Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=2300
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=2320", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=2280", "results": [ { "id": 3605024, "uri": "https://api.kexp.org/v2/plays/3605024/?format=api", "airdate": "2026-01-16T08:46:09-08:00", "show": 65664, "show_uri": "https://api.kexp.org/v2/shows/65664/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Controversy", "track_id": "bda341ae-3bba-3f38-a83d-e642b97d9724", "recording_id": "cdc09ab5-378a-4bb1-8b4e-ecd8252d21f3", "artist": "Prince", "artist_ids": [ "070d193a-845c-479f-980e-bef15710653e" ], "album": "Controversy", "release_id": "e9c281ee-4685-349c-bda7-d6f13f3717fa", "release_group_id": "7263636b-ca20-3598-8ec0-bc1b52c9b958", "labels": [ "Warner Bros. Records" ], "label_ids": [ "c595c289-47ce-4fba-b999-b87503e8cb71" ], "release_date": "1981-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Controversy is when Prince began to transform into a world-beating '80s phenom. This transitional album, released on Oct. 14, 1981, is the first to prominently feature members of the Revolution. It's the first to use his unique spelling for a song title, and the first to connect Prince with the color purple.\n--\nLearn more about this important album: https://ultimateprince.com/prince-controversy-album/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3605023, "uri": "https://api.kexp.org/v2/plays/3605023/?format=api", "airdate": "2026-01-16T08:43:29-08:00", "show": 65664, "show_uri": "https://api.kexp.org/v2/shows/65664/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Turntables", "track_id": "1381dc2a-32fe-4686-a722-6c4dc4de64fe", "recording_id": "6a908501-c88f-4b2b-895a-ef99f8abdb57", "artist": "Janelle Monáe", "artist_ids": [ "ee190f6b-7d98-43ec-b924-da5f8018eca0" ], "album": "Turntables", "release_id": "f11c6192-12b8-4f98-8b0f-0613e3668560", "release_group_id": "dee5efa6-9e75-4e79-a356-94cf4b3305d7", "labels": [ "Bad Boy Records" ], "label_ids": [ "29d43312-a8ed-4d7b-9f4e-f5650318aebb" ], "release_date": "2020-09-08", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Janelle Monáe wrote this powerful song for the Liz Garbus and Lisa Cortés' 2020 documentary film All In: The Fight for Democracy. Learn more about this powerful song: https://resource.download.wjec.co.uk/vtc/2021-22/wjec21-22_10-9/janelle-monae-turn-tables.pdf. https://www.jmonae.com/\n--\nDo not miss the video: https://www.youtube.com/watch?v=8CFrCk6_0rM\n\nRequested by a listener. I think we're all feeling this.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3605022, "uri": "https://api.kexp.org/v2/plays/3605022/?format=api", "airdate": "2026-01-16T08:38:54-08:00", "show": 65664, "show_uri": "https://api.kexp.org/v2/shows/65664/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "BREAK MY SOUL", "track_id": "2a9a633c-a7c8-4a8d-92d9-edcd8cdd74ea", "recording_id": "378f8d61-8d50-45be-85e6-d442b9941ea5", "artist": "Beyoncé", "artist_ids": [ "859d0860-d480-4efd-970c-c05d5f1776b8" ], "album": "RENAISSANCE", "release_id": "dfb0eb62-e729-4fc3-b198-c50283d9ed17", "release_group_id": "2c385052-5083-43a2-b1e5-36566d2ae3c0", "labels": [ "Columbia", "Parkwood Entertainment" ], "label_ids": [ "011d1192-6f65-45bd-85c4-0400dd45693e", "31eb6796-abba-4a02-b650-a556aa65f9ae" ], "release_date": "2022-07-29", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "That beat sounds really familiar because it's sampled from the 1990 house-pop hit \"Show Me Love\" by Robin S..\n--\nRobin S. only discovered Beyoncé's sample of \"Show Me Love\" via social media. Speaking on Good Morning Britain, the house music icon explained that because she didn't write her hit song, Beyoncé's team didn't need to clear the sample with her. \"My son called me and he's like, 'Mom, mom, you're trending all over the place,'\" she said. \"You know Beyoncé put her song out and it's 'Show Me Love' and you're trending everywhere!\"\n\n\"This message goes out to the Queen Bey - herself - Beyoncé, to Jay-Z, to the entire team,\" Robin S added. \"Thank you so much for giving me my flowers while I'm still alive.\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3605021, "uri": "https://api.kexp.org/v2/plays/3605021/?format=api", "airdate": "2026-01-16T08:36:04-08:00", "show": 65664, "show_uri": "https://api.kexp.org/v2/shows/65664/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Don’t Leave Me This Way", "track_id": null, "recording_id": "7fcd4a72-40c5-4edf-9d75-8f9ffd00898e", "artist": "Thelma Houston", "artist_ids": [ "cb327970-cf95-4f2d-91db-b1b787aa51f9" ], "album": "Don’t Leave Me This Way", "release_id": null, "release_group_id": "9bd8424e-2d4c-42ce-9652-4046c1acb9d2", "labels": [ "Motown" ], "label_ids": [ "8e479e57-ef44-490c-b75d-cd28df89bf1b" ], "release_date": "1976-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "The song \"Don't Leave Me This Way\" was originally sung by Harold Melvin & the Blue Notes featuring Teddy Pendergrass in 1975", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3605018, "uri": "https://api.kexp.org/v2/plays/3605018/?format=api", "airdate": "2026-01-16T08:33:20-08:00", "show": 65664, "show_uri": "https://api.kexp.org/v2/shows/65664/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Shut Em Down", "track_id": "aed3ddcb-432f-4eee-8f4b-72f102b8ff83", "recording_id": "31098631-fd1d-45af-afd9-134af476aca6", "artist": "Brownout", "artist_ids": [ "c7c1b94b-92d6-4ffb-bc53-949e24d8b858" ], "album": "Fear of a Brown Planet", "release_id": "ab84d540-d3c0-43e8-9901-5b1641e8ecc7", "release_group_id": "44e38878-f13a-474c-b854-bdabc4dbd60a", "labels": [ "Fat Beats Records" ], "label_ids": [ "8319a9cf-0459-4676-893e-be41069bc581" ], "release_date": "2018-05-25", "rotation_status": "Light", "is_local": false, "is_request": false, "is_live": false, "comment": "\"Established in 1994, we've grown from a small NYC basement store to a worldwide brand.\" https://fatbeatsrecords.bandcamp.com/track/shut-em-down", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3605017, "uri": "https://api.kexp.org/v2/plays/3605017/?format=api", "airdate": "2026-01-16T08:30:01-08:00", "show": 65664, "show_uri": "https://api.kexp.org/v2/shows/65664/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "By the Time I Get to Arizona", "track_id": "f33d241e-c3fa-47a6-a404-0b79ac6538a3", "recording_id": "dff78440-59a9-4765-9db7-bad7a8a6d691", "artist": "Brownout", "artist_ids": [ "c7c1b94b-92d6-4ffb-bc53-949e24d8b858" ], "album": "Fear of a Brown Planet", "release_id": "ab84d540-d3c0-43e8-9901-5b1641e8ecc7", "release_group_id": "44e38878-f13a-474c-b854-bdabc4dbd60a", "labels": [ "Fat Beats Records" ], "label_ids": [ "8319a9cf-0459-4676-893e-be41069bc581" ], "release_date": "2018-05-25", "rotation_status": "Light", "is_local": false, "is_request": false, "is_live": false, "comment": "Watch Brownout performing live in the KEXP studio in 2014: https://www.youtube.com/watch?v=au1kBj_-Zno", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3605016, "uri": "https://api.kexp.org/v2/plays/3605016/?format=api", "airdate": "2026-01-16T08:29:27-08:00", "show": 65664, "show_uri": "https://api.kexp.org/v2/shows/65664/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3605015, "uri": "https://api.kexp.org/v2/plays/3605015/?format=api", "airdate": "2026-01-16T08:25:33-08:00", "show": 65664, "show_uri": "https://api.kexp.org/v2/shows/65664/?format=api", "image_uri": "https://ia600604.us.archive.org/32/items/mbid-281cf8ac-c635-4b0a-afa6-dae8ded1d16e/mbid-281cf8ac-c635-4b0a-afa6-dae8ded1d16e-18899640171_thumb500.jpg", "thumbnail_uri": "https://ia800604.us.archive.org/32/items/mbid-281cf8ac-c635-4b0a-afa6-dae8ded1d16e/mbid-281cf8ac-c635-4b0a-afa6-dae8ded1d16e-18899640171_thumb250.jpg", "song": "Stayin’ Alive", "track_id": "cf1b234a-73eb-490a-ab48-a486c4b3bb73", "recording_id": "fd52bd8b-b07f-45f1-a8f0-2dedaca14d35", "artist": "Bee Gees", "artist_ids": [ "bf0f7e29-dfe1-416c-b5c6-f9ebc19ea810" ], "album": "Saturday Night Fever: The Original Movie Sound Track", "release_id": "25d4f705-f826-4299-9bea-732a526884c1", "release_group_id": "6e9a06a8-c8bb-3ea9-877a-417e74bb1c2e", "labels": [ "RSO" ], "label_ids": [ "3930d173-b232-4ff8-b2f3-568651924d98" ], "release_date": "1977-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "A listener wrote, \"Anyone else practicing air CPR in their kitchen right now??\"\n---\nHere are the live Bee Gees, performing this song in Las Vegas in 1997: https://www.youtube.com/watch?v=xZxtKWu7MT4", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3605014, "uri": "https://api.kexp.org/v2/plays/3605014/?format=api", "airdate": "2026-01-16T08:21:59-08:00", "show": 65664, "show_uri": "https://api.kexp.org/v2/shows/65664/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Professional Widow (Armand’s Star Trunk Funkin’ mix) (radio edit)", "track_id": "45a8e884-3626-3074-93c6-04da281bf8d5", "recording_id": "4c815e72-26c9-46f0-a97f-986c239b4cfa", "artist": "Tori Amos", "artist_ids": [ "c0b2500e-0cef-4130-869d-732b23ed9df5" ], "album": "Professional Widow", "release_id": "17248e6a-2185-447d-a1ae-43461d5dfe31", "release_group_id": "1f91b3d0-8faf-3149-9f4f-a012c21777b5", "labels": [ "EastWest" ], "label_ids": [ "174f83a2-b9b1-4a0d-848e-8959b5026b3f" ], "release_date": "1996-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "The original was released as a single from Boys for Pele. This dance remix by Armand Van Helden went to number 1 on the UK singles chart.\n--\n\"Professional Widow\" epitomizes the intense, percussive sound that Amos dubbed “thrash harpsichord”, a grinding sonic cauldron set against a driving 4/4 groove with heavily syncopated 5/4 sections that give the track a uniquely uneven feel.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3605013, "uri": "https://api.kexp.org/v2/plays/3605013/?format=api", "airdate": "2026-01-16T08:18:39-08:00", "show": 65664, "show_uri": "https://api.kexp.org/v2/shows/65664/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Heads Will Roll (A-Trak remix)", "track_id": "b1c96433-8287-38bf-b50d-2d0158840dda", "recording_id": "2f7a1aeb-7687-4474-b49d-32352b4efd7b", "artist": "Yeah Yeah Yeahs", "artist_ids": [ "584c04d2-4acc-491b-8a0a-e63133f4bfc4" ], "album": "Heads Will Roll (A-Trak remix)", "release_id": "17772988-7bf0-4a35-b505-530bd8ff1b01", "release_group_id": "ca7b58ab-8118-4006-9756-022a4ae96ed4", "labels": [ "Fool’s Gold Records" ], "label_ids": [ "c1fc0c7a-8244-4511-8f34-065c113403be" ], "release_date": "2009-12-08", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "In this video, \"A-Trak Explains How He Made Yeah Yeah Yeahs' \"Heads Will Roll\" Remix\": https://www.reddit.com/r/edmproduction/comments/dxq5ov/atrak_explains_how_he_made_yeah_yeah_yeahs_heads/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3605012, "uri": "https://api.kexp.org/v2/plays/3605012/?format=api", "airdate": "2026-01-16T08:18:25-08:00", "show": 65664, "show_uri": "https://api.kexp.org/v2/shows/65664/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3605011, "uri": "https://api.kexp.org/v2/plays/3605011/?format=api", "airdate": "2026-01-16T08:14:21-08:00", "show": 65664, "show_uri": "https://api.kexp.org/v2/shows/65664/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Firestarter", "track_id": null, "recording_id": "3dabfc40-33b4-4dba-8d94-79e77c4d1448", "artist": "The Prodigy", "artist_ids": [ "4a4ee089-93b1-4470-af9a-6ff575d32704" ], "album": "The Fat of the Land", "release_id": null, "release_group_id": "ac9138ce-6331-3f8d-86d7-69f13e4ab4f4", "labels": [ "Maverick" ], "label_ids": [ "79afd9ce-c6b2-4e9a-9b23-a13e25d70688" ], "release_date": "1997-06-30", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "“I’m the trouble starter, punkin’ instigator…”\nFrom the opening line, the Prodigy’s 1996 single “Firestarter” was an openly hostile provocation.\nWith Keith Flint’s snarling vocals set over producer Liam Howlett’s menacing grind of breakbeats and finely crafted samples, the track signaled the Prodigy’s bold salvo beyond the rave scene and onto the music world at large.\n--\nLearn more about this provocative song: https://www.insomniac.com/music/from-the-crate-the-prodigy-firestarter/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3605010, "uri": "https://api.kexp.org/v2/plays/3605010/?format=api", "airdate": "2026-01-16T08:10:45-08:00", "show": 65664, "show_uri": "https://api.kexp.org/v2/shows/65664/?format=api", "image_uri": "https://coverartarchive.org/release/1931e4eb-ab35-4f67-9bdb-b9444992835b/971025674-500.jpg", "thumbnail_uri": "https://coverartarchive.org/release/1931e4eb-ab35-4f67-9bdb-b9444992835b/971025674-250.jpg", "song": "The Power (7″ version)", "track_id": null, "recording_id": "4068f51d-1b27-4afb-82f7-1a23e03649fa", "artist": "Snap!", "artist_ids": [ "cd23732d-ffd2-444e-8884-53475d7ac7d9" ], "album": "The Power", "release_id": null, "release_group_id": "f4e8db94-4cce-4a0f-8216-b98c2e648165", "labels": [ "Logic Records" ], "label_ids": [ "cc9e945d-b115-45fc-ac76-cf9c377ff96b" ], "release_date": "1990-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Snap! was created by the German production duo of Michael Münzing and Luca Anzilotti. They were the first to use sampled dance tracks augmented by a soulful female singer and a male rapper - collectives like C + C Music Factory and The KLF followed this formula. \"The Power\" was a massive hit; it was based on the rap from Chill Rob G's \"Let The Words Flow\" and a sample of disco singer Jocelyn Brown's song \"Love's Gonna Get You,\" which is where the \"I've got the power\" line comes from.\n\nWith the track laced and the samples in place, the German producers went looking for a good female soul singer to fill out the vocals and contribute to the rest of the album. They tried to get Chaka Khan, who had no interest, but she suggested Penny Ford, who was Chaka's vocal director and main backup singer. Penny took the gig, flew to Germany, and spent three days in 1989 singing lots of vocals for the producers to work with, and improvising lyrics along the way.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3605009, "uri": "https://api.kexp.org/v2/plays/3605009/?format=api", "airdate": "2026-01-16T08:06:51-08:00", "show": 65664, "show_uri": "https://api.kexp.org/v2/shows/65664/?format=api", "image_uri": "https://ia801307.us.archive.org/4/items/mbid-2ed38f0b-1519-3b22-8df7-747eff07877e/mbid-2ed38f0b-1519-3b22-8df7-747eff07877e-22337503748_thumb500.jpg", "thumbnail_uri": "https://ia601307.us.archive.org/4/items/mbid-2ed38f0b-1519-3b22-8df7-747eff07877e/mbid-2ed38f0b-1519-3b22-8df7-747eff07877e-22337503748_thumb250.jpg", "song": "Party for Your Right to Fight", "track_id": "c98a87c9-d361-30e9-bf20-af4e2fe0b726", "recording_id": "117d3835-4be8-44ad-931c-0a90e6a898a4", "artist": "Public Enemy", "artist_ids": [ "bf2e15d0-4b77-469e-bfb4-f8414415baca" ], "album": "It Takes a Nation of Millions to Hold Us Back", "release_id": "2ed38f0b-1519-3b22-8df7-747eff07877e", "release_group_id": "01921d99-9d15-3fce-8734-46e58327cfb7", "labels": [ "Def Jam Recordings" ], "label_ids": [ "a92d1684-4edb-48aa-b913-30e9da213004" ], "release_date": "1995-05-02", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "\"Party for Your Right to Fight\" contains samples of \"(You Gotta) Fight for Your Right (To Party!)\" by Beastie Boys, \"Butt-to-Butt Resuscitation\" by Funkadelic, \"Sing a Simple Song\" by Sly & the Family Stone, \"Get Up, Stand Up\" by Bob Marley and The Wailers, and several more.: https://www.whosampled.com/Public-Enemy/Party-for-Your-Right-to-Fight/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3605008, "uri": "https://api.kexp.org/v2/plays/3605008/?format=api", "airdate": "2026-01-16T08:03:37-08:00", "show": 65664, "show_uri": "https://api.kexp.org/v2/shows/65664/?format=api", "image_uri": "https://ia600202.us.archive.org/1/items/mbid-c5578950-43d7-3eef-8faa-4c5e232db5ee/mbid-c5578950-43d7-3eef-8faa-4c5e232db5ee-899942160_thumb500.jpg", "thumbnail_uri": "https://ia600202.us.archive.org/1/items/mbid-c5578950-43d7-3eef-8faa-4c5e232db5ee/mbid-c5578950-43d7-3eef-8faa-4c5e232db5ee-899942160_thumb250.jpg", "song": "Fight for Your Right", "track_id": "203bfaa0-6ffc-3226-bebb-25cc5933561b", "recording_id": "e6141805-b907-421a-8fb0-93537efb3ce4", "artist": "Beastie Boys", "artist_ids": [ "9beb62b2-88db-4cea-801e-162cd344ee53" ], "album": "Licensed to Ill", "release_id": "c5578950-43d7-3eef-8faa-4c5e232db5ee", "release_group_id": "57f5e7c8-2a6e-34a0-b4cd-0e77695bc36f", "labels": [ "Def Jam Recordings" ], "label_ids": [ "a92d1684-4edb-48aa-b913-30e9da213004" ], "release_date": "1986-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Beastie Boys producer Rick Rubin had a lot to do with this song, injecting a rock sound into it. Rubin was the first to mash-up a major rap act with a rock superstar when he teamed Run-D.M.C. with Aerosmith for the updated \"Walk This Way\" earlier in 1986. Rubin is credit as a co-writer on \"Fight for Your Right\" along with the three Beastie Boys.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3605007, "uri": "https://api.kexp.org/v2/plays/3605007/?format=api", "airdate": "2026-01-16T08:00:18-08:00", "show": 65664, "show_uri": "https://api.kexp.org/v2/shows/65664/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Show Me", "track_id": "13866305-91fc-3361-b2b9-25a27d486103", "recording_id": "b042bf9e-7793-4a5c-890f-a7d60a965ddf", "artist": "Mint Royale feat. Posdnuos", "artist_ids": [ "dec629c1-c5b8-4fa1-9bb2-eaf979550f41", "57c44102-301c-43d0-91d6-66d71ffd5376" ], "album": "On the Ropes", "release_id": "dd9cc392-ac15-4db3-9749-b9a009bfe379", "release_group_id": "e478cb69-8dbc-3e93-8141-00dba5935617", "labels": [ "MCA Records" ], "label_ids": [ "46a3941a-c810-47a1-974f-955effec4d09" ], "release_date": "2001-01-01", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Kristin in Port Townshend\nEvery time the Friday song comes on, I jump out of my desk chair so fast my ass breaks the sound barrier and exceeds light speed. Dance off!\n===\nAhhh...the Friday song. Join KEXP for the 26th Annual Expansions MLK Unity Party and Live Broadcast on Sunday, January 18th! Go here for more information: https://www.kexp.org/events/kexp-events/26th-annual-expansions-mlk-unity-party-and-live-broadcast/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3605005, "uri": "https://api.kexp.org/v2/plays/3605005/?format=api", "airdate": "2026-01-16T07:56:25-08:00", "show": 65664, "show_uri": "https://api.kexp.org/v2/shows/65664/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Honey Bea", "track_id": "2a46cc62-7256-43a9-9a5e-318dba4bdd94", "recording_id": "6911d932-4b69-4216-8071-0138cf65f878", "artist": "The Olympians", "artist_ids": [ "566835dc-d09f-45b7-8212-bcc9ba988e11" ], "album": "In Search of a Revival", "release_id": "76bca1fc-e273-4373-b399-4610e0ffc9a3", "release_group_id": "f647135c-99c2-4289-bf80-3e8a3d86a5db", "labels": [ "Daptone Records" ], "label_ids": [ "6507ff0e-035a-4a24-9bbe-e07b1e2224d8" ], "release_date": "2025-11-05", "rotation_status": "Light", "is_local": false, "is_request": false, "is_live": false, "comment": "“The song was written for my daughter Beatrice,” says Toby Pazner on “Honey Bea,” the new single by the Olympians. There is a big 10 piece string section on this one as well as 4 trumpets, two trombones, and baritone. I wanted to make something big that sounds different than things everyone is making today.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3605006, "uri": "https://api.kexp.org/v2/plays/3605006/?format=api", "airdate": "2026-01-16T07:55:04-08:00", "show": 65664, "show_uri": "https://api.kexp.org/v2/shows/65664/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": "", "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 3605004, "uri": "https://api.kexp.org/v2/plays/3605004/?format=api", "airdate": "2026-01-16T07:53:14-08:00", "show": 65664, "show_uri": "https://api.kexp.org/v2/shows/65664/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Know Your Rights", "track_id": null, "recording_id": "32e3027e-772c-455d-921d-a280f7afff0e", "artist": "The Clash", "artist_ids": [ "8f92558c-2baa-4758-8c38-615519e9deda" ], "album": "Combat Rock", "release_id": null, "release_group_id": "b1907b62-6aaf-3ea4-9895-b71234a0e5c1", "labels": [ "Columbia" ], "label_ids": [ "011d1192-6f65-45bd-85c4-0400dd45693e" ], "release_date": "1982-05-14", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": "Speaking of rights...\n---\nThe song is said to have been written as a sarcastic response to a series of public service announcements in poor areas reminding the civilians of their basic human rights. Your rights: 1. \"The right not to be killed. Murder is a crime, unless it is done by a policeman, or an aristocrat\" 2. \"The right to food money, providing of course, you don't mind a little investigation, humiliation, and, if you cross your fingers, rehabilitation\" 3. \"The right to free speech (as long as you're not dumb enough to actually try it)\" https://www.theclash.com/discography/know-your-rights/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 3605002, "uri": "https://api.kexp.org/v2/plays/3605002/?format=api", "airdate": "2026-01-16T07:50:07-08:00", "show": 65664, "show_uri": "https://api.kexp.org/v2/shows/65664/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Get Up Stand Up", "track_id": "c9c484f0-60e0-436a-be70-5f5d0fa8ae35", "recording_id": "d656e897-a199-4b8b-941e-82edd4fb56be", "artist": "Bob Marley & The Wailers", "artist_ids": [ "c296e10c-110a-4103-9e77-47bfebb7fb2e" ], "album": "Legend: The Best of Bob Marley and the Wailers", "release_id": "0193168c-caa0-4e39-b959-edd825d6870b", "release_group_id": "1a4c52cd-483a-347c-93f9-4d512767c7ba", "labels": [ "Island" ], "label_ids": [ "dfd92cd3-4888-46d2-b968-328b1feb2642" ], "release_date": "2014-07-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Bob Marley and Peter Tosh wrote \"Get Up, Stand Up\" in 1973. Marley wrote it after visiting Haiti and seeing the poverty there, and always ended his concerts with the song.\n -- \nHere's a live version from Munich in 1980: https://www.youtube.com/watch?v=RhJ0q7X3DLM", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
