Play Public List
Information about plays
list: List of plays
retrieve: Information about a specific play by ID
GET /v2/plays/?format=api&offset=2577060&ordering=airdate
{ "next": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=2577080&ordering=airdate", "previous": "https://api.kexp.org/v2/plays/?format=api&limit=20&offset=2577040&ordering=airdate", "results": [ { "id": 350504, "uri": "https://api.kexp.org/v2/plays/350504/?format=api", "airdate": "2019-07-05T15:49:11-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "http://coverartarchive.org/release/351d23b7-a124-41c9-973e-78ac673b06dd/4516092262-250.jpg", "thumbnail_uri": "", "song": "I Can Change", "track_id": "d76e7776-6b37-345a-9087-5a30b63d385c", "recording_id": null, "artist": "LCD Soundsystem", "artist_ids": [ "2aaf7396-6ab8-40f3-9776-a41c42c8e26b" ], "album": "This Is Happening", "release_id": "351d23b7-a124-41c9-973e-78ac673b06dd", "release_group_id": null, "labels": [ "DFA Records" ], "label_ids": [ "32d02635-98fc-4405-94e1-e5b06f9d2025" ], "release_date": "2010-05-18", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "On the title of the album, James Murphy revealed, \"The title is just the thing we said a lot while making the record, in various contexts. For example, when we got the keys to the mansion in L.A. and we walked in there, we were just standing around, like, 'Where are we going to put the gear?' Because it’s a huge, crazy mansion with no furniture in it. What else do you say but, 'Well, I guess this is happening'? It kept coming up—and also in a very positive tone, like, 'Oh no, this is happening.' You know, when you’re being insistent. It’s just a phrase we kept using in various tones, so I thought using it completely tonelessly on the cover was a way of putting together three words that looked good in blue.\n\nTitles are relatively arbitrary to me; they take on meanings that aren’t really my meanings. Sound Of Silver was just, like, I made the studio silver, and I wanted the record to sound 'more silver.' The first one, I didn’t even bother, because I couldn’t come up with a good title. [Laughs.] This one just seemed like that was the thing that was said most often while making the record.\" https://bit.ly/2XQ3xqA", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350505, "uri": "https://api.kexp.org/v2/plays/350505/?format=api", "airdate": "2019-07-05T15:54:49-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 350506, "uri": "https://api.kexp.org/v2/plays/350506/?format=api", "airdate": "2019-07-05T15:58:02-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "http://coverartarchive.org/release/1e736fa3-7cbb-44f5-851a-38a196f8326f/23163316672-250.jpg", "thumbnail_uri": "", "song": "Hurry On Home", "track_id": "b4b16f3b-8ce3-4394-ab06-c3f0dbc0f59b", "recording_id": null, "artist": "Sleater‐Kinney", "artist_ids": [ "e36e78eb-3ace-4acd-882c-16789e700ab7" ], "album": "Hurry on Home", "release_id": "1e736fa3-7cbb-44f5-851a-38a196f8326f", "release_group_id": null, "labels": [ "Mom + Pop Music" ], "label_ids": [ "e30c6170-fcd5-4c30-9b89-bd1bdcbcaa5f" ], "release_date": "2019-05-29", "rotation_status": "Heavy", "is_local": true, "is_request": false, "is_live": false, "comment": "\"How does brokenness walk? Or move through the world?\" Carrie Brownstein muses in a press release for this album. \"We're always mixing the personal and the political, but on this record, despite obviously thinking so much about politics, we were really thinking about the person — ourselves or versions of ourselves or iterations of depression or loneliness — in the middle of the chaos.\"", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350507, "uri": "https://api.kexp.org/v2/plays/350507/?format=api", "airdate": "2019-07-05T16:00:47-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Kiss, Kiss", "track_id": "c4c005f3-cc3c-3b28-b9b2-c76ca8e3f7c8", "recording_id": null, "artist": "Yeah Yeah Yeahs", "artist_ids": [ "584c04d2-4acc-491b-8a0a-e63133f4bfc4" ], "album": "Is Is", "release_id": "91c2398a-86ae-4631-ae8a-40dae9184491", "release_group_id": null, "labels": [ "Interscope Records" ], "label_ids": [ "2182a316-c4bd-4605-936a-5e2fac52bdd2" ], "release_date": "2007-07-24", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Karen O and Brian Chase first met as students at Oberlin College in Ohio in the late 1990s, where Chase was a jazz student at the conservatory. Karen then transferred to New York University, and while in New York met Zinner in a local bar, where they formed an \"instant connection.\" During this time they also shared a loft with future members of the band Metric. The two formed an acoustic duo called Unitard but soon decided to \"shake things up a bit\" by forming a \"trashy, punky, grimy\" band modeled after the art student, avant-punk bands Karen O was exposed to at Oberlin.[7] After the drummer they initially recruited bowed out, Chase joined the line-up.\n\nThe band wrote a slew of songs at their first rehearsal and soon wound up supporting The Strokes and The White Stripes, earning a significant buzz for their arty and garage punk scene. In late 2001, the Yeah Yeah Yeahs released their self-titled debut EP, which they recorded with Boss Hog's Jerry Teel, on their own Shifty label. https://bit.ly/2OYqtw5", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350508, "uri": "https://api.kexp.org/v2/plays/350508/?format=api", "airdate": "2019-07-05T16:03:33-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "http://coverartarchive.org/release/1faf4495-1239-41b0-8783-ed75da0cc1c1/9028720070-250.jpg", "thumbnail_uri": "", "song": "Hard to Love", "track_id": "1f69680b-a27f-3286-8b61-bf19cd601121", "recording_id": null, "artist": "The Drums", "artist_ids": [ "c3ecef5d-84f3-4942-8c24-0a626343c3f4" ], "album": "Portamento", "release_id": "1faf4495-1239-41b0-8783-ed75da0cc1c1", "release_group_id": null, "labels": [ "Frenchkiss Records" ], "label_ids": [ "dfbbcec7-ad28-4340-a440-c08b064382ba" ], "release_date": "2011-09-13", "rotation_status": "Library", "is_local": false, "is_request": true, "is_live": false, "comment": "It’s hard not to read the Drums' downbeat outlook as a response to Adam Kessler's departure from the band (during their first U.S. tour, no less), and Portamento's sound reflects that change as well. The band’s overt ‘50s and ‘60s pop worship is largely sublimated in favor of post-punk and synth pop, with the notable exception of “What You Were,” a jangly number with a sax solo that recalls both ‘50s rock and the post-punk and new wave acts that resurrected that sound the first time around. https://bit.ly/32aoQCu", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350509, "uri": "https://api.kexp.org/v2/plays/350509/?format=api", "airdate": "2019-07-05T16:07:26-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "http://coverartarchive.org/release/9557e1a7-d012-43e5-986e-990046016d52/23101313894-250.jpg", "thumbnail_uri": "", "song": "The One", "track_id": "d7b32150-6cea-4258-86db-bc0258b50113", "recording_id": null, "artist": "Marika Hackman", "artist_ids": [ "2b4f0c59-bd42-4d5c-9f14-e2a86550b0a8" ], "album": "Any Human Friend", "release_id": "9557e1a7-d012-43e5-986e-990046016d52", "release_group_id": null, "labels": [ "Sub Pop Records" ], "label_ids": [ "38dc88de-7720-4100-9d5b-3cdc41b0c474" ], "release_date": "2019-08-09", "rotation_status": "Light", "is_local": false, "is_request": false, "is_live": false, "comment": "Playing Neumos on November 1st! <br><br>“This whole record is me diving into myself and peeling back the skin further and further, exposing myself in quite a big way. It can be quite sexual. It’s blunt, but not offensive. It’s mischievous. We all have this lightness and darkness in us.”\n\nHackman lifted the album’s title from a documentary about four-year-olds interacting with dementia patients in senior homes. At one point, two little girls confer about their experience there, with one musing on how it’s great to make “any human friend,” whether old or young. “When she said that it really touched a nerve in me,” says the London-based musician. “It’s that childlike view where we really accept people, are comfortable with their differences.” https://bit.ly/2LFQwcT", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350510, "uri": "https://api.kexp.org/v2/plays/350510/?format=api", "airdate": "2019-07-05T16:11:00-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Falling and Laughing", "track_id": "738e73f6-aa63-33a6-9f87-45e6c7ff9ce6", "recording_id": null, "artist": "Orange Juice", "artist_ids": [ "e598d30e-4ce1-402e-94a7-6f44779da6b7" ], "album": "Falling and Laughing", "release_id": "fe4834af-9926-4785-b799-fc0d5915d997", "release_group_id": null, "labels": [ "Postcard Records" ], "label_ids": [], "release_date": "1980-02-01", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "\"Falling and Laughing\" is the debut single by Scottish post-punk band Orange Juice. It was the first single released by the independent rock label Postcard Records, owned by Alan Horne. \"Falling and Laughing\" marked a new shift of the post-punk sound in general, by using themes that were not normally used in the genre, such as love and innocence. It also had a brighter sound, contrasting with the music that their contemporaries, including Joy Division and Echo & the Bunnymen, were making at the time, while maintaining its roots in the experimentalism of the genre. https://bit.ly/2XW5t13", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350511, "uri": "https://api.kexp.org/v2/plays/350511/?format=api", "airdate": "2019-07-05T16:14:47-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Sister Buddha", "track_id": null, "recording_id": null, "artist": "Belle and Sebastian", "artist_ids": [ "e5c7b94f-e264-473c-bb0f-37c85d4d5c70" ], "album": "Sister Buddha", "release_id": null, "release_group_id": null, "labels": [ "Matador" ], "label_ids": [], "release_date": "2019-07-01", "rotation_status": "Medium", "is_local": false, "is_request": false, "is_live": false, "comment": "The track will be featured in the Glasgow band’s score for Days of the Bagnold Summer, out September 13th.\nThe directorial debut of actor-comedian Simon Bird, the soundtrack also features some Belle and Sebastian deep cuts, including “Get Me Away From Here, I’m Dying” from 1996’s If You’re Feeling Sinister. “Simon was adamant he wanted to use it,” Murdoch said in a statement. “He’s a proper fan of the group.” Also included is “I Know Where the Summer Goes,” from the 1998 This Is Just a Modern Rock Song EP and the incredibly rare “Safety Valve.” “That one’s ancient,” Murdoch says of the latter. “It predates the band; it’s maybe 25 years old. The only time I can remember ever playing it was in a coffee shop with a friend of mine, and people scratching their heads.” https://bit.ly/2L79Znc", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350512, "uri": "https://api.kexp.org/v2/plays/350512/?format=api", "airdate": "2019-07-05T16:19:34-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 350513, "uri": "https://api.kexp.org/v2/plays/350513/?format=api", "airdate": "2019-07-05T16:21:50-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "http://coverartarchive.org/release/8941a99a-22c6-4ca3-a9b0-83cbb0f43163/17014894055-250.jpg", "thumbnail_uri": "", "song": "Fire", "track_id": "368c69d5-db70-444f-9296-48f11a4f17db", "recording_id": null, "artist": "Beth Ditto", "artist_ids": [ "a23b8dc2-97f4-4eab-a76d-dc3b2ef4b537" ], "album": "Fake Sugar", "release_id": "8941a99a-22c6-4ca3-a9b0-83cbb0f43163", "release_group_id": null, "labels": [ "Virgin" ], "label_ids": [ "49b58bdb-3d74-40c6-956a-4c4b46115c9c" ], "release_date": "2017-06-16", "rotation_status": "Library", "is_local": true, "is_request": true, "is_live": false, "comment": "Produced by Jennifer Decilveo, Fake Sugar was released on June 16, 2017, through Virgin Records. The album's first single, \"Fire\", was released in April 2017. Incorporating influences from a wide array of genres, the album is regarded as Ditto's \"embracement of her Southern roots.\" https://bit.ly/2L4aPkK", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350514, "uri": "https://api.kexp.org/v2/plays/350514/?format=api", "airdate": "2019-07-05T16:25:08-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "http://coverartarchive.org/release/77e71a68-3b77-4844-adf8-61072da58212/4475638953-250.jpg", "thumbnail_uri": "", "song": "Loaded Gun", "track_id": "e68cbb3d-375c-4fbd-b02b-f6b4cf53168c", "recording_id": null, "artist": "Lightning Dust", "artist_ids": [ "175d0f58-5c4e-40e1-8bb8-a150cdcbb7e4" ], "album": "Fantasy", "release_id": "77e71a68-3b77-4844-adf8-61072da58212", "release_group_id": null, "labels": [ "Jagjaguwar" ], "label_ids": [ "42e06800-76f8-4a5b-a9b6-0983a5d72f17" ], "release_date": "2013-06-25", "rotation_status": "Library", "is_local": true, "is_request": false, "is_live": false, "comment": "From the band's third studio album. Lightning Dust is Amber Webber and Joshua Wells, both of whom recently left Black Mountain to focus on this, and other, projects. Spectre is their recently-released fourth studio album; you can read more about it here, and enjoy their newest single, \"Devoted To\": www.stereogum.com/2048572/lightning-dust-devoted-to/premiere/ <br><br> Webber's sister, Ashley, also performs as Ashley Shadow.", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350515, "uri": "https://api.kexp.org/v2/plays/350515/?format=api", "airdate": "2019-07-05T16:30:00-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Brother", "track_id": "1bb6066e-cdb8-3c1e-ae08-c6f6caf80d63", "recording_id": null, "artist": "The Organ", "artist_ids": [ "2d12e7de-449d-4151-bc65-e5bad7ace24a" ], "album": "Grab That Gun", "release_id": "2c6a3021-15dd-3bcb-ba33-f2461e12fd81", "release_group_id": null, "labels": [ "Mint Records" ], "label_ids": [], "release_date": "2004-11-02", "rotation_status": "Library", "is_local": true, "is_request": false, "is_live": false, "comment": "This was the only full-length release from the band before they broke up. This track was featured on the show \"The L Word,\" Season 2, Episode 2. The album design was done by Mohammad Salemy. https://bit.ly/2xvEEld", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350516, "uri": "https://api.kexp.org/v2/plays/350516/?format=api", "airdate": "2019-07-05T16:32:00-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Drowning", "track_id": null, "recording_id": null, "artist": "BB", "artist_ids": [ "a81437bd-852e-41ff-8d7c-b781ab1925b5" ], "album": "X", "release_id": null, "release_group_id": null, "labels": [ "Self-Released" ], "label_ids": [], "release_date": "1950-01-01", "rotation_status": "Library", "is_local": true, "is_request": false, "is_live": false, "comment": "This Vancouver-based band will be performing at the WISE Hall on July 9th! <Br><br>Lead singer Bella shares, “The song is written and sung from the perspective of someone who is in a romantic relationship with an alcoholic who is abusive to their partner. The title of the track represents the feeling of emotionally drowning in the abuse and feeling like there is no way to 'breathe' and there is no hope of surviving, and encapsulates the process of doing so.” https://bit.ly/2Jq8wFb", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350517, "uri": "https://api.kexp.org/v2/plays/350517/?format=api", "airdate": "2019-07-05T16:36:29-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Spare Me", "track_id": "47dcef6f-16c1-41db-a346-f14484810c88", "recording_id": null, "artist": "Necking", "artist_ids": [ "16291705-8ec8-4b0f-b01d-727a5e3ddd4b" ], "album": "Cut Your Teeth", "release_id": "2e43e692-53a3-4ad1-8f62-136f283c4aeb", "release_group_id": null, "labels": [ "Mint Records" ], "label_ids": [ "71587054-8671-48e3-ae91-fab5315fd06b" ], "release_date": "2019-07-05", "rotation_status": "Light", "is_local": true, "is_request": false, "is_live": false, "comment": "Necking became a band before playing a note of music together. The origin story of the Vancouver-based powerhouse post-punk quartet starts at a party where all four members met for the first time and began boasting untruths about their group’s musical accomplishments. Following a series of fake names including Britney Bitch and Four White Guys, they picked up instruments for real, quickly earning a rep for their live wire performances and no-holds-barred humour. This continues on the band’s debut LP, Cut Your Teeth, a collection of songs about dating woes, cybersex, and self-improvement. Ultimately focused on the friendship shared by the women of Necking, their main motivation is making themselves laugh. https://bit.ly/30apXAm", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350518, "uri": "https://api.kexp.org/v2/plays/350518/?format=api", "airdate": "2019-07-05T16:39:09-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 350519, "uri": "https://api.kexp.org/v2/plays/350519/?format=api", "airdate": "2019-07-05T16:42:00-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "", "thumbnail_uri": "", "song": "Just Walk Away", "track_id": null, "recording_id": null, "artist": "Louise Burns", "artist_ids": [ "e90f6feb-2585-4f0c-afbe-319f0a048429" ], "album": "Just Walk Away", "release_id": null, "release_group_id": null, "labels": [ "Light Organ Records" ], "label_ids": [], "release_date": "2019-07-03", "rotation_status": "R/N", "is_local": true, "is_request": false, "is_live": false, "comment": "Ahead of releasing fourth full-length album Portraits, Burns has shared this first single from the effort.\nWhile the album has yet to receive a release date, a press release notes that material was written early last year in Los Angeles alongside co-producer Damian Taylor (Arcade Fire, the Killers), Stint (Carly Rae Jepsen, Santigold) and Jasper Leak (Sia).\n\nPortraits will also feature appearances from fellow Vancouverites Hannah Georgas, Matt Robertson (Björk), David Prowse (Japandroids) and more. https://bit.ly/2Xu5GZz", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350520, "uri": "https://api.kexp.org/v2/plays/350520/?format=api", "airdate": "2019-07-05T16:47:08-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "http://coverartarchive.org/release/aa16a48e-0b0c-45c3-9f93-96f9281f7323/22303387123-250.jpg", "thumbnail_uri": "", "song": "Heels", "track_id": "c39b536f-2399-4482-a3fe-6914221c001d", "recording_id": null, "artist": "Sir Babygirl", "artist_ids": [ "d2254a15-adf3-4e70-889c-c158d092e773" ], "album": "Crush on Me", "release_id": "aa16a48e-0b0c-45c3-9f93-96f9281f7323", "release_group_id": null, "labels": [ "Father/Daughter Records" ], "label_ids": [ "9b8123f9-7a72-4f91-b56c-8d5c3caec71f" ], "release_date": "2019-02-15", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "Known professionally as Sir Babygirl, Kelsie Hogue is a pop singer, songwriter, and performer. Born in Palo Alto, California, and raised in New Hampshire, she studied drama at Boston University before moving back to New Hampshire, where she played in the Boston hardcore scene and developed the \"Sir Babygirl\" persona on Instagram.\n\nHer musical influences include hardcore, pop punk, as well as early-2000s pop artists such as Britney Spears and Christina Aguilera. Hogue is drawn to the excesses and humor of pop music, but as a non-binary and bisexual person, wants to make pop that speaks to the queer experience, stating, \"I always wanted to blur the lines, and challenge people to see that women and marginalized genders in music can have a fucking sense of humor and be taken seriously.\" https://bit.ly/2Jpvxbs", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350521, "uri": "https://api.kexp.org/v2/plays/350521/?format=api", "airdate": "2019-07-05T16:50:21-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "http://coverartarchive.org/release/2c01fc2c-731d-4315-a5f3-83014c959f5b/23016497135-250.jpg", "thumbnail_uri": "", "song": "Buried in the Sand", "track_id": "ca5d4fd5-5149-4c46-bddb-bc86df725507", "recording_id": null, "artist": "HÆLOS", "artist_ids": [ "74ca2f03-18e4-4ec1-9537-3cfefbcfd4ec" ], "album": "Any Random Kindness", "release_id": "2c01fc2c-731d-4315-a5f3-83014c959f5b", "release_group_id": null, "labels": [ "Infectious Records" ], "label_ids": [ "08a5852e-6847-4a14-9de7-595169ba6771" ], "release_date": "2019-05-10", "rotation_status": "Heavy", "is_local": false, "is_request": false, "is_live": false, "comment": "The success of their debut album Full Circle by UK band, HÆLOS came not only because of their ability to refashion the classic 1990s trip-hop sound of Massive Attack, Portishead, and Tricky for a contemporary audience, but also in their ability to dig deep into core, universal themes like love, faith, and loss. To continue that journey would probably have seen the band repeat themselves - treading on all too familiar ground. Wisely on their second album, Any Random Kindness, the band have decided to focus their gaze outwards, addressing themes ranging from the destruction of the planet to the emptiness and loneliness of social media. Most notably, the band have also chosen to broaden their sound, merging more live instrumentation and analogue synths into their sound and in doing so finding new musical paths to explore. https://bit.ly/2Yx1EfK", "location": 1, "location_name": "Default", "play_type": "trackplay" }, { "id": 350522, "uri": "https://api.kexp.org/v2/plays/350522/?format=api", "airdate": "2019-07-05T16:55:37-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "", "thumbnail_uri": "", "comment": null, "location": 1, "location_name": "Default", "play_type": "airbreak" }, { "id": 350523, "uri": "https://api.kexp.org/v2/plays/350523/?format=api", "airdate": "2019-07-05T16:55:44-07:00", "show": 5836, "show_uri": "https://api.kexp.org/v2/shows/5836/?format=api", "image_uri": "http://coverartarchive.org/release/f6335672-c521-4129-86c3-490d20533e08/7204257757-250.jpg", "thumbnail_uri": "", "song": "The Big Sky", "track_id": "3d9b9125-12bd-3b76-9254-50945834d1e8", "recording_id": null, "artist": "Kate Bush", "artist_ids": [ "4b585938-f271-45e2-b19a-91c634b5e396" ], "album": "Hounds of Love", "release_id": "f6335672-c521-4129-86c3-490d20533e08", "release_group_id": null, "labels": [ "EMI Manhattan" ], "label_ids": [ "6c8f3192-de58-49be-acc4-a11802dcbdb2" ], "release_date": "1985-09-16", "rotation_status": "Library", "is_local": false, "is_request": false, "is_live": false, "comment": "This song is about remembering some of the simple pleasures enjoyed as children that most no longer find the time for, such as spending the afternoon looking at the sky, watching the clouds take on shapes. https://bit.ly/2RZVUbD", "location": 1, "location_name": "Default", "play_type": "trackplay" } ] }
