Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=2577020&ordering=airdate
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=2577040&ordering=airdate", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=2577000&ordering=airdate", "results": [ { "id": 350464, "uri": "https://api.kexp.org/v2/plays/350464/?format=api", "airdate": "2019-07-05T13:37:21-07:00", "show": 5835, "show_uri": "https://api.kexp.org/v2/shows/5835/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 350465, "uri": "https://api.kexp.org/v2/plays/350465/?format=api", "airdate": "2019-07-05T13:39:36-07:00", "show": 5835, "show_uri": "https://api.kexp.org/v2/shows/5835/?format=api", "image_uri": "http://coverartarchive.org/release/56fbddee-82d3-4796-839b-f0cf06f78b6c/2571015073-250.jpg", "thumbnail_uri": "", "song": "A Real Cool Time", "track_id": "260269f0-ee75-32e1-8011-41ab6d20ce96", "recording_id": null, "artist": "Ramones", "artist_ids": [ "d6ed7887-a401-47a8-893c-34b967444d26" ], "album": "Halfway to Sanity", "release_id": "56fbddee-82d3-4796-839b-f0cf06f78b6c", "release_group_id": null, "labels": [ "Sire Records" ], "label_ids": [ "be0fec81-5c18-4494-8bbf-0d81dec006bf" ], "release_date": "1987-09-15", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": null, "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350466, "uri": "https://api.kexp.org/v2/plays/350466/?format=api", "airdate": "2019-07-05T13:42:12-07:00", "show": 5835, "show_uri": "https://api.kexp.org/v2/shows/5835/?format=api", "image_uri": "http://coverartarchive.org/release/26a75c55-00de-4de3-b419-3bb7bd3a2982/22859902189-250.jpg", "thumbnail_uri": "", "song": "Got You", "track_id": "1afc6d36-b291-464f-ace9-c99a551b61b7", "recording_id": null, "artist": "Amyl and The Sniffers", "artist_ids": [ "0f74b263-65bf-4027-9708-45aadf40122d" ], "album": "Amyl and The Sniffers", "release_id": "26a75c55-00de-4de3-b419-3bb7bd3a2982", "release_group_id": null, "labels": [ "ATO Records" ], "label_ids": [ "b63922e9-da3c-4e41-9eda-ae1b11d33a1a" ], "release_date": "2019-05-24", "rotation_status": "Medium", "is_local": false, "is_request": false, "is_live": false, "comment": null, "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350467, "uri": "https://api.kexp.org/v2/plays/350467/?format=api", "airdate": "2019-07-05T13:44:26-07:00", "show": 5835, "show_uri": "https://api.kexp.org/v2/shows/5835/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "False Anthem", "track_id": "17aaaf5c-cac8-4a35-8cfb-90f9044a74fe", "recording_id": null, "artist": "Summer Cannibals", "artist_ids": [ "eae09e20-597c-4347-9349-906b6538ae00" ], "album": "Can't Tell Me No", "release_id": "0394e6da-c763-4954-9766-b5ec3a501085", "release_group_id": null, "labels": [ "Tiny Engines" ], "label_ids": [ "2610903c-f0ac-4e7c-a2ab-c50f7468a8c2" ], "release_date": "2019-06-28", "rotation_status": "Light", "is_local": false, "is_request": false, "is_live": false, "comment": "LIVE on KEXP Fri. July 26 at 12pm. Open for public viewing.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350468, "uri": "https://api.kexp.org/v2/plays/350468/?format=api", "airdate": "2019-07-05T13:52:01-07:00", "show": 5835, "show_uri": "https://api.kexp.org/v2/shows/5835/?format=api", "image_uri": "http://coverartarchive.org/release/ea4ad745-0c79-47bf-bcb1-f6b037fe2a65/21881263416-250.jpg", "thumbnail_uri": "", "song": "Head Alone", "track_id": "4d0e7762-bf2a-42cc-b9ae-e92eeaa3fd85", "recording_id": null, "artist": "Julia Jacklin", "artist_ids": [ "f95d0f4f-d344-4acd-bec8-cc512b40f629" ], "album": "Crushing", "release_id": "ea4ad745-0c79-47bf-bcb1-f6b037fe2a65", "release_group_id": null, "labels": [ "Polyvinyl" ], "label_ids": [ "2ad60482-164f-4e5c-ac78-1f5267d4fdc0" ], "release_date": "2019-02-22", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "LIVE on KEXP Mon. Aug. 12 at 12pm. Open for public viewing.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350469, "uri": "https://api.kexp.org/v2/plays/350469/?format=api", "airdate": "2019-07-05T13:55:03-07:00", "show": 5835, "show_uri": "https://api.kexp.org/v2/shows/5835/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 350470, "uri": "https://api.kexp.org/v2/plays/350470/?format=api", "airdate": "2019-07-05T13:55:49-07:00", "show": 5835, "show_uri": "https://api.kexp.org/v2/shows/5835/?format=api", "image_uri": "http://coverartarchive.org/release/59143316-e940-4750-905a-23b498f69b13/6767173406-250.jpg", "thumbnail_uri": "", "song": "An Ocean in Between the Waves", "track_id": "7a71821c-f542-4025-ab47-29d752c9ed4b", "recording_id": null, "artist": "The War on Drugs", "artist_ids": [ "87b9b3b8-ab93-426c-a200-4012d667a626" ], "album": "Lost in the Dream", "release_id": "59143316-e940-4750-905a-23b498f69b13", "release_group_id": null, "labels": [ "Secretly Canadian" ], "label_ids": [ "dd6afc9a-6352-4c96-aeb6-9a73e2bf1519" ], "release_date": "2014-03-18", "rotation_status": null, "is_local": false, "is_request": false, "is_live": false, "comment": null, "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350471, "uri": "https://api.kexp.org/v2/plays/350471/?format=api", "airdate": "2019-07-05T14:03:04-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 350472, "uri": "https://api.kexp.org/v2/plays/350472/?format=api", "airdate": "2019-07-05T14:03:27-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "http://coverartarchive.org/release/42698308-2c61-4ad7-a9bd-e53c395518ec/13591340403-250.jpg", "thumbnail_uri": "", "song": "Happy", "track_id": "b66e90b0-7002-4c61-8b8e-25f10b6b4f7c", "recording_id": null, "artist": "Mitski", "artist_ids": [ "fa58cf24-0e44-421d-8519-8bf461dcfaa5" ], "album": "Puberty 2", "release_id": "42698308-2c61-4ad7-a9bd-e53c395518ec", "release_group_id": null, "labels": [ "Dead Oceans" ], "label_ids": [ "f70f950f-2587-4f85-a5c7-b483a47bd2e9" ], "release_date": "2016-06-17", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "“Happiness fucks you. Happiness is up, sadness is down, but one’s almost more destructive than the other. When you realize you can’t have one without the other, it’s possible to spend periods of happiness just waiting for that other wave.” ~ Mitski Miyawaki on the spirit of this album", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350473, "uri": "https://api.kexp.org/v2/plays/350473/?format=api", "airdate": "2019-07-05T14:07:00-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Sight of You", "track_id": "b31887c7-8a75-3bc6-ad9d-e80490550e8c", "recording_id": null, "artist": "Pale Saints", "artist_ids": [ "1584532a-62ed-4cbe-ad95-6def0af7df35" ], "album": "Mrs. Dolphin", "release_id": "85dd8fd2-86c4-4632-b535-6442f9043398", "release_group_id": null, "labels": [ "4AD" ], "label_ids": [], "release_date": "1991-01-10", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Pale Saints began as a jangly indie pop band in 1987, influenced by Primal Scream's early sound. By the time they released their first EP, Barging Into the Presence of God (1989), the band went into a direction that displayed a mix of Ian Masters' choirboy-like vocals along with dark atmospheric and noisy pop tunes. Ashley Horner from Edsel Auctioneer briefly joined the band on guitar in the same year.The band was signed to 4AD Records after their first London show, by the label's chief Ivo Watts-Russell.\n\nTheir first album, The Comforts of Madness, was produced by John Fryer and Gil Norton.and released in 1990, and reached the top 40 of the UK Albums Chart. https://bit.ly/2YB8YXt", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350474, "uri": "https://api.kexp.org/v2/plays/350474/?format=api", "airdate": "2019-07-05T14:11:38-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "http://coverartarchive.org/release/6629d170-17fb-44e5-b2e0-365c751184b6/7908388160-250.jpg", "thumbnail_uri": "", "song": "Head On", "track_id": "edce8dff-7dee-4530-abed-bdd3ab689719", "recording_id": null, "artist": "The Jesus and Mary Chain", "artist_ids": [ "e938a15c-b17e-4e7a-9f68-ff0d536cab44" ], "album": "Automatic", "release_id": "6629d170-17fb-44e5-b2e0-365c751184b6", "release_group_id": null, "labels": [ "Warner Bros. Records" ], "label_ids": [ "c595c289-47ce-4fba-b999-b87503e8cb71" ], "release_date": "1989-01-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Jim Reid on participating in the Lollapalooza tour of ’92, and why it was the worst time of his life: \"It was pretty intense. We did do a lot of drugs and drank a lot. I got a drinking problem and I know William has. I haven’t had a drink in nine months. Lollapalooza was a ten-week tour and in the first few days, we realized it wasn’t for us. We realized we weren’t really going to have a good time. We tried to get off the tour. We asked if we could just leave the tour. They were basically saying we couldn’t or they’d sue us. We were stuck with it. The only way we could get through it was to get absolutely fucked up. We were on at 2 o’clock in the afternoon, which was partly the problem. We are kind of a nighttime band. It was really bad for your health, too, because I’d get incredibly drunk for the show and afterwards I’d collapse in my bunk then wake up at 8 in the evening and get drunk all over again. There was a drug aspect to it, as well. It got pretty mental on that tour.\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350475, "uri": "https://api.kexp.org/v2/plays/350475/?format=api", "airdate": "2019-07-05T14:15:36-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "http://coverartarchive.org/release/49936617-caeb-432f-b426-e8f3ce15043f/10694506467-250.jpg", "thumbnail_uri": "", "song": "Bros", "track_id": "dcbae58e-39ce-4a95-ba24-e3e3d0650e0d", "recording_id": null, "artist": "Wolf Alice", "artist_ids": [ "3547f34a-db02-4ab7-b4a0-380e1ef951a9" ], "album": "My Love Is Cool", "release_id": "49936617-caeb-432f-b426-e8f3ce15043f", "release_group_id": null, "labels": [ "RCA" ], "label_ids": [ "1ca5ed29-e00b-4ea5-b817-0bcca0e04946" ], "release_date": "2015-06-23", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Ellie Rowsell comments: “‘Bros’ is a sentimental tune to us, it’s grown and changed with us over the past couple of years, taking on different shapes and forms until it evolved into being this definitive album version. It’s an ode to childhood imagination and friendship and all the charm that comes with that. The live response to the song has been truly humbling.” www.nme.com/news/music/wolf-alice-40-1215056", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350476, "uri": "https://api.kexp.org/v2/plays/350476/?format=api", "airdate": "2019-07-05T14:19:05-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "http://coverartarchive.org/release/e055d9fc-677e-49ec-95b1-c73ec653a727/22366660452-250.jpg", "thumbnail_uri": "", "song": "Obsessed", "track_id": "84f412ff-50ff-4039-b795-70ccfa3674fa", "recording_id": null, "artist": "Hatchie", "artist_ids": [ "b51f07c9-a42c-4ea7-b5ed-ce4b7f47101a" ], "album": "Keepsake", "release_id": "e055d9fc-677e-49ec-95b1-c73ec653a727", "release_group_id": null, "labels": [ "Double Double Whammy" ], "label_ids": [ "4eb25f65-0b0b-49ac-9089-167f0a9d211b" ], "release_date": "2019-06-21", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "Playing Barboza on September 28th! Experimenting with different techniques, Harriet Pilbeam, aka Hatchie, comments on the gradual expansions she’s taken and branching out to various sub-genres while still maintaining a steadfast sweet and poetic sound. “I feel like I’ve filled in a few more gaps between different types of songs I wanted to do,” as she carefully balances her initial strengths as a pop songstress on Keepsake, being aware to not alienate her original visions and audience. Defining her own trajectory, Hatchie maintains 100% of the say in the packaging of her records and merchandise. Initially with Keepsake, she played around with ideas involving actual keepsakes and memorabilia around her house and objects closest to her, but instead went with a happenstance choice of a promotional photo, distorting and affecting her physical features, that wasn’t planned for the album cover. “I really love the color scheme, I knew that I wanted [the album cover] to be green or blue.\" https://bit.ly/30gAMB8", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350477, "uri": "https://api.kexp.org/v2/plays/350477/?format=api", "airdate": "2019-07-05T14:23:56-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 350478, "uri": "https://api.kexp.org/v2/plays/350478/?format=api", "airdate": "2019-07-05T14:28:02-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Falling", "track_id": "5a75bf49-15a8-4105-9336-2ca4102a8b9f", "recording_id": null, "artist": "Dude York", "artist_ids": [ "1ce990a5-52a0-448f-ba6d-4cc011ebe4b3" ], "album": "Falling", "release_id": "41d15bac-b1b1-49f3-a443-6797217a2379", "release_group_id": null, "labels": [ "Hardly Art" ], "label_ids": [ "0cf56645-50ec-4411-aeb6-c9f4ce0f8edb" ], "release_date": "2019-07-26", "rotation_status": "Heavy", "is_local": true, "is_request": false, "is_live": false, "comment": "Enjoy the adorable video for this track here! www.youtube.com/watch?v=xKT-jmxALIQ", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350479, "uri": "https://api.kexp.org/v2/plays/350479/?format=api", "airdate": "2019-07-05T14:31:42-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "http://coverartarchive.org/release/0b723368-16cb-4bc7-89e4-9187a8f3a600/19234707852-250.jpg", "thumbnail_uri": "", "song": "Artificial", "track_id": "027623f5-5a86-4965-8a5e-c83bba91408d", "recording_id": null, "artist": "Moaning", "artist_ids": [ "d5d4af51-8c20-45ed-9cc4-f8bbbb28289d" ], "album": "Moaning", "release_id": "0b723368-16cb-4bc7-89e4-9187a8f3a600", "release_group_id": null, "labels": [ "Sub Pop Records" ], "label_ids": [ "38dc88de-7720-4100-9d5b-3cdc41b0c474" ], "release_date": "2018-03-02", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "The abrasive post-punk trio comprised of LA DIY veterans, Sean Solomon, Pascal Stevenson, and Andrew MacKelvie, began nearly a decade after the three started playing music together. Solomon, Stevenson, and MacKelvie initially met as teenagers while growing up in the San Fernando Valley, and immediately developed a kinship through Los Angeles’s local music scene. The three began regularly frequenting DIY institutions like The Smell and Pehrspace, eventually selling out dozens of their own shows at both venues with their first few bands. Moaning’s conception came when Solomon sent Stevenson and MacKelvie the first demo for “Don’t Go,” setting the tone for the impulsive songwriting that would follow. The three fleshed out Solomon’s primitive recordings, adding in MacKelvie’s heavy syncopated drumming, and Stevenson’s melodic driving bass and synth parts, capturing each member’s personality in their sparse and fuzzed out tracks. https://moaning.bandcamp.com/album/moaning-2", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350480, "uri": "https://api.kexp.org/v2/plays/350480/?format=api", "airdate": "2019-07-05T14:35:09-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "http://coverartarchive.org/release/cfb14a9a-e063-4beb-8a2c-08e1e74261fe/2846775424-250.jpg", "thumbnail_uri": "", "song": "One Way or Another", "track_id": "bfa2a67d-6073-3f5a-8970-6cf8ad442a79", "recording_id": null, "artist": "Blondie", "artist_ids": [ "4d2956d1-a3f7-44bb-9a41-67563e1a0c94" ], "album": "Parallel Lines", "release_id": "cfb14a9a-e063-4beb-8a2c-08e1e74261fe", "release_group_id": null, "labels": [ "Chrysalis" ], "label_ids": [ "ed5601e5-7c54-426e-982a-1a208dd0b0ad" ], "release_date": "2001-09-11", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Written by Debbie Harry and Nigel Harrison for the band's third studio album, Parallel Lines (1978), the song was inspired by one of Harry's ex-boyfriends who stalked her after their breakup. Harry explained:\n\n\"I was actually stalked by a nutjob so it came out of a not-so-friendly personal event. But I tried to inject a little bit of levity into it to make it more lighthearted. I think in a way that's a normal kind of survival mechanism. You know, just shake it off, say one way or another, and get on with your life. Everyone can relate to that and I think that's the beauty of it.\" https://bit.ly/2qVz2uQ", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350481, "uri": "https://api.kexp.org/v2/plays/350481/?format=api", "airdate": "2019-07-05T14:38:38-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Hard to Kill", "track_id": "7acbeaa5-0a41-4f0d-86d8-6f3685789c66", "recording_id": null, "artist": "Bleached", "artist_ids": [ "7081867c-8870-4f44-ae04-f345f6edcd64" ], "album": "Don’t You Think You’ve Had Enough?", "release_id": "9d9dc917-b490-4e37-8c79-1c3bf68bfd58", "release_group_id": null, "labels": [ "Dead Oceans" ], "label_ids": [ "f70f950f-2587-4f85-a5c7-b483a47bd2e9" ], "release_date": "2019-07-12", "rotation_status": "Medium", "is_local": false, "is_request": false, "is_live": false, "comment": "Of this album, Bleached's Jennifer Clavin reveals, “Writing these songs while sober became somewhat of a spiritual experience. I had to let go, trust in the process, and allow an energy beyond my control to be present.”", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350482, "uri": "https://api.kexp.org/v2/plays/350482/?format=api", "airdate": "2019-07-05T14:42:12-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 350483, "uri": "https://api.kexp.org/v2/plays/350483/?format=api", "airdate": "2019-07-05T14:44:35-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Decoration/Currency", "track_id": "e24a8014-4137-44d3-84bf-e7e7d6cf2341", "recording_id": null, "artist": "Girl Friday", "artist_ids": [ "f31aa6fd-ad23-4ea2-b223-8766a0514a26" ], "album": "Fashion Conman", "release_id": "fe445047-9147-4e83-9507-65be8632293f", "release_group_id": null, "labels": [ "Hardly Art" ], "label_ids": [ "0cf56645-50ec-4411-aeb6-c9f4ce0f8edb" ], "release_date": "2019-06-28", "rotation_status": "Light", "is_local": false, "is_request": false, "is_live": false, "comment": "Girl Friday play Chop Suey on Thursday, Aug 1st in support of The Beths. <br/><br/>The L.A-based quartet, founded by bassist Libby Hsieh and guitarist Vera Ellen after they met at a UCLA house party a couple of years back, operates collectively, each member taking turns at the microphone and equal parts in songwriting; they’re all big personalities and big presences, but they find balance—and complement—in one another. There had been iterations of the band before, but none had truly clicked until drummer Virginia Pettis and guitarist Sierra Scott joined. This is the iteration of the band found on Girl Friday’s new EP, Fashion Conman; in four nimble tracks, these young women are able to fuse mod-pop a la the early Bangles with ‘90s alt-rock (“we all love Hole,” they say with enthusiasm), the urgency and tension of minimalist ‘70s post-punk, and contemporary observations, without sounding like pastiche. https://bit.ly/2S3Rl0g", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
