Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=2571480&ordering=airdate
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=2571500&ordering=airdate", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=2571460&ordering=airdate", "results": [ { "id": 344262, "uri": "https://api.kexp.org/v2/plays/344262/?format=api", "airdate": "2019-06-21T06:00:00-07:00", "show": 5735, "show_uri": "https://api.kexp.org/v2/shows/5735/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 344261, "uri": "https://api.kexp.org/v2/plays/344261/?format=api", "airdate": "2019-06-21T06:02:21-07:00", "show": 5736, "show_uri": "https://api.kexp.org/v2/shows/5736/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Like a Rolling Stone", "track_id": "818368df-0cfa-3671-89a8-1a12b06d10bd", "recording_id": null, "artist": "Bob Dylan", "artist_ids": [ "72c536dc-7137-4477-a521-567eeb840fa8" ], "album": "Highway 61 Revisited", "release_id": "b32080e2-b04d-3de7-b0a4-63e99225b95d", "release_group_id": null, "labels": [ "Columbia" ], "label_ids": [ "011d1192-6f65-45bd-85c4-0400dd45693e" ], "release_date": "2010-10-19", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "At 6 minutes and 13 seconds, \"Like A Rolling Stone\" was at the time of its release, the single with the longest run time to get radio play. According to Shaun Considine, release coordinator for Columbia Records in 1965, \"Like a Rolling Stone\" was first relegated to the \"graveyard of canceled releases\" because of concerns from the sales and marketing departments over its unprecedented six-minute length and \"raucous\" rock sound. In the days following the rejection, Considine took a discarded acetate of the song to the New York club Arthur—a newly opened disco popular with celebrities and the media—and asked a DJ to play it. At the crowd's insistence, the demo was played repeatedly, until finally it wore out. The next morning, a disc jockey and a programming director from the city's leading top 40 stations called Columbia and demanded copies. Shortly afterward, on July 20, 1965, \"Like a Rolling Stone\" was released as a single with \"Gates of Eden\" as its B-side. The rest, as we say, is history", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 344263, "uri": "https://api.kexp.org/v2/plays/344263/?format=api", "airdate": "2019-06-21T06:09:40-07:00", "show": 5736, "show_uri": "https://api.kexp.org/v2/shows/5736/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 344264, "uri": "https://api.kexp.org/v2/plays/344264/?format=api", "airdate": "2019-06-21T06:11:00-07:00", "show": 5736, "show_uri": "https://api.kexp.org/v2/shows/5736/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "So What", "track_id": "09752590-f065-3e96-b1ac-62016cd1e2e4", "recording_id": null, "artist": "Miles Davis", "artist_ids": [ "561d854a-6a28-4aa7-8c99-323e6ce46c2a" ], "album": "Kind of Blue", "release_id": "e32a3f0b-1c19-3170-bb1c-650893774744", "release_group_id": null, "labels": [ "Columbia" ], "label_ids": [], "release_date": "1950-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "The actor Dennis Hopper, in an interview in 2008 with Men's Journal, claims that Davis named the song after intellectual conversations with Hopper, in which Hopper would reply, \"So what?\" Length: 9:23", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 344265, "uri": "https://api.kexp.org/v2/plays/344265/?format=api", "airdate": "2019-06-21T06:19:02-07:00", "show": 5736, "show_uri": "https://api.kexp.org/v2/shows/5736/?format=api", "image_uri": "http://coverartarchive.org/release/5992a7fd-6ade-3895-827a-a7dfdf6ebb51/6193380462-250.jpg", "thumbnail_uri": "", "song": "Building Steam With a Grain of Salt", "track_id": "a1d72158-b70e-34ca-b265-c1905f24130b", "recording_id": null, "artist": "DJ Shadow", "artist_ids": [ "efa2c11a-1a35-4b60-bc1b-66d37de88511" ], "album": "Endtroducing.....", "release_id": "5992a7fd-6ade-3895-827a-a7dfdf6ebb51", "release_group_id": null, "labels": [ "Mo Wax" ], "label_ids": [ "a9060093-ba38-4894-994d-efb808d2d586" ], "release_date": "1996-11-19", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "'Endtroducing.....' is the debut album by American music producer DJ Shadow, and is composed almost entirely of samples, mostly from vinyl records, and features moody, slow tracks and upbeat jams reminiscent of Shadow's early hip hop influences. Shadow produced Endtroducing over two years using minimal equipment, particularly an MPC60 sampler. \"Building Steam with a Grain of Salt\" is built around a looped piano melody, with various other musical elements entering throughout the song's duration: interview samples, a women's choir, bass fills, electronically altered drum kicks, and a funk guitar. Length: 6:41", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 344266, "uri": "https://api.kexp.org/v2/plays/344266/?format=api", "airdate": "2019-06-21T06:25:10-07:00", "show": 5736, "show_uri": "https://api.kexp.org/v2/shows/5736/?format=api", "image_uri": "http://coverartarchive.org/release/7461ca27-65e8-4106-a75e-de068dc3a619/16879969297-250.jpg", "thumbnail_uri": "", "song": "Someone Great", "track_id": "09f22cae-439d-30f1-9bd7-dda557c2af58", "recording_id": null, "artist": "LCD Soundsystem", "artist_ids": [ "2aaf7396-6ab8-40f3-9776-a41c42c8e26b" ], "album": "Sound of Silver", "release_id": "7461ca27-65e8-4106-a75e-de068dc3a619", "release_group_id": null, "labels": [ "DFA Records" ], "label_ids": [ "32d02635-98fc-4405-94e1-e5b06f9d2025" ], "release_date": "2007-03-20", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "For several weeks before and after 'Sound of Silver's' release, the entire album was available for streaming on the band's MySpace page. What's a MySpace? Track runtime: 6:25", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 344267, "uri": "https://api.kexp.org/v2/plays/344267/?format=api", "airdate": "2019-06-21T06:31:15-07:00", "show": 5736, "show_uri": "https://api.kexp.org/v2/shows/5736/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 344268, "uri": "https://api.kexp.org/v2/plays/344268/?format=api", "airdate": "2019-06-21T06:31:57-07:00", "show": 5736, "show_uri": "https://api.kexp.org/v2/shows/5736/?format=api", "image_uri": "http://coverartarchive.org/release/05adfe85-dd1c-44a0-bda8-a9159e59a30f/15842800531-250.jpg", "thumbnail_uri": "", "song": "Purple Rain", "track_id": "3c30547c-5e48-3b6d-b4fb-a7296e84678d", "recording_id": null, "artist": "Prince and The Revolution", "artist_ids": [ "070d193a-845c-479f-980e-bef15710653e" ], "album": "Purple Rain", "release_id": "05adfe85-dd1c-44a0-bda8-a9159e59a30f", "release_group_id": null, "labels": [ "Warner Bros. Records" ], "label_ids": [ "c595c289-47ce-4fba-b999-b87503e8cb71" ], "release_date": "1984-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "The world loves Prince - following his death in 2016, \"Purple Rain\" rose to number one on the US and UK iTunes Charts, allowing \"Purple Rain\" to re-enter the Billboard Hot 100 at number 17, later reaching number four. It also re-entered the UK Singles Chart at number 6, making it two places higher than its original peak of number 8. Originally peaking at number 12 in France, \"Purple Rain\" reached number one on the national singles chart.In the United States, it has sold an additional 1.18 million copies after becoming available as digital downloads. Length: 8:41", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 344269, "uri": "https://api.kexp.org/v2/plays/344269/?format=api", "airdate": "2019-06-21T06:39:27-07:00", "show": 5736, "show_uri": "https://api.kexp.org/v2/shows/5736/?format=api", "image_uri": "http://coverartarchive.org/release/600340f5-5a33-3a49-af72-2636a38031bb/2236648728-250.jpg", "thumbnail_uri": "", "song": "Chloe Dancer / Crown of Thorns", "track_id": "22a1e0cb-2ec6-3e37-80f3-7c68b3186e5c", "recording_id": null, "artist": "Mother Love Bone", "artist_ids": [ "a5585acd-9b65-49a7-a63b-3cc4ee18846e" ], "album": "Mother Love Bone", "release_id": "600340f5-5a33-3a49-af72-2636a38031bb", "release_group_id": null, "labels": [ "Stardog Records" ], "label_ids": [ "88d3fc4c-d528-4bb3-b6b9-f395e960205e" ], "release_date": "1992-01-01", "rotation_status": "Library", "is_local": true, "is_request": false, "is_live": false, "comment": "\"Chloe Dancer\" is about lead singer Andy Wood's muse/fiancee, Xana La Fuente, who had planned to be a stripper to support the pair, but left the club after one hour. \"Crown of Thorns\" was written about their nasty breakup over his on and-off-again dabbling in heroin and alcohol. \"This song is about a relationship ruined by drugs,\" she explains. \"He wrote it about our near breakup, and how I tried to control him and the drugs--hence his allusion to being tied to the ceiling.\" Length: 6:18", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 344270, "uri": "https://api.kexp.org/v2/plays/344270/?format=api", "airdate": "2019-06-21T06:47:00-07:00", "show": 5736, "show_uri": "https://api.kexp.org/v2/shows/5736/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Black Metallic", "track_id": "1039f8a8-d1a2-3c6f-9280-49759eea32c4", "recording_id": null, "artist": "Catherine Wheel", "artist_ids": [ "37e3dd97-73f9-4c69-b50d-0c0e3c47c40c" ], "album": "Ferment", "release_id": "b657d1e0-e24a-4c87-b4af-55bcc5500d2a", "release_group_id": null, "labels": [ "Cherry Red Records" ], "label_ids": [], "release_date": "2010-03-22", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "AllMusic critic Amy Hanson calls \"Black Metallic\" \"a seven-minute epic!\" Well, Amy, it's actually a 7 minute and 18 second epic - get it right!", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 344271, "uri": "https://api.kexp.org/v2/plays/344271/?format=api", "airdate": "2019-06-21T06:54:56-07:00", "show": 5736, "show_uri": "https://api.kexp.org/v2/shows/5736/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 344272, "uri": "https://api.kexp.org/v2/plays/344272/?format=api", "airdate": "2019-06-21T06:57:31-07:00", "show": 5736, "show_uri": "https://api.kexp.org/v2/shows/5736/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Temptation", "track_id": "8fec5e45-e9b5-3ba3-b277-421e08ea8e63", "recording_id": null, "artist": "New Order", "artist_ids": [ "f1106b17-dcbb-45f6-b938-199ccfab50cc" ], "album": "Retro", "release_id": "72dee28e-f18c-4dd2-abad-dd87926f789d", "release_group_id": null, "labels": [ "Warner Music UK Ltd." ], "label_ids": [ "03ac1af2-2bbf-41e7-b9e4-5f4ec51e38a8" ], "release_date": "2008-11-24", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "The vocal track on the 12\" version features an audible \"startled yelp\" during the song's intro. Vocalist Bernard Sumner has since explained that the scream was from him due to bandmates thrusting a snowball down his shirt during recording. Length: 8:47", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 344273, "uri": "https://api.kexp.org/v2/plays/344273/?format=api", "airdate": "2019-06-21T07:06:00-07:00", "show": 5736, "show_uri": "https://api.kexp.org/v2/shows/5736/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Tainted Love/Where Did Our Love Go", "track_id": "1895a60a-3a4a-4d05-94c4-4ea70a208ee1", "recording_id": null, "artist": "Soft Cell", "artist_ids": [ "7fb50287-029d-47cc-825a-235ca28024b2" ], "album": "Tainted Love / Where Did Our Love Go?", "release_id": "69da8edb-17cd-40f0-a942-f304baa1956d", "release_group_id": null, "labels": [ "Vertigo" ], "label_ids": [], "release_date": "1950-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "\"Tainted Love\" was originally recorded by Gloria Jones in 1964 and \"Where Did Our Love Go\" was originally recorded by The Supremes in, you guessed it, 1964! Track length: 8:57", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 344274, "uri": "https://api.kexp.org/v2/plays/344274/?format=api", "airdate": "2019-06-21T07:14:22-07:00", "show": 5736, "show_uri": "https://api.kexp.org/v2/shows/5736/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 344275, "uri": "https://api.kexp.org/v2/plays/344275/?format=api", "airdate": "2019-06-21T07:17:00-07:00", "show": 5736, "show_uri": "https://api.kexp.org/v2/shows/5736/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Maggot Brain", "track_id": "12a8d5db-9e0d-39cf-b7d4-dd41647bcd35", "recording_id": null, "artist": "Funkadelic", "artist_ids": [ "cf042013-3edd-46c4-9b0e-a62faac98d0b" ], "album": "Maggot Brain", "release_id": "298eb87c-e2b7-4fd0-8a3b-b8cd1e0ac87b", "release_group_id": null, "labels": [ "Westbound Records" ], "label_ids": [], "release_date": "1950-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "From 1976 to 1995, disc jockey Bill \"B.L.F. Bash\" Freeman started a tradition of playing the original full version of the song on 100.7 WMMS/Cleveland every Sunday morning at 1:30 (around \"last call\"). The tradition was picked up in 1987 and is still carried on to this day, by Mr. Classic host of \"The Saturday Night Live House Party\" featured on 98.5 WNCX/Cleveland at 11:50pm. Track length: 10:21", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 344276, "uri": "https://api.kexp.org/v2/plays/344276/?format=api", "airdate": "2019-06-21T07:26:12-07:00", "show": 5736, "show_uri": "https://api.kexp.org/v2/shows/5736/?format=api", "image_uri": "http://coverartarchive.org/release/0239d797-11ca-3d4d-b838-8a70a984f632/3490368220-250.jpg", "thumbnail_uri": "", "song": "Three Days", "track_id": "5137253a-8d08-3cba-9437-0f4761831ad7", "recording_id": null, "artist": "Jane’s Addiction", "artist_ids": [ "e3434cc7-d348-491a-9dc8-325af3d9086d" ], "album": "Ritual de lo habitual", "release_id": "0239d797-11ca-3d4d-b838-8a70a984f632", "release_group_id": null, "labels": [ "Warner Bros. Records" ], "label_ids": [ "c595c289-47ce-4fba-b999-b87503e8cb71" ], "release_date": "1990-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Dave Navarro's guitar solo on this song was ranked as number 100 in Guitar World's \"100 best guitar solos\" article. Phew, just made it! Track length: 10:46", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 344277, "uri": "https://api.kexp.org/v2/plays/344277/?format=api", "airdate": "2019-06-21T07:37:00-07:00", "show": 5736, "show_uri": "https://api.kexp.org/v2/shows/5736/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "This Corrosion", "track_id": "837c2dab-7263-4493-a6ab-336c1c1d7105", "recording_id": null, "artist": "The Sisters of Mercy", "artist_ids": [ "553d8166-27b0-49fe-b8e4-89a984e2c375" ], "album": "Floodland", "release_id": "ffe0aa26-7956-4e4e-adb8-398414633916", "release_group_id": null, "labels": [ "Merciful Release" ], "label_ids": [], "release_date": "1950-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "\"This Corrosion\" was written by Andrew Eldritch and produced by Jim Steinman. Eldritch's lyrics concern his previous band members leaving the Sisters of Mercy to form the Mission. It's one of the band's most well-known songs and uses a 40-piece choir, and the LP version of the song lasts for nearly 11 minutes and guess what? We're playing the LP version MFers! Track Length: 11:21", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 344278, "uri": "https://api.kexp.org/v2/plays/344278/?format=api", "airdate": "2019-06-21T07:44:09-07:00", "show": 5736, "show_uri": "https://api.kexp.org/v2/shows/5736/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 344279, "uri": "https://api.kexp.org/v2/plays/344279/?format=api", "airdate": "2019-06-21T07:48:00-07:00", "show": 5736, "show_uri": "https://api.kexp.org/v2/shows/5736/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Show Me (Extended Mix)", "track_id": null, "recording_id": null, "artist": "Mint Royale", "artist_ids": [ "dec629c1-c5b8-4fa1-9bb2-eaf979550f41" ], "album": "", "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": "1950-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Up until now, the only version of \"Show Me\" that runs over 6 minutes was the Crazy Penis Remix - true fact, look it up - so we reached out to the band a few weeks back and they sent us this special version for this very special day of long tracks on the longest day of the year with the longest run-on sentence of the morning. Track length: 6:30", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 344280, "uri": "https://api.kexp.org/v2/plays/344280/?format=api", "airdate": "2019-06-21T07:54:00-07:00", "show": 5736, "show_uri": "https://api.kexp.org/v2/shows/5736/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" } ] }
