Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=20
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=40", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20", "results": [ { "id": 3594579, "uri": "https://api.kexp.org/v2/plays/3594579/?format=api", "airdate": "2025-12-22T19:13:19-08:00", "show": 65451, "show_uri": "https://api.kexp.org/v2/shows/65451/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Bonanza", "track_id": null, "recording_id": null, "artist": "Ritmo Cósmico", "artist_ids": [], "album": null, "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": null, "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“Bonanza” explores abundance as both opportunity and pressure, framing excess as something that demands navigation rather than celebration. Ritmo Cósmico ground the track in a steady, driving rhythm that keeps momentum consistent while subtle shifts in texture add unease. The song’s tone suggests forward motion without certainty, capturing the instability that can accompany sudden gain. Vocals are measured, allowing space for the instrumental framework to shape emotion. Rather than leaning into triumph, “Bonanza” maintains a skeptical posture, questioning what prosperity actually delivers. This restraint gives the track depth, preventing it from slipping into cliché. The arrangement balances repetition and variation, keeping the listener engaged without overstimulation. “Bonanza” functions well as a mid-sequence piece, sustaining energy while complicating its emotional direction. Its strength lies in nuance, presenting success as something that can just as easily overwhelm as it can reward.\u2028Listen: https://open.spotify.com/album/6dT6P5iMABwryK0Ok4WDPx", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3594578, "uri": "https://api.kexp.org/v2/plays/3594578/?format=api", "airdate": "2025-12-22T19:08:48-08:00", "show": 65451, "show_uri": "https://api.kexp.org/v2/shows/65451/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Show Me Babe (Studio Version)", "track_id": null, "recording_id": null, "artist": "The Lsdays", "artist_ids": [ "4c3ff081-814b-436b-82d4-8d63627bbd21" ], "album": null, "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": null, "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“Show Me Babe (Studio Version)” presents the song in its most focused and intentional form, emphasizing clarity over atmosphere. The studio treatment sharpens the arrangement, allowing rhythm and structure to carry the emotional weight without distraction. Lyrically, the phrase “show me” frames the track as a demand for action rather than reassurance, and that insistence shapes the delivery throughout. Vocals are confident and direct, conveying impatience without tipping into aggression. Instrumentation stays tight and efficient, reinforcing forward momentum while keeping the song grounded. Rather than building toward a dramatic climax, the track maintains steady pressure, reflecting the emotional tension of wanting proof instead of promises. The studio version highlights balance: assertive without excess, polished without losing edge. “Show Me Babe” functions effectively as a concise statement piece, communicating urgency through restraint and precision.\u2028Listen: https://open.spotify.com/track/78MjhQU5kSlJ8pA7u2kxYe", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3594577, "uri": "https://api.kexp.org/v2/plays/3594577/?format=api", "airdate": "2025-12-22T19:07:20-08:00", "show": 65451, "show_uri": "https://api.kexp.org/v2/shows/65451/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Por qué tan solo y triste", "track_id": null, "recording_id": null, "artist": "Estamos Perdidos", "artist_ids": [], "album": null, "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": null, "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“Por qué tan solo y triste” is a direct confrontation with isolation, framed as a question that lingers without answer. Estamos Perdidos approach the theme with restraint, allowing atmosphere and pacing to carry emotional weight. The song moves steadily, avoiding dramatic shifts in favor of consistency that mirrors the persistence of loneliness. Vocals are delivered with a subdued intensity, reinforcing the feeling of inward reflection rather than outward declaration. The title sets the emotional tone, but the music deepens it, creating a space that feels enclosed and introspective. Rather than seeking resolution, the track documents a state of being, emphasizing repetition and endurance. Subtle variations in texture prevent stagnation, keeping the listener engaged without breaking the mood. “Por qué tan solo y triste” resonates through its honesty, presenting sadness as complex and sustained rather than fleeting. The song’s power lies in its simplicity, allowing emotion to surface without embellishment or escape.\u2028Listen: https://open.spotify.com/track/1Oo90CojxkkjoYeaURDl1T", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3594576, "uri": "https://api.kexp.org/v2/plays/3594576/?format=api", "airdate": "2025-12-22T19:03:42-08:00", "show": 65451, "show_uri": "https://api.kexp.org/v2/shows/65451/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Tulipa Afegã", "track_id": null, "recording_id": null, "artist": "Kodiak Hotel", "artist_ids": [], "album": null, "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": null, "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Tulipa Afegã” unfolds with a quiet tension that relies on atmosphere rather than immediacy. The title suggests something delicate and foreign at once, and the music reflects that duality through restrained pacing and layered texture. Kodiak Hotel favor subtle movement, allowing rhythm and tone to guide emotion instead of overt melody. Vocals feel distant and reflective, blending into the arrangement rather than dominating it. This choice reinforces the song’s introspective quality, making it feel observational rather than declarative. The track avoids clear peaks, opting instead for gradual immersion that rewards patience. “Tulipa Afegã” functions as a mood piece, creating space for contemplation within a sequence. Its strength lies in suggestion, offering an emotional landscape rather than a fixed narrative.\u2028Listen: https://www.youtube.com/playlist?list=OLAK5uy_mZry2c4qX1YQhMhRuFnVIHLjtripc5x84", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3594575, "uri": "https://api.kexp.org/v2/plays/3594575/?format=api", "airdate": "2025-12-22T19:01:52-08:00", "show": 65451, "show_uri": "https://api.kexp.org/v2/shows/65451/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3594574, "uri": "https://api.kexp.org/v2/plays/3594574/?format=api", "airdate": "2025-12-22T19:00:14-08:00", "show": 65451, "show_uri": "https://api.kexp.org/v2/shows/65451/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "allanamiento", "track_id": null, "recording_id": null, "artist": "chivos", "artist_ids": [], "album": null, "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": null, "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“allanamiento” is driven by urgency and disruption, reflecting its title’s implication of intrusion. chivos construct the track around tension, using sharp rhythmic shifts and abrasive textures to unsettle the listener. Vocals feel embedded within the mix, emphasizing collective energy over individual focus. The song resists smooth transitions, instead embracing abruptness as part of its identity. This approach reinforces a sense of instability, making the track feel immediate and reactive. “allanamiento” thrives on friction, using discomfort as narrative device. It stands as a confrontational piece, challenging the listener through insistence rather than explanation.\u2028Listen: https://open.spotify.com/search/allanamiento%20chivos", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3594573, "uri": "https://api.kexp.org/v2/plays/3594573/?format=api", "airdate": "2025-12-22T18:58:04-08:00", "show": 65450, "show_uri": "https://api.kexp.org/v2/shows/65450/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3594572, "uri": "https://api.kexp.org/v2/plays/3594572/?format=api", "airdate": "2025-12-22T18:50:15-08:00", "show": 65450, "show_uri": "https://api.kexp.org/v2/shows/65450/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Amid the Blackout of the NIght", "track_id": null, "recording_id": "fb649ceb-af17-4900-bd5e-9f2254b56d12", "artist": "Brittany Davis", "artist_ids": [ "b37debf5-8157-4998-bb80-1bb07914f3ff" ], "album": "Black Thunder", "release_id": null, "release_group_id": "643dcadd-abb3-4009-9250-779a5ee6cbb1", "labels": [ "Loosegroove Records" ], "label_ids": [ "46a478af-52fc-41db-868c-1abd9010f02f" ], "release_date": "2025-06-13", "rotation_status": null, "is_local": true, "is_request": false, "is_live": false, "comment": "We recently had the pleasure of having Brittany Davis in the KEXP Live Room with local legends D'vonne Lewis and Evan Flory Barnes, Black Thunder is an improvised masterpiece of soul & beauty. Check it out here: https://www.youtube.com/watch?v=vIFCYj214Rg\n\nhttps://brittanydavismusic.net/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3594571, "uri": "https://api.kexp.org/v2/plays/3594571/?format=api", "airdate": "2025-12-22T18:44:28-08:00", "show": 65450, "show_uri": "https://api.kexp.org/v2/shows/65450/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Perseids", "track_id": null, "recording_id": "65cdae37-a967-44f9-b31b-1b29240f6568", "artist": "somesurprises", "artist_ids": [ "72b52b34-43e9-4b8f-9415-b03820d05920" ], "album": "Perseids", "release_id": null, "release_group_id": "62d9ca6a-5784-4460-b42c-db9328ab9dbc", "labels": [ "Doom Trip" ], "label_ids": [ "8ea045fb-a235-41fc-b949-46314ea7a380" ], "release_date": "2024-04-19", "rotation_status": null, "is_local": true, "is_request": false, "is_live": false, "comment": "somesurprises played Live in the KEXP Studio hosted by DJ John Richards!\n\nSubscribe to our YouTube channel and watch the Full Performance here! https://youtu.be/W9MyyVGYnKw?si=pXmQAic6LhwJdBFz\n\nhttps://somesurprises.bandcamp.com/album/perseids", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3594570, "uri": "https://api.kexp.org/v2/plays/3594570/?format=api", "airdate": "2025-12-22T18:42:49-08:00", "show": 65450, "show_uri": "https://api.kexp.org/v2/shows/65450/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3594569, "uri": "https://api.kexp.org/v2/plays/3594569/?format=api", "airdate": "2025-12-22T18:38:56-08:00", "show": 65450, "show_uri": "https://api.kexp.org/v2/shows/65450/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "10", "track_id": null, "recording_id": "6ef18bf8-73d8-4524-8c32-59d2b297f274", "artist": "Derrick Carter", "artist_ids": [ "46edaad9-80b0-4d05-95cd-aebafb090263" ], "album": "The Unterschrift EP", "release_id": null, "release_group_id": "dd860e89-65bb-3a11-80e1-c1f8620752fd", "labels": [ "Classic" ], "label_ids": [ "e616b773-fc89-4b3e-91e9-efc33a853882" ], "release_date": "2000-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": null, "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3594568, "uri": "https://api.kexp.org/v2/plays/3594568/?format=api", "airdate": "2025-12-22T18:34:03-08:00", "show": 65450, "show_uri": "https://api.kexp.org/v2/shows/65450/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Chunky", "track_id": null, "recording_id": null, "artist": "White Sheep", "artist_ids": [], "album": null, "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": null, "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": null, "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3594567, "uri": "https://api.kexp.org/v2/plays/3594567/?format=api", "airdate": "2025-12-22T18:27:31-08:00", "show": 65450, "show_uri": "https://api.kexp.org/v2/shows/65450/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Photon (Carl Cox Remix)", "track_id": null, "recording_id": null, "artist": "Deetron", "artist_ids": [ "7bf55794-bd9c-4a1e-a3f3-2ad60095c9ee" ], "album": "Photon Remixes", "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": "2020-03-24", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "https://deetron.bandcamp.com/album/photon-remixes", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3594566, "uri": "https://api.kexp.org/v2/plays/3594566/?format=api", "airdate": "2025-12-22T18:23:22-08:00", "show": 65450, "show_uri": "https://api.kexp.org/v2/shows/65450/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "An Echo Skips A Name", "track_id": null, "recording_id": null, "artist": "Apparat", "artist_ids": [ "dc3dbfc1-f1f1-49c6-9d7c-425fabf3ae12" ], "album": "A Hum of Maybe", "release_id": null, "release_group_id": null, "labels": [ "Mute" ], "label_ids": [], "release_date": "2026-02-20", "rotation_status": "R/N", "is_local": false, "is_request": false, "is_live": false, "comment": "alternate version of An Echo Skips a Name from the upcoming album due out next year.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3594565, "uri": "https://api.kexp.org/v2/plays/3594565/?format=api", "airdate": "2025-12-22T18:19:17-08:00", "show": 65450, "show_uri": "https://api.kexp.org/v2/shows/65450/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3594564, "uri": "https://api.kexp.org/v2/plays/3594564/?format=api", "airdate": "2025-12-22T18:11:19-08:00", "show": 65450, "show_uri": "https://api.kexp.org/v2/shows/65450/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Child's View (Pendulam Remix)", "track_id": null, "recording_id": null, "artist": "竹村延和", "artist_ids": [ "e60957f9-56fd-49f1-823f-e8d15f2b0eec" ], "album": null, "release_id": null, "release_group_id": null, "labels": [ "Chjildisc" ], "label_ids": [], "release_date": "1999-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Nobukazu Takemura", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3594563, "uri": "https://api.kexp.org/v2/plays/3594563/?format=api", "airdate": "2025-12-22T18:08:56-08:00", "show": 65450, "show_uri": "https://api.kexp.org/v2/shows/65450/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "There Were Bells", "track_id": null, "recording_id": "2eaefe05-aba0-4ab9-83c6-f1f5f529fc75", "artist": "Brian Eno", "artist_ids": [ "ff95eb47-41c4-4f7f-a104-cdc30f02e872" ], "album": "FOREVERANDEVERNOMORE", "release_id": null, "release_group_id": "a48c35ba-7e64-484a-af19-8d578d0e6da2", "labels": [ "Opal Records" ], "label_ids": [ "cd1cc4f9-000c-4207-a34e-78e3ac106a28" ], "release_date": "2022-10-14", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": null, "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3594562, "uri": "https://api.kexp.org/v2/plays/3594562/?format=api", "airdate": "2025-12-22T18:01:36-08:00", "show": 65450, "show_uri": "https://api.kexp.org/v2/shows/65450/?format=api", "image_uri": "https://coverartarchive.org/release/ea68b52a-bf95-4f1b-a995-2fd1e0425071/21750898542-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/ea68b52a-bf95-4f1b-a995-2fd1e0425071/21750898542-250.jpg", "song": "People Make the World Go Round", "track_id": null, "recording_id": "4fff131a-e4a5-45bc-81ea-ffbb0cd27166", "artist": "The Stylistics", "artist_ids": [ "b3edafa8-0a78-40b9-9404-c6fc1920d2be" ], "album": "The Stylistics", "release_id": null, "release_group_id": "50f5ac4d-d5f0-356f-833e-d44b77c1496b", "labels": [ "Avco" ], "label_ids": [ "8c1b4a2d-c6ad-4dce-aac0-9db3eac2c2da" ], "release_date": "1971-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Popular in the 1970s as \"the Philly group with the sweet love songs\", The Stylistics were formed in 1966 from two Philadelphia groups, The Percussions and The Monarchs - Russell Thompkins Jr., James Smith, and Airrion Love came from the Monarchs, and James Dunn and Herb Murrell came from the Percussions.\nhttps://www.thestylistics.org/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3594561, "uri": "https://api.kexp.org/v2/plays/3594561/?format=api", "airdate": "2025-12-22T17:54:04-08:00", "show": 65450, "show_uri": "https://api.kexp.org/v2/shows/65450/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "And Living is Easy (Axel GR edit)", "track_id": null, "recording_id": null, "artist": "Guts", "artist_ids": [], "album": null, "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": "2025-12-20", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "https://axelvicious.bandcamp.com/track/guts-and-the-living-is-easy-axel-gr-edit", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3594560, "uri": "https://api.kexp.org/v2/plays/3594560/?format=api", "airdate": "2025-12-22T17:50:21-08:00", "show": 65450, "show_uri": "https://api.kexp.org/v2/shows/65450/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "CPM", "track_id": null, "recording_id": null, "artist": "TRD-01", "artist_ids": [ "666f6b73-5588-49c2-b6c8-956055e008f0" ], "album": "Sounds from the Far East", "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": "2015-06-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Alter ego of Soichi Terada\n\nCompiled by Hunee, 'Sounds from the Far East' features highly sought after material by legendary Japanese house producer Soichi Terada and fellow producers Shinichiro Yokota, Manabu Nagayama!\n\nhttps://soichiterada.bandcamp.com/album/sounds-from-the-far-east", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
