Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=20
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=40", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20", "results": [ { "id": 3624502, "uri": "https://api.kexp.org/v2/plays/3624502/?format=api", "airdate": "2026-03-02T19:28:25-08:00", "show": 66075, "show_uri": "https://api.kexp.org/v2/shows/66075/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3624501, "uri": "https://api.kexp.org/v2/plays/3624501/?format=api", "airdate": "2026-03-02T19:24:22-08:00", "show": 66075, "show_uri": "https://api.kexp.org/v2/shows/66075/?format=api", "image_uri": "https://coverartarchive.org/release/47c2eb63-3255-41e7-b560-840a6e7fb43e/37430827235-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/47c2eb63-3255-41e7-b560-840a6e7fb43e/37430827235-250.jpg", "song": "Mi Gran Dolor", "track_id": null, "recording_id": "129258c2-cb07-4392-867b-5a6b08b69e65", "artist": "Karen y Los Remedios", "artist_ids": [ "47e3a7f7-873c-465e-8e0b-482dacdc1f49" ], "album": "Silencio", "release_id": null, "release_group_id": "ad2966b6-a379-4d93-abfb-a8822a04f2f7", "labels": [], "label_ids": [], "release_date": "2023-09-08", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“Mi Gran Dolor” frames heartbreak with unusual tenderness: a song that admits the wound without turning it into spectacle. Karen y Los Remedios blend cumbia-rooted movement with a dreamy, introspective palette—rhythms that invite your body forward while the lyric pulls your mind inward. The result is bittersweet in the truest sense: dance music for private storms, warmth that makes the ache more believable. Karen’s voice carries vulnerability with a steady gaze, as if naming pain is a form of self-respect rather than surrender. The arrangement feels carefully balanced—percussion and bass providing grounded motion, while textures and melodic details drift like thoughts you can’t shut off at night. “Mi Gran Dolor” lands as a portrait of rejection, longing, and the slow work of rebuilding dignity, the moment when you stop bargaining and start choosing yourself, even if it hurts. There’s also something quietly restorative here: the idea that music can be both mirror and remedy, letting you move through grief without being trapped inside it. It’s a song you can listen to on repeat not to reopen the wound, but to understand it.\u2028Listen: https://karenylosremedios.bandcamp.com/track/mi-gran-dolor", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3624500, "uri": "https://api.kexp.org/v2/plays/3624500/?format=api", "airdate": "2026-03-02T19:21:00-08:00", "show": 66075, "show_uri": "https://api.kexp.org/v2/shows/66075/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Porque te vas", "track_id": null, "recording_id": "7fd83a03-7e86-4952-9b4c-cf97efa94f07", "artist": "Jeanette", "artist_ids": [ "327a9b38-0817-4cce-858e-84ce8f56864b" ], "album": "Porque te vas", "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": "1974-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Few songs capture longing as delicately as Porque te Vas by Jeanette. Built on a deceptively simple arrangement of soft percussion, gentle guitar, and understated orchestration, the track floats with a fragile sweetness that contrasts beautifully with its melancholy core. Jeanette’s airy, almost childlike vocal delivery is what makes the song unforgettable — it doesn’t overpower the listener, it confides in them.\n\nLyrically, “Porque te Vas” speaks to the quiet devastation of departure. There’s no dramatic crescendo, no explosive heartbreak — just a steady, aching realization that someone is leaving. That restraint is precisely its strength. The melody lingers long after the song ends, looping in your mind like a memory you’re not ready to let go of.\n\nThough released in the 1970s, the song feels timeless. Its minimalism allows it to transcend eras, and its emotional clarity makes it universally relatable, even for listeners who don’t speak Spanish. It’s tender, nostalgic, and haunting in the most elegant way.\n\nListen here:\nhttps://open.spotify.com/search/Jeanette%20Porque%20te%20Vas", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3624499, "uri": "https://api.kexp.org/v2/plays/3624499/?format=api", "airdate": "2026-03-02T19:16:23-08:00", "show": 66075, "show_uri": "https://api.kexp.org/v2/shows/66075/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Imán", "track_id": null, "recording_id": null, "artist": "Los Eclipses", "artist_ids": [ "72b86691-8bfe-422c-a6dd-e354fca68bbb" ], "album": "Imán", "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": "2025-12-05", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“Imán” is a song about gravity—the kind you don’t see, only feel, the pull that brings you back to a person, a memory, a pattern you swore you’d outgrown. The track moves with controlled momentum, letting tension build in small increments the way attraction does: not as a sudden lightning strike, but as a steady force that quietly reorganizes your choices. The vocal lines and arrangement feel conversational, like two currents running alongside each other until they finally merge, and the chorus lands with the certainty of something inevitable. There’s a cinematic patience in the way the song opens up, making room for atmosphere without losing the thread of melody. “Imán” works because it leaves space for the listener to project their own story onto its center—late-night longing, the magnetic return to what’s familiar, the sweetness and danger of surrendering to pull. It’s the sound of trying to stay rational while your body votes otherwise. By the end, the title feels less like metaphor and more like diagnosis: some connections don’t ask permission, they simply draw you in, and the song follows that physics all the way through.\u2028Listen: https://open.spotify.com/track/18V0OpGkrLJxZT8dffUPTv", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3624498, "uri": "https://api.kexp.org/v2/plays/3624498/?format=api", "airdate": "2026-03-02T19:14:15-08:00", "show": 66075, "show_uri": "https://api.kexp.org/v2/shows/66075/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3624497, "uri": "https://api.kexp.org/v2/plays/3624497/?format=api", "airdate": "2026-03-02T19:10:35-08:00", "show": 66075, "show_uri": "https://api.kexp.org/v2/shows/66075/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "L'Internationale", "track_id": null, "recording_id": "acb1256b-0684-49cc-aaad-b0cda1ae51ef", "artist": "Downtown Boys", "artist_ids": [ "4bab4841-5584-4c04-a933-3f537fbe3aad" ], "album": "Miss Marx", "release_id": null, "release_group_id": "5ff79012-1c1d-4627-ab44-e6e12127dac9", "labels": [], "label_ids": [], "release_date": "2021-06-07", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Downtown Boys’ take on “L’Internationale” doesn’t treat the workers’ anthem as a relic—it treats it as an engine. The band delivers it with punk velocity and a sense of collective lift, turning a historic melody into something that can live in the present tense: loud enough for a march, sharp enough for a room, fast enough for a heartbeat that won’t slow down. The vocal is urgent and clear, less sermon than rally, pulling the listener into a chorus that has always belonged to many voices at once. What makes this version hit is the way it makes politics feel physical. The drums become footsteps; the guitars feel like sirens; the hook turns into a shared breath. There’s also joy here, and it’s not decorative—it’s the point. The song insists that solidarity is not only anger and grief; it’s the electric relief of recognizing each other in the noise. Downtown Boys have always written like organizers with amplifiers, and “L’Internationale” fits them because it’s a song built to be used: a tool you can carry, repeat, and pass forward until it becomes bigger than the moment that sparked it.\u2028Listen: https://downtownboys.bandcamp.com/track/linternationale", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3624496, "uri": "https://api.kexp.org/v2/plays/3624496/?format=api", "airdate": "2026-03-02T19:07:15-08:00", "show": 66075, "show_uri": "https://api.kexp.org/v2/shows/66075/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Desaparecido", "track_id": null, "recording_id": "69c2473e-c63c-42be-9dff-055136eb3a5a", "artist": "Manu Chao", "artist_ids": [ "7570a0dd-5a67-401b-b19a-261eee01a284" ], "album": "Clandestino", "release_id": null, "release_group_id": "24a451c9-a8f3-33f9-a4fc-5e2d00cb7816", "labels": [], "label_ids": [], "release_date": "1998-04-30", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“Desaparecido” is built like a transmission from the road—restless, bright, and edged with unease. Manu Chao delivers the chorus like a chant you learn instantly because it’s meant to travel: a story of someone who slips away the moment they’re named, a figure moving faster than the hands trying to hold them still. The groove keeps a light step, but the theme carries weight—identity under pressure, life lived in motion, presence treated like a problem to be solved. The song’s power comes from that friction: music that feels warm and communal while the lyric circles disappearance, pursuit, and the constant need to stay one step ahead. Manu’s voice is conversational, as if he’s speaking across a border fence and a dance floor at once, turning urgency into melody. It’s a song that doesn’t ask for pity; it insists on visibility through rhythm, repeating its message until it becomes impossible to ignore. “Desaparecido” endures because it sounds like survival—quick, human, and alive—proof that even a life pushed to the margins can still sing louder than the system that tried to erase it.\u2028Listen: https://open.spotify.com/track/5Hc7O2dX51NI4YcHPuoOpw", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3624495, "uri": "https://api.kexp.org/v2/plays/3624495/?format=api", "airdate": "2026-03-02T19:04:30-08:00", "show": 66075, "show_uri": "https://api.kexp.org/v2/shows/66075/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3624494, "uri": "https://api.kexp.org/v2/plays/3624494/?format=api", "airdate": "2026-03-02T19:00:47-08:00", "show": 66075, "show_uri": "https://api.kexp.org/v2/shows/66075/?format=api", "image_uri": "https://coverartarchive.org/release/98024136-f546-41c9-b02c-a37e2e6186cf/41065498217-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/98024136-f546-41c9-b02c-a37e2e6186cf/41065498217-250.jpg", "song": "Strawberry fields forever", "track_id": null, "recording_id": "aeb3ca5d-998a-423f-89a8-afe4c1166cba", "artist": "Los Fabulosos Cadillacs", "artist_ids": [ "cfe85625-10af-46c1-99fb-765ed3a4f1ad" ], "album": "Rey azúcar", "release_id": null, "release_group_id": "0e71286d-19ae-3ab1-a762-dfed5c4df930", "labels": [], "label_ids": [], "release_date": "1995-06-20", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Los Fabulosos Cadillacs approach “Strawberry Fields Forever” as a doorway rather than a shrine. The original is famously inward—dream logic, soft distortions, questions without clean answers—but this version brings it into the band’s world: performance-forward, rhythm-minded, charged with Latin rock swagger. The surreal lines feel less like private diary entries and more like a spell delivered to a room full of people. That shift matters. When a song about unreality becomes communal, it stops being escape and starts being defiance: a refusal to accept the world’s official story as the only one. The Cadillacs keep the melody recognizable, but their phrasing and dynamics add muscle and theater, letting the tune breathe in a different climate. You can hear the band’s instinct for movement—how they find a pulse inside the haze—so the track remains danceable even while it’s searching for meaning. It’s a cover that works because it doesn’t imitate; it translates, taking a psychedelic classic and making it feel like it belongs to another latitude, another crowd, another kind of night.\u2028Listen: https://open.spotify.com/track/1G0q6mPYI7P5dT2KUG5D4E", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3624493, "uri": "https://api.kexp.org/v2/plays/3624493/?format=api", "airdate": "2026-03-02T18:52:56-08:00", "show": 66074, "show_uri": "https://api.kexp.org/v2/shows/66074/?format=api", "image_uri": "https://coverartarchive.org/release/d634c93c-6e6e-42c0-92ee-232e813be26c/20087149515-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/d634c93c-6e6e-42c0-92ee-232e813be26c/20087149515-250.jpg", "song": "Djal Bai Si Camin", "track_id": null, "recording_id": "5a3250f9-71da-419a-ad03-ed14f0f5d838", "artist": "António dos Santos", "artist_ids": [ "fd16650c-8865-41d8-b391-120f55d94c01" ], "album": "Space Echo: The Mystery Behind the Cosmic Sound of Cabo Verde Finally Revealed!", "release_id": null, "release_group_id": "349bd7d0-ebc0-4f35-97b3-fc23b7bf0142", "labels": [ "Analog Africa" ], "label_ids": [ "8b2b26bc-6310-4de1-b092-c10753b65bcc" ], "release_date": "2016-05-26", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": null, "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3624492, "uri": "https://api.kexp.org/v2/plays/3624492/?format=api", "airdate": "2026-03-02T18:52:53-08:00", "show": 66074, "show_uri": "https://api.kexp.org/v2/shows/66074/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3624491, "uri": "https://api.kexp.org/v2/plays/3624491/?format=api", "airdate": "2026-03-02T18:47:44-08:00", "show": 66074, "show_uri": "https://api.kexp.org/v2/shows/66074/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "K2 Central", "track_id": null, "recording_id": null, "artist": "Squarepusher", "artist_ids": [ "4d86ad4e-28d8-4e9f-8cf4-735c57060fdc" ], "album": "Kammerkonzert", "release_id": null, "release_group_id": null, "labels": [ "Warp" ], "label_ids": [], "release_date": "2026-04-10", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "lead single off upcoming Squarepusher album.\n\nhttps://squarepusher.bandcamp.com/album/kammerkonzert", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3624490, "uri": "https://api.kexp.org/v2/plays/3624490/?format=api", "airdate": "2026-03-02T18:43:20-08:00", "show": 66074, "show_uri": "https://api.kexp.org/v2/shows/66074/?format=api", "image_uri": "https://dn710604.ca.archive.org/0/items/mbid-11f060a9-59b5-4071-9878-8db8998aa23c/mbid-11f060a9-59b5-4071-9878-8db8998aa23c-44167565646_thumb500.jpg", "thumbnail_uri": "https://dn710604.ca.archive.org/0/items/mbid-11f060a9-59b5-4071-9878-8db8998aa23c/mbid-11f060a9-59b5-4071-9878-8db8998aa23c-44167565646_thumb250.jpg", "song": "Psycho Killer", "track_id": "65691367-d2d1-4932-9876-9ba91a6641f8", "recording_id": "48330cb8-b694-446d-a8db-98baf3dd03e5", "artist": "Astrønne", "artist_ids": [ "310e1ee1-710e-4703-8dd1-192b7ea51d71" ], "album": "Naive Melodies", "release_id": "11f060a9-59b5-4071-9878-8db8998aa23c", "release_group_id": "dcfc09af-77c6-4c4d-b661-3d53536251bf", "labels": [ "BBE" ], "label_ids": [ "d85e09a6-2401-42aa-943f-50ff940d6583" ], "release_date": "2026-01-23", "rotation_status": "Light", "is_local": false, "is_request": false, "is_live": false, "comment": "Compilation with covers \\ versions of Talking Heads songs.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3624489, "uri": "https://api.kexp.org/v2/plays/3624489/?format=api", "airdate": "2026-03-02T18:41:13-08:00", "show": 66074, "show_uri": "https://api.kexp.org/v2/shows/66074/?format=api", "image_uri": "https://dn721504.ca.archive.org/0/items/mbid-e0fb0a4f-b3e4-4352-b77b-9c65e42ebde4/mbid-e0fb0a4f-b3e4-4352-b77b-9c65e42ebde4-43636506007_thumb500.jpg", "thumbnail_uri": "https://ia903200.us.archive.org/17/items/mbid-e0fb0a4f-b3e4-4352-b77b-9c65e42ebde4/mbid-e0fb0a4f-b3e4-4352-b77b-9c65e42ebde4-43636506007_thumb250.jpg", "song": "Rewind / Remind", "track_id": "6cb04fb0-b6f7-4a44-a87b-1ecd80d6dc88", "recording_id": "153ea248-3f95-42f9-9b15-da4ba8d0ca0d", "artist": "Momoko Gill", "artist_ids": [ "ea2912cb-9e76-42ed-93a1-57ba3928e8b7" ], "album": "Momoko", "release_id": "e0fb0a4f-b3e4-4352-b77b-9c65e42ebde4", "release_group_id": "0980a2ac-f4eb-4263-bc1b-81764da6cf25", "labels": [ "Strut Records" ], "label_ids": [ "152a4ecc-91b5-474a-8842-9856b1cf6105" ], "release_date": "2026-02-13", "rotation_status": "Medium", "is_local": false, "is_request": false, "is_live": false, "comment": "Momoko Gill is a self-taught drummer, producer, songwriter, and vocalist whose collaborations with Alabaster DePlume, Coby Sey, Tirzah, and Nadeem Din-Gabisi—alongside extensive touring as a drummer, keyboardist, and vocalist—have shaped her distinctive approach to composition and production.\n--\nhttps://momokogill.bandcamp.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3624488, "uri": "https://api.kexp.org/v2/plays/3624488/?format=api", "airdate": "2026-03-02T18:37:23-08:00", "show": 66074, "show_uri": "https://api.kexp.org/v2/shows/66074/?format=api", "image_uri": "https://dn710302.ca.archive.org/0/items/mbid-54bd3b02-8359-4ac5-9ca1-de1557a5b4d6/mbid-54bd3b02-8359-4ac5-9ca1-de1557a5b4d6-44159762121_thumb500.jpg", "thumbnail_uri": "https://dn710302.ca.archive.org/0/items/mbid-54bd3b02-8359-4ac5-9ca1-de1557a5b4d6/mbid-54bd3b02-8359-4ac5-9ca1-de1557a5b4d6-44159762121_thumb250.jpg", "song": "VINOS Y VINILOS", "track_id": "84f32c8c-b7b7-4d1c-8793-f7976c56b52c", "recording_id": "daf83e6c-2e03-458a-aad7-35de1862e2a0", "artist": "Ana Tijoux feat. DJ Dacel", "artist_ids": [ "df6d26d0-6a06-4791-975b-8ebcacf4ffda", "3ac6b6fc-05e9-456f-a7d8-6ddf69756d3f" ], "album": "VINOS Y VINILOS", "release_id": "54bd3b02-8359-4ac5-9ca1-de1557a5b4d6", "release_group_id": "b0fa4232-513e-464d-930a-829d5694bf3a", "labels": [ "Victoria Producciones" ], "label_ids": [ "34708a55-5473-4b3c-a8c9-d15e890cb265" ], "release_date": "2026-01-22", "rotation_status": "Medium", "is_local": false, "is_request": false, "is_live": false, "comment": "Chilean rap icon Ana Tijoux has released “Vinos & Vinilos,” a track celebrating the roots of DJ culture, artistic intimacy, and personal, creative solace. recorded with longtime collaborator DJ Dacel. The track is the first taste of her upcoming \"EP 97.\"\n--\nTijoux was born in France to a French mother and a Chilean father in political exile during Pinochet's dictatorship. After the return to democracy, the family moved to Chile. She found a home in the emerging hip-hop scene of Santiago and first started rhyming in French, then later in Spanish.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3624487, "uri": "https://api.kexp.org/v2/plays/3624487/?format=api", "airdate": "2026-03-02T18:29:05-08:00", "show": 66074, "show_uri": "https://api.kexp.org/v2/shows/66074/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Pirate Jenny", "track_id": null, "recording_id": "5015b0ff-8b42-44da-886e-15e892bd286e", "artist": "Nina Simone", "artist_ids": [ "2944824d-4c26-476f-a981-be849081942f" ], "album": "My Baby Just Cares for Me", "release_id": null, "release_group_id": "3377025c-9954-4179-86c5-586d0a054d43", "labels": [ "PILZ" ], "label_ids": [ "1c0ee8d0-04a3-4060-86c0-99bb0eb7b481" ], "release_date": "1989-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": null, "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3624486, "uri": "https://api.kexp.org/v2/plays/3624486/?format=api", "airdate": "2026-03-02T18:26:24-08:00", "show": 66074, "show_uri": "https://api.kexp.org/v2/shows/66074/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3624485, "uri": "https://api.kexp.org/v2/plays/3624485/?format=api", "airdate": "2026-03-02T18:18:36-08:00", "show": 66074, "show_uri": "https://api.kexp.org/v2/shows/66074/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "People Broken People", "track_id": null, "recording_id": null, "artist": "Black Jesus Experience", "artist_ids": [ "ed8a131a-3ec7-4410-a848-40aa670111e0" ], "album": "Time Telling", "release_id": null, "release_group_id": null, "labels": [ "Agogo Records" ], "label_ids": [ "b327e574-982a-4000-9beb-51e0ceae5dda" ], "release_date": "2025-11-21", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Grooving, evocative, richly diverse, and truth seeking. Black Jesus eXperience’s ‘Time Teling’ explores the fragility of life, the preciousness of time and the importance of hope, love, joy, and community.\n\nTime Telling’s cover is a detail from celebrated artist Julie Mehretu’s 2001 artwork ‘eye of (Thoth)’, BJX is absolutely jammed to have Julie share her creativity with the extended family of musical artists that is Black Jesus eXperience. \n\nhttps://bje-music.bandcamp.com/album/time-telling", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3624484, "uri": "https://api.kexp.org/v2/plays/3624484/?format=api", "airdate": "2026-03-02T18:14:01-08:00", "show": 66074, "show_uri": "https://api.kexp.org/v2/shows/66074/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Mi Casa", "track_id": null, "recording_id": null, "artist": "ALOT", "artist_ids": [], "album": "Wildstyle House Vol. 1", "release_id": null, "release_group_id": null, "labels": [ "Toy Tonics" ], "label_ids": [], "release_date": "2026-02-02", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Argentinian singer, musician, and DJ ALOT, combining proto-house vibes with Spanish rap.\n\nhttps://toytonics.bandcamp.com/album/kapote-presents-toy-tonics-wildstyle-house-vol-1", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3624483, "uri": "https://api.kexp.org/v2/plays/3624483/?format=api", "airdate": "2026-03-02T18:10:12-08:00", "show": 66074, "show_uri": "https://api.kexp.org/v2/shows/66074/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Deep Underground", "track_id": null, "recording_id": null, "artist": "Pôngo", "artist_ids": [], "album": null, "release_id": null, "release_group_id": null, "labels": [ "Obscura Music" ], "label_ids": [], "release_date": "2026-02-28", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "https://obscuramsc.bandcamp.com/album/deep-underground", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
