Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=2571560&ordering=airdate
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=2571580&ordering=airdate", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=2571540&ordering=airdate", "results": [ { "id": 344341, "uri": "https://api.kexp.org/v2/plays/344341/?format=api", "airdate": "2019-06-21T13:55:04-07:00", "show": 5737, "show_uri": "https://api.kexp.org/v2/shows/5737/?format=api", "image_uri": "http://coverartarchive.org/release/47349b48-0937-4519-88cc-20b6e47b1059/20674956488-250.jpg", "thumbnail_uri": "", "song": "Let It Happen", "track_id": "71abde30-b8fc-42c1-9d61-7609f50b2107", "recording_id": null, "artist": "Tame Impala", "artist_ids": [ "63aa26c3-d59b-4da4-84ac-716b54f1ef4d" ], "album": "Currents", "release_id": "47349b48-0937-4519-88cc-20b6e47b1059", "release_group_id": null, "labels": [ "Modular Recordings" ], "label_ids": [ "1a69fd71-e415-4439-b830-49ab0752d9f7" ], "release_date": "2015-07-17", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": null, "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 344342, "uri": "https://api.kexp.org/v2/plays/344342/?format=api", "airdate": "2019-06-21T14:03:00-07:00", "show": 5738, "show_uri": "https://api.kexp.org/v2/shows/5738/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Space Walk", "track_id": "f5c224ba-7752-38e1-8984-7622b46b583b", "recording_id": null, "artist": "Lemon Jelly", "artist_ids": [ "4cbbf0d6-6c78-4e3d-ab25-91b13603cf7c" ], "album": "Lost Horizons", "release_id": "0f0f1e17-9e51-4398-8404-2d4c96f9d0e0", "release_group_id": null, "labels": [], "label_ids": [], "release_date": "2002-10-08", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Happy Summer Solstice! Today is the longest day of the year and we're celebrating at KEXP by breaking out some of the longest songs in our library. We're only playing tracks that are longer than Bob Dylan's \"Like a Rolling Stone\", which clocks in at 6:13. Send in your recommendations at DJ@kexp.org!", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 344344, "uri": "https://api.kexp.org/v2/plays/344344/?format=api", "airdate": "2019-06-21T14:09:51-07:00", "show": 5738, "show_uri": "https://api.kexp.org/v2/shows/5738/?format=api", "image_uri": "http://coverartarchive.org/release/5494abde-9aae-472a-bce5-72931cbfbad2/8314007591-250.jpg", "thumbnail_uri": "", "song": "I Am the Resurrection", "track_id": "b3e95590-37f1-47d0-941f-ea5a1cb555ea", "recording_id": null, "artist": "The Stone Roses", "artist_ids": [ "b5fa29f1-6c22-4321-a488-b5f363b06b06" ], "album": "The Very Best of the Stone Roses", "release_id": "5494abde-9aae-472a-bce5-72931cbfbad2", "release_group_id": null, "labels": [ "Silvertone Records" ], "label_ids": [ "82307007-21d1-48c0-a31f-b89d9b1811de" ], "release_date": "2002-11-04", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "\"I Am The Resurrection\" is the final song on The Stone Roses' 1989 self-titled debut album. Originally, the 12\" exclusively contained the 8:13 long \"Extended 16:9 Ratio Club Mix\". Other versions were considerably shorter.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 344345, "uri": "https://api.kexp.org/v2/plays/344345/?format=api", "airdate": "2019-06-21T14:18:47-07:00", "show": 5738, "show_uri": "https://api.kexp.org/v2/shows/5738/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 344346, "uri": "https://api.kexp.org/v2/plays/344346/?format=api", "airdate": "2019-06-21T14:24:00-07:00", "show": 5738, "show_uri": "https://api.kexp.org/v2/shows/5738/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "There Used to Be a Darkness", "track_id": "38d26dce-c2c7-413e-a39c-f8d3f1cf36d6", "recording_id": null, "artist": "Mikko Joensuu", "artist_ids": [ "1879f99d-e3fe-4013-9fb4-1ffd68b3e33f" ], "album": "Amen 2", "release_id": "058fd3c3-135a-4882-969f-89fa4f8822a2", "release_group_id": null, "labels": [ "Svart Records" ], "label_ids": [ "af3204cc-0abf-41b6-9766-ae67fc8f9014" ], "release_date": "2016-11-11", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Check out this KEXP Song of the Day review of Mikko Joensuu's 11-minute epic \"There Used to Be a Darkness\": https://www.kexp.org/read/2017/05/09/song-of-the-day-mikko-joensuu-there-used-to-be-a-darkness/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 344347, "uri": "https://api.kexp.org/v2/plays/344347/?format=api", "airdate": "2019-06-21T14:34:37-07:00", "show": 5738, "show_uri": "https://api.kexp.org/v2/shows/5738/?format=api", "image_uri": "http://coverartarchive.org/release/d5a1ccd0-a820-3f51-bdd6-df30fe938933/21305458187-250.jpg", "thumbnail_uri": "", "song": "Leave Them All Behind", "track_id": "45306cb6-0996-3728-a1e7-57e74d533281", "recording_id": null, "artist": "Ride", "artist_ids": [ "3f575ecd-627d-4f08-a89f-abd46d469c7e" ], "album": "Going Blank Again", "release_id": "d5a1ccd0-a820-3f51-bdd6-df30fe938933", "release_group_id": null, "labels": [ "Reprise Records" ], "label_ids": [ "af6d6f49-2b4d-40fe-86d4-241906772b59" ], "release_date": "1992-03-17", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "It’s common practice for radio stations to either edit down or speed up a song so that they can get to the next ad more quickly. At KEXP we're celebrating the solstice with long and unedited tracks like Ride's \"Leave Them All Behind\". We were lucky enough to have them perform in our studio back in 2017: https://www.youtube.com/watch?v=cwe1HbS2lSc", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 344351, "uri": "https://api.kexp.org/v2/plays/344351/?format=api", "airdate": "2019-06-21T14:43:07-07:00", "show": 5738, "show_uri": "https://api.kexp.org/v2/shows/5738/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 344352, "uri": "https://api.kexp.org/v2/plays/344352/?format=api", "airdate": "2019-06-21T14:45:07-07:00", "show": 5738, "show_uri": "https://api.kexp.org/v2/shows/5738/?format=api", "image_uri": "http://coverartarchive.org/release/c941e2e8-68c6-4f81-9a02-8be87b3e29c3/4983050362-250.jpg", "thumbnail_uri": "", "song": "Flash Light", "track_id": "4e020373-1c4e-38e9-9c9a-a7e3020c6285", "recording_id": null, "artist": "Parliament", "artist_ids": [ "d1947987-9614-49ae-bd36-8000e6b6f7d0" ], "album": "Tear the Roof Off: 1974-1980", "release_id": "c941e2e8-68c6-4f81-9a02-8be87b3e29c3", "release_group_id": null, "labels": [ "Casablanca Records" ], "label_ids": [ "98f93684-2a6f-4d40-ac6a-41fd0cc8ecc8" ], "release_date": "1993-05-18", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Hope you're basking in all this light today! Parliament's classic hit \"Flash Light\" is composed of multiple tracks and the layering of up to 50 voices. Its success would greatly influence not only funk music, but also new wave and hip-hop. Fun fact about the song: the \"Da da da dee da da da\" part of the track was inspired by a bar mitzvah chant.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 344353, "uri": "https://api.kexp.org/v2/plays/344353/?format=api", "airdate": "2019-06-21T14:56:00-07:00", "show": 5738, "show_uri": "https://api.kexp.org/v2/shows/5738/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Born Slippy .NUXX", "track_id": "8d956082-fb96-3e9d-a5ec-db0c427acaa2", "recording_id": null, "artist": "Underworld", "artist_ids": [ "ba2f4f3b-0293-4bc8-bb94-2f73b5207343" ], "album": "Everything, Everything", "release_id": "545f2ec0-6556-3ab1-b685-8904aac7d796", "release_group_id": null, "labels": [ "Junior Boy’s Own" ], "label_ids": [], "release_date": "2000-09-12", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Karl Hyde of Underworld said that he wrote \"Born Slippy\" on a night out in London Soho. On the inspiration behind the song he said, \"A drunk sees the world in fragments and I wanted to recreate that. I was inspired by Lou Reed's New York album and Sam Shepard's Motel Chronicles.\" As for the reasoning behind the track title \"Born Slippy\"? It was the name of a greyhound the group had placed a bet on (and won).", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 344354, "uri": "https://api.kexp.org/v2/plays/344354/?format=api", "airdate": "2019-06-21T15:05:00-07:00", "show": 5738, "show_uri": "https://api.kexp.org/v2/shows/5738/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Dead Eyes Opened", "track_id": "9b498171-38fd-4388-9fc9-cad20d877b00", "recording_id": null, "artist": "Severed Heads", "artist_ids": [ "4976edcf-58c3-49b6-b6f1-2d8277e60d26" ], "album": "Since The Accident", "release_id": "fce600fc-9594-4548-af6a-c9e4dc387e62", "release_group_id": null, "labels": [ "Ink Records" ], "label_ids": [], "release_date": "1988-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Initially this album was a cassette tape recorded between 1982 and 1983, and \"Dead Eyes Opened\" was only left on the tape to help fill up the blank space.The song features a spoken word sample from Edgar Lustgarten in the episode \"Death on the Crumbles\", which is from a BBC radio series of the same name. The show was based on the 1924 murder of Emily Kaye.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 344356, "uri": "https://api.kexp.org/v2/plays/344356/?format=api", "airdate": "2019-06-21T15:12:06-07:00", "show": 5738, "show_uri": "https://api.kexp.org/v2/shows/5738/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 344357, "uri": "https://api.kexp.org/v2/plays/344357/?format=api", "airdate": "2019-06-21T15:16:26-07:00", "show": 5738, "show_uri": "https://api.kexp.org/v2/shows/5738/?format=api", "image_uri": "http://coverartarchive.org/release/39eebdcc-e8bf-4cf3-bd22-49c3dd7e4c93/20673518239-250.jpg", "thumbnail_uri": "", "song": "Teen Age Riot", "track_id": "221033a0-f905-3fcb-b04f-db30e5f7c44a", "recording_id": null, "artist": "Sonic Youth", "artist_ids": [ "5cbef01b-cc35-4f52-af7b-d0df0c4f61b9" ], "album": "Daydream Nation", "release_id": "39eebdcc-e8bf-4cf3-bd22-49c3dd7e4c93", "release_group_id": null, "labels": [ "Geffen Records" ], "label_ids": [ "0fadc2ce-f7de-4e27-bbe6-612b317e716b" ], "release_date": "2007-06-12", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "The song is about an alternate reality where J Mascis is president of the United States. In the liner notes accompanying the deluxe edition of Daydream Nation, Byron Coley quoted Thurston Moore on \"Teen Age Riot\": \"It was actually about appointing J Mascis as our de facto alternative dream president\".", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 344360, "uri": "https://api.kexp.org/v2/plays/344360/?format=api", "airdate": "2019-06-21T15:23:12-07:00", "show": 5738, "show_uri": "https://api.kexp.org/v2/shows/5738/?format=api", "image_uri": "http://coverartarchive.org/release/6dab00c8-2473-47ce-b1fc-eedc219e27a9/11892819162-250.jpg", "thumbnail_uri": "", "song": "Crazy Rhythms", "track_id": "6f73347b-c170-3529-afa2-d4443363b5c4", "recording_id": null, "artist": "The Feelies", "artist_ids": [ "28c07254-aeae-42ad-beea-67f59c3c8baf" ], "album": "Crazy Rhythms", "release_id": "6dab00c8-2473-47ce-b1fc-eedc219e27a9", "release_group_id": null, "labels": [ "A&M Records" ], "label_ids": [ "35515729-1f2c-4cc9-9390-9af2764bc56c" ], "release_date": "1990-08-07", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "On the album, band member Glenn Mercer has said \"The sound we were after was a reaction against the punk scene [...] Being a little older, we felt it had all been done before. We wanted the guitars to be cleaner, and we started experimenting with a lot of percussion.\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 344362, "uri": "https://api.kexp.org/v2/plays/344362/?format=api", "airdate": "2019-06-21T15:29:07-07:00", "show": 5738, "show_uri": "https://api.kexp.org/v2/shows/5738/?format=api", "image_uri": "http://coverartarchive.org/release/75f5d72b-b93f-4b59-9047-2e5e44900fa9/3405865077-250.jpg", "thumbnail_uri": "", "song": "Rock Lobster", "track_id": "cde15176-de38-3871-80dd-3754987d06d9", "recording_id": null, "artist": "The B‐52s", "artist_ids": [ "127f591a-7e27-4435-92db-0780f219f3a1" ], "album": "Nude on the Moon: The B‐52’s Anthology", "release_id": "75f5d72b-b93f-4b59-9047-2e5e44900fa9", "release_group_id": null, "labels": [ "Rhino" ], "label_ids": [ "c4f2cf49-b57c-4cc1-8061-f54400704ac4" ], "release_date": "2002-01-15", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "This nonsensical and surreal track from the B-52s mentions both real and imagined marine animals. \"There goes a dogfish, chased by a catfish, in flew a sea robin, watch out for that piranha, there goes a narwhal, here comes a bikini whale!\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 344363, "uri": "https://api.kexp.org/v2/plays/344363/?format=api", "airdate": "2019-06-21T15:36:54-07:00", "show": 5738, "show_uri": "https://api.kexp.org/v2/shows/5738/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 344365, "uri": "https://api.kexp.org/v2/plays/344365/?format=api", "airdate": "2019-06-21T15:39:00-07:00", "show": 5738, "show_uri": "https://api.kexp.org/v2/shows/5738/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "A Love Supreme, Part 1: Acknowledgement", "track_id": "edc882d9-a8e9-3a79-91ca-7b920640f9cc", "recording_id": null, "artist": "John Coltrane", "artist_ids": [ "b625448e-bf4a-41c3-a421-72ad46cdb831" ], "album": "A Love Supreme", "release_id": "4fa9c6d8-731e-3870-8b5b-580811b2d4e0", "release_group_id": null, "labels": [ "impulse!" ], "label_ids": [], "release_date": "2005-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "A Love Supreme is one of the most acclaimed jazz records. Composed of four parts - \"Acknowledgement\" (which includes the oral chant that gives the album its name), \"Resolution\", \"Pursuance\", and \"Psalm\" - Coltrane plays tenor saxophone on all songs.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 344368, "uri": "https://api.kexp.org/v2/plays/344368/?format=api", "airdate": "2019-06-21T15:46:47-07:00", "show": 5738, "show_uri": "https://api.kexp.org/v2/shows/5738/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Pyramids", "track_id": "03c9b6e1-46cb-3860-8389-d871fe7603ce", "recording_id": null, "artist": "Frank Ocean", "artist_ids": [ "e520459c-dff4-491d-a6e4-c97be35e0044" ], "album": "Channel Orange", "release_id": "3048076f-c5d4-4340-9ba0-c09d23b83b31", "release_group_id": null, "labels": [ "Island Def Jam Music Group" ], "label_ids": [ "c9ecb3cf-ed8c-4f48-b99a-7d63ed12d89b" ], "release_date": "2012-07-17", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "The 10-minute R&B odyssey has Ocean singing of ancient Egypt and the present day. The song begins with a dream about Egyptian pharaoh Cleopatra, moving into a story of an unemployed protagonist and his girlfriend, Cleopatra, who works at The Pyramid and whose love \"ain't free\" anymore.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 344370, "uri": "https://api.kexp.org/v2/plays/344370/?format=api", "airdate": "2019-06-21T15:56:32-07:00", "show": 5738, "show_uri": "https://api.kexp.org/v2/shows/5738/?format=api", "image_uri": "http://coverartarchive.org/release/0041638d-a5fc-3449-91e8-878b48d81815/2568904746-250.jpg", "thumbnail_uri": "", "song": "Svefn-g-englar", "track_id": "bec03cfa-cb06-3ee5-9a00-96b2a2369bd0", "recording_id": null, "artist": "Sigur Rós", "artist_ids": [ "f6f2326f-6b25-4170-b89d-e235b25508e8" ], "album": "Ágætis byrjun", "release_id": "0041638d-a5fc-3449-91e8-878b48d81815", "release_group_id": null, "labels": [ "[PIAS] America" ], "label_ids": [ "909a6c83-c3cf-449c-a284-60f913b96b40" ], "release_date": "2001-05-22", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "The track title is an Icelandic pun that means \"sleepwalkers\" or \"Sleep angels\". The album title translates to \"A Good Beginning\".", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 344374, "uri": "https://api.kexp.org/v2/plays/344374/?format=api", "airdate": "2019-06-21T16:08:00-07:00", "show": 5738, "show_uri": "https://api.kexp.org/v2/shows/5738/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Hallogallo", "track_id": "40bce692-ea2a-4168-a804-ba8920161f2c", "recording_id": null, "artist": "Neu!", "artist_ids": [ "adec1fc3-83c1-48f7-9e49-8347ac6d40b0" ], "album": "Neu!", "release_id": "0d73f60b-e315-4d31-9273-48836a423429", "release_group_id": null, "labels": [ "P‐VINE RECORDS" ], "label_ids": [], "release_date": "2012-03-28", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Neu! was a German band formed in Düsseldorf in 1971 by Klaus Dinger and Michael Rother following their departure from Kraftwerk. They released three albums in their initial incarnation—Neu! (1972), Neu! 2 (1973), and Neu! 75 (1975)—before disbanding in 1975. They briefly reunited in the mid-1980s. Neu! pioneered the \"motorik\" beat, a minimalist 4/4 beat often used by drummers associated with krautrock and best showcased on \"Hallogallo\".", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 344376, "uri": "https://api.kexp.org/v2/plays/344376/?format=api", "airdate": "2019-06-21T16:15:04-07:00", "show": 5738, "show_uri": "https://api.kexp.org/v2/shows/5738/?format=api", "image_uri": "http://coverartarchive.org/release/0c436276-684a-3415-a70b-993a5cf7e280/3766944736-250.jpg", "thumbnail_uri": "", "song": "Computer Love", "track_id": "ca408149-039f-3ce6-b54b-49cebdb13705", "recording_id": null, "artist": "Kraftwerk", "artist_ids": [ "5700dcd4-c139-4f31-aa3e-6382b9af9032" ], "album": "Computer World", "release_id": "0c436276-684a-3415-a70b-993a5cf7e280", "release_group_id": null, "labels": [ "Warner Bros. Records" ], "label_ids": [ "c595c289-47ce-4fba-b999-b87503e8cb71" ], "release_date": "1984-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "The single version of this song is 3:45, while the version that appears on the album Computer World spans 7:15. The song, which was released in 1981, is about looking for love via a computer. The album itself explores the rise of computers within society.", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
