Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=2574340&ordering=airdate
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=2574360&ordering=airdate", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=2574320&ordering=airdate", "results": [ { "id": 347495, "uri": "https://api.kexp.org/v2/plays/347495/?format=api", "airdate": "2019-06-28T16:19:27-07:00", "show": 5786, "show_uri": "https://api.kexp.org/v2/shows/5786/?format=api", "image_uri": "http://coverartarchive.org/release/b5aeb5e8-8953-4e3e-9b47-5cef3240b03c/16884035959-250.jpg", "thumbnail_uri": "", "song": "Everything Now", "track_id": "6a520b82-bd36-4072-8749-b641a9f7e62a", "recording_id": null, "artist": "Arcade Fire", "artist_ids": [ "52074ba6-e495-4ef3-9bb4-0703888a9f68" ], "album": "Everything Now", "release_id": "b5aeb5e8-8953-4e3e-9b47-5cef3240b03c", "release_group_id": null, "labels": [ "Columbia" ], "label_ids": [ "011d1192-6f65-45bd-85c4-0400dd45693e" ], "release_date": "2017-07-28", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "To promote this studio album, their fifth to date, Arcade Fire performed six new songs at an intimate secret show in Montreal in May 2017. Later that month, a Twitter account designed to look like a Russian spambot started publishing clues pertaining to the new Arcade Fire album.<br><br>\n\nOn May 31, the band released the lead single \"Everything Now\" on 12\" vinyl, selling it at a merchandise stall at Primavera Sound festival in Barcelona which they headlined. A day later, a mysterious live stream \"Live From Death Valley\" was launched and the band released a music video for the song, appearing to have been shot in Death Valley, California.\n\nOn June 3, anagrams of song titles were published on Twitter. https://bit.ly/2JdwzHk", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 347496, "uri": "https://api.kexp.org/v2/plays/347496/?format=api", "airdate": "2019-06-28T16:23:00-07:00", "show": 5786, "show_uri": "https://api.kexp.org/v2/shows/5786/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Dancing Queen", "track_id": "06b825cc-9c0c-38a5-9a8b-6b6e1b84915c", "recording_id": null, "artist": "ABBA", "artist_ids": [ "d87e52c5-bb8d-4da8-b941-9f4928627dc8" ], "album": "Arrival", "release_id": "908ae31d-f9a9-46ed-9b5a-a31bc17f6452", "release_group_id": null, "labels": [ "Polar" ], "label_ids": [], "release_date": "2006-10-16", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "The recording sessions for \"Dancing Queen\" began on 4 August 1975. The demo was called \"Boogaloo\" and as the sessions progressed, Andersson and Ulvaeus found inspiration in the dance rhythm of George McCrae's \"Rock Your Baby\", as well as the drumming on Dr. John's 1972 album, Dr. John's Gumbo. The opening melody echoes \"Sing My Way Home\" by Delaney & Bonnie (from Motel Shot, 1971). Fältskog and Lyngstad recorded the vocals during sessions in September 1975, and the track was completed three months later.\n<br><br>\nDuring the sessions, Benny Andersson brought a tape home with the backing track on it and played it to Anni-Frid Lyngstad, who apparently started crying when listening. Lyngstad said, \"I found the song so beautiful. It's one of those songs that goes straight to your heart.\" Agnetha Fältskog later said: \"It's often difficult to know what will be a hit. The exception was 'Dancing Queen.' We all knew it was going to be massive.\" https://bit.ly/2vkBoZP", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 347497, "uri": "https://api.kexp.org/v2/plays/347497/?format=api", "airdate": "2019-06-28T16:28:47-07:00", "show": 5786, "show_uri": "https://api.kexp.org/v2/shows/5786/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 347498, "uri": "https://api.kexp.org/v2/plays/347498/?format=api", "airdate": "2019-06-28T16:31:48-07:00", "show": 5786, "show_uri": "https://api.kexp.org/v2/shows/5786/?format=api", "image_uri": "http://coverartarchive.org/release/04a54ce3-7ca8-4d5c-80d7-b559c190a88f/21104193544-250.jpg", "thumbnail_uri": "", "song": "Rebel Girl", "track_id": "024b494c-ec2d-3e3c-bd47-7b88857d3113", "recording_id": null, "artist": "Bikini Kill", "artist_ids": [ "1397d045-1603-41fc-80b9-712c18360145" ], "album": "The Singles", "release_id": "04a54ce3-7ca8-4d5c-80d7-b559c190a88f", "release_group_id": null, "labels": [ "Kill Rock Stars" ], "label_ids": [ "a16c4ee6-8f6b-4314-9701-465c2e11dffe" ], "release_date": "1998-06-23", "rotation_status": "Library", "is_local": true, "is_request": false, "is_live": false, "comment": "The song was released in three different recorded versions in 1993 – on an EP, an LP, and a 7-inch single. The single version was produced by Joan Jett and features her on guitar and background vocals. Widely considered a classic example of punk music, the song remains emblematic of the riot grrrl movement of the 1990s. <br><br>The song's theme and lyrics overturn the traditional heterosexual tropes of pop music. Giving voice to an unconcealed lesbian perspective, it is a frank and explicit \"tribute to, and love song for, another woman\". In a larger sense, it is viewed as an ode to feminist solidarity. \n It is considered to be Bikini Kill's signature song, but its equally enduring affiliation is with the feminist movement known as riot grrrl. From their start, Bikini Kill was inextricably linked to riot grrrl and, more than any other song, \"Rebel Girl\" was that movement's most widely recognized musical expression, its \"one definitive anthem.\" https://bit.ly/2jyv9Kc", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 347500, "uri": "https://api.kexp.org/v2/plays/347500/?format=api", "airdate": "2019-06-28T16:34:18-07:00", "show": 5786, "show_uri": "https://api.kexp.org/v2/shows/5786/?format=api", "image_uri": "http://coverartarchive.org/release/ac6a3bdd-4d2e-38e8-ba6e-33cecf128b18/14101003831-250.jpg", "thumbnail_uri": "", "song": "Rebel Rebel", "track_id": "1898cdac-2981-32d4-ad8f-3f770563f994", "recording_id": null, "artist": "David Bowie", "artist_ids": [ "5441c29d-3602-4898-b1a1-b77fa23b8e50" ], "album": "Diamond Dogs", "release_id": "ac6a3bdd-4d2e-38e8-ba6e-33cecf128b18", "release_group_id": null, "labels": [ "Rykodisc" ], "label_ids": [ "6dedcd20-3d02-4838-b583-5434eac199d9" ], "release_date": "1990-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Originally written for an aborted Ziggy Stardust musical in late 1973, \"Rebel Rebel\" – completed in January 1974 and released the following month – was Bowie's last single in the glam rock style that had been his trademark. It was also his first hit since 1969 not to feature lead guitarist Mick Ronson; Bowie himself played guitar on this and almost all other tracks from Diamond Dogs, producing what NME critics Roy Carr and Charles Shaar Murray called \"a rocking dirty noise that owed as much to Keith Richards as it did to the departed Ronno.\" <br><br>The song is notable for its gender-bending lyrics (\"You got your mother in a whirl / She's not sure if you're a boy or a girl\") as well as its distinctive riff, which rock journalist Kris Needs has described as \"a classic stick-in-the-head like the Stones' 'Satisfaction.'\" Bowie himself later said, \"It's a fabulous riff! Just fabulous! When I stumbled onto it, it was 'Oh, thank you!'\" https://bit.ly/2RKOLMr", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 347501, "uri": "https://api.kexp.org/v2/plays/347501/?format=api", "airdate": "2019-06-28T16:39:00-07:00", "show": 5786, "show_uri": "https://api.kexp.org/v2/shows/5786/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 347502, "uri": "https://api.kexp.org/v2/plays/347502/?format=api", "airdate": "2019-06-28T16:41:00-07:00", "show": 5786, "show_uri": "https://api.kexp.org/v2/shows/5786/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Stand!", "track_id": "a3630df4-63b1-48f9-aea6-1a5378f14153", "recording_id": null, "artist": "Sly", "artist_ids": [ "4ee18c1e-9f25-4340-aca8-55eab557dec7" ], "album": "Stand!", "release_id": "a3e5060a-1d76-408b-acd3-f849f3a8a922", "release_group_id": null, "labels": [ "Epic" ], "label_ids": [], "release_date": "2010-07-13", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Written and produced by lead singer and multi-instrumentalist Sly Stone, Stand! is considered an artistic high-point of the band's career. Released by Epic Records, just before the group's celebrated performance at the Woodstock festival, it became the band's most commercially successful album to date. <br><br>Stand! begins with the title track on which Sly sings lead on \"Stand,\" a mid-tempo number launching into a gospel break for its final forty-nine seconds. Most of the Family Stone was unavailable for the session at which this coda was recorded: Sly, drummer Gregg Errico and horn players Cynthia Robinson and Jerry Martini were augmented by session players instead. Errico recalls that many liked the gospel extension more than they did the song proper, and that; \"People would always ask, 'why didn't you go there and let that be the song?'\" https://bit.ly/2rQms42", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 347503, "uri": "https://api.kexp.org/v2/plays/347503/?format=api", "airdate": "2019-06-28T16:43:00-07:00", "show": 5786, "show_uri": "https://api.kexp.org/v2/shows/5786/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Only the Strong Survive", "track_id": "0e05c6ae-ba22-4055-ab18-e3f7b3ed83f4", "recording_id": null, "artist": "Jerry Butler", "artist_ids": [ "fec55784-ff5c-4992-83dd-1f7c4b10c6bf" ], "album": "The Ice Man Cometh", "release_id": "683e2db6-fe3b-4038-a032-d6a6be767a3f", "release_group_id": null, "labels": [ "Mercury Records" ], "label_ids": [], "release_date": "1950-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "This track was written by Jerry Butler, Kenny Gamble and Leon Huff and originally sung in 1968 by Jerry Butler, released on his album The Ice Man Cometh. It was the most successful single of his career, reaching #4 on the Billboard Hot 100 and was #1 for two weeks on the Billboard Black Singles Chart, in March and April 1969, respectively. https://bit.ly/2XvycJR", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 347504, "uri": "https://api.kexp.org/v2/plays/347504/?format=api", "airdate": "2019-06-28T16:46:00-07:00", "show": 5786, "show_uri": "https://api.kexp.org/v2/shows/5786/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Twenty-Five Miles", "track_id": "778b0270-77bb-3b40-b91a-d460414cd3de", "recording_id": null, "artist": "Edwin Starr", "artist_ids": [ "9eace815-06f3-487c-bf3a-1a817e248056" ], "album": "25 Miles", "release_id": "619f9f9f-ece9-4c47-9779-cc00e73584f6", "release_group_id": null, "labels": [ "Gordy" ], "label_ids": [], "release_date": "1969-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "\"Twenty-Five Miles\" is a song written by Johnny Bristol, Harvey Fuqua, and Edwin Starr for Starr's second album, 25 Miles (1969). The song was considered sufficiently similar to \"32 Miles out of Waycross\" by Hoagy Lands (also recorded as \"Mojo Mama\" by both Wilson Pickett and Don Varner), written by Bert Berns and Jerry Ragovoy, that Berns and Ragovoy were eventually given co-writing credits. The Jackson 5 recorded a cover version of \"Twenty-Five Miles\" in 1969, but it was not heard until its inclusion on the Motown compilation album, The Original Soul of Michael Jackson, in 1987, with Michael Jackson being given sole performer credit for the track. It was not the original recording, however, as it included drum machine overdubs; the original featured a hard-driving drum track by Uriel Jones, one of the Funk Brothers. https://bit.ly/321wfEn", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 347505, "uri": "https://api.kexp.org/v2/plays/347505/?format=api", "airdate": "2019-06-28T16:50:20-07:00", "show": 5786, "show_uri": "https://api.kexp.org/v2/shows/5786/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 347506, "uri": "https://api.kexp.org/v2/plays/347506/?format=api", "airdate": "2019-06-28T16:53:00-07:00", "show": 5786, "show_uri": "https://api.kexp.org/v2/shows/5786/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Constant Craving", "track_id": "8a03bac7-faac-436a-bd67-966e08f21319", "recording_id": null, "artist": "k.d. lang", "artist_ids": [ "675c1c5e-5625-4a5e-97a2-b02aab5db2fc" ], "album": "Ingénue", "release_id": "35f3d5ac-8e80-4ca4-8bdd-c144709bf933", "release_group_id": null, "labels": [ "Sire Records" ], "label_ids": [], "release_date": "1992-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "\"Constant Craving\" was written by k.d. lang and Ben Mink, and performed by k.d. lang on her album Ingénue. The song first made the charts in 1992, and won her the Grammy Award for Best Female Pop Vocal Performance in 1993 and an MTV Video Music Award for Best Female Video. The Rolling Stones used a refrain very similar to that of \"Constant Craving\" in their 1997 single \"Anybody Seen My Baby?\" They later gave writing credits on that song to k.d. lang and Mink, shared with the original authors Mick Jagger and Keith Richards. <br><br>The music video was filmed in black-and-white. It presents a fanciful recreation of the premiere of Samuel Beckett's play Waiting for Godot in Paris, 1953. Here, she is depicted singing backstage while the actors perform. The director, Mark Romanek, says the song's lyrics of desperation and waiting fit well with the themes of Beckett's play. Much to Lang's surprise, the video won Best Female Video at the 1993 MTV Video Music Awards. https://bit.ly/2xhB2Dk www.youtube.com/watch?v=oXqPjx94YMg", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 347508, "uri": "https://api.kexp.org/v2/plays/347508/?format=api", "airdate": "2019-06-28T16:56:36-07:00", "show": 5786, "show_uri": "https://api.kexp.org/v2/shows/5786/?format=api", "image_uri": "http://coverartarchive.org/release/9985d26f-faaf-4256-8d25-ece0aa890246/21176890203-250.jpg", "thumbnail_uri": "", "song": "Time to Regulate", "track_id": "174c3ddb-b46e-4795-a5ac-7796376eb869", "recording_id": null, "artist": "Jenn Champion", "artist_ids": [ "47553783-12bd-4f2c-999c-d5743be93668" ], "album": "Single Rider", "release_id": "9985d26f-faaf-4256-8d25-ece0aa890246", "release_group_id": null, "labels": [ "Hardly Art" ], "label_ids": [ "0cf56645-50ec-4411-aeb6-c9f4ce0f8edb" ], "release_date": "2018-07-13", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Fans of Jenn Champion (formerly “S”) have praised her open-hearted lyrics, expertly-deployed melancholia, technical skill, and willingness to forgo conventions, but mostly they’ve praised her for making albums they could cry to. With the release of Cool Choices in 2014, Champion made what many considered the best record of her career, and a lot of people cried to it. \n\nOn Single Rider, Champion brings with her all those skills and vulnerabilities, but it is not a record for wallowing: it is a record for intense eye contact on the dancefloor. “Sometimes you are sad and you just want to dance about it,” said Champion. https://bit.ly/2Jn3g7m", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 347510, "uri": "https://api.kexp.org/v2/plays/347510/?format=api", "airdate": "2019-06-28T17:00:02-07:00", "show": 5786, "show_uri": "https://api.kexp.org/v2/shows/5786/?format=api", "image_uri": "http://coverartarchive.org/release/873145f0-de50-4d2a-bbe8-2978e317002a/14895870966-250.jpg", "thumbnail_uri": "", "song": "On the Regular", "track_id": "be520597-b811-4613-840d-4e902622c186", "recording_id": null, "artist": "Shamir", "artist_ids": [ "44265511-306b-438d-940a-8fb07fba2d88" ], "album": "Ratchet", "release_id": "873145f0-de50-4d2a-bbe8-2978e317002a", "release_group_id": null, "labels": [ "XL Recordings Ltd." ], "label_ids": [ "4509f80b-403c-46b5-bfb5-be77374cb90c" ], "release_date": "2015-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Shamir grew up in North Las Vegas, an area that he has called \"cookie-cutter suburban.\" He was raised as a Muslim but describes himself as \"more spiritual than religious, I don't believe in god per se, I kind of feel like god is the universe.\" Shamir is non-binary, informing an interviewer in 2015 that \"I don't identify as gay because I don't identify as male or female\". Although he does not have a preferred pronoun, he is comfortable with male pronouns, and \"never really got\" singular they.\n<br><br>\nHis aunt was in the music business and lived with Shamir and his mother. Bass players and producers were guests at the family's home, helping his aunt with her songs. His parents and aunt introduced him to a wide range of music, including hip-hop, R&B, Outkast, Groove Theory, and singers like Billie Holiday, Nina Simone and Janis Joplin. At age nine, Shamir received an Epiphone guitar, and began writing music.\n\nAt age 16, he formed a punk band with a friend, but the band ended quickly when his partner froze on stage at their first gig. During his high school years, he recorded tracks for his first EP. Shortly after graduating from high school, he sent a demo tape to the Godmode label in New York City. The label founder Nick Sylvester signed him to the label. https://bit.ly/2FH39QZ", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 347512, "uri": "https://api.kexp.org/v2/plays/347512/?format=api", "airdate": "2019-06-28T17:03:00-07:00", "show": 5786, "show_uri": "https://api.kexp.org/v2/shows/5786/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "(Downtown) Dancing", "track_id": null, "recording_id": null, "artist": "YACHT", "artist_ids": [ "f6a0a03f-3b2f-4d3a-b4b4-34ca4ce7f3cb" ], "album": "", "release_id": null, "release_group_id": null, "labels": [], "label_ids": [], "release_date": "1950-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "The “(Downtown) Dancing” video was created by London-based artist and designer Barney McCann; his experimental typeface, “Obsolete,” uses a neural network to determine efficient transitions between letterforms: youtu.be/Exgd6AW-NKg | Can't get enough of this track from the Los Angeles-based band? Head over here: https://yacht.bandcamp.com/", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 347513, "uri": "https://api.kexp.org/v2/plays/347513/?format=api", "airdate": "2019-06-28T17:08:35-07:00", "show": 5786, "show_uri": "https://api.kexp.org/v2/shows/5786/?format=api", "image_uri": "http://coverartarchive.org/release/d369d374-0ceb-3569-aabe-e8fbe700d85f/954452270-250.jpg", "thumbnail_uri": "", "song": "Disco Infiltrator", "track_id": "4730cd51-114d-37c8-a77b-cb51a2da7190", "recording_id": null, "artist": "LCD Soundsystem", "artist_ids": [ "2aaf7396-6ab8-40f3-9776-a41c42c8e26b" ], "album": "LCD Soundsystem", "release_id": "d369d374-0ceb-3569-aabe-e8fbe700d85f", "release_group_id": null, "labels": [ "DFA Records" ], "label_ids": [ "32d02635-98fc-4405-94e1-e5b06f9d2025" ], "release_date": "2005-02-15", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Found on the band's eponymous debut album, this track contains a sample from Kraftwerk's \"Home Computer,\" and was released on June 6, 2005 as the debut's sixth single.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 347514, "uri": "https://api.kexp.org/v2/plays/347514/?format=api", "airdate": "2019-06-28T17:13:52-07:00", "show": 5786, "show_uri": "https://api.kexp.org/v2/shows/5786/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 347515, "uri": "https://api.kexp.org/v2/plays/347515/?format=api", "airdate": "2019-06-28T17:20:00-07:00", "show": 5786, "show_uri": "https://api.kexp.org/v2/shows/5786/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Little Plastic Castle", "track_id": "6301645b-3121-3661-8442-00e0608e383f", "recording_id": null, "artist": "Ani DiFranco", "artist_ids": [ "a7bdc71f-697a-45d9-92b2-a01fbbe50272" ], "album": "Little Plastic Castle", "release_id": "a872c9da-8fff-4978-b1aa-9856c5431f31", "release_group_id": null, "labels": [ "Righteous Babe Records" ], "label_ids": [], "release_date": "1998-02-17", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "To create this album, DiFranco returned to one of her favorite places to record—the live-in studio called the Congress House in Austin, Texas. In this relaxed setting she commented, \"This album seemed to happen more organically than earlier studio releases.\" Ani is joined by drummer Andy Stochansky and bassist Jason Mercer who played with her on her 1997 tours, as well as bassist Sara Lee who toured with Ani in 1996. LPC also prominently features outside musicians, drummer Jerry Marotta (Peter Gabriel, Indigo Girls), and the horn section composed of three Austin session musicians who add flavor to \"Little Plastic Castle\" and \"Deep Dish.\" In addition to these guests is the distinguished trumpeter Jon Hassell from Los Angeles, an avant-garde composer who has worked with such diverse figures as Brian Eno, LaMonte Young, Talking Heads and k.d. lang. https://bit.ly/2xlYsY9", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 347518, "uri": "https://api.kexp.org/v2/plays/347518/?format=api", "airdate": "2019-06-28T17:23:34-07:00", "show": 5786, "show_uri": "https://api.kexp.org/v2/shows/5786/?format=api", "image_uri": "http://coverartarchive.org/release/7c19a32a-94c5-45ea-8f25-b0d31fadf7ca/23413343666-250.jpg", "thumbnail_uri": "", "song": "Forever Half Mast", "track_id": "fe43b3ea-9670-4deb-ab2b-7b58bcf6faef", "recording_id": null, "artist": "Lucy Dacus", "artist_ids": [ "dbe7fdf7-81b2-418b-b3f6-81ae71532f40" ], "album": "Forever Half Mast", "release_id": "7c19a32a-94c5-45ea-8f25-b0d31fadf7ca", "release_group_id": null, "labels": [ "Matador" ], "label_ids": [ "229bd4be-8cd7-442c-85b0-5007ea353abc" ], "release_date": "2019-06-25", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Of this track, Dacus reveals, \"There is a daily dissonance one endures as an American wherein much of our joy is counterweighted by shame, where much of our pride lives in tandem with injustice and suffering. 'Forever Half Mast' is about confronting this unavoidable culpability as an American citizen and consumer. Instead of allowing this guilt to paralyze us, we should try to let it influence us in positive ways.\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 347519, "uri": "https://api.kexp.org/v2/plays/347519/?format=api", "airdate": "2019-06-28T17:27:31-07:00", "show": 5786, "show_uri": "https://api.kexp.org/v2/shows/5786/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "I Wanna Be Your Girlfriend", "track_id": "108bbba6-c550-412d-9c60-4e4265933015", "recording_id": null, "artist": "girl in red", "artist_ids": [ "4ae429fe-735c-4968-8253-a591421b1bd0" ], "album": "Chapter 1", "release_id": "7c65ced9-4c7c-472c-b8b4-0bf4b63b0764", "release_group_id": null, "labels": [ "[no label]" ], "label_ids": [ "157afde4-4bf5-4039-8ad2-5a15acc85176" ], "release_date": "2018-09-14", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Playing The Crocodile on Monday, September 23, 2019! Marie Ulven (born February 16, 1999), known professionally as Girl In Red, is a Norwegian musician; she began making music at a young age and even released music in Norway before she began producing music under Girl In Red. Ulven started posting her music on SoundCloud under the user Lydia x and started gaining attention. Not long after, she released her debut EP in 2018 titled chapter 1. Ulven's song \"I Wanna Be Your Girlfriend\" was listed at number 9 on The New York Times list of \"The 68 Best Songs of 2018.\" https://bit.ly/2Jbytbv", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 347521, "uri": "https://api.kexp.org/v2/plays/347521/?format=api", "airdate": "2019-06-28T17:30:49-07:00", "show": 5786, "show_uri": "https://api.kexp.org/v2/shows/5786/?format=api", "image_uri": "http://coverartarchive.org/release/afbdab91-97b9-460a-967e-6dbf7c71d2bb/22880748414-250.jpg", "thumbnail_uri": "", "song": "Where Is Her Head", "track_id": "093946fd-089b-4987-9d61-e1c8d2087e2c", "recording_id": null, "artist": "The National", "artist_ids": [ "664c3e0e-42d8-48c1-b209-1efca19c0325" ], "album": "I Am Easy to Find", "release_id": "afbdab91-97b9-460a-967e-6dbf7c71d2bb", "release_group_id": null, "labels": [ "4AD" ], "label_ids": [ "a539bb1e-f2e1-4b45-9db8-8053841e7503" ], "release_date": "2019-05-17", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "This song features lead vocals by Aaron Dessner, as well as Eve Owens... daughter of Clive! <br><br> Dessner notes, \"Maybe because there’s something more straightforward to how I sing, it feels different than what Matt would write—maybe I should feel embarrassed about that. [laughs] And then Eve has this bell-clear English voice, which made it even brighter. It’s fun to play live; it goes off the rails in a really nice way.\"", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
