Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=20
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=40", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20", "results": [ { "id": 3624088, "uri": "https://api.kexp.org/v2/plays/3624088/?format=api", "airdate": "2026-03-01T17:45:09-08:00", "show": 66064, "show_uri": "https://api.kexp.org/v2/shows/66064/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "It's Okay to Change Your Mind", "track_id": null, "recording_id": null, "artist": "Singing Resistance", "artist_ids": [], "album": null, "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": null, "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Singing Resistance is a grassroots movement organization that uses collective singing as a form of nonviolent protest and community healing.\n\nEstablished in early 2026 in the Twin Cities (Minneapolis/St. Paul), the movement formed in the wake of the fatal shooting of Renee Nicole Good by an ICE agent. It has since rapidly expanded into a nationwide network with chapters in over 30 states.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3624085, "uri": "https://api.kexp.org/v2/plays/3624085/?format=api", "airdate": "2026-03-01T17:40:58-08:00", "show": 66064, "show_uri": "https://api.kexp.org/v2/shows/66064/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3624084, "uri": "https://api.kexp.org/v2/plays/3624084/?format=api", "airdate": "2026-03-01T17:37:40-08:00", "show": 66064, "show_uri": "https://api.kexp.org/v2/shows/66064/?format=api", "image_uri": "https://dn721904.ca.archive.org/0/items/mbid-4d44e464-97b6-40f1-afbc-7da79681fd2f/mbid-4d44e464-97b6-40f1-afbc-7da79681fd2f-44149823058_thumb500.jpg", "thumbnail_uri": "https://ia600801.us.archive.org/26/items/mbid-4d44e464-97b6-40f1-afbc-7da79681fd2f/mbid-4d44e464-97b6-40f1-afbc-7da79681fd2f-44149823058_thumb250.jpg", "song": "Straight Men", "track_id": "6daaa91d-e3ef-438d-bdc5-650fb6a4cc0e", "recording_id": "9c2ebe34-821b-452f-bf9b-96d20c013250", "artist": "CHROMA", "artist_ids": [ "2a247bc5-8a99-48c3-b17f-3f132258c9c8" ], "album": "Straight Men", "release_id": "4d44e464-97b6-40f1-afbc-7da79681fd2f", "release_group_id": "f679d971-ddc5-4185-a746-7440ea2f9973", "labels": [ "Alcopop! Records" ], "label_ids": [ "47c64967-c465-4a35-84f3-09bd49d7d008" ], "release_date": "2026-01-21", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "The Welsh trio shares, \"When we started writing 'Straight Men,' it all started as a bit of a laugh in all honesty. I have a group of gay men outside a nightclub to thank for the hook ‘I’m really f****** scared of straight men’. It stuck with me for a while as I couldn’t quite shake it off.\n\n\"I think about the term 'straight men' and the feelings that arise, and how we really need to do better to achieve a shift in culture and change the universal experience that too many people face each day. If you sit by while your friend is being intimidating and outright inappropriate, you’re complicit in their behaviour. Call it out.\" https://tinyurl.com/yeyk863h", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3624083, "uri": "https://api.kexp.org/v2/plays/3624083/?format=api", "airdate": "2026-03-01T17:35:29-08:00", "show": 66064, "show_uri": "https://api.kexp.org/v2/shows/66064/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Llef Hir (The Long Cry)", "track_id": null, "recording_id": null, "artist": "MWSOG", "artist_ids": [], "album": null, "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": null, "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "A fiery ballad of rage and mourning, this track channels ancestral memory through a darkly psychedelic folk lens, sounding a long-held cry for land, language, and survival. \"Llef Hir\" reflects on a painful chapter in Welsh history and the lasting impact of cultural loss. The song looks back to periods when speaking Welsh was actively discouraged, including the era surrounding the Treachery of the Blue Books, when children were punished for using their mother tongue – echoes of which are still felt today.\n\nDrummer Luke Huw Llewellyn reveals, \"'Llef Hir' is a fiery ballad of rage and mourning. It ruminates on the deep wound carried by the Welsh nation. It is why Welsh entered a prolonged decline – and why the artwork for Llef Hir is bathed in blue. The colour serves both as an act of remembrance and an emblem of defiance: a tribute to our ancient Celtic ancestors, who once painted themselves in woad blue before battle.\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3624081, "uri": "https://api.kexp.org/v2/plays/3624081/?format=api", "airdate": "2026-03-01T17:29:25-08:00", "show": 66064, "show_uri": "https://api.kexp.org/v2/shows/66064/?format=api", "image_uri": "https://dn710606.ca.archive.org/0/items/mbid-7a8e7efc-2341-4502-96f1-d7a27152ca2e/mbid-7a8e7efc-2341-4502-96f1-d7a27152ca2e-14831550634_thumb500.jpg", "thumbnail_uri": "https://dn710606.ca.archive.org/0/items/mbid-7a8e7efc-2341-4502-96f1-d7a27152ca2e/mbid-7a8e7efc-2341-4502-96f1-d7a27152ca2e-14831550634_thumb250.jpg", "song": "Freedom", "track_id": "d998fc9e-4a5a-4107-82fb-9afac8b5c8bd", "recording_id": "1c022a92-0e26-475f-a170-7ccb1e568ef0", "artist": "Rage Against the Machine", "artist_ids": [ "3798b104-01cb-484c-a3b0-56adc6399b80" ], "album": "Rage Against the Machine", "release_id": "7a8e7efc-2341-4502-96f1-d7a27152ca2e", "release_group_id": "1305859b-8937-397f-9c33-39f62eb672fb", "labels": [ "Epic Associated" ], "label_ids": [ "7127ada4-64a0-4baa-9f73-e9b26f22b3bd" ], "release_date": "1992-11-06", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "He's not mentioned in the lyrics, but the song is focused on Leonard Peltier, whose story is told in the music video. Peltier is a Native American activist and member of the American Indian Movement (AIM) who lived on the Pine Ridge Indian Reservation in South Dakota. In 1977 he was convicted on two counts of first-degree murder for the deaths of two FBI agents in a shootout when the agents came to the reservation in 1975 to execute arrest warrants.\n\nPeltier maintained his innocence but was sentenced to two life terms in prison. Rage Against The Machine pushed to free him via a pardon.\n\nThe song was released months before Bill Clinton was sworn in as president, but Clinton never took action on the case. In 2025, in one of his final acts in office, Joe Biden commuted the sentence of Peltier, who was 80 years old.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3624079, "uri": "https://api.kexp.org/v2/plays/3624079/?format=api", "airdate": "2026-03-01T17:24:52-08:00", "show": 66064, "show_uri": "https://api.kexp.org/v2/shows/66064/?format=api", "image_uri": "https://dn710203.ca.archive.org/0/items/mbid-5f9664b7-dc37-4ca3-ba72-3d694eaa1e04/mbid-5f9664b7-dc37-4ca3-ba72-3d694eaa1e04-44462027285_thumb500.jpg", "thumbnail_uri": "https://dn710203.ca.archive.org/0/items/mbid-5f9664b7-dc37-4ca3-ba72-3d694eaa1e04/mbid-5f9664b7-dc37-4ca3-ba72-3d694eaa1e04-44462027285_thumb250.jpg", "song": "WHITE NOISE", "track_id": "6d180b56-899f-49ba-8a7a-4ea4553e968b", "recording_id": "f201ef82-b0e4-4834-9f06-56b8371927b2", "artist": "Kerala Dust", "artist_ids": [ "6a8f332b-a26d-48c3-afd9-b167abfb4562" ], "album": "WHITE NOISE", "release_id": "5f9664b7-dc37-4ca3-ba72-3d694eaa1e04", "release_group_id": "f0eaee48-a9c1-4396-b124-9f2916490806", "labels": [ "Play It Again Sam" ], "label_ids": [ "3ccd1270-99d3-4b83-a311-6c60e127c866" ], "release_date": "2026-02-25", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "New music from currently-based South London band. The strange and excessive confusion of [their] city is reflected back in the anonymity of Kerala Dust’s basement studio. Kerala Dust seeks to bridge that divide between electronic music and traditional songwriting, drawing on influences as far and wide as TomWaits, Talking Heads and Abdulla Rashim. https://www.keraladust.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3624077, "uri": "https://api.kexp.org/v2/plays/3624077/?format=api", "airdate": "2026-03-01T17:19:54-08:00", "show": 66064, "show_uri": "https://api.kexp.org/v2/shows/66064/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Sherpa", "track_id": null, "recording_id": null, "artist": "Angine de Poitrine", "artist_ids": [ "5fd29907-c3c5-4b1d-a799-7cf9bbd288fc" ], "album": null, "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": null, "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "This one goes out to Kyle and Chris in Colorado Springs, who write, \"You're giving us the vibe that's getting us through some house painting. Any room in the set for some of that Angine De Poitrine? Can't get enough of them since the live show!\" Enjoy, and good luck with the painting!\n\nAngine de Poitrine is an experimental rock duo from Saguenay, Quebec, Canada. Formed in 2019, the group consists of two members performing under the pseudonyms Khn de Poitrine (guitar, bass, and microtonal instruments) and Klek de Poitrine (drums).\n\nThe duo have been performing together since they were teenagers. They first performed as Angine de Poitrine in 2019, but didn't begin performing consistently as the group until 2023. Their costumes and on-stage personas were initially created as a \"joke.\" Having been told they could not perform in back-to-back weeks at the same venue, they did one show as themselves and one disguised in costume. As the band has evolved, the members have remained anonymous, which is their preference.\n\nThe band plays experimental rock and microtonal math rock using nonstandard tuning systems, complex rhythms, and largely instrumental compositions that they combine with performance art. Their live performances feature the musicians performing in oversized papier-mâché masks alongside stylized costumes and staging. Khn de Poitrine plays a custom-built, double-necked instrument consisting of a microtonal guitar and bass. https://tinyurl.com/absddmbe", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3624076, "uri": "https://api.kexp.org/v2/plays/3624076/?format=api", "airdate": "2026-03-01T17:16:41-08:00", "show": 66064, "show_uri": "https://api.kexp.org/v2/shows/66064/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3624075, "uri": "https://api.kexp.org/v2/plays/3624075/?format=api", "airdate": "2026-03-01T17:13:07-08:00", "show": 66064, "show_uri": "https://api.kexp.org/v2/shows/66064/?format=api", "image_uri": "https://dn711201.ca.archive.org/0/items/mbid-fb1281cb-2ea8-40e6-b23d-7fbf92bf71dd/mbid-fb1281cb-2ea8-40e6-b23d-7fbf92bf71dd-10533098206_thumb500.jpg", "thumbnail_uri": "https://dn711201.ca.archive.org/0/items/mbid-fb1281cb-2ea8-40e6-b23d-7fbf92bf71dd/mbid-fb1281cb-2ea8-40e6-b23d-7fbf92bf71dd-10533098206_thumb250.jpg", "song": "Dirty Blvd.", "track_id": "648d3385-9663-47ed-8074-a98d65191670", "recording_id": "8c17366d-9be4-4f0d-af9d-5acb1739a0b1", "artist": "Lou Reed", "artist_ids": [ "9d1ebcfe-4c15-4d18-95d3-d919898638a1" ], "album": "New York", "release_id": "fb1281cb-2ea8-40e6-b23d-7fbf92bf71dd", "release_group_id": "bf543d9f-f0de-3f46-87b4-f9cddf58806b", "labels": [ "Sire Records" ], "label_ids": [ "be0fec81-5c18-4494-8bbf-0d81dec006bf" ], "release_date": "1989-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Lou Reed was born on March 2, 1942!\n\nLou Reed's song “Dirty Blvd.” from his album New York (1989) represents an indictment of the disparity of wealth in New York City at the end of the Reagan era. The track provides a glimpse of the life of Pedro, an abused Hispanic boy living in the dilapidated Wilshire Hotel on West 58th Street amid luxury residential buildings.\n\nReed contrasts Pedro with the Manhattan elite, empowered by a resurgent Wall Street and a booming real estate market. Pedro is emblematic of the failed American Dream, of the betrayal of the Statue of Liberty to offer opportunity for immigrants.\n\nAs the crack cocaine epidemic batters poor neighborhoods, Pedro dreams of escaping his environs but is destined to end up on the dirty boulevard, where illicit activity is rampant. Blunt and candid, “Dirty Blvd.” is a commentary on inequality in the city, narrated by one of New York's great storytellers. https://tinyurl.com/3a3u4rp4", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3624074, "uri": "https://api.kexp.org/v2/plays/3624074/?format=api", "airdate": "2026-03-01T17:08:59-08:00", "show": 66064, "show_uri": "https://api.kexp.org/v2/shows/66064/?format=api", "image_uri": "https://dn721602.ca.archive.org/0/items/mbid-1c65dc93-6748-3bb5-be18-bdbbad7f8d42/mbid-1c65dc93-6748-3bb5-be18-bdbbad7f8d42-30269215841_thumb500.jpg", "thumbnail_uri": "https://dn721602.ca.archive.org/0/items/mbid-1c65dc93-6748-3bb5-be18-bdbbad7f8d42/mbid-1c65dc93-6748-3bb5-be18-bdbbad7f8d42-30269215841_thumb250.jpg", "song": "Can I Kick It?", "track_id": "f8064cfe-2e78-3fbb-ba79-f0db242c865d", "recording_id": "7a84cef9-dc6c-4db2-80e8-3bfc78853093", "artist": "A Tribe Called Quest", "artist_ids": [ "9689aa5a-4471-4fb4-9721-07cecda0fa9f" ], "album": "People’s Instinctive Travels and the Paths of Rhythm", "release_id": "1c65dc93-6748-3bb5-be18-bdbbad7f8d42", "release_group_id": "02adb8a7-496c-3a9a-a324-662df73fdba5", "labels": [ "Jive" ], "label_ids": [ "79245298-c0ba-4eba-aecc-3dfe8eeb689f" ], "release_date": "1990-03-12", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Tomorrow marks Lou Reed's 1942 birthday.\n\nThis song is based around a sample from Lou Reed's \"Walk On The Wild Side.\" In a 2011 interview with Hip Hop DX, A Tribe Called Quest rapper Phife Dawg explained that the group has never received royalties from this song because of the sample.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3624071, "uri": "https://api.kexp.org/v2/plays/3624071/?format=api", "airdate": "2026-03-01T17:04:43-08:00", "show": 66064, "show_uri": "https://api.kexp.org/v2/shows/66064/?format=api", "image_uri": "https://dn710805.ca.archive.org/0/items/mbid-f9d5fc0c-e4c5-3608-b4f6-a11d1430cee5/mbid-f9d5fc0c-e4c5-3608-b4f6-a11d1430cee5-2801139740_thumb500.jpg", "thumbnail_uri": "https://dn710805.ca.archive.org/0/items/mbid-f9d5fc0c-e4c5-3608-b4f6-a11d1430cee5/mbid-f9d5fc0c-e4c5-3608-b4f6-a11d1430cee5-2801139740_thumb250.jpg", "song": "Joy", "track_id": "26c789ed-2264-4235-b43e-78ccd68ea850", "recording_id": "c9e1975b-db7f-4f59-bdf6-47293f7a6dbd", "artist": "Talib Kweli feat. Mos Def", "artist_ids": [ "bb3cbea2-5ad4-4917-bc84-8a1975d40315", "9f4551c6-1324-4ac5-b3fe-a5c5cfacd54d" ], "album": "Quality", "release_id": "8386d96e-4857-411e-9739-273c9f4f3273", "release_group_id": "036299a6-1fcb-3c46-80d7-b41869ba75b8", "labels": [ "Rawkus Records" ], "label_ids": [ "21a9343c-4a03-4768-8186-569dc03f850c" ], "release_date": "2002-11-18", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Talib Kwel's Joy is about the birth of his first child.\n\nIn 2002 interview, Kweli revealed of the album title, \"It was just the best way of trying to describe what I wanted to do. The word just fit. I'm trying to focus on quality over quantity.\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3624069, "uri": "https://api.kexp.org/v2/plays/3624069/?format=api", "airdate": "2026-03-01T17:01:17-08:00", "show": 66064, "show_uri": "https://api.kexp.org/v2/shows/66064/?format=api", "image_uri": "https://dn721908.ca.archive.org/0/items/mbid-b29d1d8d-1dfb-4af2-8798-f963ba0b58de/mbid-b29d1d8d-1dfb-4af2-8798-f963ba0b58de-41859562156_thumb500.jpg", "thumbnail_uri": "https://dn721908.ca.archive.org/0/items/mbid-b29d1d8d-1dfb-4af2-8798-f963ba0b58de/mbid-b29d1d8d-1dfb-4af2-8798-f963ba0b58de-41859562156_thumb250.jpg", "song": "Free", "track_id": "5c791e0a-bafa-4795-8df5-73c7ec7de1ec", "recording_id": "d2aec729-b623-422b-8f2e-9219418b4552", "artist": "Little Simz", "artist_ids": [ "3cdb40fe-a63e-4bb9-b40d-17cda5f50979" ], "album": "Lotus", "release_id": "b29d1d8d-1dfb-4af2-8798-f963ba0b58de", "release_group_id": "749672ae-a51d-4cf5-920c-beaeab147bb6", "labels": [ "AWAL Recordings", "AWAL Recordings Ltd" ], "label_ids": [ "19bd97af-e452-47b2-ba9a-e6d0605dd068", "1a59ec10-ab09-450c-86ec-04f1796be3fd" ], "release_date": "2025-06-06", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "\"Free\" shines a light on Simbi’s lyricism. Written as a poem first, it was then transformed into music in the studio – the words become instruments, with Little Simz carving out a message of independence, and the transportive power of love.\n\n\"Love will never judge you because of your pain,\" Simz raps, with the lush, cinematic Axelrod-esque production spearheaded by Miles Clinton James. https://tinyurl.com/3kkxu7mc", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3624067, "uri": "https://api.kexp.org/v2/plays/3624067/?format=api", "airdate": "2026-03-01T16:58:59-08:00", "show": 66064, "show_uri": "https://api.kexp.org/v2/shows/66064/?format=api", "image_uri": "https://dn721608.ca.archive.org/0/items/mbid-5160aec6-78c4-44ac-84fd-da4f37e7839c/mbid-5160aec6-78c4-44ac-84fd-da4f37e7839c-33748502385_thumb500.jpg", "thumbnail_uri": "https://dn721608.ca.archive.org/0/items/mbid-5160aec6-78c4-44ac-84fd-da4f37e7839c/mbid-5160aec6-78c4-44ac-84fd-da4f37e7839c-33748502385_thumb250.jpg", "song": "Baraye", "track_id": "42bcafef-e88c-4ecf-9b93-35819bb299da", "recording_id": "7ae19b1c-82e3-4677-adb7-9681114e6604", "artist": "Shervin Hajipour", "artist_ids": [ "70c25466-bd8c-46f2-9b10-cca7c9da101f" ], "album": "Baraye", "release_id": "5160aec6-78c4-44ac-84fd-da4f37e7839c", "release_group_id": "34893d74-06bb-4c40-9453-0c9200f30480", "labels": [ "[no label]" ], "label_ids": [ "157afde4-4bf5-4039-8ad2-5a15acc85176" ], "release_date": "2022-09-30", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Iranian singer Shervin Hajipour won a Grammy for Best Song For Social Change for this song. \"Baraye\" was posted on Hajipour's Instagram and was seen more than 40 million times in less than two days.\n\n\"He was arrested but this song continues to resonate around the world for its powerful theme: women, life, freedom\" said First Lady Dr. Jill Biden, who presented the award. http://bit.ly/3HPWLWH\n\nFeaturing lyrics from protest tweets, the song became a viral symbol of the 2022 Iranian protests. Hajipour released it in September 2022, and lists reasons for protest, such as \"For dancing in the streets\" \"For fear of kissing\" and \"For our sister, your sister, our sisters.\"\n\nThe song became the voice of the women-led uprising in Iran following the death of Mahsa Amini. IG: @shervinine", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3624066, "uri": "https://api.kexp.org/v2/plays/3624066/?format=api", "airdate": "2026-03-01T16:56:20-08:00", "show": 66064, "show_uri": "https://api.kexp.org/v2/shows/66064/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3624065, "uri": "https://api.kexp.org/v2/plays/3624065/?format=api", "airdate": "2026-03-01T16:52:50-08:00", "show": 66064, "show_uri": "https://api.kexp.org/v2/shows/66064/?format=api", "image_uri": "https://dn721802.ca.archive.org/0/items/mbid-68c6a63d-72d9-4c69-b33d-5a93b3b1d818/mbid-68c6a63d-72d9-4c69-b33d-5a93b3b1d818-43136424930_thumb500.jpg", "thumbnail_uri": "https://dn721802.ca.archive.org/0/items/mbid-68c6a63d-72d9-4c69-b33d-5a93b3b1d818/mbid-68c6a63d-72d9-4c69-b33d-5a93b3b1d818-43136424930_thumb250.jpg", "song": "Peel", "track_id": "f2fdeec4-1a85-4c48-bf89-487c8b4d7cb8", "recording_id": "5078d4cc-2d89-4fad-8e0d-86abc01c15ed", "artist": "PVA", "artist_ids": [ "3e3c2787-4412-4614-82af-ce903b4d8b96" ], "album": "No More Like This", "release_id": "68c6a63d-72d9-4c69-b33d-5a93b3b1d818", "release_group_id": "ce2f78d9-a9ad-449b-ad98-d7493b9f5ab4", "labels": [], "label_ids": [], "release_date": "2026-01-23", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "\"The sophomore album from London trio PVA is all about balance; light and dark, blurry and sharp, urgent and tranquil. Featuring synths both bright and sinister, angular guitars, driving percussion, and Ella Harris’s entrancing, deadpan vocals, ‘No More Like This’ is an engrossing, essential listen that brilliantly fuses electropunk, trip-hop, and experimental soundscapes to reveal their ever-evolving vision,\" writes KEXP's Music Director, Chris Sanley.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3624063, "uri": "https://api.kexp.org/v2/plays/3624063/?format=api", "airdate": "2026-03-01T16:49:40-08:00", "show": 66064, "show_uri": "https://api.kexp.org/v2/shows/66064/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Who Says", "track_id": null, "recording_id": null, "artist": "Tempers", "artist_ids": [ "70e0a6cc-887b-473b-b563-32883fda61a3" ], "album": "Delusion", "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": null, "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Tempers is the music project of New York-based singer-songwriter Jasmine Golestaneh, who blends emotionally resonant lyrics and an eclectic palette of electronic sounds into low-lit poetic synth-pop, with hints of techno, shoegaze and post-punk.\n\nTempers’ 2015 debut album, Services, included the underground dancefloor hit “Strange Harvest”. In 2019, Tempers released the LP Private Life, followed by New Meaning in 2022, which was accompanied by a book of Golestaneh’s original collage art. Tempers’ art world leanings have led to unique collaborations including performances in museums and galleries, an EP stemming from an artist residency with The Vinyl Factory, and the 2018 release of Junkspace feat. Rem Koolhaas.\n\nThe latest album Delusion, co-produced by Golestaneh and Jorge Elbrecht, featuring collaborations with artists Camille Henrot, Estelle Hoy and Sandra Mujinga, is set for release April 24th, 2026 on Golestaneh’s own new label fear of luxury, distributed by Cascine/Secretly. https://tinyurl.com/29j7udhj", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3624062, "uri": "https://api.kexp.org/v2/plays/3624062/?format=api", "airdate": "2026-03-01T16:46:48-08:00", "show": 66064, "show_uri": "https://api.kexp.org/v2/shows/66064/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Shadow Over Me", "track_id": null, "recording_id": null, "artist": "Nine Inch Nails", "artist_ids": [ "b7ffd2af-418f-4be2-bdd1-22f8b48613da" ], "album": "TRON Ares: Divergence", "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": null, "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The Dare Remix\n\nTrent Reznor and Atticus Ross were chosen to score the third film entry in the Tron franchise, following electronic musician Wendy Carlos's score to Tron (1982) and French house duo Daft Punk's score to Tron: Legacy (2010).\n\nDaft Punk had disbanded since scoring Legacy, and at the behest of Ares producer Sean Bailey, Reznor and Ross were approached by Tom MacDougall, president of Walt Disney Music, to work on Tron: Ares shortly after completing work on the soundtrack of the Pixar film Soul (2020).\n\nThe duo had not before used their band's name for a film score in their repertoire spanning over a dozen films, and Disney's request for them to be credited as their band was unexpected to them. https://tinyurl.com/yvky6pf2", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3624061, "uri": "https://api.kexp.org/v2/plays/3624061/?format=api", "airdate": "2026-03-01T16:43:07-08:00", "show": 66064, "show_uri": "https://api.kexp.org/v2/shows/66064/?format=api", "image_uri": "https://dn720002.ca.archive.org/0/items/mbid-ebcb39d1-8f6a-44c6-9618-8af08645c434/mbid-ebcb39d1-8f6a-44c6-9618-8af08645c434-44443348016_thumb500.jpg", "thumbnail_uri": "https://dn720002.ca.archive.org/0/items/mbid-ebcb39d1-8f6a-44c6-9618-8af08645c434/mbid-ebcb39d1-8f6a-44c6-9618-8af08645c434-44443348016_thumb250.jpg", "song": "Empathy (edit)", "track_id": "1683cf8e-497d-4c10-ade8-2bd4ec0fd985", "recording_id": "f436aa37-2de0-4ac9-adde-64b08b37d2a3", "artist": "Bathing Suits", "artist_ids": [ "d8ed2c1b-16bd-498b-932a-b5a52e54e874" ], "album": "Empathy", "release_id": "ebcb39d1-8f6a-44c6-9618-8af08645c434", "release_group_id": "275bd1a1-d906-4e7d-aac1-7e62f85b6f68", "labels": [ "Underplay" ], "label_ids": [ "dd0026b8-6f44-439f-8e66-c48a665d06a7" ], "release_date": "2026-02-24", "rotation_status": "Medium", "is_local": false, "is_request": false, "is_live": false, "comment": "Leeds’ most electrifying DIY export, Bathing Suits, have officially entered clubland with their new single, \"Empathy.\" Moving beyond their basement-party roots, the track is a sprawling, seven-minute \"noise-trance\" exorcism produced by DJ Subaru (Benny Howell).\n\nOf the single, Freyja Blevins states, \"It’s about feeling like there’s no empathy left for anyone—like we’ve run out of it or something. The song feels cold, angry, suffocating and tense. But it was really fun writing and working on it together.\" https://tinyurl.com/57pjcafw", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3624060, "uri": "https://api.kexp.org/v2/plays/3624060/?format=api", "airdate": "2026-03-01T16:40:48-08:00", "show": 66064, "show_uri": "https://api.kexp.org/v2/shows/66064/?format=api", "image_uri": "https://ia801404.us.archive.org/6/items/mbid-b52384b1-fbbf-4ba3-8a83-cf10969e3b5f/mbid-b52384b1-fbbf-4ba3-8a83-cf10969e3b5f-44079789120_thumb500.jpg", "thumbnail_uri": "https://dn720808.ca.archive.org/0/items/mbid-b52384b1-fbbf-4ba3-8a83-cf10969e3b5f/mbid-b52384b1-fbbf-4ba3-8a83-cf10969e3b5f-44079789120_thumb250.jpg", "song": "L.U.C.K.Y", "track_id": "4647720b-41b3-4eaa-9006-c512296bcf40", "recording_id": "65f6b1e9-2ea9-4392-85dc-eb2b29160d44", "artist": "Fcukers", "artist_ids": [ "5e23e428-d9f5-4679-bd7c-8254d6f0a437" ], "album": "Ö", "release_id": "b52384b1-fbbf-4ba3-8a83-cf10969e3b5f", "release_group_id": "2a639b6c-bdea-42d6-b2c4-195f38b9dc55", "labels": [ "Ninja Tune" ], "label_ids": [ "dc940013-b8a8-4362-a465-291026c04b42" ], "release_date": "2026-03-27", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "Fcukers, consisting of duo Shanny Wise and Jackson Walker Lewis, formed in New York City in 2022. In 2023, they released their debut single \"Mothers.\" Their debut EP entitled Baggy$$ was released in 2024 through Ninja Tune's Technicolour Records imprint. https://tinyurl.com/4yspfnfa", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3624058, "uri": "https://api.kexp.org/v2/plays/3624058/?format=api", "airdate": "2026-03-01T16:34:57-08:00", "show": 66064, "show_uri": "https://api.kexp.org/v2/shows/66064/?format=api", "image_uri": "https://dn710607.ca.archive.org/0/items/mbid-ac777701-3e93-4892-be73-e44365b65b1e/mbid-ac777701-3e93-4892-be73-e44365b65b1e-3722247799_thumb500.jpg", "thumbnail_uri": "https://dn710607.ca.archive.org/0/items/mbid-ac777701-3e93-4892-be73-e44365b65b1e/mbid-ac777701-3e93-4892-be73-e44365b65b1e-3722247799_thumb250.jpg", "song": "When Doves Cry", "track_id": "e8722a6e-c8dd-33e8-8c1c-8d090f232f44", "recording_id": "180bced7-a6a3-472e-bcf2-51ae29b7959e", "artist": "Prince and The Revolution", "artist_ids": [ "4c8ead39-b9df-4c56-a27c-51bc049cfd48", "070d193a-845c-479f-980e-bef15710653e" ], "album": "Purple Rain", "release_id": "ac777701-3e93-4892-be73-e44365b65b1e", "release_group_id": "b93a7c47-a6d4-33f2-9034-53fdd991f4ba", "labels": [ "Warner Bros. Records" ], "label_ids": [ "c595c289-47ce-4fba-b999-b87503e8cb71" ], "release_date": "1984-07-27", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "On this day in 1984, Prince recorded \"When Doves Cry,\" programming the drums and playing every instrument himself. \n\nWritten and produced by Prince himself, \"When Doves Cry\" was effectively penned at the behest of Albert Magnoli, director of Purple Rain, who was looking for a song to serve as the soundtrack for a particular scene.\n\n(Lyrically, however, Prince biographer Per Nilsen has said that the song was inspired by Susan Moonsie, a member of Vanity 6, and Prince’s relationship with her.) \n\nWhatever its origins, one thing’s for certain: it was the last tune to be written and composed for the Purple Rain soundtrack.\n\nFor a song that was ostensibly handed over to Magnoli the very next day after he initially asked Prince to write something, “When Doves Cry” made more waves than a tsunami: in addition to hitting #1 on the Billboard Hot 100, it also topped the magazine’s R&B Singles and Dance/Disco Singles charts. https://tinyurl.com/y9tcpf22", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
