Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=20&ordering=-airdate
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=40&ordering=-airdate", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&ordering=-airdate", "results": [ { "id": 3638300, "uri": "https://api.kexp.org/v2/plays/3638300/?format=api", "airdate": "2026-04-05T18:16:43-07:00", "show": 66376, "show_uri": "https://api.kexp.org/v2/shows/66376/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "Celebrating 40 years of Ultimate Breaks & Beats with Luis \"BreakBeat Lou\" Flores!", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3638299, "uri": "https://api.kexp.org/v2/plays/3638299/?format=api", "airdate": "2026-04-05T18:12:47-07:00", "show": 66376, "show_uri": "https://api.kexp.org/v2/shows/66376/?format=api", "image_uri": "https://coverartarchive.org/release/653d7d8e-9942-456e-9746-769b584f529a/1136713398-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/653d7d8e-9942-456e-9746-769b584f529a/1136713398-250.jpg", "song": "Bouncy Lady", "track_id": null, "recording_id": "28c281bc-7d54-4be5-9e26-e75e62994ff9", "artist": "Pleasure", "artist_ids": [ "fc340078-7883-49bd-ad06-8b03512b25ed" ], "album": "Dust Yourself Off", "release_id": null, "release_group_id": "14e67bec-ec3c-39ab-9168-55b4e21342ff", "labels": [ "Fantasy" ], "label_ids": [], "release_date": "1975-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "This 1975 debut album by Portland R&B group Pleasure was produced by Wayne Henderson of The Crusaders.\n\nPleasure is a band from Portland, Oregon, United States. Blending soul, funk and jazz with a street edge, they became a cult group on the underground black music scene of the late 1970s.\n\n\"Bouncy Lady was sampled for \"Brand New Funk\" by DJ Jazzy Jeff & the Fresh Prince.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3638298, "uri": "https://api.kexp.org/v2/plays/3638298/?format=api", "airdate": "2026-04-05T18:09:04-07:00", "show": 66376, "show_uri": "https://api.kexp.org/v2/shows/66376/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Midnight Theme", "track_id": null, "recording_id": "7f06f52a-678c-43fa-a19d-c180c4be6696", "artist": "Manzel", "artist_ids": [ "a373c43a-c29e-4bbf-a3a6-2336660f205e" ], "album": "Sugar Dreams / Midnight Theme", "release_id": null, "release_group_id": "b1e4bc5d-f250-40f4-9ced-fdacf797f356", "labels": [ "Fraternity Records" ], "label_ids": [], "release_date": "1979-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Manzel released \"Midnight Theme\" as a b-side to \"Sugar Dreams\" in 1979 with Fraternity Records.\n\nManzel was an instrumental funk band from Lexington, Kentucky. Formed in 1973 and disbanded in 1978, Manzell consisted of: Manzel Bush, John Larry Van Dyke and Steve Garner.\n\nThis 1979 7″ just so happened to open with four bars of unaccompanied Garner drumming that made it perfect bait for hip-hop producers starting in the mid-’80s dawn of the sample era. The drums have been sampled nearly 120 times.): https://bit.ly/3pN8FcH", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3638297, "uri": "https://api.kexp.org/v2/plays/3638297/?format=api", "airdate": "2026-04-05T18:03:06-07:00", "show": 66376, "show_uri": "https://api.kexp.org/v2/shows/66376/?format=api", "image_uri": "https://coverartarchive.org/release/dee1f517-383a-43ed-b33a-126828e455b7/25865134039-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/dee1f517-383a-43ed-b33a-126828e455b7/25865134039-250.jpg", "song": "Shifting Gears", "track_id": null, "recording_id": "63c8b319-4401-400b-ac2e-324cad6cacfe", "artist": "Johnny “Hammond” Smith", "artist_ids": [ "af8a8ede-2c56-469e-9069-463218595f85" ], "album": "Gears", "release_id": null, "release_group_id": "e199f355-ed97-381b-969c-812363186252", "labels": [ "Milestone" ], "label_ids": [ "d633e4af-9c3d-4cd6-996c-ba4f96706f5a" ], "release_date": "1975-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Jazz keyboardist Johnny \"Hammond\" Smith released \"Shifting Gears\" in 1975. The supporting album Gears was produced by Larry and Fonce Mizell.\n\nJohnny “Hammond” Smith's career took off as he was serving as accompanist to singer Nancy Wilson. One of his last accomplishments also included Nancy Wilson. He wrote the song \"Quiet Fire\" for her Nancy Now! release in 1988.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3638296, "uri": "https://api.kexp.org/v2/plays/3638296/?format=api", "airdate": "2026-04-05T18:00:16-07:00", "show": 66375, "show_uri": "https://api.kexp.org/v2/shows/66375/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3638295, "uri": "https://api.kexp.org/v2/plays/3638295/?format=api", "airdate": "2026-04-05T17:55:33-07:00", "show": 66375, "show_uri": "https://api.kexp.org/v2/shows/66375/?format=api", "image_uri": "https://dn721905.ca.archive.org/0/items/mbid-2f3d4fbd-f655-44b0-8f70-28ed26fe865b/mbid-2f3d4fbd-f655-44b0-8f70-28ed26fe865b-37247186919_thumb500.jpg", "thumbnail_uri": "https://dn721905.ca.archive.org/0/items/mbid-2f3d4fbd-f655-44b0-8f70-28ed26fe865b/mbid-2f3d4fbd-f655-44b0-8f70-28ed26fe865b-37247186919_thumb250.jpg", "song": "Found Love", "track_id": "1ff4f359-62da-48b1-82ea-f4053adf1d73", "recording_id": "d2658681-4fb9-4f42-baa4-61f96a6e5ff3", "artist": "freekind.", "artist_ids": [ "375dd8d7-0e50-4889-814d-0bea720801da" ], "album": "Since Always and Forever", "release_id": "2f3d4fbd-f655-44b0-8f70-28ed26fe865b", "release_group_id": "2759ce88-566a-4598-af24-e6d6c7c05666", "labels": [ "Butter92" ], "label_ids": [ "61d2d105-d4dd-4db2-ae29-a514e2c303f8" ], "release_date": "2023-06-09", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "\"Be free. Be kind.\"\n\nThat is the philosophy of the Croatian-Slovenian duo whose music carries a strong message of love and hope, complemented by R&B and jazz grooves. \n\nSara Ester Gredelj (vocals, piano) was born in Croatia, and Nina Korošak-Serčič (drums) has Slovenian roots, but they met in Vienna, Austria, at one of Europe’s best art and music universities, the “Universität für Musik und Darstellende Kunst Graz”, “Kunstuniversität Graz” (KUG); it is not an entirely surprising fact as KUG has always attracted talented young musicians from the Balkan region. Sara and Nina met, shared their love for jazz, soul, r’n’b and pop and decided to start a band. \nhttp://tinyurl.com/urc2rbc9", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3638293, "uri": "https://api.kexp.org/v2/plays/3638293/?format=api", "airdate": "2026-04-05T17:51:19-07:00", "show": 66375, "show_uri": "https://api.kexp.org/v2/shows/66375/?format=api", "image_uri": "https://dn711303.ca.archive.org/0/items/mbid-3821e35f-c925-442c-9655-da06d8d34ac8/mbid-3821e35f-c925-442c-9655-da06d8d34ac8-1606761051_thumb500.jpg", "thumbnail_uri": "https://dn711303.ca.archive.org/0/items/mbid-3821e35f-c925-442c-9655-da06d8d34ac8/mbid-3821e35f-c925-442c-9655-da06d8d34ac8-1606761051_thumb250.jpg", "song": "Rebirth of Slick (Cool Like Dat)", "track_id": "748bdc74-5a47-34fb-b0cd-16ce5fa97bcf", "recording_id": "bd2a4d5d-3462-4f0b-832a-053759783952", "artist": "Digable Planets", "artist_ids": [ "ff44f779-74ab-48f8-aac3-39ebe8f7c18e" ], "album": "Reachin’ (A New Refutation of Time and Space)", "release_id": "3821e35f-c925-442c-9655-da06d8d34ac8", "release_group_id": "2836fcb0-2fd3-3de8-b7cc-53141d666894", "labels": [ "Pendulum Records" ], "label_ids": [ "c3ab5351-dd5f-4536-8bf5-9927a080b507" ], "release_date": "1993-01-01", "rotation_status": null, "is_local": true, "is_request": false, "is_live": false, "comment": "In “Rebirth of Slick”, the primary sample is that of Art Blakely and the Jazz Messengers' “Stretching”; “Rebirth” samples both the bassline and the horn motifs from “Stretching.”\n\n\nRead an Excerpt from Larry Mizell, Jr.'s Liner Notes for Digable Planets' Reachin’ (A New Refutation of Time and Space): https://www.kexp.org/read/2018/2/20/read-excerpt-larry-mizell-jrs-liner-notes-digable-planets-emreachin-new-refutation-time-and-spaceem/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3638291, "uri": "https://api.kexp.org/v2/plays/3638291/?format=api", "airdate": "2026-04-05T17:45:37-07:00", "show": 66375, "show_uri": "https://api.kexp.org/v2/shows/66375/?format=api", "image_uri": "https://dn721601.ca.archive.org/0/items/mbid-4adb5e82-5f65-4ae5-bc40-7eac5f381d5b/mbid-4adb5e82-5f65-4ae5-bc40-7eac5f381d5b-37567301108_thumb500.jpg", "thumbnail_uri": "https://dn721601.ca.archive.org/0/items/mbid-4adb5e82-5f65-4ae5-bc40-7eac5f381d5b/mbid-4adb5e82-5f65-4ae5-bc40-7eac5f381d5b-37567301108_thumb250.jpg", "song": "I Am a Part of the Wonder", "track_id": "7f661884-e4ea-4cdd-b9f7-97ffa20ec661", "recording_id": "cdb2fc6c-76eb-41db-824d-c5716d0c69ff", "artist": "Lonnie Holley & Moor Mother", "artist_ids": [ "483ccc8e-d789-46db-a88a-3a0ad4b6fae3", "16610cf1-5ed5-4770-89b4-bf7e7aca7ebf" ], "album": "Oh Me Oh My", "release_id": "4adb5e82-5f65-4ae5-bc40-7eac5f381d5b", "release_group_id": "4615a111-0d2c-49fa-8d59-69a5833df7fb", "labels": [ "Jagjaguwar" ], "label_ids": [ "42e06800-76f8-4a5b-a9b6-0983a5d72f17" ], "release_date": "2023-03-10", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Request for Betty!\n\nReally great collaboration with Jacknife Lee from last year.\n\nhttps://lonnieholley.bandcamp.com/album/oh-me-oh-my", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3638290, "uri": "https://api.kexp.org/v2/plays/3638290/?format=api", "airdate": "2026-04-05T17:41:29-07:00", "show": 66375, "show_uri": "https://api.kexp.org/v2/shows/66375/?format=api", "image_uri": "https://dn711402.ca.archive.org/0/items/mbid-eccb1da2-eb11-431c-86ff-f2a44044d1eb/mbid-eccb1da2-eb11-431c-86ff-f2a44044d1eb-44557597456_thumb500.jpg", "thumbnail_uri": "https://dn711402.ca.archive.org/0/items/mbid-eccb1da2-eb11-431c-86ff-f2a44044d1eb/mbid-eccb1da2-eb11-431c-86ff-f2a44044d1eb-44557597456_thumb250.jpg", "song": "It’s a Beautiful Life", "track_id": "13bba15e-34f2-4aad-9837-477fb8a53663", "recording_id": "eea9292c-04e7-480a-8809-915dec13b6d2", "artist": "Francis of Delirium", "artist_ids": [ "4332dc29-35a4-406f-855f-8df891462993" ], "album": "It’s a Beautiful Life", "release_id": "eccb1da2-eb11-431c-86ff-f2a44044d1eb", "release_group_id": "97d48511-cd84-4a09-b051-d16f20562bad", "labels": [ "Dalliance Recordings" ], "label_ids": [ "2a2b9ea4-fd17-4659-a681-7a11806c78d2" ], "release_date": "2026-03-09", "rotation_status": "Medium", "is_local": false, "is_request": false, "is_live": false, "comment": "Jana Bahrich, known professionally as Francis of Delirium, is a Luxembourgish indie rock musician. After playing French horn and banjo as a child, she went on to become a prominent musician in and beyond Luxembourg.\n\nHer new album ' Run, Run Pure Beauty' comes out on May 29th.\nhttps://francisofdelirium.bandcamp.com/\nhttps://www.francisofdelirium.com/\n\nHere's the official video for \"It's a Beautiful Life\": https://www.youtube.com/watch?v=p26AG6N1TQ0", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3638289, "uri": "https://api.kexp.org/v2/plays/3638289/?format=api", "airdate": "2026-04-05T17:39:02-07:00", "show": 66375, "show_uri": "https://api.kexp.org/v2/shows/66375/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3638287, "uri": "https://api.kexp.org/v2/plays/3638287/?format=api", "airdate": "2026-04-05T17:33:12-07:00", "show": 66375, "show_uri": "https://api.kexp.org/v2/shows/66375/?format=api", "image_uri": "https://dn710601.ca.archive.org/0/items/mbid-87c9ec72-00d5-3be0-b4fa-41dd3567cc8e/mbid-87c9ec72-00d5-3be0-b4fa-41dd3567cc8e-38162417877_thumb500.jpg", "thumbnail_uri": "https://ia801307.us.archive.org/5/items/mbid-87c9ec72-00d5-3be0-b4fa-41dd3567cc8e/mbid-87c9ec72-00d5-3be0-b4fa-41dd3567cc8e-38162417877_thumb250.jpg", "song": "Acquiesce", "track_id": "abb1ab4e-e528-36e3-9a91-6b5564d64831", "recording_id": "ae7763e3-953a-4e86-bd94-777e994bb9ac", "artist": "Oasis", "artist_ids": [ "39ab1aed-75e0-4140-bd47-540276886b60" ], "album": "The Masterplan", "release_id": "87c9ec72-00d5-3be0-b4fa-41dd3567cc8e", "release_group_id": "3d79dc76-7b02-3510-b12b-5061f459f8ac", "labels": [ "Epic" ], "label_ids": [ "8f638ddb-131a-4cc3-b3d4-7ebdac201b55" ], "release_date": "1998-11-03", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "This Noel Gallagher-penned track originally appeared as the B-side to Oasis' first UK number-one single, \"Some Might Say,\" in 1995. It was included on the B-sides compilation album The Masterplan, released in 1998.\n\nOf this track, Noel Gallagher explains, \"It was written going to a studio in Wales to record 'Some Might Say.' The train broke down, and I was stuck for four hours, and I wrote that song. Someone had said 'Acquiesce' on the phone, and I'd written it down.\"\n\nThe verses are sung by Liam Gallagher, with the chorus sung by Noel, who said that Liam could not sing the high notes.\n\nNoel has said the lyrics are not about him and his brother Liam, a sentiment echoed by Paul Du Noyer in his liner notes of The Masterplan: \"The song is about friendship in the widest sense and not, as often speculated, about the Gallagher brothers themselves. https://tinyurl.com/h48f2tmt", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3638284, "uri": "https://api.kexp.org/v2/plays/3638284/?format=api", "airdate": "2026-04-05T17:25:24-07:00", "show": 66375, "show_uri": "https://api.kexp.org/v2/shows/66375/?format=api", "image_uri": "https://dn710708.ca.archive.org/0/items/mbid-0a556e03-5715-3e98-874d-fb09029e2752/mbid-0a556e03-5715-3e98-874d-fb09029e2752-21275083212_thumb500.jpg", "thumbnail_uri": "https://ia800605.us.archive.org/6/items/mbid-0a556e03-5715-3e98-874d-fb09029e2752/mbid-0a556e03-5715-3e98-874d-fb09029e2752-21275083212_thumb250.jpg", "song": "I Am the Resurrection", "track_id": "2a191d52-9292-3b1b-8783-d35d5cd38735", "recording_id": "1ec9cfaf-d62d-4723-89fc-80e25b984c2c", "artist": "The Stone Roses", "artist_ids": [ "b5fa29f1-6c22-4321-a488-b5f363b06b06" ], "album": "The Stone Roses", "release_id": "0a556e03-5715-3e98-874d-fb09029e2752", "release_group_id": "88b86fe0-26f5-3949-817a-8082145e704d", "labels": [ "Silvertone Records" ], "label_ids": [ "82307007-21d1-48c0-a31f-b89d9b1811de" ], "release_date": "1989-07-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Regarding the song's origin, drummer Reni revealed the track originated when bassist Mani played the riff of The Beatles' \"Taxman\" backwards.\n\nReni said, \"Mani would play the riff backwards during sound-checks and we played along over the top for a laugh. Finally we said, Let's do this joke-song properly and see what happens.\" The music was recorded with legendary producer John Leckie who had previously worked with Pink Floyd, The Human League and even The Beatles. \n\nThe song is one of the times that the band combined all of their influences to create something totally new. After four and a half minutes of sharp vocals and lyrics, \"I Am the Resurrection\" takes an unexpected turn. The song transitions into an instrumental outro that lasts another four minutes, transforming from a rock anthem into a euphoric, almost danceable jam session.\n\nSpeaking to NME about the instrumental, Mani revealed: \"The end section was recorded in one take by me, John and Reni.\" https://tinyurl.com/nymn9t3w", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3638281, "uri": "https://api.kexp.org/v2/plays/3638281/?format=api", "airdate": "2026-04-05T17:18:50-07:00", "show": 66375, "show_uri": "https://api.kexp.org/v2/shows/66375/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "The Holy River", "track_id": null, "recording_id": "f755eeef-5d0f-4c15-b809-375781161497", "artist": "Prince", "artist_ids": [ "070d193a-845c-479f-980e-bef15710653e" ], "album": "Emancipation", "release_id": null, "release_group_id": "e56d7c7f-c71e-39b5-82eb-9454365cc2eb", "labels": [], "label_ids": [], "release_date": "1996-11-19", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Happy 40th Birthday, Quinn!\n\nEmancipation is the 19th full-length studio album by Prince (his third using the symbol as his name).\n\nHere are some fun facts on this track:\nhttp://www.princevault.com/index.php?title=The_Holy_River", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3638280, "uri": "https://api.kexp.org/v2/plays/3638280/?format=api", "airdate": "2026-04-05T17:17:02-07:00", "show": 66375, "show_uri": "https://api.kexp.org/v2/shows/66375/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3638279, "uri": "https://api.kexp.org/v2/plays/3638279/?format=api", "airdate": "2026-04-05T17:12:32-07:00", "show": 66375, "show_uri": "https://api.kexp.org/v2/shows/66375/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "A Change Is Gonna Come", "track_id": "ca386fbf-9e3e-32cb-8ea9-ad0f477081e5", "recording_id": "2f82aad5-728a-4094-b266-a201e065390d", "artist": "Sam Cooke", "artist_ids": [ "6c8fd0be-d961-454c-aee0-4366a6dbc993" ], "album": "Ain’t That Good News", "release_id": "e3038485-8585-4169-9060-916ee5611d74", "release_group_id": "9e46abfc-1267-350f-b2d3-600ec3fc7d85", "labels": [ "RCA Victor" ], "label_ids": [ "b3f4e6a5-ece0-43be-a530-68ad0d49fee8" ], "release_date": "1964-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Sam Cooke wrote the civil rights anthem “A Change Is Gonna Come” after encountering racial discrimination while on tour in Shreveport. Here's the story behind this song: https://64parishes.org/entry/a-change-is-gonna-come.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3638278, "uri": "https://api.kexp.org/v2/plays/3638278/?format=api", "airdate": "2026-04-05T17:09:57-07:00", "show": 66375, "show_uri": "https://api.kexp.org/v2/shows/66375/?format=api", "image_uri": "https://dn721609.ca.archive.org/0/items/mbid-bce9d42b-2865-44ab-bbd9-591d6eabae9b/mbid-bce9d42b-2865-44ab-bbd9-591d6eabae9b-31478021662_thumb500.jpg", "thumbnail_uri": "https://dn721609.ca.archive.org/0/items/mbid-bce9d42b-2865-44ab-bbd9-591d6eabae9b/mbid-bce9d42b-2865-44ab-bbd9-591d6eabae9b-31478021662_thumb250.jpg", "song": "People Get Ready", "track_id": "4219bff0-3c03-3653-ac4f-35ccf8aa06f3", "recording_id": "9ea90384-9c29-40d8-a7cb-84eb1cb0fa08", "artist": "The Impressions", "artist_ids": [ "8af64037-6d26-4d24-afd8-7e085abb01b1" ], "album": "Sweet Soul Music: 30 Scorching Classics From 1965", "release_id": "bce9d42b-2865-44ab-bbd9-591d6eabae9b", "release_group_id": "0e8d3ef1-d9ce-36ab-bdd7-a025f890f1d5", "labels": [ "Bear Family Records" ], "label_ids": [ "bf19ea5d-45a8-4980-b050-1dd4f7194952" ], "release_date": "2008-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Seldom does a song go down in history as not only one of the best popular songs ever written, but as a song that is so universal in composition and message that it can be effectively covered by almost anyone. But that’s the case with “People Get Ready,” recorded in 1965 by The Impressions and written by the group’s lead singer, Curtis Mayfield. Nearly half a century later the song continues to be recorded and performed by a variety of acts in several genres.\n\n“People Get Ready” is a song about boarding a train for the Christian afterlife without ever actually mentioning the names God or Jesus, and feels like a song that wasn’t intentionally crafted, but was composed during a period of inspiration. From the album of the same name, People Get Ready was released during a time of civil unrest in America, when the country was in turmoil over race relations and the Vietnam War just as Mayfield was beginning to infuse his work with social commentary.\n\n In a 1993 interview with National Public Radio’s Terry Gross, Mayfield discussed the spiritual motivation that led him to write “People Get Ready.” “While I had written a few Gospel songs, what would be looked upon as Gospel, I called them more inspirational, such things as ‘People Get Ready,'” he said. “This is a perfect example of what I believe has laid in my subconscious as to the preaching of my grandmother, and most ministers when they reflect from the Bible.” https://bit.ly/3JQvDr5", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3638274, "uri": "https://api.kexp.org/v2/plays/3638274/?format=api", "airdate": "2026-04-05T17:05:14-07:00", "show": 66375, "show_uri": "https://api.kexp.org/v2/shows/66375/?format=api", "image_uri": "https://dn710900.ca.archive.org/0/items/mbid-0a1bfbbb-97c1-450e-ac67-d1aec9e1944c/mbid-0a1bfbbb-97c1-450e-ac67-d1aec9e1944c-14290671684_thumb500.jpg", "thumbnail_uri": "https://dn710900.ca.archive.org/0/items/mbid-0a1bfbbb-97c1-450e-ac67-d1aec9e1944c/mbid-0a1bfbbb-97c1-450e-ac67-d1aec9e1944c-14290671684_thumb250.jpg", "song": "This Little Light", "track_id": "1629e2b1-e62b-3744-876f-c5d64a37d100", "recording_id": "d580695f-13a8-46a6-b594-40e2bad2e211", "artist": "Mavis Staples", "artist_ids": [ "04f57a2d-2449-400e-8fff-5b1c5af9560b" ], "album": "Live: Hope at the Hideout", "release_id": "0a1bfbbb-97c1-450e-ac67-d1aec9e1944c", "release_group_id": "973c9a1e-500e-3017-853e-4c724a9d8882", "labels": [ "Anti‐" ], "label_ids": [ "5b8cf470-f162-4ee3-9b9f-77ff4ee0c601" ], "release_date": "2008-11-04", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Mavis Staples will be touring!\nIn the PNW you can catch Mavis in Bend, OR @ Hayden Home Amphitheater!\nMore dates & locales here: https://mavisstaples.com/tour\n--\nThis was the 1st live album released by Staples. It was recorded at the Hideout Inn in Chicago.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3638270, "uri": "https://api.kexp.org/v2/plays/3638270/?format=api", "airdate": "2026-04-05T16:55:47-07:00", "show": 66375, "show_uri": "https://api.kexp.org/v2/shows/66375/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "My City of Ruins", "track_id": null, "recording_id": null, "artist": "Bruce Springsteen", "artist_ids": [ "70248960-cb53-4ea4-943a-edb18f7d336f" ], "album": null, "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": null, "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Live in Manchester, England, May 14, 2025.\n\nOn May 14, Bruce Springsteen and The E Street Band opened their Land of Hope & Dreams Tour in Manchester, England. Highlights from that first night are now available digitally as the “Land of Hope & Dreams” EP – including the title track, “Long Walk Home,” “My City of Ruins” and the band’s cover of Bob Dylan’s “Chimes of Freedom.”\nhttps://brucespringsteen.net/news/2025/land-of-hope-dreams-ep/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3638269, "uri": "https://api.kexp.org/v2/plays/3638269/?format=api", "airdate": "2026-04-05T16:53:39-07:00", "show": 66375, "show_uri": "https://api.kexp.org/v2/shows/66375/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3638268, "uri": "https://api.kexp.org/v2/plays/3638268/?format=api", "airdate": "2026-04-05T16:46:37-07:00", "show": 66375, "show_uri": "https://api.kexp.org/v2/shows/66375/?format=api", "image_uri": "https://dn710701.ca.archive.org/0/items/mbid-9154cfe5-ef58-458f-b5d4-eb6ca3e404c4/mbid-9154cfe5-ef58-458f-b5d4-eb6ca3e404c4-7950788257_thumb500.jpg", "thumbnail_uri": "https://dn710701.ca.archive.org/0/items/mbid-9154cfe5-ef58-458f-b5d4-eb6ca3e404c4/mbid-9154cfe5-ef58-458f-b5d4-eb6ca3e404c4-7950788257_thumb250.jpg", "song": "Alive", "track_id": "b210f112-2d20-3567-ae16-42428bf3281a", "recording_id": "c8ecea4a-b955-416d-866b-c218a73fa588", "artist": "Pearl Jam", "artist_ids": [ "83b9cbe7-9857-49e2-ab8e-b57b01038103" ], "album": "Ten", "release_id": "9154cfe5-ef58-458f-b5d4-eb6ca3e404c4", "release_group_id": "cea5d18a-1924-3cda-bebc-38933834b25d", "labels": [ "Epic Associated" ], "label_ids": [ "7127ada4-64a0-4baa-9f73-e9b26f22b3bd" ], "release_date": "1991-01-01", "rotation_status": null, "is_local": true, "is_request": false, "is_live": false, "comment": "Happy 60th birthday to Mike McCready born on this day in 1966!\n--\nPearl Jam's 'Ten' was voted #14 on2025's KEXP Listeners' Greatest Albums of All Time!\n\nThis was one of the first songs Eddie Vedder wrote lyrics for. The song is about Vedder's knowledge of his biological father.", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
