Reyna and I started making this song many years ago, we knew it would be special,\" Xiuhtezcatl shares. \"There are few artists who truly treat their music as medicine in the way Reyna Tropical does. As artists, our relationship and responsibility to our communities is such a significant throughline within our art. It ties us to musical ancestries that are cradled in resistance, celebration and resilience, that remind us of our role in moments of disarray and chaos in the external world.\" https://reynatropical.bandcamp.com/track/camino", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3656877, "uri": "https://api.kexp.org/v2/plays/3656877/?format=api", "airdate": "2026-05-19T15:14:00-07:00", "show": 66760, "show_uri": "https://api.kexp.org/v2/shows/66760/?format=api", "image_uri": "https://dn721807.ca.archive.org/0/items/mbid-eaaac8ab-99fc-43ba-b0f7-eb221c4ce1d7/mbid-eaaac8ab-99fc-43ba-b0f7-eb221c4ce1d7-45048902568_thumb500.jpg", "thumbnail_uri": "https://dn721807.ca.archive.org/0/items/mbid-eaaac8ab-99fc-43ba-b0f7-eb221c4ce1d7/mbid-eaaac8ab-99fc-43ba-b0f7-eb221c4ce1d7-45048902568_thumb250.jpg", "song": "Equinoccio", "track_id": "3cf503c9-1730-49a3-ad82-f9c889dd1f9e", "recording_id": "aab3f445-e5be-4409-a7b4-511c43852553", "artist": "La Doña feat. Corina Santos", "artist_ids": [ "9a494092-9e73-4460-abbe-438a51b19534", "2cb736c7-39a5-4135-9aaf-920a5571b845" ], "album": "Corrientes", "release_id": "eaaac8ab-99fc-43ba-b0f7-eb221c4ce1d7", "release_group_id": "7b1d5b75-963d-42a7-a0a3-65b1212de9be", "labels": [ "Text Me Records" ], "label_ids": [ "9b96e9bf-355e-414b-adf0-f2d3300ff44e" ], "release_date": "2026-04-29", "rotation_status": "Medium", "is_local": false, "is_request": false, "is_live": false, "comment": "Blending Caribbean beats, reggaeton, and hip hop styles, San Francisco-born Cecilia Cassandra Peña-Govea composes songs that explore her radical brown femininity, inspired by love, sex, pain, and climate catastrophes. The Chicana artist grew up performing as a trumpeter in her parent’s conjunto, eventually mastering instruments such as the guitarrón, vihuela, guitar, and Latin percussion", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3656876, "uri": "https://api.kexp.org/v2/plays/3656876/?format=api", "airdate": "2026-05-19T15:11:03-07:00", "show": 66760, "show_uri": "https://api.kexp.org/v2/shows/66760/?format=api", "image_uri": "https://dn720607.ca.archive.org/0/items/mbid-1ab785c7-afaf-4a16-a367-f15358048c23/mbid-1ab785c7-afaf-4a16-a367-f15358048c23-44210505562_thumb500.jpg", "thumbnail_uri": "https://dn720607.ca.archive.org/0/items/mbid-1ab785c7-afaf-4a16-a367-f15358048c23/mbid-1ab785c7-afaf-4a16-a367-f15358048c23-44210505562_thumb250.jpg", "song": "Smugglers & Scholars", "track_id": "24ecefdc-effa-44d8-b218-1266bc320b7d", "recording_id": "9e4d2e0a-9199-4826-a140-0a0a8d9b689a", "artist": "KNEECAP", "artist_ids": [ "6ac275dd-eb37-42cf-9a60-6b147320c7be" ], "album": "FENIAN", "release_id": "1ab785c7-afaf-4a16-a367-f15358048c23", "release_group_id": "3dda3379-dfa3-4f1a-95b3-2eb70d3b74ee", "labels": [ "Heavenly Recordings" ], "label_ids": [ "696ee2f4-c486-4e7a-80f4-cfd85193677a" ], "release_date": "2026-04-24", "rotation_status": "Light", "is_local": false, "is_request": false, "is_live": false, "comment": "Kneecap, three young men from Northern Ireland who rap in Irish, has risen to prominence in recent years, with controversy surrounding its shows and political statements.\n\nThe hip-hop trio was formed in 2017, composed of bandmembers Mo Chara, Móglaí Bap and DJ Próvaí, who come from Belfast. The band is part of the generation known as the \"ceasefire babies,\" who grew up in the aftermath of the 1998 Good Friday Agreement that formally ended the decades of violence in Northern Ireland known as the Troubles. The group's lyrics span everything from working class youth culture in Belfast, to Irish language rights, to a desire for Northern Ireland to join the Republic of Ireland.: https://www.npr.org/2025/07/03/g-s1-75785/kneecap-irish-band-explainer", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3656875, "uri": "https://api.kexp.org/v2/plays/3656875/?format=api", "airdate": "2026-05-19T15:07:15-07:00", "show": 66760, "show_uri": "https://api.kexp.org/v2/shows/66760/?format=api", "image_uri": "https://ia601905.us.archive.org/0/items/mbid-ccd40ce5-d969-4d2e-898e-1eb71d6f81da/mbid-ccd40ce5-d969-4d2e-898e-1eb71d6f81da-4087738014_thumb500.jpg", "thumbnail_uri": "https://dn711109.ca.archive.org/0/items/mbid-ccd40ce5-d969-4d2e-898e-1eb71d6f81da/mbid-ccd40ce5-d969-4d2e-898e-1eb71d6f81da-4087738014_thumb250.jpg", "song": "Yuri Kochiyama", "track_id": "bfe13a00-6c4a-3fee-bdea-6cc304108f2a", "recording_id": "f28729de-09de-47ec-9ec1-43626777c80c", "artist": "Blue Scholars", "artist_ids": [ "69cd93fd-1c2b-40f5-ae03-7bf4b4213fd3" ], "album": "Cinémetropolis", "release_id": "ccd40ce5-d969-4d2e-898e-1eb71d6f81da", "release_group_id": "b929be65-82d2-495c-a799-283755696c1b", "labels": [], "label_ids": [], "release_date": "2011-06-01", "rotation_status": "Library", "is_local": true, "is_request": false, "is_live": false, "comment": "Today is also the birthday of civil rights activist Yuri Kochiyama. Influenced by her Japanese-American family's internment, her association with Malcolm X, and her Maoist beliefs, she advocated for many causes, including black separatism, the anti-war movement, reparations for Japanese-American internees, and the rights of people imprisoned by the U.S. government for violent offenses whom she considered to be political prisoners.\n\nLearn more about Yuri Kochiyama's activism, inspired by her brief friendship with Malcolm X: http://n.pr/2NvxKrM", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3656874, "uri": "https://api.kexp.org/v2/plays/3656874/?format=api", "airdate": "2026-05-19T15:02:36-07:00", "show": 66760, "show_uri": "https://api.kexp.org/v2/shows/66760/?format=api", "image_uri": "https://coverartarchive.org/release/55c57300-5bc4-4dec-85a3-7d8698c9bc90/955219996-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/55c57300-5bc4-4dec-85a3-7d8698c9bc90/955219996-250.jpg", "song": "Malcolm", "track_id": null, "recording_id": "e0fd658b-241e-4733-8fe1-d6c0d33f51be", "artist": "Ghostface Killah", "artist_ids": [ "3b39abeb-0064-4eed-9ddd-ee47a45c54cb" ], "album": "Supreme Clientele", "release_id": null, "release_group_id": "e54744e2-7646-304d-abb8-2952671da3bb", "labels": [ "Epic" ], "label_ids": [ "8f638ddb-131a-4cc3-b3d4-7ebdac201b55" ], "release_date": "2000-01-25", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Happy birthday Malcolm!\n--\nGhostface Killah pictures himself as civil rights activist Malcolm X on this track. This song is famous for including a real-life diss directed at rapper Mase—referencing an altercation where Ghostface punched him over remarks Mase made about the Wu-Tang Clan.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3656873, "uri": "https://api.kexp.org/v2/plays/3656873/?format=api", "airdate": "2026-05-19T14:55:20-07:00", "show": 66760, "show_uri": "https://api.kexp.org/v2/shows/66760/?format=api", "image_uri": "https://coverartarchive.org/release/05ceec03-fe5d-39b2-b535-3e56bfeb9e3d/11463107536-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/05ceec03-fe5d-39b2-b535-3e56bfeb9e3d/11463107536-250.jpg", "song": "Bells of War", "track_id": null, "recording_id": "c08eb57c-e0af-4300-958b-bd51007f0461", "artist": "Wu‐Tang Clan", "artist_ids": [ "0febdcf7-4e1f-4661-9493-b40427de2c13" ], "album": "Wu‐Tang Forever", "release_id": null, "release_group_id": "9c175231-56c2-35f1-a8f0-6059ad587d59", "labels": [ "Loud Records" ], "label_ids": [ "32f6ca53-2be0-4dcd-8c08-e46eb6a018aa" ], "release_date": "1997-05-26", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "RZA deliberately crafted a haunting, heavy, and melancholic instrumental dominated by ominous, echoing chimes. He used these \"bell\" sounds both as a metaphor for an impending martial arts-style war and as a literal audio warning (ringing alarm bells) that the group was launching a counter-attack on the mainstream, \"glitzy\" hip-hop that was dominating the charts at the time", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3656871, "uri": "https://api.kexp.org/v2/plays/3656871/?format=api", "airdate": "2026-05-19T14:53:50-07:00", "show": 66760, "show_uri": "https://api.kexp.org/v2/shows/66760/?format=api", "image_uri": "https://coverartarchive.org/release/3a25785e-50ec-383c-89cf-fd512181449c/2233107692-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/3a25785e-50ec-383c-89cf-fd512181449c/2233107692-250.jpg", "song": "Blue Lines", "track_id": null, "recording_id": "bef81f8f-4bcf-4308-bd66-e57018169a94", "artist": "Massive Attack", "artist_ids": [ "10adbe5e-a2c0-4bf3-8249-2b4cbf6e6ca8" ], "album": "Blue Lines", "release_id": null, "release_group_id": "8b6f133a-2fdf-3cc2-b84d-1c889adc0939", "labels": [ "Virgin" ], "label_ids": [ "49b58bdb-3d74-40c6-956a-4c4b46115c9c" ], "release_date": "1991-04-08", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "This song samples Sneakin' in the Back by Tom Scott!\n---\nFounding member, Daddy G said about the making of the album: \"It was Neneh Cherry who kicked our arses and got us in the studio. We recorded a lot at her house, in her baby's room. It stank for months and eventually we found a dirty diaper behind a radiator. I was still DJing, but what we were trying to do was create dance music for the head, rather than the feet. I think it's our freshest album, we were at our strongest then.\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3656872, "uri": "https://api.kexp.org/v2/plays/3656872/?format=api", "airdate": "2026-05-19T14:52:25-07:00", "show": 66760, "show_uri": "https://api.kexp.org/v2/shows/66760/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3656870, "uri": "https://api.kexp.org/v2/plays/3656870/?format=api", "airdate": "2026-05-19T14:46:56-07:00", "show": 66760, "show_uri": "https://api.kexp.org/v2/shows/66760/?format=api", "image_uri": "https://coverartarchive.org/release/642d190c-b2fb-4f95-8ef3-eb3097603346/14583533442-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/642d190c-b2fb-4f95-8ef3-eb3097603346/14583533442-250.jpg", "song": "Sneakin’ In the Back", "track_id": null, "recording_id": "6f7fd912-6f33-4406-b058-910fa15bc83a", "artist": "Tom Scott & The L.A. Express", "artist_ids": [ "901434fc-5ec8-41a1-af59-6ded7de8a9d2", "62c1ad74-bb34-4651-a77e-a6607962ead3" ], "album": "Tom Scott and the L.A. Express", "release_id": null, "release_group_id": "3ec5f042-afaf-35ae-8364-9cf6fdfc05b3", "labels": [ "Epic" ], "label_ids": [ "8f638ddb-131a-4cc3-b3d4-7ebdac201b55" ], "release_date": "1974-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Learn the history of jazz saxophonist Tom Scott and jazz fusion ensemble The L.A. Express: https://dereksmusicblog.com/2017/11/13/the-story-of-tom-scotts-short-lived-jazz-supergroup-l-a-express/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3656869, "uri": "https://api.kexp.org/v2/plays/3656869/?format=api", "airdate": "2026-05-19T14:43:42-07:00", "show": 66760, "show_uri": "https://api.kexp.org/v2/shows/66760/?format=api", "image_uri": "https://dn721904.ca.archive.org/0/items/mbid-d7186618-b628-4a11-a9d8-92f2f62de465/mbid-d7186618-b628-4a11-a9d8-92f2f62de465-44137074538_thumb500.jpg", "thumbnail_uri": "https://dn721904.ca.archive.org/0/items/mbid-d7186618-b628-4a11-a9d8-92f2f62de465/mbid-d7186618-b628-4a11-a9d8-92f2f62de465-44137074538_thumb250.jpg", "song": "Body Flows", "track_id": "e5d5c057-d2db-46a1-8f9b-ec1093ae17f6", "recording_id": "d0a6cf41-1c4c-47f2-9e6d-0f1fe18b2ef3", "artist": "Nubiyan Twist feat. eniola", "artist_ids": [ "4fdddb48-b8a0-470d-9db4-e5fc77230d59", "b0b94f1c-94fb-4ba2-b5da-6bb2b755c0b9" ], "album": "Chasing Shadows", "release_id": "d7186618-b628-4a11-a9d8-92f2f62de465", "release_group_id": "6831c804-02df-4fd5-aef0-a5266d862562", "labels": [ "Strut Records" ], "label_ids": [ "152a4ecc-91b5-474a-8842-9856b1cf6105" ], "release_date": "2026-03-20", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "The latest release from the London based 9 piece.\n\nBandleader and producer Tom Excell explains: “We wanted to make something that felt joyous and defiantly human — something that couldn’t exist without that connection between people. You can get an AI to write a fugue in seconds, but it can’t capture the chemistry and chaos that happens when musicians lock in together. Chasing Shadows is our way of holding onto that.”\nhttps://nubiyantwist.bandcamp.com/album/chasing-shadows", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3656868, "uri": "https://api.kexp.org/v2/plays/3656868/?format=api", "airdate": "2026-05-19T14:40:09-07:00", "show": 66760, "show_uri": "https://api.kexp.org/v2/shows/66760/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Sauce On My Bone", "track_id": null, "recording_id": null, "artist": "206 Ribshack Orchestra", "artist_ids": [], "album": "206 Ribshack Orchestra", "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": "2024-01-01", "rotation_status": null, "is_local": true, "is_request": false, "is_live": false, "comment": "The band starts with two brothers- Thaddeus & Gerald Turner (of Digable Planets touring band) on guitar & bass. Together they teamed up with longtime collaborators Mark Cardenas (of Morris Day & The TIme) on keys, Davee C. Carpenter (of IMIJ, Clinton Fearon, & Marmalade) on drums, and Ernest Pumphrey Jr (Phat Sidy Smokehouse) on vocals.\n\nWith hits such as \"Is Ribs Pork?\", a tantalizing exploration of meaty mysteries, \"Flapjack Love,\" a syrupy sweet ode to breakfast delights, and \"Sauce on my Bone,\" a saucy anthem celebrating finger-licking goodness, the 206 Ribshack Orchestra captures the essence of culinary indulgence in every note.\n\nhttps://206ribshackorchestra.bandcamp.com/album/206-ribshack-orchestra", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3656865, "uri": "https://api.kexp.org/v2/plays/3656865/?format=api", "airdate": "2026-05-19T14:33:33-07:00", "show": 66760, "show_uri": "https://api.kexp.org/v2/shows/66760/?format=api", "image_uri": "https://coverartarchive.org/release/69b2bdd2-3127-4c27-a646-14bf5bab5103/34360684699-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/69b2bdd2-3127-4c27-a646-14bf5bab5103/34360684699-250.jpg", "song": "Love Is Something", "track_id": null, "recording_id": "94b9b978-56ba-417b-9eeb-abeb67004b08", "artist": "The Brides of Funkenstein", "artist_ids": [ "e48cbe61-1bf5-4af4-aca7-70f9f0f74f1c" ], "album": "George Clinton Family Series, Part 3: P is the Funk", "release_id": null, "release_group_id": "65da31fb-6020-3a34-9ef9-810ce7e519f5", "labels": [ "Essential! Records" ], "label_ids": [ "9351301f-8a99-41f3-96f5-9aac14bf7ac7" ], "release_date": "1993-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "https://georgeclinton.com/audio/george-clinton-p-funk-all-stars-%E2%80%8E-the-best/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3656866, "uri": "https://api.kexp.org/v2/plays/3656866/?format=api", "airdate": "2026-05-19T14:31:35-07:00", "show": 66760, "show_uri": "https://api.kexp.org/v2/shows/66760/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3656864, "uri": "https://api.kexp.org/v2/plays/3656864/?format=api", "airdate": "2026-05-19T14:25:48-07:00", "show": 66760, "show_uri": "https://api.kexp.org/v2/shows/66760/?format=api", "image_uri": "https://dn710907.ca.archive.org/0/items/mbid-3e3c90cd-0c0c-4beb-8f7b-b95a076c89eb/mbid-3e3c90cd-0c0c-4beb-8f7b-b95a076c89eb-14763601258_thumb500.jpg", "thumbnail_uri": "https://dn710907.ca.archive.org/0/items/mbid-3e3c90cd-0c0c-4beb-8f7b-b95a076c89eb/mbid-3e3c90cd-0c0c-4beb-8f7b-b95a076c89eb-14763601258_thumb250.jpg", "song": "Cranes in the Sky", "track_id": "90aeb963-88c6-412c-9d96-989381610bf1", "recording_id": "8c8047f3-0a64-4440-a8ea-03ca401cde5b", "artist": "Solange", "artist_ids": [ "410e7fd3-b865-4fa0-bb18-1b7fd53382ca" ], "album": "A Seat at the Table", "release_id": "3e3c90cd-0c0c-4beb-8f7b-b95a076c89eb", "release_group_id": "331a7ba1-fae2-4881-b434-554f46c13746", "labels": [ "Saint Records", "Columbia" ], "label_ids": [ "b1b1a18a-888a-4d3d-b13b-1b3c5e845bfc", "011d1192-6f65-45bd-85c4-0400dd45693e" ], "release_date": "2016-09-30", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Raphael Saadiq produced \"Cranes in the Sky\". \n\nSolange told Song Exploder that she wrote \"Cranes in the Sky\" about her own mental health, particularly in a time when she'd moved back to her hometown of Houston, Texas, after living in Idaho for years with her ex.\n\n\"There were times that I felt like, 'Well, I'm doing what I love to do, what I've always wanted to—Why do things still feel so heavy? What is this weighing on me, what is this that I'm trying to work through?'\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3656863, "uri": "https://api.kexp.org/v2/plays/3656863/?format=api", "airdate": "2026-05-19T14:23:12-07:00", "show": 66760, "show_uri": "https://api.kexp.org/v2/shows/66760/?format=api", "image_uri": "https://dn721503.ca.archive.org/0/items/mbid-bf5196a5-544d-44c4-aebc-b62472a365d0/mbid-bf5196a5-544d-44c4-aebc-b62472a365d0-44218093094_thumb500.jpg", "thumbnail_uri": "https://dn721503.ca.archive.org/0/items/mbid-bf5196a5-544d-44c4-aebc-b62472a365d0/mbid-bf5196a5-544d-44c4-aebc-b62472a365d0-44218093094_thumb250.jpg", "song": "Funny Friends", "track_id": "4a17a7f5-d57c-4f25-b776-a9fce35f016c", "recording_id": "18562ee9-d5d7-486e-9ccf-926c1a89c4f8", "artist": "Thundercat feat. 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This moody, reflective song is about his journey with sobriety, relapses, and navigating fame.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3656867, "uri": "https://api.kexp.org/v2/plays/3656867/?format=api", "airdate": "2026-05-19T14:18:46-07:00", "show": 66760, "show_uri": "https://api.kexp.org/v2/shows/66760/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3656860, "uri": "https://api.kexp.org/v2/plays/3656860/?format=api", "airdate": "2026-05-19T14:16:42-07:00", "show": 66760, "show_uri": "https://api.kexp.org/v2/shows/66760/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Never Been", "track_id": null, "recording_id": "4250f6c8-c2b8-4104-a4eb-f31973a643ab", "artist": "Wiz Khalifa", "artist_ids": [ "f5dfa020-ad69-41cd-b3d4-fd7af0414e94" ], "album": "Kush & Orange Juice", "release_id": null, "release_group_id": null, "labels": [ "Rostrum Records" ], "label_ids": [ "81198c1b-4473-4c7f-9306-64edd711a2d3" ], "release_date": "2010-04-14", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Wiz Khalifa’s 2010 breakout mixtape Kush & Orange Juice revolutionized digital music. It crashed the DatPiff servers, became the No. 1 trending topic on Twitter and Google, and was entirely recorded in a tiny, unventilated sound booth in Pittsburgh that filled with smoke so thick they had to open the doors to clear it.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3656859, "uri": "https://api.kexp.org/v2/plays/3656859/?format=api", "airdate": "2026-05-19T14:14:59-07:00", "show": 66760, "show_uri": "https://api.kexp.org/v2/shows/66760/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "3:16", "track_id": null, "recording_id": "78d8d911-c27b-4fd4-883a-c09e1c25f604", "artist": "454", "artist_ids": [ "fbc87e6f-e9ee-47b6-ae59-abea98a40680" ], "album": "Casts of a Dreamer", "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": "2024-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "454 (Willie Wilson) is an Orlando, Florida-born rapper and producer known for his genre-bending psychedelic rap, trap, and plugg sound.\n\nhttps://www.thefader.com/2021/03/16/454-squills-face-time-late-night-interview", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3656858, "uri": "https://api.kexp.org/v2/plays/3656858/?format=api", "airdate": "2026-05-19T14:13:03-07:00", "show": 66760, "show_uri": "https://api.kexp.org/v2/shows/66760/?format=api", "image_uri": "https://dn720003.ca.archive.org/0/items/mbid-432f276c-c6d1-42fa-b8c0-17c80d809766/mbid-432f276c-c6d1-42fa-b8c0-17c80d809766-44766953070_thumb500.jpg", "thumbnail_uri": "https://dn720003.ca.archive.org/0/items/mbid-432f276c-c6d1-42fa-b8c0-17c80d809766/mbid-432f276c-c6d1-42fa-b8c0-17c80d809766-44766953070_thumb250.jpg", "song": "Don't Worry!", "track_id": "0395a0ab-61dd-4a62-9e25-b82672183cd5", "recording_id": "fc48b865-1794-45f4-85e5-a3a46eb8c01f", "artist": "Earl Sweatshirt & SURF GANG", "artist_ids": [ "d7c69035-c53d-4236-9b9a-f490ba5e61ef", "8b22acd6-20e6-4463-a75c-c14b5cfdb666" ], "album": "POMPEII // UTILITY", "release_id": "432f276c-c6d1-42fa-b8c0-17c80d809766", "release_group_id": "37555d75-e56f-4d10-8c29-f10f067baae6", "labels": [ "10k", "Tan Cressida" ], "label_ids": [ "4321b3d3-0023-4c6c-899c-2787ee02a407", "deac3b84-6856-4882-bac9-7f2bf78e2f88" ], "release_date": "2026-04-03", "rotation_status": "Light", "is_local": false, "is_request": false, "is_live": false, "comment": "POMPEII//UTILITY is split into two halves—POMPEII (fronted by MIKE) and UTILITY (fronted by Earl)—and blends their signature abstract lyricism with Surf Gang's energetic, melodic production style.", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
